24 - UARY 31 JANUARY RUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

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Galerijen
Galerijen Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Sceners Gallery Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Grusenmeyer-Woliner

Figure of a winged atlas Gandhara, ancient Greco-Buddhist region Pakistan or Afghanistan, 3rd-4th century Grey schist H 34.3 cm Provenance: Shirley Day, New York, 30 January 1992; collection of Martha Sharp Joukowsky, Rhode Island, USA; Christie’s, Paris, property from the Joukowsky Collection (sale), 27 September 2023

 

Galerie Flak

U’u Club Marquesas Islands, Polynesia, 18th or 19th century Carved wood and fibers H 138,5 cm Provenance: David Petty collection, London; Pierre-Richard Royer collection, Paris; Alexandre Bernand collection, Paris; private collection, acquired from the above in September 2016 Exhibition: TEFAF 2024, Maastricht, Serge Schoffel, catalogue T3, p. 28

 

Van Pruissen Asian Art

Tomioka Soichiro (Jōetsu 1922-1994 Tokyo) Oilpainting 'Fireworks', Showa period (1926-1989) Oil on canvas 32 x 42 cm Signed Soichiro Tomioka Provenance: private collection, Japan

 

Labellov

HERMÈS Black Matte Alligator Birkin 35 Gold Hardware, 2017 * Interior lined in tonal Chèvre Mysore goatskin leather * Dimensions: W 35 x H 25 x D 18 cm * Accompanied by its original invoice and CITES certificate

 

Stern Pissarro Gallery

PIERRE-AUGUSTE RENOIR (1841 – 1919) Coco mangeant sa soupe Executed in 1905 Oil on canvas 46.3 x 37.9 cm Signed lower right, Renoir. Provenance: Ambroise Vollard, Paris Private collection, Zürich, circa 1930 Fine Arts Gallery of San Diego, March 1942 (on loan from a Private collection) Dalzell Hatfield Galleries, Los Angeles, 1943-1949 Van Diemen-Lilienfeld Galleries, New York, 1953 Chapin and Mary Alexander Riley, Malibu/Worcester, acquired in 1953 Worcester Art Museum, Massachusetts (inventory no. 1991.238) (one third gifted in 1992 and a second third gifted in 1997) Literature: Principales acquisitions des musées en 1992, Gazette des Beaux-Arts, 1993, p. 65 Guy-Patrice Dauberville and Michel Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. IV, 1903-1910, no. 3415, p. 435 Exhibitions: Amsterdam, Stedelijk Museum, Vincent van Gogh en zijn Tijdgenooten, 1930, no. 269 San Diego, Fine Arts Gallery, 1942 Los Angeles, Dalzell Hatfield Galleries, Renoir (1841-1919), 1943, no. 5 Los Angeles, Dalzell Hatfield Galleries, A Superb Exhibition: Modern French Masters, 1949, p. 5 (travelled to New York, Barbizon Plaza Hotel) Madrid, Museo Thyssen-Bornemisza, Renoir: Intimidad, 18 October 2016 - 22 January 2017, p. 149 (travelled to Bilbao, Museo de Gellas Artes de Bilbao, 7 February - 15 May 2017)

 

Rueb Modern and Contemporary Art

Jan Sluijters (Hertogenbosch 1881-1957 Amsterdam) Greet van Kooten with headband, 1910 Oil on canvas 35,5 x 42 cm Signed and dated Provenance: Collection Salomon Beffie, Amsterdam; collection Willem Beffie, New York; Galerie van Voorst van Beest, The Hague; collection Reens, Amsterdam; collection A.J. van Hillegondsberg, Blaricum; private collection, Amsterdam Literature: On-line Catalogue Raisonné Jan Sluiters-www.rks.nl/images/100130 Exhibition: The Hague, Pulchri Studio, Paintings, drawings and pointes-sèches of Jan Sluijters and Lodewijk, Schelfhout, 3 July - 25 July 1915 n° 40

 

Gallery de Potter d’Indoye

An Empire Writing Table Jacob Frères, Paris, circa 1796-1803 A Mahogany and gilded bronze writing table H 73 x W 86.5 x D 54 Stamped Jacob Freres. Provenance: collection Ségoura, Paris Literature: Michel Beurdeley, Jacob et son temps, Saint-Rémy-en-l'Eau, 2002, p. 83, illustrated as belonging to the Ségoura Collection The rectangular top is supported by four female caryatids in patinated and gilt bronze, modelled as canephorae, their bodies joined by an X-form stretcher. The table bears the stamp JACOB FRÈRES / RUE MESLÉE, used between 1796 and 1803 by the brothers Georges II Jacob (1768-1803) and François-Honoré-Georges Jacob, later known as Jacob-Desmalter (1770-1841). The brothers, sons of the celebrated Parisian menuisier Georges Jacob (1739–1814), took over their father's workshop in 1796 and produced furniture of marked neoclassical character, employing mahogany and richly chased gilt-bronze mounts in response to the developing Directoire and Consular taste.

 

Galleria Barovier&Toso

Fabrizio Plessi (Reggio Emilia1940-2026 Dolo) Bottle Sculpture, 2025 Murano glass by Galleria Barovier&Toso 33 x 12 cm Signed by the artist 'Plessi'

 

CKS Gallery

Jean Gabriel DOMERGUE (1889- 1962) GRAND GALA Oil on canvas; signed, titled and dedicated: A Madame G. Inscriptions on the stretcher: A Jacky Grasseau « Ce coin de la vie parisienne » Dimensions : 100 x 80 cm - Dimensions with the frame : 126 x 107 cm. PROVENANCE: Private collection. EXHIBITION: Galerie Goya, 28 allées de Tourny - Bordeaux, Domergue N°1.

 

Finch & Co

Ancient Celtic Bust of a Radiate Deity ‘Sol Invicta’ Wearing a Halo of the Rays of the Sun Limestone British, 1st Century BC - 1st Century AD H 42 x W 40 x D 20 cm Provenance: private collection West Country UK; Finch and Co, item number 1, catalogue number 30, Summer 2018; private collection Comparative reference: Dr Anne Ross ‘Pagan Celtic Britain’ n° 916, for a similar 'stone radiate deity'

 

Willow Gallery

Georges Mathieu (Boulogne-sur-Mer 1921-2012 Boulogne-Billancourt) Forêts attentives, 1989 Alkyd on canvas 147 x 115cm Signed and inscribed on the reverse Provenance: Galerie Guy Pieters, Brussels; private collection, Brussels; private collection, Savoie; sale, Maison R&C, France, 17 July 2021, Lot 93; private collection, Europe This painting is accompanied by a certificate of authenticity from Mr. Jean-Marie Cusinberche

 

robertaebasta

Mario Quarti (Milan, 1901-1974) Large sideboard in italian walnut, circa 1940 Walnut and brass H 97.5 x W 322 x D 50 cm Provenance: private collection, Italy Main body raised from the floor by three elements show on the fron six doors decorated with an inlaid diamond pattern in walnut of different shades, brass handles.

 

Segoura Fine Art

Gerolamo Cairati (Trieste 1860-1943 Munich) Spes Nostra, 1890 Oil on canvas 119 x 57.5 cm Signed lower left : G.Cairati and dated, 1890 Provenance : Collection off the Dukes of Bavaria Exhibition: Universal Exhibition, St Louis USA, 1904, n°29

 

Thomas Deprez Fine Arts

Josuë DUPON 1864 | 1935 « FLANDRIA » 1914 (model) | pre-1916 (cast) 66 x 71 x 25 cm Patinated bronze, sand-cast Signed on the base: ‘Josuë Dupon’. Titled on the front end of the base: ‘FLANDRIA’. Stamped along the backside of the base: ‘Fonderie Nationale des Bronzes’. PROVENANCE Anonymous sale, Pictura, Ghent, 05/01/2007; Ancienne collection K. D., bought from the above ; Thence by descent. EXHIBITED 1914, Studio of the artist, March, cf. press; 1914, Exposition Henry Luyten et Josué Dupon, April; 1914, Salon Triennale, Brussels, as: nr. "1001. Flandria (plâtre)." 1920, Salon Triennale, Antwerp, as: "Flandria. Brons." 1922, Salon Triennale, Ghent, as: "Flandria. Brons." RELATED DOCUMENTS A letter from Dupon to art historian and collector Max Rooses, dated to 30 March 1914, discusses the sale of a bronze version for 1.800 francs as a special offer at a reduced price. Rooses passed away some 100 days later on July 15th 1914. (Letterenhuis, Antw’en, D922.) PRESS (Full print available on request) René Sancy, " "Flandria" chez M. Josué Dupon", in: Le Matin, 25/03/1914, p. 3. René Sancy, "Exposition Henry Luyten et Josué Dupon", in: Le Matin, 16/04/1916, p. 7. Arnold Goffin, “De driejaarlijksche tentoonstelling te Brussel, II Beeldhouw- en penningkunst”, in: Onze Kunst, Geïllustreerd maandschrift voor beeldende en decoratieve kunsten, Brussel, 13de jaargang, 1914, p. 103: D. Visu. “Driejaarlijksche Tentoonstelling (vervolg en slot)”, in: Het Handelsblad, 20/07/1920, p. 1. “Beeldende kunsten: Driejaarlijksche Tentoonstelling”, in: Gazette van Antwerpen, 08/08/1920, p. 2. “Kunstkroniek: 42e Driejaarlijksch Salon te Gent, XVIII”, in: Vooruit, 04/08/1922, p. 7. Karel Van de Woestyne, “Het driejaarlijksch salon te Gent. V.”, in: N.R.C., 20/09/1922.

 

Mearini Fine Art

Master of Torcello (Venetian Master active circa 1450-1500) Crucifix Popolar wood with polychromy H 40 x W 38 x D 3.5 cm An exceptional masterpiece of the Venetian Renaissance, this small, carved, polychrome wooden Crucifix is ​​certainly attributable to the Master of Torcello, active in Venice in the second half of the 15th century. Work created for private use and devotion, certainly to be included in an 'Altarolo', but absolutely similar to the larger known Crucifixes of the same manufacture, such as the one on the island of Torcello (Venice) in the Basilica of Santa Maria Assunta.

 

Collectors Gallery

Gió Pomodoro (Orciano di Pesaro 1930-2002 Milan) Necklace, circa 1970 Unique 18-karat gold and enamel necklace Inspired by the work of Joan Miró Certificate of authenticity issued by the Gio Pomodoro Archive. Provenance: private collection, Veneto, Italy

 

Galeria Jordi Pascual

Victor Vasarely (Pecs 1908-1997 Paris) Agew, 1991 Acrylic on canvas 120 x 120 cm Certificate of authenticity from Michèle-Catherine Vasarely Provenance: private collection, Bergamo

 

Maison Rapin

Giuseppe Civitelli (Aiello Calabro 1907-1990 Rome) Large polychrome bottle on a pedestal with geometric motifs Circa 1960 H 72 x D 30 cm

 

Spazio Nobile

Pao Hui Kao (Taiwan, 1987) Urushi Black in Red Lacquer Leaf, 2023 Crepe paper, rice glue, Urushi lacquer, red and black pigments, gold kinstsugi, 114 x 70 x 16 cm Unique piece, signed by the artist at the back Black Urushi Paper Pleats, 2023 Tracing paper, rice glue, Urushi lacquer, black pigment Sideboard H 70 x W 135 x D 33 cm Low stool H 45 x ø 32 cm Low bench H 35 x W 130 x D 29 cm Side table H 60 x ø 32 cm Unique pieces, signed and dated by the artist Certificates of authenticity Literature: Pao Hui Kao, 25 Seasons, Artist Book, Spazio Nobile Editions, Brussels, 2024 Exhibitions: Fondation POC, Brussels, 2020; Jewish Museum, Brussels, 2021; LOEWE FOUNDATION Craft Prize Finalist, Seoul, 2022; Pao Hui Kao, 25 Seasons, Solo Exhibition, Spazio Nobile, Brussels, 2023-2024; Fondazione Dries Van Noten, Venice, 2026

 

Objects With Narratives

Laurids Gallée (Austria, 1988) SL02, 2026 Resin, Aluminium, 24V led, transformer plus housing H 123 x W 22 x D 25 cm Edition of 5 + 2 AP Lead time 14-16 weeks

 

Galerie Alexis Pentcheff

Cadre en bois sculpté doré à la feuille, monté avec sa glace au mercure. Ornements symétriques avec quatre chérubins, rinceaux stylisés, feuilles d'acanthe et gemmes aux angles. Espagne, XVIIème siècle. Provenance : Collection Amedeo Montanari Bibliographie : Amedeo Montanari et Roberto Lodi, Répertoire du cadre européen, éditions Galleria Roberto Lodi, 2003, reproduit sous le n°641, p. 323.

 

N. Vrouyr

Etablissements veuve Guillon et fils, Belgium Before 1925 Warp and weft, cellulose, pile, wool 460 x 370 cm Numbered at the back Literature: Arthur De Rudder, International exhibition of modern decorative and industrial arts (Paris, 1925): official catalogue of the belgian section Exhibition: International exhibition of modern decorative and industrial arts, Paris, 1925, Belgian Pavilion, gallery of complete interiors, dining room by the Maison Gustave and Edouard Blondel

 

Galerie Lowet de Wotrenge

Nicolaas Struyck (Amsterdam, 1686-1769) Insect Studies Bodycolour, watercolour and pencil on laid paper 44.5 x 28.2 cm Provenance: 'Verschyden Uyt-lansche Insecten, getekeent na het cabinet van Hn. Seba, J. ten Kate, & C, versamelt door N. Strüyck, Junior', 1719 (an album of drawings by Struyck, disassembled in the XIXth century); private collection, Belgium

 

Galerie Boulakia

Georges Mathieu Louis VII épouse Eléonore d'Aquitaine, 1958 oil on canvas 97 x 162 cm 38 3/16 x 63 3/4 in signed bottom left This artwork is referenced among the authentic artworks of the « Archives by Jean-Marie Cusinberche on Georges Mathieu ». An attestation of the « Archives by Jean-Marie Cusinberche on Georges Mathieu » will be provided to the buyer. Provenance Galerie Europe, Paris

 

Rueb Modern and Contemporary Art

Wilhelm Sasnal (Poland, Tarnów, 1972) 80M2-1000ZT Misie Czenie+Oplay, 1999 Acrylics on canvas 70 x 70 cm Signed and dated on the reverse Provenance: gift from artist to Gijs van Tuyl, Amsterdam (old-director Stedelijk Museum Amsterdam)

 

The old Treasury

Bulgari necklace Turin, Italy, 1970s 18k yellow gold and turquoise Circa 85,5 cm long

 

Argento Gallery

Four portraits of officers Gerard van Honthorst (1592–1656) and workshop 1637–1639 Oil on canvas 76.5 × 63.7 cm each Each signed and dated: two 1637, one 1638 and one 1639 Four unidentified military officers portrayed in armour with differently coloured sashes, each within a painted oval with a sculptural border. Originally belonging to a larger series, the portraits display Honthorst’s characteristic treatment of faces, fabrics and reflected light on metal.. The identities of the officers and the original patron remain unknown. Provenance: - Collection of Charles Marsham, 4th Earl of Romney, Mote Park. - Acquired with Mote Park in 1895 by Marcus Samuel, later 1st Viscount Bearsted. - By descent to his son, Colonel Walter Horace Samuel, 2nd Viscount Bearsted. - Christie’s, London, 13 December 1929, lots 83, 82, 80 and 79. - Presumably inherited by his sister, Nellie Ionides, née Samuel. - By descent in 1968 to her grandson, Toby Jessel, The Old Court House, Hampton Court. - Sotheby’s, London, 30 April 2014, lots 725–728. - Private collection. - Christie’s, London, 1 April 2026, lots 30–33. Literature: Upton House. The Bearsted Collection: Pictures, London: The National Trust, 1964, p. 41, no. 137; J.R. Judson and R.E.O. Ekkart, Gerrit van Honthorst, Doornspijk: Davaco, 1999, pp. 315–316, nos. 475, 474, 478 and 479.

 

F. Baulme Fine Arts

Godfried Maes (Antwerp, 1649-1700) Ceres Transforming the Old Woman’s Son into a Lizard Black chalk, pen and black ink, grey and brown wash on paper 18 x 24 cm Provenance: Maes’s widow sold to Jacob de Wit before 1717; Jacob de Wit sale, Amsterdam, 10 March 1755, n° 87; Cronenburgh sale, 22 March 1762, n° 1; anonymous sale, Mak van Waay collection, Sotheby’s, 15 January 1974, n° 1273; Dr. A. Dreesmann sale, Christie’s, 11 April 2002, n° 668-670 Related works: Engravings by Bernard Picart and Peter van Gunst for the 1732 edition of Ovid’s Metamorphoses translated and annotated by Abbé Banier, a member of the French Academy

 

Maison D'Art

Karel van Vogelaer called Carlo dei Fiori (Maastricht 1653-1695 Rome) Still Life with Flowers Oil on canvas 64.5 x 46 cm Literature: From Light to Enlightenment, Exhibition catalogue, Shanghai Art Museum, 2005, n° 30, pp. 114-116, 150 Exhibition: From Light to Enlightenment, Exhibition in the Shanghai Art Museum, China, 12 -17 November 2005

 

Verdini Antiques

Enrico Podio (Active 1840-1890 between Rome and Venice) High-quality micromosaic table with a bronze base Signed and dated 'Enrico Podio fece Venezia 1863'

 
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