Delen

23 - 30 JANUARY 2022

TOUR & TAXIS | BRUSSELS

 

23 JAN - 30 JAN | 2022

TOUR & TAXIS | BRUSSELS

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Artworks
Galeries
Galeries David Aaron Galerie AB-BA Paolo Antonacci W. Apolloni srl d'Arschot & Cie Art et Patrimoine - Laurence Lenne Artimo Fine Arts Arts et Autographes Galerie Ary Jan Bailly Gallery Helene Bailly Gallery Véronique Bamps Baronian Xippas Galerie de la Béraudière Galerie Berès Galerie Berger Berko Fine Paintings Bernier/Eliades Gallery Dr. Lennart Booij Fine Art & Rare Items Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Brame & Lorenceau Brun Fine Art Cabinet of Curiosities-Honourable Silver Objects Callisto Fine Arts Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Chiale Fine Art didier Claes C L E A R I N G Cortesi Gallery Costermans & Pelgrims de Bigard Dalton Somaré Patrick De Brock Gallery De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries Deletaille Gallery Gallery Desmet DIE GALERIE Douwes Fine Art BV Galerie Eberwein Xavier Eeckhout Epoque Fine Jewels Yann Ferrandin Finch & Co A&R Fleury Galerie des Modernes Gladstone Gallery Gokelaere & Robinson Galerie Grand-Rue Marie-Laure Rondeau Grusenmeyer - Woliner Galerie Hadjer Philippe Heim Marc Heiremans Heritage Gallery Christophe Hioco Charles-Wesley Hourdé Huberty & Breyne Galerie Hurtebize Galerie Jamar rodolphe janssen Francis Janssens van der Maelen Harold t’Kint de Roodenbeke Lancz Gallery Alexis Lartigue Fine Art Galerie Bertrand de Lavergne Lemaire Francis Maere Fine Arts Kálmán Makláry Fine Arts Galerie Martel-Greiner MARUANI MERCIER Gallery Nao Masaki Galerie Mathivet Meessen De Clercq Montagut Gallery Galerie Montanari MORENTZ Jan Muller Antiques Klaas Muller Gioielleria Nardi Opera Gallery Osborne Samuel Gallery Galeria Jordi Pascual La Patinoire Royale / Galerie Valérie Bach La Pendulerie Galerie Alexis Pentcheff Guy Pieters Gallery Galerie de la Présidence Galerie Günter Puhze Gmbh Maison Rapin Repetto Gallery Röbbig München Robertaebasta Rosenberg & Co. Rueb Modern and Contemporary Art São Roque – Antiguidades e Galeria de Arte Galerie Schifferli Adrian Schlag Serge Schoffel - Art Premier Galerie Schoffel de Fabry Clara Scremini Gallery Galerie Seghers Herwig Simons Galerie Sismann STEINITZ Stern Pissarro Gallery Simon Studer Art Associés Studio 2000 Art Gallery Galerie Taménaga Tenzing Asian Art Theatrum Mundi Theunissen & de Ghellinck Galerie Patrice Trigano Univers du Bronze Van der Meij Fine Arts Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Victor Werner Whitford Fine Art Willow Gallery
 

Galerie Mathivet

Jules Leleu (Boulogne-sur-Mer 1883-1961 Paris) Sofa and 2 armchairs, circa 1958 Set consisting of a three-seater sofa and two armchairs resting on wooden legs Armchairs: H 79 x W 73,5 x D 80 cm Sofa: H 79 x W 72.5 x D 184 cm Literature: F. Siriex, Leleu, décorateurs ensembliers, Editions Monelle Hayot, 2007, p. 423

 

Galerie Alexis Pentcheff

André Lhote (Bordeaux 1885-1962 Paris) Nu debout, circa 1925 Pastel on paper 62.5 x 48 cm Stamp lower right Certificate of authenticity issued by Mrs. Bermann Martin

 

Galerie Martel-Greiner

Parvine Curie (Nancy, 1936) Porte de l'enfant prodigue, 1981-1982 Bronze with black patina H 75 x W 70 x D 30 cm Numbered 8 ex + 4 EA Literature: Catalog of the Museum of Modern Art of Troyes, Sculptures and drawings, Parvine Curie, 1984, Troyes (ref. n ° 4); Monography Parvine Curie (under the direction of Hélène Greiner), co-edited by Somogy Editions d'Art and Galerie Martel-Greiner Paris, 2010 (p. 45) Parvine Curie is part of this line of women sculptors who marked out the twentieth century and knew how to prove by the evocative power of their art and the often difficult paths they took to express it - stone, wood, earth, bronze - that history cannot be written without them.

 

Christophe Hioco

Hindu god Śiva Sandstone Northern India, Rājasthān or Madhya Pradesh, circa 10th century H 104 cm Provenance: private collection, Belgium, acquired in 1969

 

Galerie Patrice Trigano

Françoise Huguier (Thorigny-sur-Marne, 1942) Belle de jour Chromogenic print on aluminum 140 x 93 cm

 

Kálmán Makláry Fine Arts

Simon Hantaï (Bia 1922-2008 Paris) Peinture, 1953 Oil on canvas 91.5 x 123 cm

 

Osborne Samuel Gallery

Leon Kossoff (London, 1926-2019) Cathy II Oil on board 38.7 x 61.5 cm Provenance: the artist; Annely Juda, London; Annandale Galleries, Sydney; private collection, Sydney Exhibitions: Leon Kossoff, Mitchell-Innes & Nash, New York; travelled to Annely Juda Fine Art, London, cat. n° 74, illustrated; Leon Kossoff, Annandale Galleries, Sydney Literature: Kendall R., Kossoff, Poussin and drawing: The anarchic and the purposeful, British Art Journal, vol. 1, n° 1, 1999, p. 70; Heathcote C., Bliss in the here and now, Art & Australia, vol. 38, n° 4, 2001, pp. 534

 

Galerie Bertrand de Lavergne

Pair of 'Famille verte’ lidded vases Chinese porcelain decorated with the donkey rider motif and an attendant in mountainous landscapes, birds, lotus, squirrels, grapes, flowers, rocks and precious things Kangxi period (1662-1722) H 52 cm

 

Charles-Wesley Hourdé

Mask Wood, fibers Dan people, Ivory Coast H 22.5 cm

 

Huberty & Breyne

Midam (Brussels, 1963) Kid and Horace on the blue Blorks, 2020 Indian ink and watercolour on paper 42.5 x 93 cm

 

Epoque Fine Jewels

A magnificent Art Deco diamond tiara by Chaumet, designed as a series of rounded greek motifs, set with old mine cut, rose cut and single cut diamonds, mounted in platinum and gold. Millegrain setting. Since its foundation in 1780, Chaumet has created over 3500 unique tiaras. This tiara was made in Paris in 1909 as a wedding tiara for the daughter of Count and Countess de Heeren. Although most tiaras from that period were still made in the Garland style or the traditional 19th century style with floral and scroll motifs, this particular piece announces the more geometrical style of the Art Deco period which reached its peak in the 1920s. Exhibition: ‘Chaumet en Majesté. Joyaux de souverains depuis 1780’, Grimaldi Forum, Monaco, 12 July-28 August 2019

 

Chiale Fine Art

Console Carved and gilded poplar with top marble Royal Palace Workshop, Turin, circa 1755-1760 H 90 x W 84 x D 62 cm Provenance: private collection, Turin, Italy Literature: Vittorio Viale, Mostra del barocco piemontese. Mobili ed intagli, Turin, 1963, tav. 69; Roberto Antonetto, Il mobile piemontese nel Settecento. Vol. II, Turin, 2010, p. 217, n° 22 Exceptional wall console, with four cross legs, streamlined and elegant in shape. The wood has been inlaid with exquisite workmanship and worked with two types of gold, ‘shiny gold leaf’ and ‘dull gold leaf to give a depth and accentuate the richness of the engraving. The extraordinary rococò decoration of Palazzo Reale and Palazzo Carignano is perfectly evident in this console, in particular in the spirals and rippling flowers on the leg tops. Other exceptional features are the leaves under the table and the large flower at the crossover of the legs. The elegant, flowing line of the legs is accompanied by an amazing expressive force and the quality of the inlay; multiple spirals, flowers, leaves, vegetation stylings and a beautifully elegant curl, which bring to mind the best works of the greatest Piedmontese wood engravers like Piffetti, create a unique whole of the best quality. The top of the console is closed by a small Greek fret typical of Louis XV in which the marble is slotted, this too being of exquisite manufacture.

 

Repetto Gallery

Christo alias Christo Vladimirov Javacheff (Gabrovo 1935–2020 New York) The Gates (Project for Central Park, NYC), 1996 Pencil, enamel paint, photograph by Wolfang Volz, wax crayon and tape on brown board 21.5 x 28 cm Signed, titled, dated and notations recto: 'Christo 1996' Signed verso: '(c) CHRISTO 1996' COA by Estate of Christo V. Javacheff No. 210-01

 

Jan Muller Antiques

Two parts of a calvary scene The swooning of the Virgin & Horsemen from the cavalry looking up at Christ on the cross Oak, remnants of the original polychromy and gilding Brussels, circa 1470-1500 H 84 cm Marked with ’a hammer’ on the back, sign of the Brussels sculptor’s Guild

 

Röbbig München

Beltrame and Columbine so-called 'Spanish Lovers' Porcelain, model by Johann Joachim Kaendler (1706-1775) Manufacture and decoration, Meissen circa 1740-1741 H 18.7 cm Crossed swords mark in underglaze blue on the back of the base

 

Francis Maere Fine Arts

Pierre Clerk (Atlanta, 1928) Inv. 0077 Young Mondrian, 1977 Acrylic on canvas 122 x 122 cm

 

Serge Schoffel - Art Premier

Bundu helmet mask Wood Mende, Sierra Leone, late 19th-early 20th century H 45 cm

 

Robertaebasta

Gio Ponti (Milan, 1891-1919) Lamp Chromed brass, glass and painted metal Italy, circa 1960 H 157 cm; Ø 33 cm (base and diffuser) Made by Fontana Arte for Parco dei Principi, Hotel in Sorrento Literature: Ugo La Pietra, Gio Ponti: L'Arte si innamora dell'Industria

 

Douwes Fine Art BV

Cornelis Springer (Amsterdam 1817-1891 Hilversum) View of ‘Het Huis met de Hoofden’ in Amsterdam at the Keizersgracht 123 Oil on panel 66 x 55 cm Signed and with monogram, dated '53' (1853) Provenance: acquired directly from the artist by collection C.F. Roos in Amsterdam, 20th of August 1853; Frederik Muller, Amsterdam 1932, lot 414; collection Mensing, The Netherlands; thence by descent to the current owners Exhibitions: Douwes Fine Art, Amsterdam: Retrospective Exhibition Springer and the book launch of W. Laanstra, 1984; Dordrechts Museum, Dordrecht 1984; Rijksmuseum Twente, Enschede 1985; Zuiderzee Museum, Enkhuizen. ‘Door het oog van Springer’ 12 december 2015-10 april 2016 Literature: W. Laanstra ‘Cornelis Springer’, p. 84, n° 53-6. Amsterdam, 1984

 

Patrick De Brock Gallery

Ethan Cook (Texas, 1983) Untitled, 2019 Hand woven cotton and linen, framed 119.4 x 132.1 cm

 

Huberty & Breyne

Philippe Geluck (Brussels, 1954) Adoptez-nous, 2020 Acrylic on canvas 90 x 70 cm Signed lower right

 

Galerie Schifferli

Tom Wesselmann (Cincinnati 1931-2004 New York) Banner nude #7, 1974 Graphite on paper 11 x 13.5 cm Signed, dated and dedicated 'For Jay, #7, Tom Wesselmann, 74' Provenance: Sidney Janis Gallery, New York; private collection, New York; Hamilton Gallery, New York; private collection, Geneva Exhibition: Hamilton Gallery, New York, Drawing today in New York, June 1977 reproduced on the catalogue p. 41 In 1974 the Sidney Janis Gallery held an exhibition on Tom Wesselmann. On this occasion, the artist sketched and gifted a drawing for each gallery employee. This is the seventh out of the eight drawings.

 

Bernier/Eliades Gallery

Philip A. Zimmermann (Saarbrücken, 1988) Untitled, 2020 Acrylic on canvas 190 x 170 cm

 

Maison Rapin

Robert Goossens (Paris, 1927-2016) Sculpture, made for Yves Saint Laurent Rock crystal cross, amethyst, bronze pearl, gilded brass leaves, wheat and rock crystal base France, circa 1980 H 48 x W 21 x D 13 cm

 

Galerie Jamar

Andy Wharhol (Pittsburgh 1928-1987 New York) Joseph Beuys, 1980 Three colour silkscreens, partially with diamond dust, on card H 112 x 76.5 cm (each) Signed and numbered 52/90

 

Chiale Fine Art

Octavianus Montfort (Italy, 1646-1696) Still life Tempera on vellum Turin, circa 1680-85 H 40 x W 52 cm Provenance: Kerbastick Castle, Lanvin-Polignac collection, France This painting, which represents the highest quality of Monfort production, reflects the scrolls in which the artist prefers a Still Life with more fruits, to symbolize abundance, the wealth of art. The remarkable quality of execution and setting a harmonious whole with detailed attention to the colors of each fruit related to create a color balance of the whole work. The beautiful ultramarine blue vase falls in the foreground of a beautiful pink painted with delicate brush strokes. A wonderful variety of fruits including cherries, pears, apricots and lazzeruoli. We can recognize a hibiscus flower blue and a beautiful rose. Drs. Arabella Cifani defines: '...This beautiful miniature, is an original work of Monfort and is comparable with specific references to other artist’s works'. She adds: 'The parchement has strong references in his very fine grained with coloristic works by Giovanna Garzoni'.

 

Charles-Wesley Hourdé

Equestrian figure Wood Malinke people, Mali H 39 cm

 

Costermans & Pelgrims de Bigard

Paul de Vos (Hulst 1595-1678 Antwerp) and studio A falcon, parrots and other birds, circa 1654 Oil on canvas 170 x 181 cm Certificate of authenticity issued by Dr. Fred Meijer Provenance: Don Víctor Chávarri, I Marqués de Triano (1888- 1970), Palacio de Artaza, Leioa, Vizcaya; then by family descent

 

Galerie Alexis Bordes

Archer James Oliver (London, 1774-1842) Peacock family portrait in a landscape, circa 1800 Oil on canvas 102 x 129.2 cm Provenance: Crabbie family collection, thence by descent to the present owner Exhibition: 1800, London, Royal Academy, n° 227

 

Galerie Sismann

Virgin and Child attached to the Oratory of the Abbey Saint-Georges de Boscherville Eastern Normandy or French Vexin Circa 1400 Polychrome limestone with significant traces of gilt H 147 cm Provenance: Saint Gorgon Chapel located in the estate of the Manor of Saint-Martin-de-Boscherville (Seine-Maritime)

 
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