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Galerie Flak
Okvik 'Madonna' Okvik culture, Old Bering Sea, 250 BC – 100 AD Archaic Eskimo, St. Laurent Island (Sivuqaq), Alaska Marine ivory 15,9 cm Provenance: collection Perry J. Lewis, USA; collection Galerie Flak, 2021; private collection, acquired from the above Exhibition & Literature: 'Espíritus del Agua', Fundación La Caixa, Madrid & Barcelone, 1999-2000, pl. 2, p. 76; Arctic Dreams, Parcours des Mondes, 2021 (Galerie Flak)
Stern Pissarro Gallery
GLENN BROWN (b. 1966) Drawing 2 (after Delacroix/Raphaël) Executed in 2019 Acrylic on polyester film laid down on cardboard 109.2 x 94 cm Signed and dated lower right, Glenn Brown 2019 The work has the artist's signed label on the reverse Provenance: Galerie Max Hetzler, Berlin Private collection, Belgium, acquired from the above Exhibitions: Paris, Musée national Eugène Delacroix, Glenn Brown, 10 October - 9 December 2019 Berlin, Galerie Max Hetzler, And Thus We Existed, 30 October 2020 - 23 January 2021, no. 6, pp. 40-41, 43-44, 125, 152 (illustrated, p. 41, detail illustrated, p. 43, exhibition view illustrated, pp. 44, 125) Provenance Galerie Max Hetzler, Berlin Private collection, Belgium, acquired from the above Exhibitions Paris, Musée national Eugène Delacroix, Glenn Brown, 10 October - 9 December 2019 Berlin, Galerie Max Hetzler, And Thus We Existed, 30 October 2020 - 23 January 2021, no. 6, pp. 40-41, 43-44, 125, 152 (illustrated, p. 41, detail illustrated, p. 43, exhibition view illustrated, pp. 44, 125)
Galerie Nicolas Bourriaud
MONIER Emile (1883–1970) Bust of a young Koumbo girl, 1930 Black veined marble, signed ‘EMILE MONIER’, dated ‘1930’ and titled ‘KOUMBO’ H. 65.5 x W. 43 x D. 30.5 cm. Circa 1930 Unique piece Possibly a Lobi girl from Burkina Provenance: public auction, Paris, 6 June 1984 Bibliography: E. Bénézit, Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, vol. 9, Paris, 1999, p. 756
Galerie Nicolas Bourriaud
BIZETTE-LINDET André (1906–1998) Diane the Huntress Bronze with a nuanced brown-green patina, signed ‘Bizette-Lindet’ Cast by Susse, bears the foundry’s mark ‘SUSSE Fres / PARIS / CIRE PERDUE’ and the inscription ‘BRONZE’. H. 64 x W. 70 x D. 20 cm. On a blackened wooden base Circa 1937–1938 A similar example is held at the Musée de la Piscine in Roubaix (Inv.: FNAC 6463) Bibliography: Amandine Delcourt, Bruno Gaudichon and Fanny Legru, "Faire le Beau. Le bestiaire de La Piscine", Ghent, Snoeck, 2017, p. 57
Repetto Gallery
Artist: Carla Accardi (1924 - 2014) Title: Carminio su tela grezza Dates: 1997 Medium: Vinyl on raw canvas Dimensions: 50 × 70 cm Signature: Signed lower right; signed, titled, dated and archive number on the reverse Certificate of authenticity on b/w photograph signed by the artist, no. 18/98. Registered at Studio Accardi, Rome, archive no. 629A Provenance: Soffiantino Arte Contemporanea, Turin Private collection Literature: Germano Celant (edited by), "Carla Accardi. Catalogo ragionato", (Charta, Milano) 1999, p. 419, n. 1997 62 (B&N), ill.
Repetto Gallery
Artist: Christo (1935 - 2020) Title: The Pont Neuf, Wrapped (Project for Paris) Dates: 1985 Medium: graphite, charcoal pastel, wax crayon, fabric, photograph collage on cardboard mounted on a stretcher Dimensions: 144,5 × 165 cm Upper element: 38 x 165 cm; lower element 106,5 x 165 cm Signed, dated and titled lower on the upper element The artwork’s details have been reviewed and confirmed by the Foundation Christo and Jeanne-Claude Provenance: Michael Cullen, London Deutsche Bank Collection, Frankfurt (acquired from the above in 1985)
Galerie bei der Albertina ▪ Zetter
Egon Schiele Portrait of a Woman, 1918 Black crayon on paper 47 x 30 cm Signed and dated lower right: EGON / SCHIELE / 1918 Estate stamp on the reverse Kallir WV Nr. D 2223 Provenance: The artist’s estate (per stamp) Galerie St. Etienne, New York Georges Simon, New York (acquired from the above, 1947) Lore Müller Christie's, New York, Nov. 16, 1983, sale 5442/Egon, lot 141 (consigned by the estate of the above) Galerie Würthle, Vienna Private collection, New York (acquired from the above, 1986) Exhibitions: Tokyo, Tokyu Art Gallery, "Gustav Klimt und Egon Schiele mit Werken von Alfred Kubin: Künstler der Jahrhundertwende" Tochigi Prefectural Museum of Fine Arts, Utsunomiya Chiba Parco, Chiba Matsumoto Parco, Matsumoto Shimoneseki City Art Museum, Shimoneseki, 1985 New York, Galerie St. Etienne, "Egon Schiele's Women," 2012 Vienna, Leopold Museum, “Changing Times: Egon Schiele’s Last Years, 1914-1918”, 2025 Literatur: Jane Kallir, Egon Schiele: The Complete Works, Expanded Edition, New York 1998, ill. p. 609, D 2223 Exhibtion catalogue "Changing Times: Egon Schiele´s Last Years 1914-1918" ed. by Kerstin Jesse, Jane Kallir, Hans-Peter Wipplinger, Leopold Museum, Vienna 2025, ill. p. 253
F. Baulme Fine Arts
Claude-Marie DUBUFE (Paris, 1790 – La-Celle-Saint-Cloud, 1864) Expression Head: Modesty Circa 1827-1828 Oil on canvas 55.5 x 46.5 cm Provenance: England, private collection. Literature: Emmanuel Bréon, Claude-Marie, Édouard et Guillaume Dubufe, Portraits d’un siècle d’élégance parisienne, exh. cat., Paris, Délégation à l’Action Artistique de la Ville de Paris, 1988 (engraving after the present painting, p. 70, repr.). Related work: Claude-Marie Dubufe, Modesty, 1828, engraving.
Stern Pissarro Gallery
PIERRE-AUGUSTE RENOIR (1841 – 1919) Coco mangeant sa soupe Executed in 1905 Oil on canvas 46.3 x 37.9 cm Signed lower right, Renoir. Provenance: Ambroise Vollard, Paris Private collection, Zürich, circa 1930 Fine Arts Gallery of San Diego, March 1942 (on loan from a Private collection) Dalzell Hatfield Galleries, Los Angeles, 1943-1949 Van Diemen-Lilienfeld Galleries, New York, 1953 Chapin and Mary Alexander Riley, Malibu/Worcester, acquired in 1953 Worcester Art Museum, Massachusetts (inventory no. 1991.238) (one third gifted in 1992 and a second third gifted in 1997) Literature: Principales acquisitions des musées en 1992, Gazette des Beaux-Arts, 1993, p. 65 Guy-Patrice Dauberville and Michel Dauberville, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. IV, 1903-1910, no. 3415, p. 435 Exhibitions: Amsterdam, Stedelijk Museum, Vincent van Gogh en zijn Tijdgenooten, 1930, no. 269 San Diego, Fine Arts Gallery, 1942 Los Angeles, Dalzell Hatfield Galleries, Renoir (1841-1919), 1943, no. 5 Los Angeles, Dalzell Hatfield Galleries, A Superb Exhibition: Modern French Masters, 1949, p. 5 (travelled to New York, Barbizon Plaza Hotel) Madrid, Museo Thyssen-Bornemisza, Renoir: Intimidad, 18 October 2016 - 22 January 2017, p. 149 (travelled to Bilbao, Museo de Gellas Artes de Bilbao, 7 February - 15 May 2017)
Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)
Pablo Picasso (Malaga 1881-1973 Mougins) and Hélène Parmelin (Nancy 1915-1998 Paris) Woman portrait in 'Les Dames de Mougins', 1965 Feltpen drawing on paper 29,8 x 27 cm Copy of the doctor René Gutmann Signed and dated 'pour mon cher ami Gutmann. Diego Picasso, le 8.11.65' Provenance: Dr. René-Albert Gutmann (1885-1981); thence by descent Librairie Lardanchet, Antiquarian bookseller
Harold t’Kint de Roodenbeke
Jane Graverol 60 x 73 cm Oil on canvas Signed and dated 1949 Provenance Collection of his friend and artist Tom Gutt Exhibited Le surréalisme en Belgique, Musée de Mons, march-august 2007 Histoire de ne pas rire, Bozar, Bruxelles, fev-june 2024, illustrated p. 221 An important work by Jane Graverol, created in the very year she met the painter René Magritte. In it, she depicts herself as if trapped in a cage, like a bird. Yet the door is open, like a breath of freedom and hope offered to the artist.
Victor Werner
Franz Barwig (Shönau, Nordmähren 1868-1931 Vienna) Group of Fauns, ca. 1900 Sculpted oak Signed 'F. BARWIG' on the base H. 94 x L. 99 x D. 18 cm This amazing, large, sculpted-oak masterpiece perfectly captures the essence of the Vienna Secession. Created by one of Austria's most influential Art Nouveau sculptors, the piece showcases Barwig's signature mastery of wood, blending powerful forms with raw, natural texture.
Almine Rech
Farah Atassi (Brussels, 1981) The Shadow, 2026 Oil on canvas 195,3 x 114,3 cm Signed and dated on the back Provenance: artist's studio Exhibitions: Farah Atassi, 'Metamorphosis', 26 June - 31 July 2026, Almine Rech New York 'The Shadow' comes from a recent body of work in which Farah Atassi explored themes of metamorphosis and freedom. The central figure is a chimeric half woman-half flower that appears to flourish before our very eyes. Daphne– the nymph turned into a laurel tree to escape the god Apollo– comes to mind, a representation of transformation and transcendence. In 'The Shadow' the flower woman is organic, yet sculptural, retaining a distinct humanity that the artist has simplified, symbolised. While the composition is dreamlike and ethereal, a bold shadow brings a touch of realism, anchoring the twisting form to the pictorial plane. This work is a painting within a painting, a formal choice that allows Atassi to contrast two distinct realms while also interrogating the metamorphic potential of art. Notes of Magritte’s uncanny, atmospheric beauty emerge as the flower woman in 'The Shadow' is captured in the act of liberating herself from a canvas, striking out into the rosy dawn.
Galerie bei der Albertina ▪ Zetter
Adolf Loos Ladie´s Writing Desk, around 1903/04 Manufactured by Friedrich Otto Schmidt, Vienna Softwood, oil varnish, brass fittings, writing inlay with new leather H 106 cm (with top), H 80 cm (without top) W 113 cm, D 67.5 cm Company stamp on the underside: Friedrich Otto Schmidt / Wien / 1 Singerstrasse 16 / Schmidt Miksa / Budapest / 5. Lipotkorut 4 Provenienz: Private collection, Vienna Literature: Burkhardt Rukschcio/Roland Schachel, Adolf Loos. Leben und Werk, 1982, Salzburg/Vienna, ill. p. 115, no. 117 cf. Exhibition catalogue ‘Adolf Loos. Private Spaces’, Barcelona Design Museum, 2017, ill. p. 134 Exhibitions: Paris, ‘Adolf Loos – Exposition Du Cinquantenaire’, 1983 Karlsruhe, ‘Gründerzeit, Adolf Loos: Jahrhundertwende: Rückblick und Ausblick im Spiegel der Wiener Architektur’, 1987
Francis Janssens van der Maelen
Ravinet d'Enfert Art Deco centrepiece, Paris, circa 1930 Sterling Silver 950 Jardinière: H 9 x W 35 x D 23 cm Mirrored plateau: H 3 x W 50 x D 38 cm Total net silver weight: 4,990 g Total gross weight: 9,210 g French Minerva hallmark Important sterling silver centrepiece comprising a jardinière and its mirrored plateau. The jardinière, of geometric canted rectangular form, has a plain body highlighted by stepped moulded borders around the rim and base. It rests on small rectangular feet. Removable silver-plated metal liner bearing the square Ravinet d’Enfert maker’s mark in full. The plateau, of matching rectangular form with canted corners, echoes the geometric lines of the jardinière. It consists of a solid silver frame with stepped geometric mouldings, raised on small feet and enclosing a mirrored glass panel.
Galerie de la Présidence
Sonia Delaunay (Ukraine, Hradyzk 1885-1979 Paris) Rythme couleur, 1972 Gouache on paper 54,5 x 38 cm Signed lower right Provenance: private collection, Paris Certificate of Jean-Louis Delaunay and Richard Riss This is one of the preparatory gouaches for the Album Les Illuminations, containing 15 stencils, illustrating 9 poems by Arthur Rimbaud.