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Galerie Raf Van Severen
Jean Brusselmans (1884, Brussels - 1953, Dilbeek) "Decor pour Erwartung", dated 1936 mixed media on paper, 60 x 90 cm Label at the back; Erwartung; Decor pour “Erwartung”, d’Arnold Schoenberg, 1936; Decor pour le 4e acte Literature: Paul Haesaerts, Jean Brusselmans, 1939, p.67; Robert L. Delevoy, Jean Brusselmans: CR établi par Mme G. Brys-Schatan, 1972, 421.IV
Galerie de la Présidence
Sonia DELAUNAY (1885-1979) “Rythme couleur” Paris 1972 Gouache on paper 54,5 x 38 cm – 21.45 x 14.96 in. Signed lower right Provenance - Private collection, Paris Certificate of Jean-Louis Delaunay and Richard Riss This is one of the preparatory gouaches for the Album Les Illuminations, containing 15 stencils, illustrating 9 poems by Arthur Rimbaud.
Univers du Bronze
Jean-Baptiste CARPEAUX (1827-1875) LES TROIS GRÂCES (Trial example, variant). (1873-1874) Bacchant crowned with ivy, Bacchant with roses et Bacchant with laurels. Terracotta with pinkish patina, "Atelier-Dépôt à Auteuil, 71 rue Boileau, Paris". H. 79,2 cm L. 44,5 cm D. 36 cm Trial example, earlier version prior to the final composition, signed ‘J B-te Carpeaux’ and dated “1873” with "Propriété Carpeaux" seal : variations in the respective positioning of the Bacchantes with laurel and ivy, and a variation in the right leg of the latter; vibrations in the particularly subtle modelling of the figures; sketch-like modelling, rough indications in the central plant stem, the quiver, and the laurel, ivy and rose leaves crowning the Bacchants, with an improvised rose in a different position than the edited examples. Artist’s intervention. Kilned in 1873
Galerie Flak
Goli Glin Buffalo Mask Baule Ivory Coast Carved wood and pigments Early 20th century Height: 65.5 cm – 25 ¾ in. Provenance Collection Frank Crowninshield, New York, acquired before January 1936, presumably with the assistance of John D. Graham, New York Jacques Seligmann Gallery, New York, acquired from the above Collection of the Surrealist artist Enrico Donati (1909-2008), New York, acquired in the 1940s Exhibitions Jacques Seligmann Gallery, New York, “Exhibition of Sculptures of Old African Civilizations”, January 4 – January 22, 1936 Brooklyn Museum, New York, “African Negro Art from the Collection of Frank Crowninshield”, March 20 – April 25, 1937
Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)
PICASSO (P.) – PARMELIN (H.). Les Dames de Mougins. Paris, Imprimerie Union, 1964, presentation copy from Picasso to Dr. René-Albert Gutmann, one of his physicians, with an original drawing. PICASSO (P.). Felt-tip pen drawing. 298 x 270 mm. Signed and dated "Diego Picasso, 8.11.65, and Jacqueline [Picasso]". Librairie Lardanchet, Antiquarian bookseller
Snackers Antiques & Fine Art
Cross with Ivory corpus, Walter Pompe, Antwerp 1770 Cross with ivory corpus Crafted by Walter Pompe, Antwerp 1770, Signed Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings The Calvary richly decorated, also featuring ivory bones, skull, and the snake with apple. With CITES document. H. 57.5 cm W. 27 cm D. 11 cm
Galerie Jean-François Cazeau
Yayoi Kusama (1929 - 2026) Uchu/Universe, 1994 Acrylic on canvas 91 x 73 cm 35 7/8 x 28 3/4 in. Signed, titled and dated in Japanese on the reverse, « Yayoi Kusama 1994 » Provenance Ota Fine Art, Tokyo Private collection Sotheby’s Londres, 2022, Lot 318 Acquired by the current owner at Sotheby’s London Collection privée, France This work is registered in the Archives of Yayoi Kusama Studio as N° 1518.
Dr. Nöth kunsthandel
Armand Guillaumin (1841 Paris - 1027 Orly, Val-de-Marne), LES HAUTEURS DE LA SEDELLE, CROZANT, 1910, pastel on paper, 48 x 63 cm, signed lower left, on the reverse a label of Galerie Marcel Bernheim, Paris; Certificate Comité Guillaumin, the pastel will be included in the second volume of the forthcoming catalogue raisonné, Provenance: Galerie Marcel Bernheim, Paris; Collection F., Paris
Almine Rech
Farah Atassi (b.1981, Brussels, Belgium), 'The Shadow,' 2026. Signed and dated on the back. Oil on canvas, 195.3 x 114.3 x 2.9 cm - 76 7/8 x 45 x 1 1/8 in. Provenance: Artist Studio. Exhibitions: Farah Atassi, 'Metamorphosis', Jun 26 — Jul 31, 2026 | Almine Rech New York. 'The Shadow' comes from a recent body of work in which Farah Atassi explored themes of metamorphosis and freedom. The central figure is a chimeric half woman-half flower that appears to flourish before our very eyes. Daphne– the nymph turned into a laurel tree to escape the god Apollo– comes to mind, a representation of transformation and transcendence. In 'The Shadow' the flower woman is organic, yet sculptural, retaining a distinct humanity that the artist has simplified, symbolized. While the composition is dreamlike and ethereal, a bold shadow brings a touch of realism, anchoring the twisting form to the pictorial plane. This work is a painting within a painting, a formal choice that allows Atassi to contrast two distinct realms while also interrogating the metamorphic potential of art. Notes of Magritte’s uncanny, atmospheric beauty emerge as the flower woman in 'The Shadow' is captured in the act of liberating herself from a canvas, striking out into the rosy dawn.
Bernardini Milano
Rolex, Bienne. Rare yellow gold “oyster chronograph” in pristine condition, 1956 One of the 36 made of this version of chronographs in 18kt. gold in the late 50’s. The untouched case and extensible bracelet host a perfect creamy silvered dial. The watch is complete of its original box, papers, invoice and various communications between owner and the Swiss Maison.previously unknown to the market, it’s a benchmark in terms of rarity and conservation.
Galerie Hurtebize
Marc CHAGALL (Belarus, Vitebsk 1887-1985 Saint-Paul de Vence, France) Lumière du Cirque 1969 Watercolor, pastel, gouache, colored inks, and pencil on a black print of lithograph M.566 38 x 52.3 cm Signed “Marc Chagall” at the bottom right Certificate of authenticity from the Comité Marc Chagall Provenance: Private Collection, France
Galerie Jean-François Cazeau
VICTOR VASARELY (1906–1997) EG-2, 1965 acrylic on canvas 160 x 160 cm Signed in the centre Counter-signed, titled and dated on the reverse Provenance: The artist’s studio Galerie Denise René, Paris Private collection, France Bibliography: Certificate by Pierre Vasarely, 26 July 2020.
Galerie von Vertes
Repetition GL.A 1996 Collage and acrylic on canvas 16.1 × 12.5 in., 41 × 31,8 cm Verso signed, dated and titled Provenance: · Shinwa Auction, 23 November 2014, lot 145 · Private collection, Japan (acquired from the above) · Bonhams, Hong Kong, 11 June 2016, lot 26 · Private collection, Asia (acquired from the above) · Christie's, Hong Kong, 3 December 2020, lot 517 · Private collection, London (acquired from the above) Expertise: · Certificate of authenticity from the Yayoi Kusama Studio on 21 August 2012 Background information: Repetition or seriality would become her signature technique in everything that she created: “Repetition of the same patterns, an action which stems from my disease, is applied in my writing just as it is in my artwork. Dreams and hallucinations are actually occurring. This obsessional image is what I have transformed my disease into, and is therefore, to me, irreplaceable.”
