Jan Muller Antiques

Triptych with the Crucifixion and scenes from the Passion Netherlandish School, circa 1500 Oil on panel 51 x 36.5 cm (closed) 51 x 73 cm (open) The gallery is grateful to Dr. Didier Martens for his help

De Wit Fine Tapestries

victor vasarely

wa-4

Aubusson, atelier Pinton (Monogram in lower left corner) Edition 1/6, ca. 1970 Signed in lower right corner 156 x 156 cm

Cabinet of Curiosities - Honourable Silver Objects

Silver-gilt tazza Mark D possibly for Isaac Dighton or Deighton William and Mary period, London, 1691 Family coat of arms of the 2nd Earl of Petersborough, Henry Mordaunt Ø 29.5 cm Weight: 887 g Provenance: private collection, Belgium

Van Herck-Eykelberg

jef verheyen

Jef Verheyen (Heist-op-den-Berg 1932-1984 Apt) Untitled, 1972 Color crayons on paper 39 x 39 cm Signed and dated in pencil on reverse

Meessen

benoît platéus

Benoît Platéus (Liège, 1972) Italian mushrooms, 2025 Oil and collage on canvas 80 x 90 cm

Maisonjaune Studio

christian lapie

Christian Lapie (Reims, 1955) Sculptural table 'Le matin suspendu', 2025 Wood As a testament to our love for nature, close to the forest, we are pleased to present the sculptural furniture and unique pieces of Christian Lapie for the Atelier des Marais de Courmelois. For several years we have lived alongside his monumental wooden sculptures, emblematic works that, as Patrick Chamoiseau once wrote, are guardians, true metamorphs.

Galerie de la Béraudière

joan miró

Joan Miró (Barcelona 1893-1983 Palma de Majorque) Femme, oiseaux, 1976 Oil, gouache and oil stick on scratched board 65.1 x 50.2 cm Signed lower right 'Miró' Signed, dated and titled on the reverse:  MIRÓ., 20/IV/76., Femme, oiseaux Provenance: estate of Joan Miró; Sotheby's, Madrid, 42 works by Joan Miró, December 9th, 1986, lot 4 (in aid of the Fundaciò Pilar i Joan Miró, Palma de Mallorca); Quitana Fine Arts, New York; Ramis Barquet Gallery, Mexico City; private collection; Christie's, New York, November 9th, 2000, lot 460; Waddington Galleries, London; private collection, Portugal (acquired from the above in 2004); Phillips, New York, November 8th, 2015, lot 14; private collection, Europe Literature: Jacques Dupin, Ariane Lelong, Joan Miró, Catalogue raisonné. Paintings, vol. VI: 1976-1981, Paris, Gallery Lelong and the Miró Succession, 2004, ill. n° 1737, p. 49 Exhibitions: 2018, Brussels, Galerie de la Béraudière, Calder, Miró et leurs rencontres parisiennes; 2017, Brussels, Galerie de la Béraudière, La figure animalière; 2016 Brussels, Galerie de la Béraudière, Chefs d'oeuvre de la galerie et Surréalisme

COLNAGHI

Gillis Neyts (Ghent 1623-1687 Antwerp) A winter cityscape of Antwerp, 1666 Oil on panel 54 x 86 cm Signed and dated lower left: g. nyts. f. / 1666 Provenance: sale Fievez, Brussels (16 June 1931), lot 113; sale of the F. Stuyck collection, Brussels, Palais des Beaux-Arts (7-8 December 1960), lot 91; Galerie P. de Boer, Amsterdam (1961) n° 54; Laboratoria Tupens, Sint-Niklaas (?); with Rafael Valls, London; With De Jonckheere, from whom acquired by the present owner Literature: P. Gustot, Gilis Neyts. Un paysagiste brabançon en vallée mosane au XVIIe siècle, Namurois 2008, p. 69, n° P13, repr. Exhibition: Brussels, Musées Royaux des Beaux-Arts de Belgique, Le siècle de Rubens, 15 October-12 December 1965, n° 157, repr.

Galerie Hioco

Head of Buddha Black stone Thailand, Môn-Dvaravati era, 8th-9th century AD H 25 cm Provenance: private collection, USA, before 1974

Gallery Sofie Van de Velde

wassily kandinsky

Wassily Kandinsky (Moscow 1866-1944 Neuilly-sur-Seine) Kleine Welten, 1922 The Little Worlds consists of twelve prints, including six colour lithographs, four etchings (drypoint), and two woodcuts on Japanese paper, accompanied by a title page and a colophon page Each print is signed and numbered on the colophon page 30/30 (12 prints) 36.4 x 27.8 cm (sheet size) Produced in 1922, this is one of 30 deluxe copies on Japanese paper, published by Propyläen Verlag, Berlin, and printed at the Staatliches Bauhaus in Weimar Literature: Hans Konrad Roethel, 'Kandinsky: Das Graphische Werk', Dumont, Cologne, 1970, ill. pp. 164-175; Helmut Friedel et Annegret Hoberg, Kandinsky. 'Das druckgraphische Werk, Complete Prints, Städtische Galerie im Lenbachhaus und Kunstbau', Munich, 2008-2009, ill. pp. 225-23

Dei Bardi Art

The Resurrection England, Nottingham, 15th century Alabaster
 H 31 x W 24 x D 4 cm Provenance: Hubert Wilm collection, 19th century, Munich; German Museum, Nuremberg, 1880–1920; Lamperts, Cologne, 1944; John and Johanna Bass collection, New York; Bass Museum of Art, Miami Beach, 1963

Florian Kolhammer

louis c. tiffany

Louis C. Tiffany (New York 1848-1933 New York) Jack-in-the-pulpit vase Tiffany, 1906 Yellow glass H 44 x 23.5 x 12.5 cm Marked 'L.C.T.' and '2210A' underneath Provenance: Christie's sale The 'Jack-in-the-pulpit' vases represent a special design category within the production of the Louis Comfort Tiffany company. These glasses were modeled after the Arisaema Triphyllum plant and are among the most iconic designs of this famous manufacturer. Our example shines in pure gold. It was made in 1906 and received as a wedding gift at the time.

Alexis Lartigue

victor vasarely

Victor Vasarely (Pecs 1908-1997 Paris) Dell-Yell, 1972 Acrylic on panel 48 x 48 cm (in square) 68 x 68 cm (in diamond shape) Signed lower center, signed, dated and titled at the back Authenticity confirmed by the Vasarely Foundation Provenance: succession from the Paris region (in their collection since the early 70s)

Stern Pissarro Gallery

édouard vuillard

Édouard Vuillard (Cuiseaux 1868-1940 La Baule-Escoublac) Confidence, les enfants Bernheim au salon, 1905 Oil on board laid down on cradled panel 57 x 77.5 cm Signed and dated lower right 'E Vuillard 05' Provenance: Gaston Bernheim de Villers, Paris; Sam Salz, Inc., New York; George Friedland, Marion, Pennsylvania, circa 1960; The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), London; private collection, Miami. Lillian Heidenberg Gallery, New York; private collection, USA, acquired from the above, circa 1996 Literature: C. Roger-Marx, Vuillard, Paris, 1948, p. 26, n° 66 (ill., p. 73; titled Les enfants Bernheim-Jeune); A. Salomon and G. Cogeval, Vuillard: Le regard innombrable, catalogue critique des peintures et pastels, Paris, 2003, vol. II, p. 733, n° VII-389 (ill.) Exhibitions: Paris, Grand Palais des Champs-Elysées, Salon d'automne, 4ème exposition, October-November 1906, n° 1746; Paris, Galerie Bernheim-Jeune et Cie., Vuillard, May-June 1907, n° 11; Paris, Galerie Bernheim-Jeune et Cie., Oeuvres de Vuillard de 1890 à 1910, January-February 1938, n° 34

Jan Muller Antiques

cornelis kick

Cornelis Kick (Amsterdam, 1634-1681) Flowers in a glass vase Oil on canvas 62 x 49 cm 78 x 69 cm (framed) Authenticity and identification confirmed by Dr. Fred Meijer Provenance: Percey B. Meyer, London, 1953. (as Jacob van Walscapelle) Literature: Jan Kelch and Ingeborg Becker, Holländische Malerei aus Berliner Privatbesitz, Kaiser-Friedrich-Museums-Vereins und der Gemäldegalerie (Berlin, 1984), pp. 170-171 (as Jacob van Walscapelle); Royal Academy of Arts, London, 1952-53: Dutch pictures 1450-1750, catalogue p. 103, n° 563; Gemäldegalerie der Staatlichen Museen Berlin, 1984: Hollandische Malerei aus Berliner Privatsbesitz, pp. 170-171, pl. n° 84

Jan Muller Antiques

theobald michau

Theobald Michau (Tournai 1676-1765 Antwerp) A busy town near the river Oil on copper 33 x 45 cm (framed) 46 x 58 cm (framed) Part of a pair, both signed lower left 'T. Michau' Provenance: collection of Baron R. Gendebien

Maison D'Art

Francesco Foschi (Ancona 1710-1780 Rome) Winter landscape with travellers, circa 1770 Oil on canvas 62 x 74 cm Provenance: private collection, Monte-Carlo, 2021

Virginie Devillez Fine Art

gustave de smet

Gustave De Smet (Ghent 1877-1943 Sint-Martens-Latem) Nu couché, 1928 Pencil, pastel and oil on paper 35 x 43 cm Signed lower right 'Gust. De Smet' Provenance: Walter Schwarzenberg, Brussels (Georges Giroux sale, Brussels, 1-2 February 1932, lot 43); Tony Herbert, Kortrijk; private collection, Belgium (by descent to the present owner) Literature: Piet Boyens, Gust. De Smet. Chronicle et Analysis of the Work, Antwerp, Fonds Mercator, 1989, CR 744 (p. 386); The Tony Herbert Collection, Deurle, Museum Dhondt-Dhaenens, 2011, p. 39 (ill.) Exhibitions: Brussels, Galerie Le Centaure, Gust. De Smet, 1928, cat. n° 69; Brussels, Galerie George Giroux, Gust. De Smet, 1929, cat. n° 160; Luxembourg, Musée d’Art et d’Histoire; Tony Herbert Collection, 1963-1964, cat. n° 38

Galerie Jean-François Cazeau

martial raysse

Martial Raysse Green on Green, 1964 Spray paint, xerography, collage, oil and carboard monted on canvas 33 x 22 x 7 cm signed Martial Raysse, dated 64 and titled Green on green (on the reverse) Provenance: William Copley Collection, USA Sale: Christie's, New York, Contemporary Art - Including property from the collection of William Copley, 8 November 1993, lot 8 Private Collection, Paris Acquired from the above by the present owner Literature: This work is registered in the inventory l'Oeuvre de Martial Raysse under number IMR-0193. Exhibition: New York, Galerie Luxembourg & Dayan, Martial Raysse : 1960-1974 , 11 May – 13 July 2013

Stéphane Renard Fine Art

sigismondo pandolfo malatesta

This vigorous graphite and stump drawing testifies to Ingres' interest in medals. Inspired by Pisanello's medal of Sigismund Malatesta, the great condottiere of Rimini, it bears witness to both Ingres' meticulous observation and his capacity for stylization, instilling in this drawing certain characteristic traits that we find in other works by the artist.

CKS Gallery

nicolas de stael

Nicolas de Stael (Saint Petersburg 1914-1955 Antibes) Composition, 1949 Oil on canvas 200 x 100 cm Provenance: private collection of the artist Literature: Françoise de Staël, Nicolas de Staël, Catalogue Raisonné de l'oeuvre peint, Paris, 1997, n° 203 Exhibitions: Hôtel de Caumont, Aix-en-Provence, 27 April to 23 September 2018, Nicolas de Staël en Provence; Château Grimaldi d’Antibes, 17 May to 7 September 2014, exhibition La figure à nu, hommage à Nicolas de Staël; MuMa – Musée d’Art Moderne André Malraux, Lumières du Nord, Lumières du Sud, 7 June to 9 November 2014; Académie Royale des Beaux-Arts de Bruxelles, Belgium, 2012, for the 300th anniversary of the Académie Royale where de Staël studied from 1931 to 1934, 9 May to 2 June 2012; Fondation Gianadda de Martigny, Switzerland, retrospective of the work of Nicolas de Staël, 18 June to 21 November 2010; Centre Pompidou, Nicolas de Staël 1945-1955, Paris, 12 March to 30 June 2003; Musée d'Art Moderne, Paris, Retrospective Nicolas de Staël 15 Septermber 2023 to 21 January 2024; Fondation de l’Hermitage in Lausanne, Nicolas de Staël Exhibition 9 February to 9 June 2024

Galerie Mathivet

claudius linossier

Claudius Linossier (Lyon, 1893-1953) Vase, circa 1930 Copper dinanderie on a fire-patinated ground with red tones in the central section and black shading at the top and bottom, decorated with an inlaid silver frieze and silver triangles H 18 cm - ∅ 18 cm Signed 'Linossier'

Art et Patrimoine - Laurence Lenne

CKS Gallery

Salvador Dalí (Spain, Figueras 1904-1989) Nude ascending the staircase, 1973 Brown patina bronze sculpture H 212 × W 139 × D 117 cm - Height with the base: 297 cm Signed & numbered 'Dalí 2/8', Foundry mark 'Fratelli Bonvicini, Italie' on the shell Provenance: private collection This artwork comes with its original certificate by Mr. Robert Descharnes and is listed in the Descharnes Archives under the n° 0-264

Galerie Oscar De Vos

frits van den berghe

Frits van den Berghe (Ghent, 1883-1939) Ooidonk alley, 1923 Oil on canvas 48.5 x 55 cm Signed lower right: FVBerghe Provenance: Galerie Campo, Antwerp Literature: Boyens, P., Frits Van den Berghe 1883-1939 (1999), 396, n° 309 (ill.); Servaes, W., V. Van Doorne & R. Van Lerberghe, 1924 Honderd jaar later, exh. cat. (2024), 56-57 (ill. & cover) Exhibition: 2024, Sint-Martens-Latem, Latemse Kunstkring/ Gemeentehuis, 1924 Honderd jaar later, s.n.

Beck & Eggeling International Fine Art

heinz mack

Heinz Mack (Germany, Lollar 1931) Weisse Vibration, 1958 Synthetic resin in wood (relief) H 28 x W 68 x D 4 cm Signed and dated lower central 'Mack 58', verso titled 'Weiße Vibration' Provenance: estate of Franz Swetec, Düsseldorf (acquired from the artist)

CKS Gallery

Alberto Giacometti (Switzerland, Bregaglia 1901-1966 Coires) Standing nude, 1949 Oil on canvas 36 x 10.5 cm signed in the lower right « Alberto Giacometti » Provenance: private collection Literature: the artwork is included in the Alberto Giacometti database, N°4560

Galerie Greta Meert

carla accardi

Carla Accardi (Trapani 1924-2014 Rome) Frammenti, 1984 Acrylic on canvas 50 x 60 cm

Van Herck-Eykelberg

Asger Jorn (Danemark, Jutland 1914-1973 Aarhus) The girl and the bird, 1940 Oil on canvas 44 x 69 cm Signed and dated lower right Literature: Guy Atkins, Jorn in Scandinavia 1930-1953, London, 1968, n° 156, ill. p. 333 Exhibitions: 13 kunstnere i telt (13 artists in a tent), a mixed exhibition of works by 13 Danish artists, held in a marquee at Bellevue, Copenhagen, 17 May-8 June 1941, cat. n° 61; Jorn, Arken Museum for Moderne Kunst, Ishøj, Denmark, 14 September 2002-19 January 2003, Cobra Museum voor Moderne Kunst, Amstelveen, The Netherlands, 7 February-27 April 2003 and Kunsthalle zu Kiel, Germany, 17 May- 10 August 2003, cat. n° 8, ill. cat. p. 56 (in colour); Jorn<<

Gilden's Art Gallery

Andy Warhol (Pittsburgh 1928-1987 New York) Campbell's Chicken Noodle Soup Box, 1986 Acrylic and ink on canvas 50.8 x 50.8 cm Signed in felt tip pen 'Andy Warhol' and dated '86' [1986] on the upper canvas overlap, verso Stamped by the Andy Warhol Authentication Board and numbered in ballpoint pen A104.056, on the lower canvas overlap, verso Provenance: Michael Kohn Gallery, Los Angeles; private collection, Arizona; Van de Weghe Fine Art, New York; Demisch Danant, New York; private collection, Atlanta; Sotheby’s New York, May 13th, 2010, lot 191; private collection, Hong Kong; Christie’s Shanghai, September 21st, 2019, lot 310; private collection, Asia Literature: exh. cat. (1986), Warhol. Campbell’s Soup Boxes 1986, Michael Kohn Gallery, Los Angeles, reference n° 153, pp. 19, 30, ill. in colour