25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galeries
Galeries Galeries AB & BA Ars Antiqua d'Arschot & Cie Art et Patrimoine - Laurence Lenne Artimo Fine Arts Galerie Ary Jan HELENE BAILLY Paris-Genève J. Baptista Barbara Bassi Galerie de la Béraudière Galerie Berès Bernier/Eliades Gallery Galerie BG Arts Boon Gallery Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Cabinet of Curiosities-Honourable Silver Objects Galerie Capazza Giammarco Cappuzzo Fine Art Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Claes Gallery Collectors Gallery COLNAGHI Cortesi Gallery Costermans Dalton Somaré De Brock De Jonckheere Galerie Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Gallery Desmet DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Galerie Flak A&R Fleury Galerie La Forest Divonne Galerie Christophe Gaillard Galerie des Modernes Gilden's Art Gallery Galerie Hadjer Philippe Heim Marc Heiremans Heutink Ikonen Galerie Hioco Hoffmans Antiques Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Sylvia Kovacek – Vienna Kunstconsult 20th century art I objects DYS44 Lampronti Gallery Alexis Lartigue Lemaire Galerie Lowet de Wotrenge Francis Maere Fine Arts Galerie Marc Maison MARUANI MERCIER Galerie Mathivet Mearini Fine Art Meessen Montagut Gallery Galerie Montanari Jan Muller Antiques Klaas Muller Gioielleria Nardi New Hope Gallery Nosbaum Reding Dr. Nöth kunsthandel + galerie Galerie Nathalie Obadia, Paris/Brussels Objects With Narratives Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Galerie Alexis Pentcheff Christophe Perlès Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence QG Gallery Maison Rapin Stéphane Renard Fine Art Repetto Gallery robertaebasta Romigioli Antichità Rueb Modern and Contemporary Art Galerie Sophie Scheidecker Serge Schoffel - Art Premier Segoura Fine Art Selected by BRAFA, designed by Gert Voorjans Edouard Simoens Gallery Herwig Simons Fine Arts Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TEMPLON Galerie Patrice Trigano Valerio Turchi Univers du Bronze Gallery Sofie Van de Velde Van der Meij Fine Arts Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Victor Werner Whitford Fine Art Willow Gallery
 

Galerie Cento Anni

gaston le borgeois

Gaston Le Bourgeois (France, 1880-1956) Pigeon voyageur, circa 1924 Dark brown patinated bronze H 20.5 x W 28.5 x D 10 cm Model created in 1924, old-fashioned cast, most probably by Colin, foundryman Signed with the monogram stamp GLB and numbered 12/20 (in the monogram) on the left leg With thanks to Noël Cailly, the artist's grandson and successor, for confirming the authenticity of this piece Provenance: Lucienne Lazon (1910-2007) collection Lucienne Lazon was a painter, engraver and jeweller, the creator of the first Golden Palm at the Cannes Film Festival in 1955. Lucienne Lazon and Gaston Le Bourgeois both lived in Rambouillet. In addition to their professional encounters at exhibitions, notably those of the Société des Artistes Décorateurs, of which they were members, they saw each other regularly in Rambouillet, and the sculptor gifted some of his work to the jeweller on several occasions.

 

MARUANI MERCIER

jaclyn conley

Jaclyn Conley (Ontario, 1979) Clothed With The Sun, 2024 Oil on linen 213.4 x 167.6 cm

 

Lemaire

Tournai porcelain ornithological teapot from the Duc d'Orléans service, circa 1787 This teapot forms part of a service made for Philippe Duc d'Orléans in 1787. The ornithological designs were taken from the comte de Buffon's Histoire Naturelle des Oiseaux, published in ten volumes between 1770 and 1786. The painting of the panels for the service is attributed to Jean-Ghislain-Joseph Mayer Soft paste porcelain H 14.3 cm The shape is a Tournai interpretation of the Calabre teapots from Sèvres and was created especially for the service of the Duc d'Orléans. Birds reproduced on the teapot: Coraya de Cayenne (Buffon vol. IV, pp 484-485) and Hirondelle d’Amérique (Buffon vol. VI, pp. 669-670)

 

Hoffmans Antiques

Pair of candelabras, 'Night & Day' Attributed to Pierre Philippe Thomire (Paris, 1751-1843) Patinated and ormolu bronze Paris, early 19th century H 100 cm The pair of candelabras, 'Night & Day', were made of patinated and ormolu bronze of outstanding quality after a design by C. Percier and P.F.L. Fontaine in the Recueil de Décorations Intérieures from 1801. This model, which is very unusual, was commissioned for Emperor Napoleon Bonaparte's decoration of the Elysée Palace in the early 19th century.

 

Bernier/Eliades Gallery

berta fischer

Berta Fisher (Germany, 1973) Rasalinus, 2024 Acrylic glass H 110 x W 110 x D 48 cm Provenance: the artist's studio Exhibition: Bernier/Eliades Brussels

 

Galeria Jordi Pascual

Antonio Saura (Spain, Huesca 1930-1998 Cuenca) Stima, 1959 Oil on canvas 162 x 130 cm Certificate of authenticity by the Archives of Antonio Saura Provenance: Galerie Stadler, Paris; private collection

 

Mearini Fine Art

Presbytery fence pillar with ribbon, interlacing relief and recesses for pluteo on the sides White marble Central Italy (Lazio or Umbria), late 8th-early 9th century H 46 x W 27 x D 16 cm Expertise by Professor Guido Tigler Provenance: private collection, Italy Comparative literature: M. Salmi, la Basilica di San Salvatore di Spoleto, Firenze 1951, p. 37, tavv. XXIIId; L. Pani Ermini, (la Diocesi di Roma: La quarta regione Ecclesiastica (Corpus della scultura alto medievale, VII, 1), Spoleto 1974. pp.91-92 cat. 40); R. Krautheimer, S. Corbett, W. Frankl, Corpus Basilicarum Christianarum Romae. The Early Christian Basilicas of Rome (IV-IX century), Città del Vaticano 1959, p. 91 fig. 86

 

Galerie Jean-François Cazeau

andré masson

André Masson (Balagny-sur-Thérain 1896-1987 Paris) Fête (Festival), 1956 Oil on canvas 90 x 81 cm Signed lower left ‘André Masson' Provenance: the artist’s studio; Galerie Louise Leiris, Paris, 1956; Galerie Beyeler, Basel; Galerie Cleto Polcina, Rome; private collection, Paris (since 1996) Literature: André Masson, une mythologie de l’être et de la nature, éd. Silvana, Musée d’art moderne de Céret, 22 June-27 October 2019, p 197; André Masson, 29 January-19 April 2004, Musée National de la Reina Sofia, éd Armero, Madrid, 2004, p 250 Exhibitions: XXIX Exposition biennale internationale des Beaux-Arts, Venice, 1958; 5th International Art Exhibition, Japan, 1959; Madrid, André Masson, Armero Ediciones, Nacional Centro de Arte Reina Sofia, 29 January-19 April 2004, cat. n° 250

 

Sylvia Kovacek – Vienna

Goblet-shaped lidded cup Gilded, cold-painted, diamond-point glass decoration Tyrol, 1570-1591 H 31.5 cm (with lid) Provenance: private collection, United Kingdom Literature: Erich Egg, Die Glashütten zu Hall und Innsbruck im 16. Jahrhundert, Innsbruck 1962, plate XIV, fig. 27-comparable lidded goblet from Ambras Castle at KHM (Museum of Art History) Vienna; Anna Elisabeth Theuerkauff-Liederwald, Venezianisches Glas der Veste Coburg. Sammlung Herzog Alfreds von Sachsen Coburg, Coburg 1994, pp. 240-243-comparable goblet, and p. 271, fig. 256 -comparable shape, decorated in diamond-point, without painting; Brigitte Klesse, Hans Mayr, Veredelte Gläser aus Renaissance und Barock, Ernesto Wolf Collection, Vienna 1990, p. 28, fig. 33, n° 35 in catalogue-comparable, very similar object in blue glass; The Mühleib Collection of European Glass, sale Bonhams, 2 May 2013, London 2013, pp. 20 and 21-similar lidded goblet (without lion's head baluster); Strasser/ Spiegl, Dekoriertes Glas, Munich 1989, pp. 163 and 164-similar lidded goblets; Strasser/Baumgärtner, Light and Colour. Licht und Farbe. Die Sammlung Rudolf von Strasser, KHM, Vienna 2002, fig. n° 8 and fig. n° 9

 

Floris van Wanroij Fine Art

abel grimmer

Abel Grimmer (Antwerp, circa 1570-circa 1618) Landscape symbolising the season of spring Oil on panel 25 x 36 cm Provenance: sale London, 1956; with Kunsthandel P. de Boer, Amsterdam, with label verso; private collection A. Heyn, Aerdenhout, 1961, by descent; private collection, The Netherlands Literature: Exh. cat., 1961, Kunsthandel P. de Boer. Amsterdam, cat. n° 28, with ill.; Exh. cat., 1965, De landman en de muze. Een tentoonstelling van schilderijen, aquarellen, tekeningen, grafiek, beeldhouwwerken en handschriften. Haarlem, with ill.; Berthier de Sauvigny, Reine de, Jacob et Abel Grimmer, Catalogue raisonné, Brussels, 1991, p. 302, n° 6 Exhibition: Frans Halsmuseum, Haarlem, 14 June 1965-29 August 1965, De landman en de muze. Een tentoonstelling van schilderijen, aquarellen, tekeningen, grafiek, beeldhouwwerken en handschriften, n° 16

 

d'Arschot & Cie

Basin Engraved silver Fully marked, Gérard de Bèche (Liege, 1573-1629) Liege, 1720-1721 38 x 28 cm

 

Guy Pieters Gallery

manolo valdés

Manolo Valdés (Valencia, 1942) Infanta Margarita, 2009 Bronze H 205 x W 147 x D 202 cm Edition of 9 examples

 

Heutink Ikonen

The Transfiguration of Christ Russia, Kaluga region, late 18th century Egg tempera on gesso on linen-covered wood 54 x 44.5 cm This finely painted and colourful icon, with late Baroque and Rococo influences, depicts the miracle of the Transfiguration of Christ. Remarkably, not only the Transfiguration of Christ itself is depicted, but also the preceding and subsequent events, as described in the gospels of Matthew, Mark and Luke, are captured in one and the same composition. Christ and his three disciples are each portrayed four times, each at a different moment of the narrative, and in a different state of mind. On the left, we see Christ telling the disciples Peter, John and James to follow him up the mountain. Once on the mountain, Christ changes shape: his clothes turn white like light and his countenance becomes radiant like a sun. Next to Christ, the prophets Moses and Elijah appear, being brought to the mountain by angels. When the voice of God sounds from heaven, the disciples become fearful and fall face down to earth. Christ touches them and reassures them. Then, as they descend from the mountain, Christ urges his disciples not to tell anyone what they had seen.

 

DIE GALERIE

kwan young chun

Chun Kwan Young (South Korea, Hongcheon 1944) Aggregation21-SE134, 2021 Mixed media relief with Korean mulberry paper H 170 x W 98 x D 35 cm Provenance: the artist's studio

 

Ars Antiqua

tommaso ruiz

Tommaso Ruiz (active between 1710-1750) View of the Port of Naples Oil on canvas 56 x 151 cm Signed lower right and dated 'Tommaso Ruiz 17..'

 

Stone Gallery

180 million year old pregnant Ichthyosaur A pregnancy of 180 million years ago, captured in rock, preserved forever Provenance: Holzmaden, Germany Besides being an extraordinary fossil, 'Mutti' (the nickname for this Ichthyosaur, German for Mommy) can be seen as a symbol for motherhood, fertility and femininity. This female ichthyosaur is unique because she was carrying two offspring that can be seen clearly in her abdomen, making her a symbol of femininity and motherhood. Ichthyosaur was an ancient sea monster that ruled the oceans approximately 251 million years ago, 20 million years before dinosaurs came about. Icthyosaur means “Fish Lizards” in Greek. They existed for 100 million years. They were at the top of the marine food chain.

 

De Zutter Art Gallery

georges mathieu

Georges Mathieu (Boulogne-sur-Mer 1921-2012 Boulogne-Billancourt)  Cendres Flamboyantes, 1986-1987 Oil on canvas 163 x 130 cm

 

rodolphe janssen

gert & uwe tobias

Gert & Uwe Tobias (Romania, 1973) Untitled (GUT/H 3243/01), 2024 Coloured woodcut on canvas 200 x 168 cm (unframed) 205 x 173 cm (framed) Ed. 1/2

 

Romigioli Antichità

Michele Tosini, known as Michele di Ridolfo del Ghirlandaio (1503-1577) Portrait of Leonora Alvarez de Toledo as Judith, circa 1572-1576 Oil on panel 118 x 87 cm Study by Professor Antonio Geremicca Provenance: noble Florentine collection Wife of Pietro de Medici (1554-1604), son of Grand Duke Cosimo I (1519-1574), the girl in question was Eleonora Alvarez de Toledo (1555-1576), known as Leonora or Dionora, daughter of Garcia (1514-1577), Marquis of Villafranca, and niece of the more famous Eleonora di Toledo (1522-1562) Duchess of Florence

 

Harold t’Kint de Roodenbeke

James Ensor (Ostend, 1860-1949) Book, mask and skull, 1910 Oil on panel 24 x 19 cm Signed Provenance: collection C. Snauwaert, Ostend; collection Moureau, Brussels; collection de Bellefroid, Brussels Literature: Xavier Tricot, James Ensor, catalogue raisonné des peintures, Fonds Mercator, 2009, ill. p. 390, n° 675 Exhibition: Galerie Motte, James Ensor, Geneva, 1966, n° 4

 

Galerie Bernard De Leye

Madonna and Child, 1774 Silver Master silversmith, François-Joseph Baudoux (France, 1720-1788), Lille hallmarks H 69 x W 26 x D 21 cm Literature: Master silversmith listed in Nicole Cartier-Les orfèvres de Lille, Cahier du Patrimoine vol. II pp. 671-691 Renowned for his talents, François-Joseph Baudoux obtained the most prestigious commissions in Lille, mainly for the Church of Sainte Madeleine. He was a member of the Lille Academy of Arts when it was founded in 1773. Under the fold of the robe are the Poinçon de Reconnaissance, Poinçon de Jurande, Poinçon de Maître Orfèvre.

 

Francis Maere Fine Arts

léopold survage

Léopold Survage (Moscow 1879-1968 Paris) Fisherwoman in Collioure, 1929 Oil on canvas 97 x 130.5 cm Signed and dated lower right 'Survage 29' Provenance: collection Jozef Rogatchewsky, director of the Opera La Monnaie, 1953-1959

 

Jan Muller Antiques

floris van schooten

Floris van Schooten (Haarlem, circa 1585-1656) Still life with cheeses, bread and nuts Oil on panel 40 x 56 cm - framed 52 x 69 cm Signed with a monogram on the blade of the knife 'FVS'

 

Galerie BG Arts

rené lalique

René Lalique (Ay 1860-1945 Paris) Necklace 'Couple of Dragonflies', circa 1905 Yellow gold, tourmalines, diamonds, enamel and plique-a-jour Provenance: Sotheby's sale, London, 3 December 1998, lot 102; private collection, London; Galerie BG Arts, Paris Literature: For a similar model: Sigrid Barten, René Lalique Schmuk und Objects d'Art 1890-1910, Munich, 1977, ill. p. 344, n° 733

 

rodolphe janssen

thomas lerooy

Thomas Lerooy (Belgium, 1981) Flower shower, 2024 Oil on canvas 91.4 x 81.3 x 5 cm - framed: 93.9 x 83.8 x 5 cm

 

N. Vrouyr

Rasht rug Iran, first half 20th century Embroidered felt 312 x 156 cm

 

Valerio Turchi

Diana Venatrix Roman, 2nd century AD Marble H 103 x W 45 x D 26 cm Accompanied by Art Loss Register certificate: S00217922 Provenance: the former collection of an art dealer, USA; Sotheby’s New York, Antiquities and Islamic Art, 1-2 March 1984, lot.73; then former collection of the explorer and adventurer J. Stephen Fosset (1944-2007); acquired in London, 21 October 1986

 

Huberty & Breyne

jacques de loustal

Jacques de Loustal (Neuilly-sur-Seine, 1956) Untitled, 2024 Acrylic on canvas 46 x 38 cm Signed lower right

 

Van der Meij Fine Arts

anton graff

Anton Graff (Switzerland, Winterthur 1736-1813 Dresden, Germany) Self-portrait behind the easel, circa 1787 Etching 18.1 x 12.6 cm Provenance: private collection, Germany; private collection, The Netherlands Literature: Heller-Andresen 1 II (out of III)

 

Galerie Bernard De Leye

Covered bowl Hallmarks of Liège, Prince-Evêque Joseph-Clément de Bavière, 1695 Master Goldsmith Lambert Motet H 10 x W with handles: 23.8 cm Weight 462 grams

 
{image}

{dealerName}

{caption}