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Stern Pissarro Gallery
maurice estève
Maurice Estève (Culan, 1904-2001) Untitled, circa 1953-1955 Gouache, watercolour and charcoal on paper 52.6 x 69.3 cm (20 ³/₄ x 27 ¹/₄ inches) Signed lower left 'Estève' Provenance: private collection, UK This work is registered in the archives of Mrs Monique Prudhomme-Estève under no. A.78.
Univers du Bronze
jean-baptiste carpeaux
Jean-Baptiste Carpeaux (Valencienne 1827-1875 Courbevoie) Toilette de Vénus, 1855 Circa 1862-1865 Bronze, rich dark red brown patina H 66.8 x W 23.5 x D 14.8 cm Chief model in bronze from the Carpeaux Studio, unsigned Provenance: Carpeaux sale (May 31 mai, June 1st and 2nd 1894, lot n°541); sale December 8-9, 1913 (lot n°1) (...) and assembled as an example; former A. R. collection
Galerie de la Béraudière
jean fautrier
Jean Fautrier (Paris 1898-1964 Châtenay-Malabry) Les feuilles vertes, 1934 Oil on canvas 73 x 60 cm Signed lower left 'Fautrier' Provenance: Jean Paulhan collection, France; Dominique Aury collection, France; private collection, France (by descent); Tajan, Paris, November 23, 2022, lot 44; private collection, Belgium Literature: Marie-José Lefort, Catalogue Raisonné de l'oeuvre peint de Jean Fautrier, Norma éditions, 2023, p. 293, n° 478 (ill.); Palma Bucarelli, Jean Fautrier, Pittura e materia, édition Il Saggiatore, Milan, 1960, ill. n° 107 p. 306 Exhibitions: 1974, Paris, Galeries nationales du Grand Palais, Jean Paulhan à travers ses peintres, cat. n° 563, p. 218
Laurent Schaubroeck
Sergio Rodrigues (Rio de Janeiro, 1927-2014) Mucki bench, 1960s W 300 x D 60 cm Produced by Oca Provenance: private home, Brazil First conceived in 1958 and produced by Oca, the Mucki bench is among Sergio Rodrigues’ most versatile and emblematic designs. Its low, rectangular structure with latitudinal slats and rhythmically placed wood buttons reflects the refined balance between simplicity and sophistication that defines Rodrigues’ work. This exceptional example, measuring three meters in length and an unusual 80 cm in depth, was made to measure in the 1960s - an extremely rare proportion that highlights the adaptability of Rodrigues’ design to specific commissions. Executed in solid rosewood, the bench showcases the rich tonal variations and expressive veins of the wood, underscoring its sculptural quality. A remarkable and rare original, it remains in excellent vintage condition, testifying to the enduring relevance of Rodrigues’ vision.
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Galerie Berès
louis marcoussis
Louis Marcoussis (Poland, Warsaw 1883-1921 Cusset, France) Nature morte au flacon d'opaline, circa 1927 Oil on canvas 73 x 100 cm Signed lower right 'Marcoussis' Literature: Les Cahiers d'Art, 1927, n° 7-8, p. 5 Certificate of authenticity n° 1200H143 by Solange Milet on 4 December 2000
Alexis Lartigue
victor vasarely
Victor Vasarely (Pecs 1908-1997 Paris) Dell-Yell, 1972 Acrylic on panel 48 x 48 cm (in square) 68 x 68 cm (in diamond shape) Signed lower center, signed, dated and titled at the back Provenance: succession from the Paris region (in their collection since the early 70s) Authenticity confirmed by the Vasarely Foundation
Repetto Gallery
jean dubuffet
Jean Dubuffet (Le Havre 1901-1985 Paris) Topographie, January 1959 Oil on paper collage applied on paper [assemblage d’empreintes (huile noire)] 47 x 59 cm Provenance: Galerie de l’Ile-de-France, Paris; private collection, Italy Literature: Max Loreau (Ed.), Catalogue des travaux de Jean Dubuffet. Fascicule XIX : Célébration du sol II, texturologies, topographies, Weber éditeur, Paris, n° 173 Certificate of authenticity by Galerie de l’Ile-de-France, Paris
Galerie Lowet de Wotrenge
frans pourbus the elder (bruges 1545/46 - 1581 antwerp)
Frans Pourbus the Elder (Bruges 1545-1581 Antwerp) Portrait of Peeter van Panhuys, alderman and treasurer of Antwerp, 1562 Oil on oak panel 105 x 75 cm Dated upper left 'A°. 1562' and inscribed below the date ‘Aetat: 34’ Provenance: private collection, Belgium Literature: R. Willmott, Antwerp and the Golden Age: Culture, Conflict and Commerce, Unicorn, 2025 (ill.)
Arte-Fact Fine Art
Attributed to Margaretha Wulfraet (Arnhem, 1678–1760) The young flute player Oil on panel 13.7 × 16.5 cm Monogrammed lower left M.W. Provenance: Neumeister Munich, 25 March 2015, lot 289, as Margaretha Wulfraet; private collection, Berlin, Germany, until 2024, as Margaretha Wulfraet; Art market, Germany, as Margaretha Wulfraet (also archived since 2016 on Wikipedia’s page on Margaretha Wulfraet, as one of only two works illustrated there) This finely executed small panel, monogrammed M.W., can be attributed to the rare oeuvre of Margaretha Wulfraet, one of the few professional female artists active in the Northern Netherlands in the late 17th and early 18th century. Jan van Gool praised her in 1750 as a 'kunstheldin' (art heroine), admiring her many talents amongst which her ability to depict fabrics; a quality also beautifully visible in the present painting. A remarkable parallel appears in Hofstede de Groot’s fiches (n° 1647685, bak 305), documenting the Haarlem auction of 23 March 1810 (Vincent de Vinne, lot 25). The catalogue mentions 'two, a young lady playing the lute and a boy with a dog, by Marg. Wulfraet'; one of the very few early sources where her name is explicitly cited and corresponding closely in type and subject matter to the present panel. Margaretha Wulfraet’s oeuvre will be highlighted in the forthcoming exhibition Women Artists from Antwerp to Amsterdam 1600–1750 (Washington, NGA, 2025; MSK Ghent, 2026), accompanied by a scholarly catalogue. The re-emergence of her work on the market therefore offers a rare opportunity to study and reassess this exceptional female painter.
Van Pruissen Asian Art
yoshitsugu
Hattori Taira Yoshitsugu Yagami School Tsuba with 'Thousand Monkeys' Carved iron Japan, late 18th century Ø 7.1 cm Signed 'Yoshitsugu' An iron tsuba intricately carved in openwork (nikubori ji-sukashi) with a lively multitude of monkeys, including the famous Three Wise Monkeys. Their eyes and the rim are accented in gold using nunome-zōgan. The maker, Hattori Taira Yoshitsugu, was a pupil of Yagami school founder Noda Mitsuhiro and teacher of Onitake Toshiyoshi. The Yagami school, active in Nagasaki in the late 18th century, is renowned for its 'Thousand Monkeys' motif, as also seen in a comparable example in the Metropolitan Museum of Art (inv. n° 91.1.751).
Galerie Oscar De Vos
frits van den berghe
Frits van den Berghe(Ghent 1883-1939) Ooidonk alley, 1923 Oil on canvas 48.5 x 55 cm Signed lower right: FVBerghe Provenance: Galerie Campo, Antwerp Literature: Boyens, P., Frits Van den Berghe 1883-1939 (1999), 396, no. 309 (ill.); Servaes, W., V. Van Doorne & R. Van Lerberghe, 1924 Honderd jaar later, exh. cat. (2024), 56-57 (ill. & cover) Exhibition: 2024, Sint-Martens-Latem, Latemse Kunstkring/ Gemeentehuis, 1924 Honderd jaar later, s.n.
Galerie Capazza
Goudji (Georgia, Bordjomi 1941) Oryx à la robe diaprée, 2025 Silver 1st title, serpentine, pyrite, crystal, Armour stone H 49 x W 38 x D 10 cm Provenance: the Artist's studio Exhibition: Goudji, L'or du temps, 5 July-28 September 2025, Galerie Capazza (France) This oryx, with its serpentine goatee and crystal-adorned tail, is an African antelope. It sports horns and a coat draped in Armour stone, and wears a silver bell around its pyrite neck, ready to ring. 'When viewing Goudji's works, one is overcome by a disturbing feeling, that of being faced with original, powerful, dazzling masterpieces that delicately resonate with so many symbols that shape our visual culture and our common heritage, from Persia to Athens, from Babylon to Rome, from the Tigris to the Danube, winged griffins of malachite and lapis lazuli, birds with bold and daring beaks, reassuring ex-votos, kantharoi and cups worthy of banquets of the gods. Modest, always secretive, born into goldsmithing because he ardently wanted to be, constantly devoted to his craft, constantly exploring forms, constantly telling stories, Goudji has definitely entered into history.' Olivier Gabet, 2025 General Curator of Heritage and Art Historian Director of the Department of Decorative Arts at the Louvre Museum