29 JANUARY – 5 FEBRUARY 2023

BRUSSELS EXPO | HEYSEL

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Artworks

This section will be available this Autumn.

Galleries
Galleries Galeries AB & BA Franck Anelli Fine Art W. Apolloni srl / Laocoon Gallery ltd Ars Antiqua srl d'Arschot & Cie Art et Patrimoine - Laurence Lenne Artimo Fine Arts Galerie Ary Jan AV Modern & Contemporary Bailly Gallery Helene Bailly Gallery Baronian Barbara Bassi Galerie de la Béraudière Galerie Berès Bernier/Eliades Gallery Dr. Lennart Booij Fine Art & Rare Items Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Nicolas Bourriaud Brame & Lorenceau Galerie Van den Bruinhorst Brun Fine Art Cabinet of Curiosities-Honourable Silver Objects Giammarco Cappuzzo Fine Art Cavagnis Lacerenza Fine Art Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Chiale Fine Art didier Claes Collectors Gallery Cortesi Gallery Costermans & Pelgrims de Bigard Galerie Pascal Cuisinier Galerie Cybele Dalton Somaré De Brock Gallery De Jonckheere Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries Dei Bardi Art Thomas Deprez Fine Arts Gallery Desmet DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co A&R Fleury Galerie La Forest Divonne Galerie des Modernes Dario Ghio Gilden's Art Gallery Gokelaere & Robinson Galerie Grand-Rue Marie-Laure Rondeau Philippe Heim Marc Heiremans Galerie Hioco Huberty & Breyne Galerie Hurtebize Galerie Jamar rodolphe janssen Harold t’Kint de Roodenbeke Florian Kolhammer Galerie Kraemer + Ars Belga Alexis Lartigue Fine Art Galerie Bertrand de Lavergne Lemaire Francis Maere Fine Arts MARUANI MERCIER Galerie Mathivet MDZ Art Gallery Meessen De Clercq Montagut Gallery Galerie Montanari MORENTZ Jan Muller Antiques Klaas Muller Gioielleria Nardi New Hope Gallery Nosbaum Reding Opera Gallery Osborne Samuel Gallery Galeria Jordi Pascual La Patinoire Royale ǀ Galerie Valérie Bach La Pendulerie Galerie Alexis Pentcheff Guy Pieters Gallery Galerie de la Présidence QG Gallery Maison Rapin Repetto Gallery Röbbig München Robertaebasta Rosenberg & Co. Rueb Modern and Contemporary Art Galerie Schifferli Serge Schoffel - Art Premier Galerie Seghers Herwig Simons Fine Arts Librairie Amélie Sourget Stern Pissarro Gallery Simon Studer Art SA Studio 2000 Art Gallery Galerie Taménaga Galerie Patrice Trigano Univers du Bronze Van der Meij Fine Arts Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Victor Werner Whitford Fine Art Willow Gallery Zidoun-Bossuyt Gallery
 

Maison Rapin

KAM TIN Amber chest of drawers, 2017 Wooden structure covered with natural raw amber, tinted glass top, polished brass legs, 3 drawers France H 72 x W 82 x D 45 cm Stamped 'K' inside

 

AV Modern & Contemporary

Willy Schlobach (Brussels 1864-1951 Nonnenhorn) View of Wasserburg on Lake Constance, 1920 Oil on canvas 51 x 61 cm Monogrammed and dated 1920 lower left Provenance: private collection

 

Cavagnis Lacerenza Fine Art

Psyche Marble Italy, 19th century H 132 cm Inscribed 'AT'

 

Dalton Somaré

Mask, Mukudj Punu, Gabon, late 19th-early 20th century Wood, pigments, kaolin H 30 cm Provenance: collected in the late 1940s by Marcel Bessy (French magistrate stationed Gabon and Congo between 1947-1958); private collection, Paris

 

Bernier/Eliades Gallery

berta fischer

Berta Fischer (Germany, 1973) Titum, 2020 Acrylic glass H 110 x W 140 x D 50 cm

 

Nosbaum Reding

barthélémy toguo

Barthélémy Toguo (Cameroon, 1967) EUROPEAN REFUGEES CRISES, 2015 Wood, ink H 55 x W 45 x D 49 cm Provenance: the Artist's studio

 

Collectors Gallery

Sophia Vari (Greece, 1940) 'Arthemis' brooch/pendant, 1990 Ebony and 18ct gold H 8 x W 7 cm Limited edition of 6 + 2 EA, marked: Vari 5/6 Provenance: the artist's studio

 

Axel Vervoordt

José Zanine Caldas (Brazil, Belmonte 1918-2001 Vitória) Table, 1978 Pequi wood 80 x 120 cm Provenance: private collection, São Paulo, acquired directly from the artist Born on the southern coast of Bahia, in a town called Belmonte, José Zanine Caldas moved to Rio de Janeiro in 1938, to start a workshop producing architectural scale models. Through his work, he met a number of iconic Brazilian architects such as Oscar Niemeyer and Lucio Costa. When plywood was introduced in the Brazilian construction market in the early 1940s, Zanine soon realised that this material lent itself perfectly to the mass production of furniture. Along with several partners, he founded the furniture company Moveis Artisticos Z, which he left in 1952 due to internal conflicts. He continued his work as a scale modeller and furniture designer in São Paulo, where he also became active as a landscape designer, architect, and modelling teacher at the University’s Faculty of Architecture and Urbanism. Zanine Caldas returned to Bahia in the 1970s, and there became inspired by the way in which local craftsmen carved canoes and rowboats from felled trees. He started to develop a more elemental approach to furniture manufacturing, by chiselling pieces directly from large logs of wood, creating a distinct signature style with these organic, sculptural pieces. José Zanine Caldas' work is a testament to the power of natural wood and its beauty as a material. As a pioneer in the field of forest preservation and ecology, Zanine Caldas’ intention was to plant a new tree every time another was cut down for one of his projects. He wrote several essays on the relationship between Brazil’s forests and its people, drawing inspiration and knowledge from architectural history, philosophy and local folk tales.

 

Chiale Fine Art

saint john

Germany, 1460-80 ca. Carved painted and gilded walnut Cm 110x50

 

Helene Bailly Gallery

André Lhote (Bordeaux 1885-1962 Paris) Marseille, le bateau à voile, 1930 Oil on canvas 92 x 65 cm Signed and dated upper left: A Lhote 30 Exhibitions: Salon d'Automne 1931, n° 1310 XVIIIth International Biennale Exhibition of Fine Arts of Venice, 1932 Literature: Roger Brielle Lhote, Les Albums d'art Druet, n°32, Paris, Librairie de France. 1931 repr. on board XIX Mrs. Bermann-Martin has confirmed the authenticity of this work.

 

Bailly Gallery

Jordy Kerwick (Australia, 1982) Dylan Thomas, 2019 Oil on canvas 55 x 46 cm Signed and dated on the back: Jordy 2019 Provenance: Galerie Rampone, Cologne; private collection (acquired from above)

 

Meessen De Clercq

claudio parmiggiani

Claudio Parmiggiani (Luzzara, 1943) Senza titolo, 2019 Smoke and soot on wood H 70 x W 60.4 x D 3 cm Provenance: the artist's studio

 

Douwes Fine Art b.v.

rembrandt van rijn

"the good samaritan”, 1633

Etching; 26,2 x 21,3 cm, with small margins signed and dated lower centre: ‘Rembrandt. inventor. et. fecit. 1633’

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

Victor Brauner (Romania, Piatra Neamt 1903-1966 Paris, France) Le Petit Taraph. [Celliers de Rousset], 1943 Original wax and paint on board 23.5 x 14.2 cm Signed and dated lower right, framed Taraphs, or talismans, are gifts of friendship, viatics distributed to companions in misfortune Librairie Lardanchet, Antiquarian bookseller

 

Galerie de la Béraudière

Jean Dubuffet (Le Havre 1901-1985 Paris) Masque de théâtre IV Transfer on polyester, mounted on a plexiglass base H 39 x W 32 x D 5 cm Monogrammed and dated on the right side: J.D., 69 Unique piece Provenance: collection Michelle and Pierre Fagot (gift from Henri Creuzevault to his daughter and son-in-law); private collection, Belgium Literature: Max Loreau, Catalogue des travaux de Jean Dubuffet, fascicule XXIV : Tour aux figures, amoncellements, cabinet logologique, Paris, Weber, 1973, n° 130, p. 132 (ill.)

 

Collectors Gallery

louise nevelson

Louise Nevelson (Ukraine, Pereiaslav 1899-1988 New York) Pendant, circa 1980-1985 Painted wood and brass H 13.2 x W 7.9 x D 3.8 cm Unique piece unsigned with label on reverse 28439 Provenance: estate of the artist (50073), Pace Wildenstein NYC (28439) Literature: 'Paint It black', Edition Didier Ltd, p. 54

 

Baronian

Niele Toroni (Muralto, 1937) Brushstrokes n° 50 repeated at regular intervals of 30 cm, 2015 Oil on canvas 200 x 140 cm Provenance: private collection, Belgium

 

Bernard Bouisset

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

Pieter Bruegel the Elder (Brussels, 1525-1569) Avaritia (Avarice, one of the seven vices), 1558 Engraving by Pieter van der Heyden (1530-1572), published by Hiëronymus Cock (Antwerp, 1518-1570) 29.6 x 22.5 cm References: New Hollstein Dutch 24 1(2), first state Lex Antiqua, Antiquarian bookseller

 

Willow Gallery

Maurice de Vlaminck (Paris 1876-1958 Rueil-la-Gadelière) Village près de la Rivière, 1911-1912 Oil on canvas 73 x 92 cm, framed: 93 x 112 cm Certificate of inclusion, ref. n° 20124 from the Wildenstein Plattner Institute, and will be included in the forthcoming digital catalogue raisonné Provenance: Ambroise Vollard, Paris; Galerie Alex Maguy, Paris; Galerie de l'Elysée (Alex Maguy), Paris, 1961; sale, Mes Ader, Picard et Tajan, Paris, 20 June 1974, lot E; Georges Bernheim, Paris; Galerie Urban, Paris; Mildred J. Langston, Rumson, New Jersey; private collection, USA (by descent); sale, Sotheby Parke Bernet, Inc., New York, 19 October 1977, lot 37 (titled 'Bougival'); private collection (acquired at the above); sale, Sotheby's, New York, 14 November 1990, lot 398 (titled ‘Bougival’); collection of Nancy Lee and Perry B. Bass Literature: Exhibition: Fort Worth, Kimbell Art Museum, The Collection of Nancy Lee and Perry R. Bass, March-May 2015, p. 72, n° 35 (ill. in colour p. 73; titled 'Bougival'; dated 'circa 1910')

 

Gilden's Art Gallery

sam francis

Sam Francis (San Mateo 1923-1994 Santa Monica) Untitled, SF91-27PRS, 1991 Acrylic on wove paper 78 x 49 cm Stamped and signed on verso, ink stamp of the artist’s estate and hand signed in pencil by the artist’s wife, 'Margaret Francis', verso The archive registration number SF91-27PRS in inscribed below the ink stamps, verso. This work is identified with the interim identification numbers of SF91-27PRS in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper Provenance: the Estate of the Artist; Gallery Delaive, Amsterdam, 1986; Poulain Le Fur, Paris, 18 November 2001, lot 342

 

Röbbig München

Johann Friedrich Eberlein (1696-1749) Two hunters mounted as three-branch candelabra Models, 1739, Manufacture and decoration, Meissen, circa 1742-1745 Ormolu mounts (stamped 'c couronné'), Paris, Louis XV period, 1745-1749 Soft-paste porcelain flowers, France, 18th century H 28.5 x W 28 cm and H 30 x W 29.5 cm

 

Galerie Hurtebize

bernard buffet

Bernard Buffet (Paris 1928-1999 Tourtour) Maisons Rouges & Blanches, 1990 Oil on canvas 97 x 146 cm Provenance: private collection Certificate of the Maurice Garnier Gallery

 

Galerie von Vertes

Pablo Picasso (Malaga 1881-1973 Mougins) Nu couché, 1 September 1969 Coloured crayon, charcoal and pastel on paper 50.5 x 65 cm Signed and dated upper left Picasso 1.9.69.IV Provenance: Galerie Louise Leiris, Paris; Saidenberg Gallery, New York; Hirschl & Adler Galleries, New York; Desmond Page, London; J.P.L. Fine Arts, London; private collection, London; James Goodman Gallery, New York; Evelyn Aimis Fine Art, Miami (acquired from the above); private collection (acquired from the above on 4 June 2007); Sotheby's, New York, 29 June 2020, lot 62; private collection, The Netherlands (acquired from the above) Literature: Christian Zervos, Pablo Picasso, Oeuvres de 1969, vol. XXXI, Paris, no. 403, p. 115 (ill.) © Succession Picasso - Sabam Belgium 2023

 

Cortesi Gallery

Arnaldo Pomodoro (Morciano di Romagna, 1926) Uccello: a Brancusi, 1981-82 Bronze H 36.8 x W 53.3 x D 45.7 cm Signed Arnaldo Pomodoro and numbered 4/6 (on the base), ed. of 6 Provenance: Thomas Segal Gallery, Boston, United States; private collection Literature: Sam Hunter & Arnaldo Pomodoro, Arnaldo Pomodoro, Milan, 1995, p. 70; Flaminio Gualdoni, Arnaldo Pomodoro: Catalogo Ragionato della Scultura, vol. II, Milan, 2007, n° 689, pp. 622-623, ill.

 

Whitford Fine Art

Joseph Lacasse (Tournai 1894-1975 Paris) Dominante bleue, 1955-56 Oil on canvas 246 x 105 cm Signed and dated verso Provenance: private collection, Belgium Literature: Joseph Lacasse: Pioneer of Abstraction, exhibition catalogue with essay by An Jo Fermon, Whitford Fine Art, London, 2015, cat. n° 29, ill.

 

Bernier/Eliades Gallery

susan rothenberg

Susan Rothenberg (USA, 1945-2020) Primo, 2007 Oil on canvas 198 x 213.5 cm

 

Baronian

Seyni Awa Camara (Senegal, Casamance 1945) Anaré aniné Dibagnoly / Grandmotherhood, 2022 Fired clay H 138 x W 42 x D 39 cm

 

Helene Bailly Gallery

Raoul Dufy (Le Havre 1877-1953 Forcalquier) Compotier, bananes et fruits sur un entablement, 1905 Oil on canvas 81 x 95 cm, framed: 109 x 123 cm Signed in orange lower left: Raoul Dufy. Annotated from the artist's sister on the edge: Peinture de mon frère Raoul Dufy exécutée en 1905 - Germaine DUFY Provenance: collection of the artist's sister, Germaine Literature: This work will be included in the second supplément du Catalogue Raisonné de l'oeuvre peint de Raoul Dufy being prepared by Mrs Fanny Guillon-Laffaille. Certificate of authenticity issued by Germaine Dufy, the artist's sister June 28 1967. Certificate of authenticity issued by Mrs Fanny Guillon-Laffaille dated November 2nd 2017

 

QG Gallery

Lawrence Weiner Materials Grouped in Such a Manner That by Virtue of Use Some Material Passes as That Which It is Not (in Media Res), 1981 Dimensions vary Wall installation Provenance: David Bellman Gallery, Toronto; Doyle New York; private collection, Belgium

 
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