24 - UARY 31 JANVIERRUARY 2027

BRUSSELS EXPO | HEYSEL

APPLY TO EXHIBIT
Artworks

This section will be available this Autumn.

Galeries
Galeries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Spazio Nobile Gallery Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Galerie la Ménagerie

Charles Delhommeau (1883-1970) Tiger head Bronze, signed « C. DELHOMMEAU ». Foundry stamp Leblanc-Barbedienne Cire perdue. Model created and cast circa 1935 26 x 23 x 29 cm (life-size) A sea-green marble plinth, 14.5 cm high.

 

Galeria Jordi Pascual

Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Paysage animé, 1937 Oil on canvas 92,1 x 60 cm Provenance: Galerie Simon, Paris; Galerie Louise Leiris, Paris; Kunsthalle Bern; Marlborough Gallery, London; Saidenberg Gallery, New York; Michelle Rosenfeld Gallery, New York; Nierendorf Gallery, New York; Samuel Berger, New York; private collection Literature: Cooper, Douglas, Fernand Léger et le nouvel espace, Lund Humphries / Éditions des Trois Collines, 1949, p. 130; Bauquier, Georges, Fernand Léger: Catalogue raisonné 1932–1937, 1996, pp. 238–39, fig. 938 Exhibitions: San Francisco Museum of Art, Art of Our Time, 1935–1945, 1945, cat. p. 33, fig. 39; Marlborough Gallery, London, Selected European Masters of the 19th and 20th Centuries, 1973, cat. pp. 78–79, fig. 39; Stad Mechelen, Cultureel Centrum, Belgium, Fernand Léger, 1979, fig. 60; Museo de Arte Contemporáneo, Caracas, Fernand Léger, 1982, cat. p. 74, fig. 46; Whitechapel Art Gallery, London, Fernand Léger: The Later Years, 1987–88, cat. p. 19, fig. 21; Staatsgalerie, Stuttgart. Fernand Léger: Zeichnungen, Bilder, Zyklen, 1930–1955, 1988, cat. p. 190, fig. 21; Michelle Rosenfeld Gallery, Léger: America’s Culture, 1998, cat. fig. 18; Fundació Joan Miró, Fernand Léger, 2002, cat. p. 129; Marlborough Fine Art, London, Jacques Lipchitz and the School of Paris, 2023

 

Dei Bardi Art

Kneeling donor figure South Netherlandisch, second half of the 16th century
 Limestone 67 x 22 x 37 cm Provenance: old collector's label on the reverse

 

Collectors Gallery

Pablo Picasso (1881–1973), after 
“Rond” medallion in 23-karat gold, 1975 Circular 23-karat gold medallion, decorated with a stylised face. Stamped with Picasso’s signature and Pierre Hugo’s maker’s mark, numbered 7/20. Hugo workshop no. 1678–2143, dated 5 October 1975. Provenance : COLLECTION NAILA DE MONBRISON

 

N. Vrouyr

Etablissements veuve Guillon et fils, Belgium Before 1925 Warp and weft, cellulose, pile, wool 460 x 370 cm Numbered at the back Literature: Arthur De Rudder, International exhibition of modern decorative and industrial arts (Paris, 1925): official catalogue of the belgian section Exhibition: International exhibition of modern decorative and industrial arts, Paris, 1925, Belgian Pavilion, gallery of complete interiors, dining room by the Maison Gustave and Edouard Blondel

 

robertaebasta

Banksy (UK) 2003 Turf War 35 x 49 cm (59 x 72 cm with frame) Silkscreen on paper, signed edition no. 10/750 With Pest Control certificate of authenticity Provenance: Private Collection, Italy.

 

Galerie des Modernes

Geer Van Velde (Lisse 1898-1977 Cachan) Composition, circa 1950 Oil on canvas 80 x 85 cm Signed lower right with the artist’s initials Provenance: artist’s studio, Cachan; private collection, The Netherlands; private collection, France Certificate of authenticity by Pierre-François Moget To be included in the forthcoming Catalogue Raisonné of the works of Geer van Velde currently in preparation by Pierre-François Moget.

 

Objects With Narratives

Lukas Cober Vortex Coffee table - Custom, 2026 Resin & Bronze W 170 x D 170 x H 36 cm W 66 7/8 x D 66 7/8 x H 14 1/8 inches

 

Gallery Sofie Van de Velde

Georges Vantongerloo (1886 Antwerp BE – 1965 Paris FR) Spiral with Certain Spots, 1946 Signed and dated: “Spirale avec certaines taches Paris 1946 G. Vantongerloo” (title / verso) Oil on masonite 738 × 588 mm Provenance: The artist Georges Baines Collection (acquired directly from the artist) Bernard Baines Private collection, Switzerland Galerie Ronny Van de Velde, Antwerp Exhibitions: Paris, Palais des Beaux-Arts de la Ville de Paris, 1st Salon des Réalités Nouvelles. Abstract Art, Concrete Art, Constructivism, Non-Figurative, July 1946 Zurich, Kunsthaus Zürich, Antoine Pevsner, Georges Vantongerloo, Max Bill, 15 October – 13 November 1949, no. 78 Washington, Corcoran Gallery of Art, Georges Vantongerloo. A Traveling Retrospective Exhibition, 22 April – 17 June 1980, no. 176 (later shown in Dallas and Los Angeles) Brussels, Royal Museums of Fine Arts of Belgium, Georges Vantongerloo 1886–1965, 23 January – 16 March 1981, no. 176 Zurich, Kunsthaus Zürich, Georges Vantongerloo, 3 April – 17 May 1981, no. 176 Antwerp, Ronny Van de Velde, Georges Vantongerloo 1886–1965, 15 December 1996 – 31 March 1997, OCNO no. 176 Barcelona, MACBA – Museu d’Art Contemporani de Barcelona, Force Fields: Phases of the Kinetic, 19 April – 18 June 2000, no. 232 (later at the Hayward Gallery) Le Cateau-Cambrésis, Musée Matisse, Georges Vantongerloo 1886–1965, A Pioneer of Modern Sculpture, 28 October 2007 – 2 March 2008 (later at Mu.ZEE) Madrid, Museo Nacional Centro de Arte Reina Sofía, Georges Vantongerloo: A Longing for Eternity, 3 November 2009 – 22 February 2010 Literature: Georges Vantongerloo, Paintings, Sculptures, Reflections, in Problems of Contemporary Art No. 5, New York, 1948, no. 176, Wittenborn, fig. 44 Georges Vantongerloo: A Traveling Retrospective Exhibition, Corcoran Gallery of Art / Dallas Museum of Fine Arts / Los Angeles County Museum of Art, Loiseau, Brussels 1980, p. 146 Jan Ceuleers, Ronny Van de Velde, Georges Vantongerloo 1886–1965, Antwerp, OCNO, 1996–1997, no. 176, p. 157 illustrated Serge Lemoine, Georges Vantongerloo (1886–1965). A Pioneer of Modern Sculpture, Musée Matisse, 2007, p. 148 illustrated Larkin Erdmann, Five Years, Zurich, 2019, pp. 83–84 Ostend, Mu.ZEE, Belgium–Argentina. Transatlantic Modernisms, 1910–1958, 2022

 

Almine Rech

Farah Atassi (b.1981, Brussels, Belgium), 'The Shadow,' 2026. Signed and dated on the back. Oil on canvas, 195.3 x 114.3 x 2.9 cm - 76 7/8 x 45 x 1 1/8 in. Provenance: Artist Studio. Exhibitions: Farah Atassi, 'Metamorphosis', Jun 26 — Jul 31, 2026 | Almine Rech New York. 'The Shadow' comes from a recent body of work in which Farah Atassi explored themes of metamorphosis and freedom. The central figure is a chimeric half woman-half flower that appears to flourish before our very eyes. Daphne– the nymph turned into a laurel tree to escape the god Apollo– comes to mind, a representation of transformation and transcendence. In 'The Shadow' the flower woman is organic, yet sculptural, retaining a distinct humanity that the artist has simplified, symbolized. While the composition is dreamlike and ethereal, a bold shadow brings a touch of realism, anchoring the twisting form to the pictorial plane. This work is a painting within a painting, a formal choice that allows Atassi to contrast two distinct realms while also interrogating the metamorphic potential of art. Notes of Magritte’s uncanny, atmospheric beauty emerge as the flower woman in 'The Shadow' is captured in the act of liberating herself from a canvas, striking out into the rosy dawn.

 

Galerie Hurtebize

Marc Chagall (Vitebsk 1887-1985 Saint-Paul de Vence) Lumière du Cirque, 1969 Watercolour, pastel, gouache, coloured inks, and pencil on a black print lithograph M.566 38 x 52,3 cm Signed 'Marc Chagall' lower right Certificate of authenticity from the comité Marc Chagall Provenance: private collection, France

 

Galerie Lowet de Wotrenge

CIRCLE OF CHRISTOPH DANIEL SCHENCK (SOUTH GERMAN, LATE 17TH CENTURY) A RARE MINIATURE CRUCIFIXION STAND ON A MEMENTO MORI SKULL AND BONES boxwood and fruitwood height 14 cm PROVENANCE Private collection, UK.

 

Galerie Flak

Goli Glin Buffalo Mask Baule Ivory Coast Carved wood and pigments Early 20th century Height: 65.5 cm – 25 ¾ in. Provenance Collection Frank Crowninshield, New York, acquired before January 1936, presumably with the assistance of John D. Graham, New York Jacques Seligmann Gallery, New York, acquired from the above Collection of the Surrealist artist Enrico Donati (1909-2008), New York, acquired in the 1940s Exhibitions Jacques Seligmann Gallery, New York, “Exhibition of Sculptures of Old African Civilizations”, January 4 – January 22, 1936 Brooklyn Museum, New York, “African Negro Art from the Collection of Frank Crowninshield”, March 20 – April 25, 1937

 

Galerie Nicolas Bourriaud

MEESTER Raymond de (1904–1995) Yawning Leopard Bronze with a nuanced brown patina, signed ‘Rd de Meester de B’, titled ‘Yawning Leopard’ and dated ‘1928–29’ Batardy cast, numbered I/III, bearing the stamp ‘BATARDY CIRE PERDUE BRUXELLES’, and the inscriptions ‘Épreuve d’Artiste’ and ‘cire perdue’ H. 45.2 x W. 41.6 x D. 15.5 cm. Circa 1928–1929 Bibliography: Léonard Dieleman, Raymond de Meester de Betzenbroeck, Animal Sculptor, Gallery Dieleman, Brussels 1989, reproduced under number 5 Xavier de Ghellinck Vaernewyck, ‘de Meester de Betzenbroeck’, Nouvelle Biographie Nationale, Part 6, Royal Academy of Belgium, Brussels, 2001, pp. 133–135

 

Galerie Hioco

Akiko Hirai Moon Jar Medium “In waxing light 3” Grès émaillé avec engobe de porcelaine D. 40 x 41 x 41 cm 2026

 

Francis Janssens van der Maelen

Grand Vase Art Déco par Luigi Genazzi Matière : Argent 800/°°° 35 x 32 cm 2.900 gr Date : °1930 Milan Grand vase ou rafraîchissoir à vin en argent martelé, agrémenté de deux anses géométriques et rehaussé d’un décor aux détails d’une grande finesse. Œuvre-témoin de la ‘Milanesità’, l’orfèvrerie de Milan, élégante et intemporelle. Porte les poinçons de l’orfèvre Luigi Genazzi et sa signature.

 

WHITFORD

Guy Vandenbranden (Elsene 1926 - Antwerp 2014) Abstract Composition 1962 Gouache on paper 50 x 38 cm Signed and dated lower right PROVENANCE: Private Collection Belgium.

 

Repetto Gallery

Artist: Carla Accardi (1924 - 2014) Title: Carminio su tela grezza Dates: 1997 Medium: Vinyl on raw canvas Dimensions: 50 × 70 cm Signature: Signed lower right; signed, titled, dated and archive number on the reverse Certificate of authenticity on b/w photograph signed by the artist, no. 18/98. Registered at Studio Accardi, Rome, archive no. 629A Provenance: Soffiantino Arte Contemporanea, Turin Private collection Literature: Germano Celant (edited by), "Carla Accardi. Catalogo ragionato", (Charta, Milano) 1999, p. 419, n. 1997 62 (B&N), ill.

 

Guy Pieters Gallery

Christo and Jeanne-Claude The Floating Piers (Project for Lake Iseo, Italy) 2014 Pencil, wax crayon, enamel paint, photographs by Wolfgang Volz, technical data and fabric sample H 56 cm x W 43 cm

 

Finch & Co

An Exceptionally Large and Very Rare Ivory Teetotum Gambling Ball with Engraved Crown and Numbers 1 - 32 on the Faceted Sides Superb mellow colour and golden patina Early 18th Century / Circa 1710 - 20 Size: 7cm dia. Belgium CITES: 2025/BE00991/CE

 

Segoura Fine Art

Lucien Victor Guirand de Scévola (1871–1950) Woman Portrait, 1902 Pastel on canvas H. 67 cm × W. 54 cm Framed: 96 × 79 cm Signed and dated lower right: “Guirand Scevola 1902”

 

Galerie Boulakia

KENNY SCHARF Infinitum, 1996 Huile et acrylique sur toile 81.7 x 107 cm 32 1/8 x 42 1/8 in Signé, titré et daté 'Kenny Scharf Infinitum '96' (au dos) Provenance Tony Shafrazi Gallery, New York Dennis Hopper Collection (acquis auprès de ce qui précède en 1999). Christie's NY, 2011 Acquis à la vente par l'actuel propriétaire

 

Segoura Fine Art

Charles Ronot 1820-1895 Lions at the Edge of the Woods Oil on canvas signed and dated Ronot 1866 Dimensions with frame : 185 x 232 cm

 

Galerie Hioco

Buste monumental de Yakshī Grès beige Inde centrale Circa IXᵉ siècle H. 50 cm

 

Galerie Jean-François Cazeau

Guillaume Cornelis van Beverloo dit Corneille (1922-2010) et Michel Macréau (1935-1995) "Vendredi 14 novembre - Nous allons Corneille et moi essayer de travailler ensemble - A toi Cérès" 1968 Oil on canvas, collaborative work Signed « Corneille 68 » and « Macréau. M ». 100 x 200 cm Provenance: Artist's studio Collection Cérès Franco, collector and curator of Brazilian origin and patron of the Art Brut and CoBrA mouvements. Succession Cérès Franco. Private collection, France, acquired from the former. Exhibitions: - "En grand format, exposition inaugurale La Coopérative Musée Cérès Franco", Montolieu, 1er juillet – 31 octobre 2015. - "La Peau et les mots", La Coopérative - Musée Cérès Franco, Montolieu, 1er mai – 31 octobre 2016.

 

Galerie de la Présidence

Hans HARTUNG (1904-1989) « T1966-E40 » 1966 Vinyl paint on canvas and scraping 27 x 35 cm – 10.62 x 13.77 in. Signed and dated lower left Titled on the reverse, dedicated and signed Provenance - Waintrob collection, USA - Galerie Applicat-Prazan, Paris - Private collection, Paris This work is registered in the Archives of the “Fondation Hans Hartung & Anna-Eva Bergman” under number : T 1966-E40

 

Galerie Jean-François Cazeau

Yayoi Kusama (1929 - 2026) Uchu/Universe, 1994 Acrylic on canvas 91 x 73 cm 35 7/8 x 28 3/4 in. Signed, titled and dated in Japanese on the reverse, « Yayoi Kusama 1994 » Provenance Ota Fine Art, Tokyo Private collection Sotheby’s Londres, 2022, Lot 318 Acquired by the current owner at Sotheby’s London Collection privée, France This work is registered in the Archives of Yayoi Kusama Studio as N° 1518.

 

Galerie Boulakia

PIERRE ALECHINSKY Fenestron V, 2012 Acrylique sur papier marouflée sur toile 60 x 50 cm 23 5/8 x 19 3/4 in Signé (en bas à gauche) Provenance Galerie Lelong, Paris Collection Privée

 

Galerie bei der Albertina ▪ Zetter

Adolf Loos Ladie´s Writing Desk, around 1903/04 Manufactured by Friedrich Otto Schmidt, Vienna Softwood, oil varnish, brass fittings, writing inlay with new leather H 106 cm (with top), H 80 cm (without top) W 113 cm, D 67.5 cm Company stamp on the underside: Friedrich Otto Schmidt / Wien / 1 Singerstrasse 16 / Schmidt Miksa / Budapest / 5. Lipotkorut 4 Provenienz: Private collection, Vienna Literature: Burkhardt Rukschcio/Roland Schachel, Adolf Loos. Leben und Werk, 1982, Salzburg/Vienna, ill. p. 115, no. 117 cf. Exhibition catalogue ‘Adolf Loos. Private Spaces’, Barcelona Design Museum, 2017, ill. p. 134 Exhibitions: Paris, ‘Adolf Loos – Exposition Du Cinquantenaire’, 1983 Karlsruhe, ‘Gründerzeit, Adolf Loos: Jahrhundertwende: Rückblick und Ausblick im Spiegel der Wiener Architektur’, 1987

 

Galerie Lowet de Wotrenge

ROELANDT SAVERY (KORTRIJK 1576 - 1639 UTRECHT) A BULL oil on panel 21 x 28,5 cm signed 'ROELANDT SAVERY FE.', lower right PROVENANCE Private collection, France.

 
{image}

{dealerName}

{caption}