24 - UARY 31 JANVIERRUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

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Galeries
Galeries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Gallery Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Meessen

Claudio Parmiggiani (Luzzara 1943) Senza titolo, 2018 Smoke and soot on wood 150 x 115 cm

 

Maison Rapin

Pair of silver-plated bronze vases 'Polar Exploration' Scandinavia, mid-19th century H 36 x W 24 x D 27 cm

 

Maurice Verbaet Collection (MVC)

Marcel Mariën, Untitled, Original photograph, 1981-83

 

Segoura Fine Art

Charles Ronot (Belan-sur-Ource 1820-1895 Dijon) Lions at the Edge of the Woods, 1866 Oil on canvas 185 x 232 cm (with frame) Signed and dated Ronot 1866

 

Finch & Co

Ancient Celtic Bust of a Radiate Deity ‘Sol Invicta’ Wearing a Halo of the Rays of the Sun Limestone British, 1st Century BC - 1st Century AD H 42 x W 40 x D 20 cm Provenance: private collection West Country UK; Finch and Co, item number 1, catalogue number 30, Summer 2018; private collection Comparative reference: Dr Anne Ross ‘Pagan Celtic Britain’ n° 916, for a similar 'stone radiate deity'

 

Galerie la Ménagerie

Phyllis Mary Bone (Hornby 1894-1972 Dumfries) Dachshund, 1929 Bronze with dark brown patina H 21.5 x W 33.5 x D 10 cm Signed and dated 'Phyllis M. Bone 1929' on the base Cast with the lost wax method, no foundry mark.

 

Grusenmeyer-Woliner

Figure of a winged atlas Gandhara, ancient Greco-Buddhist region Pakistan or Afghanistan, 3rd-4th century Grey schist H 34.3 cm Provenance: Shirley Day, New York, 30 January 1992; collection of Martha Sharp Joukowsky, Rhode Island, USA; Christie’s, Paris, property from the Joukowsky Collection (sale), 27 September 2023

 

Dei Bardi Art

Kneeling donor figure South Netherlandisch, second half of the 16th century
 Limestone 67 x 22 x 37 cm Provenance: old collector's label on the reverse

 

CKS Gallery

EDWIN LORD WEEKS (1849- 1903) AMERICAN PAINTER A GAME OF CHESS ON A CAIRO STREET Oil on canvas, signed and dated lower left « E.L. Weeks 1879 » Dimensions: 72 x 100cm Dimensions with the frame : 110 x 137 cm BIBLIOGRAPHY: This painting will be included in the « Catalogue raisonné » of the artist, in preparation by the Edwin Lord Weeks’ Expert, Mrs Ellen K. MORRIS. LETTER OF AUTHENTIFICATION by Mrs Ellen K. MORRIS, dated May 20th 2010.

 

robertaebasta

Banksy (UK) 2003 Turf War 35 x 49 cm (59 x 72 cm with frame) Silkscreen on paper, signed edition no. 10/750 With Pest Control certificate of authenticity Provenance: Private Collection, Italy.

 

d'Arschot & Cie

A silver chocolate pot Engraved silver and fruitwood Brussels, 1742-1745 Lambertus Millé (master in 1738) H 31.5 cm 1,258 gr

 

Repetto Gallery

Carla Accardi (Trapini 1924-2014 Rome) Carminio su tela grezza, 1997 Vinyl on raw canvas 50 x 70 cm Signed lower right; signed, titled, dated and archive number on the reverse Certificate of authenticity on b/w photograph signed by the artist, n° 18/98 Registered at Studio Accardi, Rome, archive n° 629A Provenance: Soffiantino Arte Contemporanea, Turin; private collection Literature: Germano Celant (edited by), 'Carla Accardi. Catalogo ragionato', (Charta, Milano) 1999, p. 419, n° 1997 62 (B&N), ill.

 

Gallery de Potter d’Indoye

An Empire bronze carousel automaton clock French, circa 1815 Chased and fire gilded bronze H 51 x W 26 x D 17 cm This rare clock, entirely composed of chased and fire gilded bronze, takes the form of a hexagonal pedestal with chamfered corners, housing a movement with a circular white enamel dial on its front. A rich repertoire inspired by antiquity adorns this pedestal: winged griffins, musical putti, cornucopias, scrolled palmettes and rosettes, and, flanking the short sides, two horse heads, chased in the round, each supporting a 'pike' enriched at the base with a corolla of lanceolate water leaves, and punctuated by a ringed tablet for one, and a laurel wreath. An imposing carousel, structured around a richly chased central column ending in a ball, distinguishes the clock. Three putti riding swans—one winged, the second wearing Mercury's helmet, and the third dressed as a court jester—each attempt to grasp the tablet's ring with a curved object. The clock rests on a projecting hexagonal base decorated with a frieze of alternating stylized palmettes and fleurons. A spring mechanism, wound with a key accessible on the rear right-hand chamfered edge of the pedestal, sets the carousel in motion. This mechanism is activated either when the clock strikes or, at other times, by operating a small lever visible beneath the keyhole. A very similar model is held in the clock collection of the François Duesberg Museum in Mons, Belgium. It differs only in its dial and, most notably, in the inscription 'Nicolas Esterhazy, SOUVENIR D’ENFANCE' (Nicolas Esterhazy, Childhood Memory), visible on the front of the base. Also noteworthy is a clock of the same type, signed VAILLANT A PARIS, which was part of the collection of Countess Valtesse de La Bigne Ville d’Avray (1859-1910) and is now in private hands. Another similar example was presented at Drouot on September 15, 2016 (Mac-Arthur Kohn lot 83). It came from the former collection of the Marchioness of Tweeddale.

 

Caretto & Occhinegro

The Master of Antwerp Adoration (Active in Antwerp first decades of XVI century) The Annunciation to St Anne, circa 1525 Oil on panel 59 x 62 cm Expertise Peter van den Brink Literature: Van den Brink 1997, pp. 32, 35 note 22, fig. 5; Van den Brink 2007, pp. 168, 175, 179 note 38, fig. 16b; Cécile Scailliérez, in Paris 2017, pp. 84, 86, fig. 32

 

Segoura Fine Art

Lucien Victor Guirand de Scévola (Sète 1871-1950 Paris) Woman Portrait, 1902 Pastel on canvas 67 x 54 cm Signed and dated lower right: 'Guirand Scevola 1902'

 

Objects With Narratives

Tim Vranken (Heusden, 1987) ARA Pooltable, 2023 American Walnut, Slate H 82 x W 280 x D 160 cm Includes: 2 cues, a set of balls and a triangle Lead time 16-20 weeks

 

Edouard Simoens Gallery

Pierre Alechinsky Le trou du souffleur , 1997 Signed and dated on the back Acryl and ink on paper laid on canvas 146 x 113 cm 57 1/2 x 44 1/2 in Provenance "Pierre Alechinsky: Olie, acryl, aquarel, ets, litho..." Atelier 22, Schilde 2004 Literature/Press Wordt opgenomen in de oeuvrecatalogus in voorbereiding door de heer Frédéric Charron onder nr. 3216

 

Rueb Modern and Contemporary Art

Alighiero Boetti (Turin 1940-1994 Rome) Cinque x Cinque Venticinque, 1988 Embroidery 21 x 22 cm Signed and inscribed n° 82769 on the reverse Provenance: kunsthandel E.J, van Wisselingh & Co, Haarlem, the Netherlands This work is accompanied by the certificate of Archive Boetti n° 10891 dd May 2026

 

Galerie Alexis Bordes

Eugène Galien-Laloue (Paris 1854-1941 Chérence) Paris, View from the Banks of the Seine of the Former Trocadéro Palace Gouache and India ink on paper 19 x 31 cm Signed lower left 'E. Galien Laloue' Provenance : private collection, France

 

LUDORFF

Heinz Mack (*1931) Vibration des Lichts 1971 Aluminium on wood 101 × 140.5 cm | 39 3/4 × 55 5/16 in Signed and "71" dated on the verso Catalogue Raisonné by Honisch 1986 no. 777 Provenance: The artist’s studio; Private Collection Southern Germany (gift from the artist, family-owned –2026) Exhibitions: Galerie Ludorff, "Neuerwerbungen Herbst 2024", 4. Okt. - 16. Jan., Düsseldorf 2026 Literature: Galerie Ludorff, "Neuerwerbungen Herbst 2026", Düsseldorf 2026, S. 90Dieter Honisch, "Mack. Skulpturen 1953-1986", Dusseldorf 1986, Nr. 777

 

NARDI VENEZIA

Nardi's Byzantine inspired cross, 2026 A solid gold and silver base with precious details resembling the iconography of the four evangelists. 8.7 x 8.4 cm A piece of history brought to life through the skills of Nardi's artisans

 

Francis Janssens van der Maelen

Ravinet d'Enfert Art Deco centrepiece, Paris, circa 1930 Sterling Silver 950 Jardinière: H 9 x W 35 x D 23 cm Mirrored plateau: H 3 x W 50 x D 38 cm Total net silver weight: 4,990 g Total gross weight: 9,210 g French Minerva hallmark Important sterling silver centrepiece comprising a jardinière and its mirrored plateau. The jardinière, of geometric canted rectangular form, has a plain body highlighted by stepped moulded borders around the rim and base. It rests on small rectangular feet. Removable silver-plated metal liner bearing the square Ravinet d’Enfert maker’s mark in full. The plateau, of matching rectangular form with canted corners, echoes the geometric lines of the jardinière. It consists of a solid silver frame with stepped geometric mouldings, raised on small feet and enclosing a mirrored glass panel.

 

Bernardini Milano

Vacheron & Constantin, Genève. Rare and elegant pocket watch in platinum, 1938 Exquisite evening pocket watch in platinum from the late 1930’s. The very simple and rational design of the case contrast with the spectacular avant-garde dial in various tones of grey with ivory indexes.

 

Galerie Ary Jan

Moïse Kisling (Kraków 1891-1953 Sanary-sur-Mer) Landscape of Sanary-sur-Mer, 1932 Oil on canvas 64 x 73.5 cm Signed lower left and dated 1932 Provenance: acquired directly from the artist in the 1930s; private collection, France; Christie's Paris, sale of 1 December 2009; private collection, France Literature: J. Kisling, Kisling, 1891-1953, Turin, 1982, ill. vol. II, p. 273, n° 70

 

Galerie Alexis Pentcheff

René GRUAU (1909-2004) New look, Christian Dior Encre sur papier (double face), cachet de l'artiste en bas à gauche, 105 x 75 cm. Provenance : Atelier René Gruau

 

Galerie bei der Albertina ▪ Zetter

Egon Schiele (Tulln an der Donau 1890-1918 Vienna) Portrait of a Woman, 1918 Black crayon on paper 47 x 30 cm Signed and dated lower right Estate stamp on the reverse Kallir WV n° D 2223 Provenance: The artist’s estate (per stamp); Galerie St. Etienne, New York; Georges Simon, New York (acquired from the above, 1947); Lore Müller; Christie's, New York, 16 November 1983, sale 5442/Egon, lot 141 (consigned by the estate of the above) Galerie Würthle, Vienna; private collection, New York (acquired from the above, 1986) Literature: Jane Kallir, Egon Schiele: The Complete Works, Expanded Edition, New York 1998, ill. p. 609, D 2223; Exhibition catalogue 'Changing Times: Egon Schiele´s Last Years 1914-1918' ed. by Kerstin Jesse, Jane Kallir, Hans-Peter Wipplinger, Leopold Museum, Vienna 2025, ill. p. 253 Exhibitions: Tokyo, Tokyu Art Gallery, 'Gustav Klimt und Egon Schiele mit Werken von Alfred Kubin: Künstler der Jahrhundertwende'; Tochigi Prefectural Museum of Fine Arts, Utsunomiya; Chiba Parco, Chiba; Matsumoto Parco, Matsumoto; Shimoneseki City Art Museum, Shimoneseki, 1985; New York, Galerie St. Etienne, 'Egon Schiele's Women', 2012; Vienna, Leopold Museum, 'Changing Times: Egon Schiele’s Last Years, 1914-1918', 2025

 

Waddington Custot

Fabienne Verdier (b. 1962) Ode à la vie 2 / Ode to life 2, 2024 acrylic, gold leaf and mixed media on canvas 72 x 89 in / 183 x 226 cm signed, titled and dated on reverse PROVENANCE The artist EXHIBITED ‘Retables’, 11 October–9 November 2024, Waddington Custot, London

 

Brame & Lorenceau

Victor Vasarely (1908-1997) Sian, 1953-1957 Huile et crayon sur papier marouflé sur carton monté sur panneau Signé en bas au centre : Vasarely Signé, titré, daté et numéroté au dos : 031/Sian/1953-57/Vasarely 39,5 x 26 cm

 

Maison Rapin

Giuseppe Civitelli (Aiello Calabro 1907-1990 Rome) Large polychrome bottle on a pedestal with geometric motifs Circa 1960 H 72 x D 30 cm

 

Franck Anelli Fine Art

Transition period secretary in wardrobe stamped Charles TOPINO (1742-1803) and Jurande hallmark Rectangular in shape, the front uprights with cut sides, the front legs arched, the hind legs straight, the oak frame, it opens with a drawer, two leaves and a flap revealing a compartmentalized interior of seven drawers and four compartments. Top of breccia marble from Aleppo. Inlaid decoration in rosewood, amaranth, holly, sycamore, lemon tree, stained wood, tobacco wood, drawing lattices on the uprights and the upper drawer, those of the latter, embellished with flowers, and trompe-l'oeil on the front and on the sides, a decoration of garlands of oval cartouches of stylised acanthus leaves uniting the panels of the toilet seat and the leaves, each also presenting, in the upper part, a leafy garland that can be found on the side panels. The latter are decorated with two gadrooned urns close to the flowered vases of the leaves. The toilet seat has a trompe-l'oeil perspective decoration, an orangery whose open shutters give a glimpse of a wooded landscape in the distance, a perspective accentuated by the checkerboard paving, also present on the leaves. Eight boxes of fruit trees are spread around a table on which are placed two flowered vases and under which is a watering can. The interior reveals six side drawers in three rows, inlaid with a floral vase pattern, as well as a central drawer. Stamped TOPINO and hallmark of Jurande Charles TOPINO received master in 1773 The art of marquetry The bronzes are discreet on our desk and this is intended to give pride of place to marquetry, qualified as wooden painting. If it is possible and tempting - rightly to link a cabinetmaker to his marquetry and this is regularly the case for Topino whose utensil marquetry inspired by the borders of Chinese Coromandel lacquer screens of the time is a characteristic of the artist - it turns out that the models circulated and that inlaid panels could be used by the same circle of cabinetmakers. If the vases, potiches, flowers, utensils reproduced, invented, associated, allow us to recognize Topino's art, it should be noted that the framing motif made up of oval reserves with quartefeuilles and spandrels can be found on secretaries, a chest of drawers and a dressing table stamped Jacques Bircklé. By this same cabinetmaker, a secretary also presents the same vases present on our furniture. Very similar marquetry panels. both in their compositions and in their frames can be found on a chest of drawers attributed to Jacques Bircklé, illustrated in the book by Pierre Kjellberg, who also defines the paving pattern as Bircklé's "almost exclusiveness". our secretary thus witnessed the circulation of drawn or engraved models -

 
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