This section will be available this Autumn.
Galerie Berès
Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Nature morte aux vases, 1928 Oil on canvas Signed and dated lower right 'F. Léger, 28' Provenance: Galerie Louis Leiris, n° 10496 photo 6595, seal on the back, Svensk-Franska Konstgalleriet, Stockholm; private collection, Sweden Galerie Bonnier, Swizterland; private collection, France Literature: G. Bauqier, Fernand Léger, Catalogue raisonné, 1925-1928, Maeght éditeur, 1990, p. 244, repr. noir et blanc
_Christo_T637671472941777826.jpg?width=410&height=500&qlt=80&scale=both&mode=max&format=jpeg)
_williamDegouvedeNuncques_T637664396425931486.jpg?width=410&height=500&qlt=80&scale=both&mode=max&format=jpeg)
Rueb Modern and Contemporary Art
William Degouve de Nuncques (Monthermé 1867-1935 Stavelot) Côte aux Baléares (Majorque, Cala San Vicente) Oil on panel 20 x 47 cm Signed with initials and dated 00 Provenance: Suzanne Degouve de Nuncques (born Poulet; the artist's widow); by descent from the above to the previous owner, the grandson of A. de Gerlache, the polar explorer, Suzanne's first husband Literature: N. Bos, L. Brogniez, V. Carpiaux, William Degouve the Nuncques, schilder van het mysterie, Brussels, 2012, ill. p. 58 and 59; H. Wijgergans, R. Feltkamp and Th. Galle, William Degouve de Nuncques, online catalogue raisonné, no. 3.1900.006, ill.
Francis Janssens van der Maelen
Axel Salto (Copenhagen 1889-1961 Frederiksberg) Male Mask Ceramic Denmark, 1947 H 44.5 x W 27.5 x D 22 cm Signed Salto Unique piece Made by the Royal Porcelain Manufactory Literature: Clay-Museum of Ceramic Art Denmark, Axel Salto, fig. 13, p. 5 Exhibited in Charlotteborg in November 1949 and in the Designmuseum Danmark in 1989
_GerhardRichter_T637667026643565737.jpg?width=410&height=500&qlt=80&scale=both&mode=max&format=jpeg)
Galerie von Vertes
Gerhard Richter (Dresden, 1932) Abstraktes Bild (562-2), 1984 Oil on canvas 100 x 140 cm Verso signed, dated and numbered '562-2' Provenance: Galerie Konrad Fischer, Dusseldorf; Barbara Gladstone Gallery, New York; Holly Solomon Gallery, New York; private collection; Christie's, New York, 20 November 1996, lot 56; Galerie Hauser & Wirth, Zurich (acquired on 20 November 1996); Schönewald Fine Arts, Xanten / Anthony Meier Fine Arts, San Francisco; private collection, Switzerland; private collection (acquired from the above in 2013) Literature: J. Harten & D. Elger, Gerhard Richter: Bilder 1962-1985, Städtische Kunsthalle Dusseldorf 1986, p. 311, no. 562-2 (illustrated); Benjamin Buchloh, Gerhard Richter, Work Overview / Catalogue Raisonné, vol. III: 1962- 1993 Ostfildern 1993, no. 562-2 (illustrated in colour); Dietmar Elger, Gerhard Richter, Catalogue Raisonné, vol. 3: 1976-1987, Ostfildern-Ruit, 2013, p. 422, no. 562-2 (illustrated in colour)
_T637666223433093937.jpg?width=410&height=500&qlt=80&scale=both&mode=max&format=jpeg)
,ca.1657_RembrandtvanRijn_T637672429285194078.jpg?width=410&height=500&qlt=80&scale=both&mode=max&format=jpeg)
Douwes Fine Art BV
etching and drypoint: 155 x 208 mm; with narrow margins. watermark: Arms of Amsterdam watermark (Ash/Fletcher 1, they date most impressions of various subjects by Rembrandt with this watermark from the 1650s). Bartsch 67; Seidlitz 67; Hind 256; White-Boon 67, The New Hollstein Dutch no. 298, 1st state (of II), before the Watelet retouching. Plate may be in existence – with Colnaghi in 1830.
