This section will be available this Autumn.
Grusenmeyer-Woliner
Figure of a winged atlas Gandhara, ancient Greco-Buddhist region Pakistan or Afghanistan, 3rd-4th century Grey schist H 34.3 cm Provenance: Shirley Day, New York, 30 January 1992; collection of Martha Sharp Joukowsky, Rhode Island, USA; Christie’s, Paris, property from the Joukowsky Collection (sale), 27 September 2023
Galerie Flak
U’u Club Marquesas Islands, Polynesia, 18th or 19th century Carved wood and fibers H 138,5 cm Provenance: David Petty collection, London; Pierre-Richard Royer collection, Paris; Alexandre Bernand collection, Paris; private collection, acquired from the above in September 2016 Exhibition: TEFAF 2024, Maastricht, Serge Schoffel, catalogue T3, p. 28
Stern Pissarro Gallery
PIERRE-AUGUSTE RENOIR (1841 – 1919) Coco mangeant sa soupe Executed in 1905 Oil on canvas 46.3 x 37.9 cm Signed lower right, Renoir. Provenance: Ambroise Vollard, Paris Private collection, Zürich, circa 1930 Fine Arts Gallery of San Diego, March 1942 (on loan from a Private collection) Dalzell Hatfield Galleries, Los Angeles, 1943-1949 Van Diemen-Lilienfeld Galleries, New York, 1953 Chapin and Mary Alexander Riley, Malibu/Worcester, acquired in 1953 Worcester Art Museum, Massachusetts (inventory no. 1991.238) (one third gifted in 1992 and a second third gifted in 1997) Literature: Principales acquisitions des musées en 1992, Gazette des Beaux-Arts, 1993, p. 65 Guy-Patrice Dauberville and Michel Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. IV, 1903-1910, no. 3415, p. 435 Exhibitions: Amsterdam, Stedelijk Museum, Vincent van Gogh en zijn Tijdgenooten, 1930, no. 269 San Diego, Fine Arts Gallery, 1942 Los Angeles, Dalzell Hatfield Galleries, Renoir (1841-1919), 1943, no. 5 Los Angeles, Dalzell Hatfield Galleries, A Superb Exhibition: Modern French Masters, 1949, p. 5 (travelled to New York, Barbizon Plaza Hotel) Madrid, Museo Thyssen-Bornemisza, Renoir: Intimidad, 18 October 2016 - 22 January 2017, p. 149 (travelled to Bilbao, Museo de Gellas Artes de Bilbao, 7 February - 15 May 2017)
Rueb Modern and Contemporary Art
Jan Sluijters (Hertogenbosch 1881-1957 Amsterdam) Greet van Kooten with headband, 1910 Oil on canvas 35,5 x 42 cm Signed and dated Provenance: Collection Salomon Beffie, Amsterdam; collection Willem Beffie, New York; Galerie van Voorst van Beest, The Hague; collection Reens, Amsterdam; collection A.J. van Hillegondsberg, Blaricum; private collection, Amsterdam Literature: On-line Catalogue Raisonné Jan Sluiters-www.rks.nl/images/100130 Exhibition: The Hague, Pulchri Studio, Paintings, drawings and pointes-sèches of Jan Sluijters and Lodewijk, Schelfhout, 3 July - 25 July 1915 n° 40
Gallery de Potter d’Indoye
An Empire Writing Table Jacob Frères, Paris, circa 1796-1803 A Mahogany and gilded bronze writing table H 73 x W 86.5 x D 54 Stamped Jacob Freres. Provenance: collection Ségoura, Paris Literature: Michel Beurdeley, Jacob et son temps, Saint-Rémy-en-l'Eau, 2002, p. 83, illustrated as belonging to the Ségoura Collection The rectangular top is supported by four female caryatids in patinated and gilt bronze, modelled as canephorae, their bodies joined by an X-form stretcher. The table bears the stamp JACOB FRÈRES / RUE MESLÉE, used between 1796 and 1803 by the brothers Georges II Jacob (1768-1803) and François-Honoré-Georges Jacob, later known as Jacob-Desmalter (1770-1841). The brothers, sons of the celebrated Parisian menuisier Georges Jacob (1739–1814), took over their father's workshop in 1796 and produced furniture of marked neoclassical character, employing mahogany and richly chased gilt-bronze mounts in response to the developing Directoire and Consular taste.
CKS Gallery
Jean Gabriel DOMERGUE (1889- 1962) GRAND GALA Oil on canvas; signed, titled and dedicated: A Madame G. Inscriptions on the stretcher: A Jacky Grasseau « Ce coin de la vie parisienne » Dimensions : 100 x 80 cm - Dimensions with the frame : 126 x 107 cm. PROVENANCE: Private collection. EXHIBITION: Galerie Goya, 28 allées de Tourny - Bordeaux, Domergue N°1.
Finch & Co
Ancient Celtic Bust of a Radiate Deity ‘Sol Invicta’ Wearing a Halo of the Rays of the Sun Limestone British, 1st Century BC - 1st Century AD H 42 x W 40 x D 20 cm Provenance: private collection West Country UK; Finch and Co, item number 1, catalogue number 30, Summer 2018; private collection Comparative reference: Dr Anne Ross ‘Pagan Celtic Britain’ n° 916, for a similar 'stone radiate deity'
Willow Gallery
Georges Mathieu (Boulogne-sur-Mer 1921-2012 Boulogne-Billancourt) Forêts attentives, 1989 Alkyd on canvas 147 x 115cm Signed and inscribed on the reverse Provenance: Galerie Guy Pieters, Brussels; private collection, Brussels; private collection, Savoie; sale, Maison R&C, France, 17 July 2021, Lot 93; private collection, Europe This painting is accompanied by a certificate of authenticity from Mr. Jean-Marie Cusinberche
robertaebasta
Mario Quarti (Milan, 1901-1974) Large sideboard in italian walnut, circa 1940 Walnut and brass H 97.5 x W 322 x D 50 cm Provenance: private collection, Italy Main body raised from the floor by three elements show on the fron six doors decorated with an inlaid diamond pattern in walnut of different shades, brass handles.
Thomas Deprez Fine Arts
Josuë DUPON 1864 | 1935 « FLANDRIA » 1914 (model) | pre-1916 (cast) 66 x 71 x 25 cm Patinated bronze, sand-cast Signed on the base: ‘Josuë Dupon’. Titled on the front end of the base: ‘FLANDRIA’. Stamped along the backside of the base: ‘Fonderie Nationale des Bronzes’. PROVENANCE Anonymous sale, Pictura, Ghent, 05/01/2007; Ancienne collection K. D., bought from the above ; Thence by descent. EXHIBITED 1914, Studio of the artist, March, cf. press; 1914, Exposition Henry Luyten et Josué Dupon, April; 1914, Salon Triennale, Brussels, as: nr. "1001. Flandria (plâtre)." 1920, Salon Triennale, Antwerp, as: "Flandria. Brons." 1922, Salon Triennale, Ghent, as: "Flandria. Brons." RELATED DOCUMENTS A letter from Dupon to art historian and collector Max Rooses, dated to 30 March 1914, discusses the sale of a bronze version for 1.800 francs as a special offer at a reduced price. Rooses passed away some 100 days later on July 15th 1914. (Letterenhuis, Antw’en, D922.) PRESS (Full print available on request) René Sancy, " "Flandria" chez M. Josué Dupon", in: Le Matin, 25/03/1914, p. 3. René Sancy, "Exposition Henry Luyten et Josué Dupon", in: Le Matin, 16/04/1916, p. 7. Arnold Goffin, “De driejaarlijksche tentoonstelling te Brussel, II Beeldhouw- en penningkunst”, in: Onze Kunst, Geïllustreerd maandschrift voor beeldende en decoratieve kunsten, Brussel, 13de jaargang, 1914, p. 103: D. Visu. “Driejaarlijksche Tentoonstelling (vervolg en slot)”, in: Het Handelsblad, 20/07/1920, p. 1. “Beeldende kunsten: Driejaarlijksche Tentoonstelling”, in: Gazette van Antwerpen, 08/08/1920, p. 2. “Kunstkroniek: 42e Driejaarlijksch Salon te Gent, XVIII”, in: Vooruit, 04/08/1922, p. 7. Karel Van de Woestyne, “Het driejaarlijksch salon te Gent. V.”, in: N.R.C., 20/09/1922.
Mearini Fine Art
Master of Torcello (Venetian Master active circa 1450-1500) Crucifix Popolar wood with polychromy H 40 x W 38 x D 3.5 cm An exceptional masterpiece of the Venetian Renaissance, this small, carved, polychrome wooden Crucifix is certainly attributable to the Master of Torcello, active in Venice in the second half of the 15th century. Work created for private use and devotion, certainly to be included in an 'Altarolo', but absolutely similar to the larger known Crucifixes of the same manufacture, such as the one on the island of Torcello (Venice) in the Basilica of Santa Maria Assunta.
Spazio Nobile
Pao Hui Kao (Taiwan, 1987) Urushi Black in Red Lacquer Leaf, 2023 Crepe paper, rice glue, Urushi lacquer, red and black pigments, gold kinstsugi, 114 x 70 x 16 cm Unique piece, signed by the artist at the back Black Urushi Paper Pleats, 2023 Tracing paper, rice glue, Urushi lacquer, black pigment Sideboard H 70 x W 135 x D 33 cm Low stool H 45 x ø 32 cm Low bench H 35 x W 130 x D 29 cm Side table H 60 x ø 32 cm Unique pieces, signed and dated by the artist Certificates of authenticity Literature: Pao Hui Kao, 25 Seasons, Artist Book, Spazio Nobile Editions, Brussels, 2024 Exhibitions: Fondation POC, Brussels, 2020; Jewish Museum, Brussels, 2021; LOEWE FOUNDATION Craft Prize Finalist, Seoul, 2022; Pao Hui Kao, 25 Seasons, Solo Exhibition, Spazio Nobile, Brussels, 2023-2024; Fondazione Dries Van Noten, Venice, 2026
Galerie Alexis Pentcheff
Cadre en bois sculpté doré à la feuille, monté avec sa glace au mercure. Ornements symétriques avec quatre chérubins, rinceaux stylisés, feuilles d'acanthe et gemmes aux angles. Espagne, XVIIème siècle. Provenance : Collection Amedeo Montanari Bibliographie : Amedeo Montanari et Roberto Lodi, Répertoire du cadre européen, éditions Galleria Roberto Lodi, 2003, reproduit sous le n°641, p. 323.
N. Vrouyr
Etablissements veuve Guillon et fils, Belgium Before 1925 Warp and weft, cellulose, pile, wool 460 x 370 cm Numbered at the back Literature: Arthur De Rudder, International exhibition of modern decorative and industrial arts (Paris, 1925): official catalogue of the belgian section Exhibition: International exhibition of modern decorative and industrial arts, Paris, 1925, Belgian Pavilion, gallery of complete interiors, dining room by the Maison Gustave and Edouard Blondel
Galerie Lowet de Wotrenge
Nicolaas Struyck (Amsterdam, 1686-1769) Insect Studies Bodycolour, watercolour and pencil on laid paper 44.5 x 28.2 cm Provenance: 'Verschyden Uyt-lansche Insecten, getekeent na het cabinet van Hn. Seba, J. ten Kate, & C, versamelt door N. Strüyck, Junior', 1719 (an album of drawings by Struyck, disassembled in the XIXth century); private collection, Belgium
Galerie Boulakia
Georges Mathieu Louis VII épouse Eléonore d'Aquitaine, 1958 oil on canvas 97 x 162 cm 38 3/16 x 63 3/4 in signed bottom left This artwork is referenced among the authentic artworks of the « Archives by Jean-Marie Cusinberche on Georges Mathieu ». An attestation of the « Archives by Jean-Marie Cusinberche on Georges Mathieu » will be provided to the buyer. Provenance Galerie Europe, Paris
Argento Gallery
Four portraits of officers Gerard van Honthorst (1592–1656) and workshop 1637–1639 Oil on canvas 76.5 × 63.7 cm each Each signed and dated: two 1637, one 1638 and one 1639 Four unidentified military officers portrayed in armour with differently coloured sashes, each within a painted oval with a sculptural border. Originally belonging to a larger series, the portraits display Honthorst’s characteristic treatment of faces, fabrics and reflected light on metal.. The identities of the officers and the original patron remain unknown. Provenance: - Collection of Charles Marsham, 4th Earl of Romney, Mote Park. - Acquired with Mote Park in 1895 by Marcus Samuel, later 1st Viscount Bearsted. - By descent to his son, Colonel Walter Horace Samuel, 2nd Viscount Bearsted. - Christie’s, London, 13 December 1929, lots 83, 82, 80 and 79. - Presumably inherited by his sister, Nellie Ionides, née Samuel. - By descent in 1968 to her grandson, Toby Jessel, The Old Court House, Hampton Court. - Sotheby’s, London, 30 April 2014, lots 725–728. - Private collection. - Christie’s, London, 1 April 2026, lots 30–33. Literature: Upton House. The Bearsted Collection: Pictures, London: The National Trust, 1964, p. 41, no. 137; J.R. Judson and R.E.O. Ekkart, Gerrit van Honthorst, Doornspijk: Davaco, 1999, pp. 315–316, nos. 475, 474, 478 and 479.
F. Baulme Fine Arts
Godfried Maes (Antwerp, 1649-1700) Ceres Transforming the Old Woman’s Son into a Lizard Black chalk, pen and black ink, grey and brown wash on paper 18 x 24 cm Provenance: Maes’s widow sold to Jacob de Wit before 1717; Jacob de Wit sale, Amsterdam, 10 March 1755, n° 87; Cronenburgh sale, 22 March 1762, n° 1; anonymous sale, Mak van Waay collection, Sotheby’s, 15 January 1974, n° 1273; Dr. A. Dreesmann sale, Christie’s, 11 April 2002, n° 668-670 Related works: Engravings by Bernard Picart and Peter van Gunst for the 1732 edition of Ovid’s Metamorphoses translated and annotated by Abbé Banier, a member of the French Academy
Maison D'Art
Karel van Vogelaer called Carlo dei Fiori (Maastricht 1653-1695 Rome) Still Life with Flowers Oil on canvas 64.5 x 46 cm Literature: From Light to Enlightenment, Exhibition catalogue, Shanghai Art Museum, 2005, n° 30, pp. 114-116, 150 Exhibition: From Light to Enlightenment, Exhibition in the Shanghai Art Museum, China, 12 -17 November 2005
