NIEUWS DEELNEMERS
01/08/2025
Galerie Oscar De Vos - Landscapes along the Golden River
12 July - 14 September 2025
Saturday & Sunday 2-6 PM
Latemstraat 20
9830 Sint-Martens-Latem, Belgium
During this summer, Galerie Oscar De Vos presents a carefully curated selection of forty landscapes of the Lys region, painted between 1880 and 1940. Works by, among others, Emile Claus, Valerius De Saedeleer, Albert Saverys, and Léon De Smet reveal how the picturesque surroundings of the Lys inspired generations of artists. The exhibition features both iconic masterpieces and surprising discoveries by their contemporaries. A unique opportunity to rediscover the soul of Latem art.
oscardevos.be/event/50199
30/07/2025
De Brock - Keith Coventry Gastro - Constructivism
Keith Coventry
Gastro Constructivism
02 August — 07 September, 2025
Zeedijk 758, Knokke
De Brock is pleased to present its third solo exhibition with Keith Coventry, opening on August 2nd.
There is a beauty to Suprematism and its vision to fashion an understanding of a new multi-dimensional, non-Newtonian, world of purity without objects, a non-objective world in flux. This is a world without commodities and philosophy whose attachment to the shape-shifting fourth dimension could never have imagined any association with the birth of globalist deregulationary neo-liberalism. This, however, is just the sort of connection that Keith Coventry – the history painter of the late 20th and early 21st century – brings to bear. If his Junk Paintings harnessed fragments of the Golden Arches of McDonald’s to Suprematism to reveal the tarnished implications of its pure vision, his Gastro-Constructivism deploys its poor relation Burger King to similar ends.
The spark for Coventry’s subjects is found, more often than not, as a part of his daily life – for instance, the particular milieu he inhabits or his leisured walking around a city – and with his current paintings a visit to a Burger King in his hometown Burnley, when its degraded screen-printed schematic renderings of a burger on the walls, sparked his imagination. The constituent parts of a burger were just printed blocks of colour on the wall, each denoting ingredients: bun, cheese, beef, ham, lettuce, onion, gherkin, chicken, meat substitute, fish, relish, sauce, mustard, pickle … the list is endless, a list defining the plenitude of consumerist desire and demands. The blocks of colour in Coventry’s painting define not just the ingredient but also challenge the pathetic belief in control of destiny – that the demand to ‘supersize me’ or ‘hold the mayo’, or any other instruction levelled at the server to construct your perfect burger, is a form of empowerment on behalf of the individual (can belief in one’s own destiny really be realised through placing an order at a fast-food bar?) or is it just an indication of an engaged, relational, individualist enslavement to fast food, globalised, brand power.
Unlike the cheaply printed imagery on the walls of the Burnley Burger King, each of Coventry’s paintings – the colour, touch, facture, impasto and gestured mark making that they reveal – express an aesthetic sensibility and individualist beauty that fruitfully reconstitutes or rearranges Malevich’s geometries. We never see an image of a complete burger with Coventry’s paintings, just a half. He has transformed the disintegrating Burger King imagery, he had at first encountered, into a play of fragments, elements, and traces that are in many ways not unlike a transactional relic, the significance of which is accelerated by its untouchability, framed, and venerated behind glass.
The opening reception will be held in presence of the artist on Saturday 2 August from 5 till 8 pm, please email us for more information.
24/07/2025
Boon Gallery - MASTERS OF ART
25 July -24 August 2025
Kustlaan 197 - 8300 Knokke
Click here for the virtual tour
19/07/2025
MARUANI MERCIER, Master of Surrealism, Group Show
Zeedijk-Het Zoute 759, 8300 Knokke & Kustlaan 90, 8300 Knokke
Public Opening: August 9, 2025 from 11 am – 7 pm

oil on cardboard
painting: 105 x 75 cm, 41 x 30 in
framed: 138 x 110 cm, 54 x 43 in
Joan Miró, Le numéro de Music-Hall, 1938
pencil and gouache on paper
drawing: 25 x 19 cm, 10 x 8 in
framed: 69 x 63 cm, 27 x 25 in
19/07/2025
A & R Fleury, Temporalité du Geste
June 21st - July 25th 2025
Pablo Atchugarry, Olivier Debré, Jorge Eielson, Lucio Fontana, Simon Hantaï, Mao Lizi, Pierre Soulages, Claude Viallat
Temporalité du geste (Temporality of gesture) gathers major abstract artists around the same question: what remains of the artist’s gesture, form and creative breath once time has passed? Folding, twisting, stamping, superimposing, perforating… so many actions that reveal a singular approach to painting, conceived here as a sensitive archive of time. This visual dialogue brings together works that represent the culmination of plastic research initiated from the 1960s to the 1980s.
These works of art are reflections of life, in which each testimony speaks of time acting, erasing and revealing. They remind us that abstraction is not completely detached from the world, but is a deep mirror in which existence is exposed by the artist’s intuition, making it tangible.
18/07/2025
Samuel Vanhoegaerden Gallery - Histoire d'Une Amitié - Papiers -
DE GESCHIEDENIS VAN EEN VRIENDSCHAP/L’HISTOIRE D’UNE AMITIÉ
Pierre Alechinsky & Christian Dotremont
From August 2 until September 19, 2025
“Pierre Alechinsky & Christian Dotremont: de geschiedenis van een vriendschap”
De zomertentoonstelling in de galerij van Samuel Vanhoegaerden zet de unieke relatie tussen PierreAlechinsky (°1927) en Christian Dotremont (1922–1979) in de schijnwerpers. De expositie belicht niet alleenhet veelzijdige oeuvre van Alechinsky, maar ook de artistieke synergie en vriendschap die hij deelde met Dotremont, medeoprichter van de COBRA-beweging.
Papier speelt een centrale rol in het werk van Alechinsky. Zijn tekeningen, gravures, lithografieën en schilderijen zijn diep doordrongen van respect voor het materiaal. Elk vel papier – van Japans rijstpapier tot historische documenten – fungeert als een betekenisvolle drager van expressie. Zijn affiniteit met oosterse kalligrafie, verdiept tijdens een reis naar Japan in 1955, is zichtbaar in zijn vloeiende lijnvoering en de bewuste omgang met witruimte.
De vriendschap tussen Piette Alechinsky en Christian Dotremont begon in 1949 tijdens de eerste COBRA-tentoonstelling in Brussel. Beiden waren jonge kunstenaars, verbonden door hun drang naar experiment en samenwerking. Samen creëerden ze schilderij-gedichten, waarin beeld en taal samensmolten.
Dotremonts logogrammen, waarin poëzie wordt geschilderd, vormden een unieke kruisbestuiving van schrift en beeld –iets wat Alechinsky enorm waardeerde.
Na een tijdelijke breuk in de jaren ’60 vonden de twee elkaar terug, werkten opnieuw “met vier handen” en hervatten hun artistieke dialoog. Alechinsky bleef Dotremonts werk steunen en verzamelen, tot aan diens dood in 1979 – en ook lang daarna, met tentoonstellingen zoals die in het Centre Pompidou.
“Pierre Alechinsky & Christian Dotremont: de geschiedenis van een vriendschap” toont niet enkel kunstwerken op papier, maar ook een intieme geschiedenis van vriendschap, wederzijdse inspiratie en het blijvende belang van de handgetekende lijn in een digitale wereld.
Deze tentoonstelling gaat gepaard met een publicatie onder dezelfde titel: Alechinsky Papiers.
14/07/2025
De Belgische Beroepskamer van Antiquaren (CLAM-BBA) organiseert 'Salon du Mont des Arts'
Donderdag 18 september 2025, 17.00 – 20.00, vernissage
Vrijdag 19 september 2025, 11.00 – 20.00
Zaterdag 20 september 2025, 11.00 – 19.00
20/06/2025
Ingert - Charles-Élie Delprat | Quelques endroits de la terre et du ciel
Picture: Charles-Élie Delprat
Le Petit Nice, bassin d'Arcachon — 2024
Fusain, pierre noire et pastel sur papiers teintés et collés
59,5 x 91 cm | 23.4 x 35.8 in.
Ingert
46 rue Madame, 75006 Paris, France
+33 (0)1 42 79 84 57
ingert.fr
19/06/2025
Stern Pissarro Gallery - Carlos Nadal, Joie de Vivre
Private View: 19 June, 6-8pm - To mark the occasion, Alessandro Nadal, the artist’s son, will give a talk at the opening, offering insight into his father’s life.
Running from 19 June to 26 July, the show gathers thirty works - many never before seen - drawn from an important private collection alongside pieces previously exhibited internationally. Born in Montmartre to Spanish parents, Nadal grew up under the easy camaraderie of the Parisian avant-garde. Frequent visitors to his father’s studio included Braque, Léger, Dufy, Picasso and Utrillo, whose encouragement shaped his earliest paintings. After serving in the Spanish Civil War, Nadal returned to Barcelona, remaining in close contact with Picasso, who continued to mentor the younger artist throughout his career. An eminent critic coined Nadal 'the last of the Fauves' in 1996, a testament to his direct lineage from that radical circle of early-20th-century Expressionists. His work—whether riotous interiors, sun-drenched landscapes or animated coastal scenes—radiates a naïve-expressionist immediacy. Viewers will recognise affectionate nods to Matisse, Léger or Picasso tucked inside his lively salons, yet Nadal’s inimitable palette and sweeping lines deliver pure, unfiltered joy.
Read the press release for more information or view the e-catalogue here. The online catalogue showcases all thirty works from the exhibition, drawn from a significant private collection alongside pieces previously displayed internationally.
www.pissarro.art
Picture: Salon Rojo, 1992, oil on canvas, 89 x 116 cm (35 x 45 ⁵/₈ inches)
14/06/2025
Axel Vervoordt, Shi Zhiying, All Things in Kinship - Curated by Dr. Shen Qilan
Opening in presence of the artist on Saturday, June 14 from 11 a.m. until 6 p.m. Axel Vervoordt Gallery is pleased to present the first solo exhibition in Europe by Chinese artist Shi Zhiying (b. 1979, Shanghai) titled, All Things Kinship. Shi Zhiying’s seascapes and intricate depictions of rocks and gemstones convey the philosophical tension between emergence and concealment. Drawing inspiration from both Eastern and Western art tradition, she adeptly captures the life-movement of the spirit through the rhythm of things and the inner logic of breath emphasised in Chinese painting, utilizing colour, texture, and brushstrokes. In the recent years, she has focussed on colour experimentation to explore concepts of ephemerality and permanence through the interplay of abstraction and figuration.
13/06/2025
Helene Bailly Gallery - Montparnasse & L'Ecole de Paris, histoires d'ateliers
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La Ruche, la Grande Chaumière, la Cité Falguière… autant de lieux de vie et d’ébullition où naissent les chefs-d’œuvre de Kisling, Léger, Modigliani, et bien d’autres. Ces artistes venus du monde entier ont partagé ateliers, idées et amitiés, dans un élan créatif sans précédent.
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www.helenebailly.com
12/06/2025
Galerie Hadjer, From Metal to Wool: Calder’s Tapestries Rise Again
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Picture from the Betchler Museum
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05/06/2025
Galerie Nicolas Bourriaud - Les 10 ans du faubourg
Galerie Nicolas Bourriaud, 205, rue du Faubourg Saint Honoré, 75 008 Paris
Exposition : vendredi 6 juin au samedi 12 juillet 2025
CARPEAUX Jean-Baptiste (1827-1875), Le Prince impérial et son chien Néro (1865)
Bronze à patine brun nuancé, signé « JBte Carpeaux ». Numéroté « 1 »
Fonte au sable sans marque de fondeur. Porte le cachet au « F » couronné
H. 45.5 x L. 22 x P. 20 cm
Circa 1870

DESBOIS Jules (1851-1935), Léda étendue sur le cygne (avant 1915)
Terre cuite d’édition signée « J. Desbois »
H. 18 x L. 25,5 x P. 22 cm
Circa 1915

SEGOFFIN Victor (1867-1925), La suppliante
Bronze à patine brun nuancé, signé « V Segoffin » et daté « 1899 »
Fonte de Alexis Rudier, porte l’inscription « .ALEXIS. RUDIER.Fondeur.Paris. », porte le monogramme de l’artiste et le numéro « 15 »
H. 58,5 x L.18 x P. 18,7 cm
Circa 1910

SANDOZ Édouard-Marcel (1881-1971), Hibou
Bronze à double patine brun rouge et brun vert nuancé signé « Ed. M. Sandoz »
Fonte de Susse, porte la marque du fondeur « Susse Frs Edts Paris »
H. 11,5 x L. 4,5 x P. 5,5 cm Socle en bronze à patine noir nuancé
Circa entre mai 1922 et mars 1927.

PRINCE Paul TROUBETZKOY (1866-1938), La Pensée
Bronze à patine vert antique nuancé, signé et daté « Paul Troubetzkoy »
Fonte d’Attilio Valsuani, porte le cachet du fondeur « CIRE PERDUE A. VALSUANI »
Porte une plaque en bronze « La Pensée / cire perdue / par Paul Troubetzquoy / San-Francisco 1928 ».
H. 45 x L. 38 x P. 24 cm
Socle en plâtre et plaques de marbre brèche d’Alep
Circa avant 1928

BOUCHARD Henri-Louis (1875-1960) Le sculpteur (1924)
Bronze à patine brun noir nuancé, signé « H. BOUCHARD »
Fonte de Bisceglia, porte le cachet du fondeur « BISCEGLIA CIRE PERDUE »
H. 72 x L. 30 x P. 21 cm
Circa 1930
www.galerienicolasbourriaud.com
05/06/2025
DIE GALERIE is delighted to show Pierre Alechinsky and his artist friends
DIE GALERIE, Frankfurt am Main
5. Juni – 10. September 2025 ∙ June 5 – September 10, 2025
Vernissage ∙ Opening: 5. Juni 2025 ∙ June 5, 2025
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Based on personal friendships and connections, DIE GALERIE has long been committed to the artists of the CoBrA group. To this day, there is a particularly strong bond between gallery owner Peter Femfert and Pierre Alechinsky, one of the most influential networkers of CoBrA and, at 97 years of age, the last living representative of this group.
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Grüneburgweg 123, DE-60323 Frankfurt am Main
t. +49 (0)69 971 47 10 | m. +49 (0)171 81 33 125
info@die-galerie.com | www.die-galerie.com
05/06/2025
Objects With Narratives - Solo Show by KRJST Studio and Middernacht & Alexander
Solo show by Middernacht & Alexander, Terra Atlas

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Picture: KRJST Studio
www.objectswithnarratives.com
26/05/2025
Francis Maere Fine Arts - Ooidonk Art Festival 2025 is open
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City Pavilion - www.francismaerefinearts.be
Francis Maere Fine Arts | Kouter 172, 9000 Gent
Opening days: Saturday & Sunday, 11 AM – 6 PM
Tickets: FREE
26/05/2025
Kunsthaus Kende - Highlights of the artworks' range

Covered tankard
Silver, Nuremberg around 1618-1620
Christoff Kramer

Great George II
Tankard
Sterling silver, London 1758
John Wirgman

Mokume-gane vase
Silver, copper, Shakudo, Shibuichi, Kuromido
Okayama 2022,
Ryuhei Sako

Rare fish cutlery
Silver, Bremen 1905/06
Henry van de Velde

Pair of George I Tea Caddies
Britannia silver, London 1720
John Farnell

Rare small bowl
900 silver, Vienna 1918
Wiener Werkstätte
ABOUT US
What began with humble beginnings has become a permanent fixture in the international art trade over the years: as one of the few galleries specializing exclusively in silver objects, our focus is on antique silver and contemporary works by international artists, which we present at art fairs in Brussels, Munich and Salzburg, among others. As a member of the “Verband Deutscher Kunsthandel” and the “CINOA”, our name stands for the quality and originality of our objects.
t. +49 (0)163 26 79 746 I info@kunsthaus-kende.de | kunsthaus-kende.de
23/05/2025
Dei Bardi Art, special focus on Burgundian sculpture
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H 21 x W 16.5 x D 18.5 cm
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Jan Van Schayck, Roof Boos, 1497, Victoria and Albert Museum
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Angel corbel, Brabant, C. 1500, Rijksmuseum
Dei Bardi Art srl
12 rue Watteeu, 1000, Bruxelles
m. +32 (0) 476 74 05 57 I contact@deibardiart.com I www.deibardiart.com
22/05/2025
Galerie Hurtebize, Henri Moore, a new acquisition
Henry MOORE, Girl Seated in Armchair, 1955
22.4 x 17.4 cm
Signed and dated lower left
Literature : Ann Garrould, Henry Moore.
Complete Drawings 1950-76, vol. IV, Much Hadham, 2003, p. 92, n. AG 55-56.9.
The work in registered at the Henry Moore Foundation under n: HMF 2758.
Provenance: Private Collection, Italy
21/05/2025
Galerie Nathalie Obadia Paris - Johan Van de Moortel
May 17 - July 26, 2025 at Paris
Opening Saturday, May 17 - 5pm - 8.30pm
With a performance at 7pm (duration 20mins)
3, rue du Cloître Saint-Merri, Paris 4e
www.nathalieobadia.com