25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galeries
Galeries Galerie AB - Agnès Aittouarès Franck Anelli Fine Art Ars Antiqua d'Arschot & Cie Art et Patrimoine - Laurence Lenne Arte-Fact Fine Art Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Barbara Bassi Beck & Eggeling International Fine Art Galerie de la Béraudière Galerie Berès Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Giammarco Cappuzzo Fine Art Carlucci Gallery Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Citadelles & Mazenod CKS Gallery Claes Gallery Collectors Gallery COLNAGHI Costermans Dalton Somaré De Brock De Jonckheere Galerie Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie La Forest Divonne Galerie Christophe Gaillard Galerie des Modernes Gilden's Art Gallery Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Philippe Heim Heutink Ikonen Galerie Hioco Hoffmans Antiques Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Hartford Fine Art - Lampronti Gallery Alexis Lartigue Lemaire Galerie Lowet de Wotrenge Francis Maere Fine Arts Maison D'Art Maisonjaune Studio Martins&Montero Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Galerie Nathalie Obadia, Paris/Brussels Objects With Narratives Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Pron Van Pruissen Asian Art QG Gallery Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Romigioli Antichità Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Edouard Simoens Gallery Herwig Simons Fine Arts Stern Pissarro Gallery Stone Gallery Galerie Taménaga TASCHEN TEMPLON The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Jan Muller Antiques

cornelis kick

Cornelis Kick (Amsterdam, 1634-1681) Flowers in a glass vase Oil on canvas 62 x 49 cm 78 x 69 cm (framed) Authenticity and identification confirmed by Dr. Fred Meijer Provenance: Percey B. Meyer, London, 1953 (as Jacob van Walscapelle) Literature: Jan Kelch and Ingeborg Becker, Holländische Malerei aus Berliner Privatbesitz, Kaiser-Friedrich-Museums-Vereins und der Gemäldegalerie (Berlin, 1984), pp. 170-171 (as Jacob van Walscapelle); Royal Academy of Arts, London, 1952-53: Dutch pictures 1450-1750, catalogue p. 103, n° 563; Gemäldegalerie der Staatlichen Museen Berlin, 1984: Hollandische Malerei aus Berliner Privatsbesitz, pp. 170-171, pl. n° 84

 

Kunsthaus Kende

Takahiro Iede (Japan, 1962) Ayaori-gane vase 'Rhythm', Saitama 2019 Shakudo, Shibuichi, silver H 23 cm - Ø 27.3 cm The gracefully curved body widening towards the waved upper rim. The body composed of woven strips of shakudo, shibuichi and silver. Spectacular, large work by Japanese artist Takahiro Iede, crafted with brilliant skill using the so-called Ayaori-gane technique. “To set myself free, I test the limits of myself and metal.” – the Japanese artist metalsmith Takahiro Iede Born in Fukui Prefecture, Japan in 1962, the artist and metalsmith Takahiro Iede now lives and works in Saitama. The metal artworks of Takahiro Iede combine traditional craftsmanship with modern innovation. With every hammer stroke, he explores and expands the possibilities of his material. His works take a special status in Japanese art and are perceived as avant-garde, sculptural and transcending all formal limitations imposed by the technical feasibility of traditional metalworking. Takahiro Iede has enriched Japanese metalwork with a deeply impressive technique known as Ayaori-gane ('metal weaving'). This technique is characterised by various types of copper alloys with gold and silver, which are woven into patterns and then hammered and soldered together with silver. The braided creations of the Ajiro weaving technique in the bamboo craftsmanship of his home region and the woven tapestries of the Native Americans inspired the artist to develop this very difficult technique. In the Ayaori-gane technique, a plate is made by weaving metal strings. In the next step, the fine cavities within the pattern are filled with melted silver. This fills the individual metal strands of the pattern to form a coherent plate, and the resulting workpiece is shaped into three-dimensional forms using various metalworking techniques, primarily hammering. In some cases, the artist deliberately refrains from filling the spaces between the strands to leave the woven formation unfinished. There are no comparable techniques to the Ayaori-gane technique in Japanese art or other cultures that preceded it. For his outstanding achievement, Takahiro Iede received the highly prestigious Medal with Purple Ribbon for artistic merit in 2016, the awarding of which usually precedes a later designation as a future Living National Treasure.

 

rodolphe janssen

thomas lerooy

Thomas Lerooy (Belgium, 1981) Upside Down, 2025 Oil on wood panel 22.8 x 16.8 cm 23.8 x 17.8 cm (framed)

 

Univers du Bronze

jean-baptiste carpeaux

Jean-Baptiste Carpeaux (Valencienne 1827-1875 Courbevoie) Toilette de Vénus, 1855 Circa 1862-1865 Bronze H 66.8 x W 23.5 x D 14.8 cm Chief model in bronze from the Carpeaux Studio, unsigned Provenance: Carpeaux sale (31 May, 1-2 June 1894, lot n° 541); sale 8-9 December 1913 (lot n°1) (...) and assembled as an example; former A. R. collection

 

Galerie Jean-François Cazeau

zao wou-ki

Zao Wou-Ki (China, Beijing 1920-2013 Nyon, Switzerland) Untitled (Composition), 1978 Ink on paper 70 x 70 cm Dedicated, dated and signed on the lower bord Certificate from the Zao Wou-Ki Foundation Provenance: the artist's studio, Paris; Robert Rousseau collection, Belgium, gift from the artist (curator of the Zao Wou-Ki monographic exhibition at the Musée des Beaux-Arts in Charleroi in 1980); private collection by descent, Belgium

 

Galerie Perrin

oskar bergman

Oskar Bergman (Stockholm 1879-1963 Saltsjöbaden) The Lagan from Laholm, 1925 Watercolour and gouache on paper 19 x 30.5 cm Signed and dated lower right: Oskar Bergman, Lagan Fran Lahollni, April 1925 Provenance: private collection There are artists who throw themselves wholeheartedly into the various currents during the course of their lives, following the frenetic rhythm of fashions, becoming the icons of an historical moment or a particular group. Others, conversely, take a vow of fidelity to their nature, far removed from the ephemeral unfolding of art, working and meditating as if in a kind of reclusion on a subject to which they devote their entire work. Oskar Bergman belongs to the latter category. His long and prolific career was nothing more than a variation on the theme of landscape, interpreted in a highly personal style that is instantly recognisable, the result of his self-taught training and few outside influences.

 

DIE GALERIE

johannes heisig

Johannes Heisig (Leipzig, 1953) Großes Stillleben, 2025 Oil on canvas 200 x 170 cm Monogrammed and dated lower right Provenance: the artist's studio Exhibition: Johannes Heisig - Weltgefühl, DIE GALERIE Frankfurt am Main, 2025

 

Galerie des Modernes

jean dubuffet

Jean Dubuffet (Le Havre 1901-1985 Paris) Terrain au Cheval 1, 1952 Indian ink (calame) on paper 30 x 22.5 cm Signed and dated lower right 'J. Dubuffet 52' Provenance: Pierre Matisse Gallery, New York, USA; Acquavella Modern Art, Reno, USA; Andrew and Christine Hall collection, Connecticut, USA; private collection, France; private collection, Belgium Literature: Max Loreau, Catalogue des Travaux de Jean Dubuffet, fascicule VII, Tables paysagées, paysages du mental, pierres philosophiques, Les Éditions de Minuit, Lausanne 1979, descr. and repr. on p. 109, n° 169 Exhibitions: Miro: early drawings collages 1919-1949 - Dubuffet: early drawings collages 1943-1959, Pierre Matisse Gallery, New York, November-December 1981; Dubuffet-Miro: selections from the Acquavella collection, Nevada Museum of Art, Reno, July-September 1997

 

Dei Bardi Art

Prophet with a Scroll Second half of the 15th century Scheldt region, Belgium Carved in Tournai limestone H 33 x W 28 x D 7.5 cm Provenance: private collection Flanders, Belgium

 

Galerie Hioco

standing buddha

Standing Buddha Schist Ancient Gandhāra region, 2nd-3rd century AD H 103 cm Provenance: private collection, France

 

Costermans

Jacques Dubois (Pontoise 1694-1763 Paris) Slant-front desk in Chinese lacquer, Louis XV period Chinese lacquer and bronze-guilded mounts H 93 x W 85 x D 54.5 cm Stamped Jacques Dubois, Parisian cabinetmaker, received master in 1742 Literature: P. Kjellberg, Le Mobilier Français du XVIIIe siècle, Paris, 1989, ill. p. 269, fig. G

 

Galerie Oscar De Vos

albijn van den abeele

Albijn Van den Abeele (Sint-Martens-Latem 1835-1918 Aldaar) Last rays of sunshine and rising moon, 1904 Oil on canvas 80.5 x 110.5 cm Signed lower right: Albijn Van den Abeele Provenance: A. Van den Abeele, Sint-Marten-Latem; P. De Rijckere, Ghent; R. Van den Abeele, Sint-Martens-Latem; E. Van den Abeele, Sint-Martens-Latem Literature: Boyens, P., Sint-Martens-Latem. Kunstenaarsdorp in Vlaanderen (1992), 176-177 (ill.); Boyens, P., In de voetsporen van de Latemse kunstenaars (2003), 76-77 (ill.); Devoghelaere, H., Albijn Van den Abeele (1935), 39, 45, no. 33; D'Haese, J. & H. Lampo, Albijn Van den Abeele en de schilders van de Leie (1973), cat. 28 (ill.); Haesaerts, P., Sint-Martens-Latem. Gezegend oord van de Vlaamse kunst (1965), 76 (ill.); Hoozee, R., Veertig kunstenaars rond Karel Van den Woestijne (1979), 43-44, cat. 58 (ill.); Pauwels, H., De eerste groep van Sint-Martens-Latem 1899-1914 (1980), 96, 148, cat. 5 (ill.); Pauwels, P.J.H. & V. Van Doorne, Leie. Rimpeloze eenvoud (2010), 35, 106, cat. 8 (ill.); Van den Abeele, R., Albijn Van den Abeele. De stamvader van de Latemse kunstenaars (1993), 98-99, 135-138, 211, cat. 117 (ill.); Van den Abeele, E. e.a., Albijn Van den Abeele (2019), 34 (ill.); Van Doorne, V. e.a., Retrospectieve tentoonstelling Albijn Van den Abeele (1835-1918) (1985), 98-99, 211, 226, cat. 117 (ill.); Van Doorne, V. e.a., Sint-Martens-Latem - Worpswede 1880-1914. Twee kunstenaarskolonies (1996), 13, 65, 72, cat. 5 (ill.); Van Lerberghe, J., Belgische kunst van 1890-heden (1966), 21, cat. 7 Exhibitions: 1924, Ghent, Kunstgalerij Brabantdam, Albijn van den Abeele, cat. 8; 1966, Utrecht, Centraal Museum, Belgische kunst van 1890 tot heden, cat. 7; 1973, Venlo, Cultureel Centrum, Albijn Van den Abeele en de schilders van de Leie, cat. 28; 1974, Sint-Martens-Latem, Latemse Galerij, Kunstenaars zien Latem, cat. 156; 1976, Brussels, Passage 44, Tentoonstelling Oost-Vlaanderen, s.n.; 1978, Antwerp, AMVC Letterenhuis, Karel Van de Woestyne, s.n.; 1979, Brussels, Koninklijke Bibliotheek, Karel Van de Woestyne 1879-1929, cat. 183; 1979, Ghent, MSK, 40 Kunstenaars rond Karel Van de Woestyne, cat. 58; 1980, Ingelheim (Duitsland), Villa Schneider, Von Ensor bis Delvaux, cat. 9; 1985, Deinze, MuDeL, Retrospectieve tentoonstelling Albijn Van den Abeele (1835-1918), cat. 58; 2010, Deinze, MuDeL, Leie. Rimpeloze eenvoud, cat. 8; 2019, Sint-Martens-Latem, Gemeentehuis, Albijn Van den Abeele, s.n.

 

Galerie Hadjer

fernand léger

Fernand Léger (Argantan 1881-1955 Gif-sur-Yevette) (after) & Yvette Cauquil-Prince (Belgium, Dampremy 1928-2005 Tresques, France) La parade sur fond rouge Created in 1975 Wool 280 x 400 cm Woven by Yvette Cauquil-Prince in Paris (pictogram lower right) Tapestry number 1/1 - Unique Piece Provenance: Yvette Cauquil-Prince; Paul Haim collection; private collection, USA Literature: Masters of the 20th century, KunstHausWien Exhibition: KunstHausWien, 10 February-14 May 2000, Vienna

 

Stern Pissarro Gallery

maurice estève

Maurice Estève (Culan, 1904-2001) Untitled, circa 1953-1955 Gouache, watercolour and charcoal on paper 52.6 x 69.3 cm Signed lower left 'Estève' This work is registered in the archives of Mrs Monique Prudhomme-Estève under n° A.78 Provenance: private collection, UK This vibrant work by Maurice Estève dates from a pivotal moment in his career, when he was refining the style that would come to define his mature practice. A master of watercolor, this medium allowed him to develop a visual language characterized by subtle transparencies and rich chromatic nuances. The work features the bold colors and interlocking geometric forms that have made his oeuvre renowned, and its appealing format and quality make it a particularly attractive choice.

 

Maurice Verbaet Gallery

francis dusépulchre

Francis Dusépulchre (Seneffe 1934-2013 La Louvière) Relief, 1970 Synthetic lacquer on masonite 122.50 x 98 cm Provenance: estate of the artist

 

Galerie BG Arts

René Lalique Vase 'Deux Anneaux Pigeons', 1919 Made in opalescent glass with grey patina H 33 cm Engraved signature Provenance: private collection, France Literature: Félix Marcilhac, René Lalique - Catalogue Raisonné de l'Œuvre de Verre, Les Éditions de l'Amateur, Paris, 2011, n° 880

 

Christophe Perlès

 

Kunsthaus Kende

Satoshi Hara (Japan, Yokohama, 1962) Flower vase with inlaid Chrysanthemum design (mujinagiku) Ishikawa, 2018 Gold, silver and iron H 18 cm - Ø 20 cm Provenance: artist’s estate Satoshi Hara, who was born in Yokohama, Kanagawa Prefecture in 1962, specialises in creating hammered metalworks embellished with intricate and labour-intensive decorations in gold and silver. This highly developed inlay technique makes the decorations appear as if they were drawn with a thin pen. The artist has created his own technique, which he calls ‘Nanako Zogan.’ With this technique, he is able to inlay patterns into the vessels using 0.3 mm-thick silver wires. Each individual line is created in five different steps. One piece of work contains an average of 50 metres of silver wire, meaning that the artist has to work with approximately 200 metres of silver wire throughout the various stages. There is no room for error in this highly complex and time-consuming process, since it is impossible to rectify any mistakes. The artist has been teaching metalworking at Kanazawa College of Art, Department of Craft, since 2003. His work can be found in numerous museums in Japan and abroad.

 

NARDI VENEZIA

nardi venezia

'Ad Orientem' collection Bracelet crafted in gold and horn, set with diamonds, pink sapphires and rubies. Nardi’s universe has always been inspired by the distant horizons that captivate Venice

 

Galerie Alexis Pentcheff

maurice utrillo

Maurice Utrillo (Paris 1883-1955 Dax) Belle Gabrielle, Montmartre, circa 1912-1914 Oil and gesso on cardboard mounted on panel, signed lower right 41 x 55.5 cm Provenance: London, Christie’s sale, 23 June 2004, lot n° 267; European private collection; Galerie Alexis Pentcheff; private collection, France Literature: Jean Fabris and Cédric Paillier, L’œuvre complet de Maurice Utrillo, Paris, 2009, repr. n° 332, p. 396; Maurice Utrillo, exhibition catalogue, Tokyo, Seiji Togo Memorial Sompo Japan Museum of Art, 2010, n° 1, p. 142 (ill. in colour in the section 'Works reproduced as archives') Exhibitions: Centenary of the Birth of Maurice Utrillo, Musée Jacquemart-André, Paris, May-August 1983, n° 13 (travelling exhibition to Liège, Musée Saint-Georges, and to Lille, Fondation Septentrion in Marcq-en-Barœul, until 15 January 1984); Maurice Utrillo, Tokyo, then Osaka, Kyoto, and Yamaguchi, Japan, 1 November 1985-5 May 1986, n° 17 (ill. cat. in colour); Maurice Utrillo: Solitude Urbaine, Galerie Alexis Pentcheff, Marseille, 22 September-4 November 2017, n° 3 (ill. cat. in colour)

 

TASCHEN

marc newson

Marc Newson (Australia, Sydney 1963) America’s Cup This limited edition unfurls the story of America’s Cup and celebrates its skippers, owners, defenders, and challengers. Packed with previously untold tales and unseen photographs, it features a case designed by Marc Newson, crafted from cotton sailcloth, and a custom-made closure by Louis Vuitton, the official partner of the 37th America's Cup. Copies 1-175 come with a numbered carbon fiber bookstand also designed by Newson.

 

Galerie Ary Jan

Jean-Pierre Cassigneul (Paris, 1935) Se voir dans un regard, 1990 Oil on canvas 130 x 97 cm Signed lower left and titled on reverse Authenticity confirmed by Jean-Pierre Cassigneul

 

Edouard Simoens Gallery

christo and jeanne-claude

Christo (Bulgaria 1935-2020 New York) and Jeanne-Claude (Casablanca 1935-2009 New York) The Pont Neuf Wrapped (Project for Paris), 1985 Pencil, charcoal, pastel, wax crayon, and technical data 144 x 165 cm (overall) Provenance: Wolfgang Volz collection; private collection Literature: Christo and Jeanne-Claude: Water Projects, Silvana 2016, p. 167

 

Klaas Muller

Peter Paul Rubens (Germany, Siegen 1577–1640 Antwerp, Belgium) Bearded old man, looking down to his left, circa 1609 Oil on paper (laid down on panel) 56.3 x 45.8 cm Note by Ben Van Beneden. The work is yet to be published This powerfully painted head study shows a bald, bearded old man, his head slightly bowed and his gaze lowered. Rubens captures the moment with astonishing spontaneity and accuracy. Impasto accents on the nose and skull contrast with transparent brushwork elsewhere, making the face seem to glow out of the darkness. Surprisingly, the work is painted on a reused sheet of paper. When turned over, the silhouette of a woman's head appears, partly visible through the model’s beard. This visual echo adds an unexpected layer to the work and bears witness to Rubens' playful approach to materials and composition. The study is not merely an exercise: Rubens used this characterful head several times in his oeuvre. It appears as St. Amand(us) in The Elevation of the Cross (Antwerp, Cathedral of Our Lady), St. Thomas in the so-called Apostolado Lerma (Madrid, Museo del Prado), and even as Melchior in The Adoration of the Magi (Madrid, Museo del Prado). The face also appears in The Incredulity of St. Thomas and The Tribute Money, each time in a different role. Spontaneous, ad vivum head studies such as this served as a visual storehouse for his larger compositions. They reveal his fascination with character, light and expression, as well as his ability to achieve maximum expressiveness with minimal means. The gallery is grateful to Ben van Beneden for identifying this work as an authentic Rubens.

 

Epoque Fine Jewels

rené lalique

René Lalique (Ay 1860-1945 Paris) Detail of Art Nouveau thistle necklace Paris, circa 1905 Gold, diamond, enamel and glass Signed: Lalique Provenance: private collection, France

 

Maison Rapin

robert goossens

Robert Goossens (Paris, 1927-2016) Table centrepiece, circa 1970 Rock crystal and patinated bronze H 24 x W 86 x D 8.5 cm

 

Galerie Watteeu by Edouard & Andrea de Caters

max ingrand

Max Ingrand for Fontana Arte (Bressuire 1908-1969 Paris) Pair of wall lights Mod N° 2240, 1960s Brass and glass H 30 x W 22 x D 15 cm Literature: P. E. Martin-Vivier, Max Ingrand du verre à la lumière, p. 213

 

Collectors Gallery

claude wesel

Claude Wesel (Belgium, 1942-2014) Pectoral, 1970 18ct gold, pearl, diamond and steel Model #3000 Unique piece Provenance: the artist's family Exhibition: 'Memories' exh. held by Sotheby's Brussels in spring 2025

 

Galerie Patrice Trigano

mel ramos

Mel Ramos (California, 1935) Tammy Time, 1997 Watercolour on paper 76 x 48 cm

 

Stone Gallery

Quartz crystal cluster Weight: 350 kg 87 x 135 x 75 cm Origin: quarries of Mount Ida, Arkansas, USA, discovered in 1993 Provenance: Paul Membrini collection until 2023 Rock crystal is the crystallised, colourless variety of quartz, also known as clear quartz. All the crystals with their countless facets are 100% natural. With its transparent and colourless appearance, it is revered for its purity and clarity. This giant group of quartz crystals weighs approximately 350kg and is 87 x 135 x 75 cm. It displays remarkably perfect and water-clear crystals on all sides. Discovered in one of the famous crystal quarries of Mount Ida, Arkansas, USA, in 1993. The piece was once part of the Membrini Collection from Switzerland, a phenomenal museum-quality crystal collection, meticulously assembled over the years by Membrini Kristall, a firm based in Chur, Switzerland. Founder Paul Membrini was a renowned “strahler,” a professional crystal hunter who explored the Alps. Stone Gallery acquired the Membrini Collection in early 2023. Martin Garrix Stone Gallery proudly announces that the larger sibling of this piece, a great cluster weighing an impressive 4500 lbs, is now on display at the Naturalis Biodiversity Center in Leiden, in part thanks to Dutch DJ Martin Garrix.

 
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