24 - UARY 31 JANVIERRUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

This section will be available this Autumn.

Galeries
Galeries Galerie AB - Agnès Aittouarès Franck Anelli Fine Art Ars Antiqua d'Arschot & Cie Art et Patrimoine - Laurence Lenne Arte-Fact Fine Art Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Barbara Bassi Beck & Eggeling International Fine Art Galerie de la Béraudière Galerie Berès Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Giammarco Cappuzzo Fine Art Carlucci Gallery Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Citadelles & Mazenod CKS Gallery Claes Gallery Collectors Gallery COLNAGHI Costermans Dalton Somaré De Brock De Jonckheere Galerie Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie La Forest Divonne Galerie Christophe Gaillard Galerie des Modernes Gilden's Art Gallery Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Philippe Heim Heutink Ikonen Galerie Hioco Hoffmans Antiques Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Hartford Fine Art - Lampronti Gallery Alexis Lartigue Lemaire Galerie Lowet de Wotrenge Francis Maere Fine Arts Maison D'Art Maisonjaune Studio Martins&Montero Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Galerie Nathalie Obadia, Paris/Brussels Objects With Narratives Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Pron Van Pruissen Asian Art QG Gallery Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Romigioli Antichità Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Edouard Simoens Gallery Herwig Simons Fine Arts Stern Pissarro Gallery Stone Gallery Galerie Taménaga TASCHEN TEMPLON The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Galerie Berès

Georges Lemmen (Brussels, 1865-1916) Vue sur l'église de Dadizele, circa 1891 Oil on panel 16 x 24 cm Monogram lower right GL This work will be included in the forthcoming catalogue raisonné being prepared by Olivier Bertrand Literature: Roger Cardon, Georges Lemmen 1865-1916, Brussels, 1997, 40 p. 104

 

Galerie Flak

Yipwon hook figure Korewori river, Papua New Guinea, 19th century or earlier (C-14 test) Carved wood H 200 cm Provenance: Merrin Gallery, New York; Californian artist Tony Berlant collection; acquired from the above in the 1980s; Michael Hamson collection, USA; Dr. Jean-Philippe Beaulieu collection, France; acquired from the previous in 2022

 

Pron

alice gavalet

Alice Gavalet (France, 1978) Buffet, 2025 Wood, brass, glazed and engobed earthenware H 90 x W 154 x D 44 cm

 

Van Pruissen Asian Art

nagai ikka

Nagai Ikka (Japan, 1869–1940) Pair of six-panel folding screens with crows, 1930s Ink on paper H 137 x W 268 cm (each) Signed in the bottom corner Provenance: private collection, Japan Nagai Ikka (also known by the art names Zuiunan and Hanpo) was born in 1869 in Suibara, Niigata Prefecture, during the early Meiji period. He trained under leading masters of the Maruyama and Shijō schools, including Suzuki Shōnen, Nakano Kimei, and Hirafuku Hoan, and later absorbed stylistic influences from Kawanabe Kyōsai. This grounding in careful observation and naturalistic rendering provided the foundation for a personal style that balanced precision with expressive freedom. He began painting crow paintings after helping Ernest Francisco Fenollosa create 'One Hundred Crows', a painting he had commissioned from Kyosai. The late Meiji and Taishō periods were marked by profound change in Japanese art, as artists navigated between traditional aesthetics and the growing influence of Western naturalism. Ikka embraced this dialogue, drawing on classical ink painting techniques whilst expanding his horizons abroad. From 1903 to 1908, he lived in the United States, exhibiting at international events such as the Portland Expo, where he won a silver medal, and later at the Italian Expo. His crow paintings, admired both in Japan and overseas, earned him the affectionate nickname 'Doctor of Crows' from statesman Ōkuma Shigenobu. The crow (karasu) has a long symbolic tradition in Japanese culture, appearing in classical poetry, Buddhist imagery, and Shintō cosmology, most famously as Yatagarasu, the mythical three-legged crow. Ikka revitalised this motif, transforming it from a minor decorative element into the central subject of bold, dynamic compositions. This pair of six-panel folding screens demonstrates his command of movement and atmosphere. Painted in ink with sparing touches of colour, the crows appear in varied postures—perched, in flight, or interacting—creating a rhythm that guides the viewer’s eye across the expansive surface. Bold, calligraphic brushstrokes define wings and feathers, while softer washes evoke wind, mist, and shifting light. The result is a scene that is both naturalistic and poetic, combining the restraint of traditional ink painting with a striking modern vitality. Ikka’s crows are not static symbols but living presences, conveying alertness, intelligence, and social energy. His lifelong study of corvid behavior, informed by travels across Japan, Korea, China, Taiwan, and the United States, gave his work an observational depth rare among his contemporaries. At the same time, his art reflects a broader ambition: to elevate the ordinary into the emblematic, merging natural accuracy with expressive force. Today, Ikka’s crow paintings are prized by collectors and studied as important examples of Meiji-period nihonga, where fidelity to nature combines with enduring Japanese aesthetic ideals. These folding screens stand as a testament to his originality and his ability to transform a humble subject into a powerful symbol of vitality and freedom.

 

Nosbaum Reding

nat meade

Nat Meade (USA, Greenfield 1975) Tide Pool, 2024 Oil on jute 63.5 x 71.1 cm

 

Brame & Lorenceau

marie laurencin

Marie Laurencin (Paris, 1883-1956) Jeune fille au bouquet de fleurs, circa 1935-1940 Oil on canvas 61 x 50 cm Signed upper left Provenance: private collection Literature: Daniel Marchesseau, 'Marie Laurencin, Catalogue raisonné de l’Œuvre Peint', 1986, Éditions du Musée Marie Laurencin, Japan, 1986, n° 1150, repr. B&W

 

Galerie Ary Jan

goudji

Goudji (Georgia, Borjomi 1941) A la table des Dieux Silver, jasper, and lapis lazuli H 34 x W 43 x D 14 cm 1300 gr (Silver weight) and 1454 gr (total weight) Provenance: the artist's studio

 

rodolphe janssen

sanam khatibi

Sanam Khatibi (Iran, 1979) Outgoing call, 2025 Oil on panel 13.2 x 21.5 cm 22.2 x 30.5 cm (framed)

 

DIE GALERIE

johannes heisig

Johannes Heisig (Leipzig, 1953) Großes Stillleben, 2025 Oil on canvas 200 x 170 cm Monogrammed and dated lower right Provenance: the artist's studio Exhibition: Johannes Heisig - Weltgefühl, DIE GALERIE Frankfurt am Main, 2025

 

TASCHEN

ralph gibson

Ralph Gibson (Los Angeles, 1939) Ralph Gibson. Photographs 1960-2024 The most comprehensive collection of this highly acclaimed and prolific American photographer's work offers the fruit of more than six decades of image-making. Available in two limited art editions of 100 copies, each accompanied by a gelatin silver print numbered and signed by Gibson.

 

Galerie Nicolas Bourriaud

marcelle delcour - guinard

Marcelle Delcour-Guinard (Switzerland, Meyrin 1896-1978 France) Bather, 1931 Marble sculpture H 172 x W 45.5 x D 46 cm Signed ‘M Delcour-Guinard’ and dated 1931 Unique piece Provenance: the artist's family collection Exhibition: Salon des Artistes Français, 1932, Baigneuse, statue de marbre, n° 3675 Born in Cointrain (Canton of Geneva), Marcelle Delcour trained at the Regional School of Fine Arts in Rennes and studied under the sculptors Laurent Marqueste (1848–1920) and Victor Ségoffin (1867–1925), the head of the sculpture studio for female students at the École nationale supérieure des beaux-arts in Paris. In 1920, she married the painter Robert Raoul André Guinard (1896–1989), with whom she spent two years in Morocco in 1934. Upon returning to France in 1936, the couple settled in a small village called Crécey, in the commune of Saint-Pair-sur-Mer: he painted, she sculpted. Benefiting from the post–Second World War reconstruction projects, she received numerous commissions from Canon Pinel to restore works of art preserved in the churches of the Manche region. Anne Delcour-Guinard exhibited regularly at the Salon des Artistes Français from 1924 to 1932. In 1924, the committee of the Association des artistes peintres, sculpteurs, architectes, graveurs et dessinateurs (Fondation Taylor) awarded her the Prix Galimard-Jaubert on May 27. In 1925, she received an honourable mention, and in 1932, a bronze medal for La Baigneuse, a marble sculpture. The work was then displayed in a place of honour at the centre of the nave of the Grand Palais. The sculpture is indeed remarkable for its life-size proportions and its distinctive 1930s style, which, in the spirit of Art Deco, celebrates the female form - elongated, elegant, and liberated. She is embodied here as the garçonne: short-haired, athletic, and modern, asserting her nudity without false modesty, revealed through the graceful gesture of her folded arm and offered to the viewer’s gaze.

 

Mearini Fine Art

Pair of sidewalls from a wooden choir with the figures of Saints Andrew and Anthony the Abbot Woodcarver close to Jehan de Vitry's Geneva workshop Upper Savoy, circa 1450-1460 Walnut 275 x 50 cm (each) Provenance: private collection, Italy

 

Serge Schoffel - Art Premier

Sitting male figure Timoto-Cuica, 900-1300 AD Trujillo State, Venezuela Terracotta, pigments H 29 x W 23 x D 17.5 cm Datation: TL test n° 481z12 by the Research Laboratory for Archaeology, Oxford University, United Kingdom, on 7 May 1991 Provenance: Galerie Ferrero, Geneva, 1968; collection Barbier-Mueller, Geneva, Inv. n° 530-2; Sotheby's auction, Paris, collection Barbier-Mueller-Art Précolombien, on 22 and 23 March 2013, n° 265 Literature: Paz, Octavio, Butor, Michel, Barbier, Jean-Paul, Stierlin, Henri, Lavallée, Danièle, Conceição G., Corrêa, Barry, Iris, 1992, Art millénaire des Amériques : de la découverte à l'admiration, 1492-1992, Arthaud, fig. 130, p. 178 & 179; Conceição G., Corrêa, Barry, Iris, 2002, Amazonie précolombienne, Museo Barbier-Mueller de Arte Precolombino, Barcelona, 5 Continents, fig. 4, p. 17; Benson, Elizabeth P., 2003, Trésors de la céramique précolombienne du Museo Barbier-Mueller de Arte Precolombino de Barcelona, Musée Barbier-Mueller et Somogy éditions d’art, fig. 44, p. 52

 

The old Treasury

c. deambrogi

C. Deambrogi necklace 18k yellow gold, pearl, coral and enamel Alessandria, Italy, circa 1970

 

Hartford Fine Art - Lampronti Gallery

Giovanni Antonio Canal, also called Canaletto (Venice, 1697-1768) Capriccio of Piazza San Marco from the Basin of San Marco with the Church of the Redeemer Oil on canvas 130 x 105 cm Written expertise by A. Morassi and by R. Pallucchini Provenance: Mrs. Van der Gucht collection; Christie’s sale, catalogue n° 78, November 1965; Fogg collection, acquired from the above sale; Sotheby’s sale, catalogue n° 110A, March 1968; Johnson collection, acquired from the above sale; Sotheby’s sale, catalogue n° 70, June 1970; Harlow collection, acquired from the above sale Literature: W. G. Constable, Canaletto, second edition, ed. J. G. Links, Volume II, n° 459, p. 438, pl. 208

 

Gilden's Art Gallery

pablo picasso

Pablo Picasso (Malaga 1881-1973 Mougins) Le bain de pieds, 1960 Brush and India ink drawing on wove paper 20.9 x 26.9 cm This ink drawing is dated 26.1.60.II in ink in the upper image. Picasso created this work on Tuesday 26 January 1960 Provenance: Forum Fine Art, Zurich; private collection, Switzerland; Christie's, London, 10 February 2005, lot 685 Literature: C. Zervos (1968), Pablo Picasso - Œuvres de 1959 à 1961, Paris, vol. 19, reference n° 137 (ill., pl. 32)

 

Costermans

pierre-philippe thomire

Pierre-Philippe Thomire (Paris, 1751-1843)(Attributed to) Pair of table centrepieces Empire period, early 18th century Chiselled and gilded bronze H 57 x W 22 cm

 

Galerie Hadjer

andré lanskoy

André Lanskoy (Moscow 1903-1976 Paris) Composition, Circa 1965 Wool Aubusson tapestry by the Maurice Chassagne workshop 225 x 300 cm Unique piece Provenance: atelier Maurice Chassagne; private collection, Switzerland

 

Mulier Mulier Gallery

andy warhol

Andy Warhol (USA, Pennsylvania 1928-1987 New York) Shoe, circa 1956 Ink, tempera and gold flake on paper 45.9 x 60.6 cm Stamped twice by the estate of Andy Warhol, with number of the estate

 

Carlucci Gallery

Francesco Albotto (Venice, 1721-1757) Piazza San Marco, Venice Oil on canvas 134 x 88 cm Authenticated by Dr. Federica Spadotto Provenance: private collection

 

Serge Schoffel - Art Premier

Litxókó figure Karajá tribe, early 20th century Rio Araguaia valley, Brazil Wood, pigments and vegetal fibers H 52 cm

 

Maison Rapin

robert goossens

Robert Goossens (Paris, 1927-2016) Table centrepiece, circa 1970 Rock crystal and patinated bronze H 24 x W 86 x D 8.5 cm

 

Galerie Greta Meert

carla accardi

Carla Accardi (Trapani 1924-2014 Rome) Frammenti, 1984 Acrylic on canvas 50 x 60 cm Frammenti, a work from 1984, ‘Fragments’; the work affirms Carla Accardi’s place as a voice of innovation in an Italian art scene dominated by male voices. In this 50 x 60 cm painting using only black paint on the untreated material of the canvas, the artist constructs a rhythmic interplay of signs animating recognition and illegibility, an evocation of a writing that dissolves into abstraction. The work embodies the tension that characterises her oeuvre: a subtle intertwining of classical painterly discipline and the radical openness of the avant-garde, resulting in a visual language that is as rigorous and experimental as it is personal.

 

Pron

fausto melotti

Fausto Melotti (Rovereto 1901-1986 Milan) Il meridiano delle campane, 1979 Brass H 97.5 x W 74 x D 38 cm Literature: Milan, Galleria Stendhal, Cascella Consagra Melotti, 1980; Padua, Stevenson Arte Contemporanea, Fausto Melotti. Sculture, tecniche miste e incisioni, 1982; Intra, Galleria Corsini, Fausto Melotti. Sculture e Acquarelli. Un'opera d'arte è un'oasi, 1982; Busto Arsizio, Galleria Il Punto Sette, Fausto Melotti, 1984; Parma, Galleria La Sanseverina, Fausto Melotti, 1986, pp. 29, 47, n° 29, ill. Exhibitions: Gianni Cavazzini, Poetiche sosprese di Fausto Melotti, in Gazzetta di Parma, May 23rd, 1986, ill.; Germano Celant, Melotti, Catalogo generale, Tomo secondo, Sculture 1973-1986 e Bassorilievi, Milan 1996, p. 512, 1979 n° 21, ill.

 

Nosbaum Reding

stefaan de croock

Stefaan De Croock (Belgium, 1982) Portrait F I , 2025 Recycled wood Sculpture 155 x 88.5 cm

 

robertaebasta

Max Ingrand for Fontana Arte (Bressuire 1908-1969 Neuilly-sur-Seine) Pair of wall lamps, Italy, 1950s Tapered brass fitting, blue beveled glass, frosted glass H 41.5 x W 17.5 x D 10 cm (each)

 

WHITFORD

paul van hoeydonck

Paul Van Hoeydonck (Antwerp 1925-2025 Wijnegem) White New World, 1966 Mixed media H 91.5 x W 61 x D 20 cm Signed and dated on verso Whitford reference PVH068 Provenance: acquired directly from the artist

 

Meessen

evariste richer

Evariste Richer (Montepellier, 1969) Saint-François, 2025 Ink on paper 112 x 112 cm

 

Barbara Bassi

franco cannilla

franco cannilla

Franco Cannilla - Bracelet unique piece 1960's - Yellow gold 18 kt and diamonds - Ed Masenza Roma

 

Claes Gallery

 
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