23 - 30 JANUARY 2022

TOUR & TAXIS | BRUSSELS

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Artworks

This section will be available this Autumn.

Galleries
Galleries David Aaron Galerie AB-BA Paolo Antonacci W. Apolloni srl d'Arschot & Cie Art et Patrimoine - Laurence Lenne Artimo Fine Arts Arts et Autographes Galerie Ary Jan Bailly Gallery Helene Bailly Gallery Véronique Bamps Baronian Xippas Galerie de la Béraudière Galerie Berès Galerie Berger Berko Fine Paintings Galerie Claude Bernard Bernier/Eliades Gallery Dr. Lennart Booij Fine Art & Rare Items Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Brame & Lorenceau Brun Fine Art Cabinet of Curiosities-Honourable Silver Objects Callisto Fine Arts Giammarco Cappuzzo Fine Art Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Chiale Fine Art didier Claes C L E A R I N G Collectors Gallery Cortesi Gallery Costermans & Pelgrims de Bigard Galerie Cybele Dalton Somaré De Brock Gallery De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries Thomas Deprez Fine Arts Gallery Desmet Miriam Di Penta Fine Arts DIE GALERIE Douwes Fine Art BV Galerie Eberwein Xavier Eeckhout Epoque Fine Jewels Yann Ferrandin Finch & Co A&R Fleury Galerie des Modernes Dario Ghio Gladstone Gallery Gokelaere & Robinson Galerie Grand-Rue Marie-Laure Rondeau Galerie Hadjer Philippe Heim Marc Heiremans Galerie Hioco Huberty & Breyne Galerie Hurtebize Igra Lignum Antiquités Galerie Jamar rodolphe janssen Francis Janssens van der Maelen Galerie Kevorkian Harold t’Kint de Roodenbeke Lancz Gallery Alexis Lartigue Fine Art Galerie Bertrand de Lavergne Lemaire Francis Maere Fine Arts Kálmán Makláry Fine Arts MARUANI MERCIER Gallery NAO MASAKI Galerie Mathivet MDZ Art Gallery Meessen De Clercq Montagut Gallery Galerie Montanari MORENTZ Jan Muller Antiques Klaas Muller Gioielleria Nardi Nosbaum Reding Opera Gallery Osborne Samuel Gallery Galeria Jordi Pascual La Patinoire Royale ǀ Galerie Valérie Bach La Pendulerie Galerie Alexis Pentcheff Guy Pieters Gallery Galerie de la Présidence Benjamin Proust Fine Art Galerie Günter Puhze GmbH Maison Rapin Repetto Gallery Röbbig München Robertaebasta Rosenberg & Co. Rueb Modern and Contemporary Art Galerie Schifferli Serge Schoffel - Art Premier Herwig Simons Fine Arts STEINITZ Stern Pissarro Gallery Simon Studer Art Associés Studio 2000 Art Gallery Galerie Taménaga Gallery Tanakaya Tenzing Asian Art Theatrum Mundi Theunissen & de Ghellinck M.F. Toninelli Art Moderne Galerie Patrice Trigano Univers du Bronze Van der Meij Fine Arts Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Victor Werner Whitford Fine Art Willow Gallery
 

Dario Ghio

Silver dish Malta, first half of the 17th century Ø 34 cm Weight 692 gr. Round in shape and bordered with leaves. The central medallion is decorated with a mythological scene depicting the myth of Apollo and Marsyas, a satyr who dared to challenge the god of music and was flayed alive by the latter, an episode that is best known through Ovid's account in Book VI of the Metamorphoses (vv. 382-400). The border consists of six alternating scenes with grotesque masks, which probably tell the story of the battle of Jerusalem lost by the Knights of the Holy Sepulchre in the Holy Land.

 

Xavier Eeckhout

Thierry Van Ryswyck (Antwerp 1911-1958 France) Eating bear, 1929 Bronze H 46.5 x W 30.5 x D 25.5 cm Signed, cast by Batardy Provenance: private collection, North of France

 

Willow Gallery

Maurice Utrillo (Paris 1883-1955 Dax) Le Parc de M. et Mme Utrillo au Vésinet, 1940 Oil on canvas 97 x 131 cm, framed: 111 x 145 cm Signed This painting is sold with a photo-certificate from Hélène Bruneau of the Association Maurice Utrillo, and will be included in the next volume of the catalogue raisonné Provenance: sale Sotheby's, New York, November 12, 1988, lot 362; sale Me Jean Staehli, Geneva, June 13, 1990, lot 158; private collection, Switzerland Literature: Paul Pétridès, L'Œuvre complet de Maurice Utrillo, Paris, 1969, vol. III, n° 2074, ill. p. 259

 

Stern Pissarro Gallery

Jean Crotti (Bulle 1878-1958 Paris) Deux Castillanes, 1922 Oil on canvas 44 x 50 cm Signed lower left: J. Crotti Literature: Jean Carlo Bertolio, Jean Crotti, Catalogue raisonné, Cinq continents, Paris, 2007, p. 139 (ill.)

 

Stern Pissarro Gallery

Camille Pissarro (Les Antilles, Saint-Thomas 1830-1903 Paris) Deux jeunes filles dans un jardin, ca. 1880 Pastel on paper 54.1 x 44.5 cm Signed lower right 'C. Pissarro' Provenance: Louis Estruc, Paris; Emile Lebœuf, Paris; Jeanne Lanvin, Paris; Marie-Blanche Lanvin, Comtesse Jean de Polignac, Paris; thence by descent Literature: Ludovic Rodo Pissarro & Lionello Venturi, Camille Pissarro, Son art - son œuvre, Paris, 1939, vol. I, n° 1551, p. 294 & vol. II, ill. pl. 298

 

Galerie Eberwein

Sarcophagus mask Egypt, New Kingdom, XVIIIth-XXIst Dynasty, 1570-1070 BC Wood with original gesso and polychrome painting 66 x 24 cm Accompanied by Art Loss Register certificate S00022151 Provenance: former private collection UK, by descent until June 2008; thereafter private collection Berlin, Germany Literature: K.M. Cooney, Coffins, Cartonnage, and Sarcophagi, John Wiley & Sons, 2015 Upper part of a sarcophagus with the left remaining side of a tri-parted wig. The yellow painted face has large and prominent eyes beneath black arched eyebrows. The nose and lips are small and not underlined to give the eyes a stronger presence. The finely detailed wing of a falcon headed vulture headdress covers the blue and yellow striped wig ending in a large finely detailed floral border. Below the 'ib'- pendant worn around the neck, a black Inpw (Anubis as a jackal) 'he who is over the secrets', of secret words, rests upon a column of inscription: 'ji n(y)-sw.t' [htp] – 'May the king give [a boon]...'

 

Galerie Berès

Edouard Vuillard (Cuiseaux 1868-1940 La Baule-Escoublac) Zinnias sur la table à Vaucresson, 1921-1923 Pastel on paper on cardboard 50 x 51 cm Provenance: David David-Weill, Paris, despoiled during the Occupation and returned in 1954; Galerie Schmit, Paris, 1973; private collection, Paris; Pierre Louis-Dreyfus collection; William Louis-Dreyfus collection; Jill Newhouse Gallery, New York Literature: Antoine Salomon, Guy Gogeval et Mathias Chivot, Vuillard, catalogue critique des peintures et pastels, 1st edition New York, Rizzoli Int. by St. Martin Press, 2003, vol. III, n° XI-36, p. 1315

 

Galerie Alexis Pentcheff

Salvador Dali (Figueras, 1904-1989) The Dream, 1939 Study for the pool of the Dream of Venus pavilion for the World Fair in New York, 1939 Oil on canvas pasted on cardboard 40.5 x 50.5 cm Signed and dated upper right Provenance: former collection Viscount Alain de Léché

 

Röbbig München

Presentation plate with 'Konsolchinesen' and polychrome Höroldt chinoiseries Johann Gregorius Höroldt (1696-1775) Meissen, circa 1737-1739 Ø 30.5 cm Crossed swords marked with rounded pommels, incised underglaze, cross and slash on rim Provenance: formerly in the collection of Prince Anselm Franz von Thurn und Taxis; until 1993 in the collections of the Princes von Thurn und Taxis, Regensburg, St. Emmeram

 

Xavier Eeckhout

Albéric Collin (Antwerp, 1886-1962) Dear and doe, circa 1925 Bronze H 31.5 x W 58 x D 10 cm Signed, stamped by the foundry C. Valsuani Model made circa 1925 and cast circa 1925-1930 Provenance: private collection, Belgium

 

Simon Studer Art Associés

Pierre-Louis de La Rive (Geneva 1753-1817 Presinge) Paysage idyllique (Lac Léman et Grammont), 1792 Oil on canvas 85 x 114.5 cm, framed: 98 x 128 cm Signed and dated lower right Provenance: the artist's studio; Boissier family, Geneva; private collection, Geneva (by descent)

 

Meessen De Clercq

Benoît Platéus (Liege, 1972) The Abstracted One, 2021 Oil on canvas 200 x 150 cm Provenance: the artist's studio

 

C L E A R I N G

Jean-Marie Appriou (Brest, 1986) Sonneur (dinosaur), 2019 Cast bronze H 203 x W 58 x D 8 cm

 

Axel Vervoordt

Bram Bogart (Delft 1921-2012 Sint-Truiden) Bal Ferrailles, 1959 Oil on canvas, mounted on panel 81 x 101 cm

 

Galerie Cybele

Torso Roman, 1st-2nd century AD Marble 31 x 18 cm Provenance: former French collection of Mr. S.D., acquired at the Galerie de Serres (15 rue Bonaparte, Paris) in the 1990s

 

Philippe Heim

Jean-François Gambino (Paris, 1966) Lion, 2020 Bronze, dark patina H 63 x W 65 x D 60 cm Signed and numbered gamins 7/8, Chapon foundry

 

Harold t’Kint de Roodenbeke

David Hockney (UK, Bradford 1937) Audrey on the sofa, 2002 Watercolour on paper 26 x 27 cm Signed and dated Provenance: David Graves, assistant of David Hockney Passionate about his dogs, Hockney produced many paintings, drawings and lithographs on this theme. In this composition, the complex layout and the play of colours lead to a work of a very particular atmosphere so typical of Hockney

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

Éluard (P.), Plus tendre qu'un seul brin d'herbe... Autograph manuscript (138 x 105 mm), illuminated, signed and dated '1er janvier 1944', Jansenist style dark brown calf by Semet et Plumelle The manuscript reproduced some selected verses from the poem 'Sept poèmes d’amour en guerre'. Each excerpt is illuminated by Éluard with an original gouache – 8 in total – using the Rorschach test technique Provenance: Dominique Éluard (?) Librairie Lardanchet, antiquarian bookseller

 

Herwig Simons Fine Arts

West European Wooden Mask 18th century H 26 cm

 

Guy Pieters Gallery

Christo (1935-2020) and Jeanne-Claude (1935-2009) Surrounded Islands, Project for Biscayne Bay, Greater Miami, Florida, 1982 Collage (pencil , fabric, pastel, charcoal, wax crayon and photograph) Upper part: H 29 x W 73 x D 3 cm Lower part: H 57 x W 73 x D 3 cm

 

MORENTZ

Axel Einar Hjorth (Swedish, 1888-1959) Lounge chair ‘Lido’, 1932 Original cognac leather, lacquered birch H 67 x W 80.5 x D 80 cm Model made for Nordiska Kompaniet

 

Repetto Gallery

Lucio Fontana (Rosario 1899-1969 Comabbio) Concetto Spaziale, 1962-63 Glazed terracotta with luster, holes and graffiti H 28 x W 38 x D 5 cm

 

Galerie von Vertes

Gerhard Richter (Dresden, 1932) Abstraktes Bild (562-2), 1984 Oil on canvas 100 x 140 cm Signed on reverse, dated and numbered '562-2' Provenance: Galerie Konrad Fischer, Dusseldorf; Barbara Gladstone Gallery, New York; Holly Solomon Gallery, New York; private collection; Christie's, New York, 20 November 1996, lot 56; Galerie Hauser & Wirth, Zurich (acquired on 20 November 1996); Schönewald Fine Arts, Xanten / Anthony Meier Fine Arts, San Francisco; private collection, Switzerland; private collection (acquired from the above in 2013) Literature: J. Harten & D. Elger, Gerhard Richter: Bilder 1962-1985, Städtische Kunsthalle Dusseldorf 1986, p. 311, no. 562-2 (illustrated); Benjamin Buchloh, Gerhard Richter, Work Overview / Catalogue Raisonné, vol. III: 1962- 1993 Ostfildern 1993, no. 562-2 (illustrated in colour); Dietmar Elger, Gerhard Richter, Catalogue Raisonné, vol. 3: 1976-1987, Ostfildern-Ruit, 2013, p. 422, no. 562-2 (illustrated in colour)

 

Costermans & Pelgrims de Bigard

Sebastien Vrancx (Antwerp, 1573-1647) Allegory of winter Oil on panel 51.8 x 66 cm Provenance: Comte François de Robiano, Senateur; his sale, Brussels, Barbé, 1 May 1837, lot 72 (as Pierre Brueghel); General van der Meeren; Alexandre van der Beeken Pasteel; his sale, Eindhoven, 1869 (as Pierre Brueghel); Edmond de Ryckman de Betz; thence by descent to the present owners

 

Galerie Berger

Jacques-Nicolas Baradelle (Paris, 1701-1770) Parquet Regulator in three parts Amaranth, ebony wood veneer with a pattern of braces in the frames H 236 x W 52 x D 27.5 cm Provenance: private collection The violin-shaped sheath, attributable to Balthazard Lieutaud, is surmounted by a so-called 'lantern' clock, itself adorned with a representation of Diana the huntress holding her bow. Jacques-Nicolas Baradelle's movement comprises three dials. The lens is decorated with a mask of Dionysus. Balthazar Lieutaud (died May 10, 1780) received Master, March 20, 1749, Jacques-Nicolas Baradelle (1701-1770) received Master Foundry, in 1725

 

Univers du Bronze

Henri Laurens (Paris, 1885-1954) Femme accroupie aux bras levés, 1930 Bronze, richly dark black-brown patina H 43.5 x W 27.5 x D 24.2 cm Lifetime cast signed with the monogram HL, made during the Daniel-Henri Kahnweiller-Galerie Simon period (1907-1940) One other example is exhibited at the Musée d'art moderne, Centre Georges Pompidou

 

Willow Gallery

Pierre-Auguste Renoir (Limoges 1841-1919 Cagnes-sur-Mer) Portrait de femme (Gabrielle Renard), circa 1912 Oil on canvas 51 x 41 cm, framed: 76 x 66 cm Signed This work is accompanied by an attestation of inclusion from the Wildenstein Institute, and it will be included in the forthcoming Renoir digital catalogue raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute Provenance: Galerie Bernheim-Jeune, Paris (acquired from the artist in 1919); Mrs. Dübi-Müller, Solothurn, Switzerland; private collection (sold: Christie's, New York, 12th May 1987, lot 35); Bentley Gallery, Scottsdale, Arizona; the Estate of Elizabeth Green Romano (acquired from the above in 2003) Literature: Guy-Patrice & Michel Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, Paris, 2014, vol. V, n° 4100, illustrated p. 276

 

Whitford Fine Art

Clive Barker (Luton, 1940) Twin Cokes, 1968 Polished aluminium H 24.8 x W 15 x D 10 cm Ed. 3/3 Signed, dated, titled and numbered underneath Provenance: acquired directly from the artist Literature: A. J. Fermon, M. Livingstone, Clive Barker: Sculpture. Catalogue raisonné 1958-2000. Milan, 2002, cat. n° 64, ill. p. 92; G. Portelli, Modern British Sculpture, 2005, ill. p. 105; Clive Barker Pop Art Sculpture 1961-1982: An Individual Story, exhibition catalogue with texts by A. J. Fermon and M. Nugent, Wolverhampton Art Gallery, Wolverhampton, cat. n° 13, ill. p. 39

 

Galerie Alexis Bordes

François-Joseph Kinson (Bruges, 1771-1839) Portrait de Madame Heme, née Victoire-Elvire Ogier, nièce du peintre, 1828 Oil on its original canvas and stretcher 64.5 x 54.5 cm Signed and dated lower right Kinson 1828 Stamp: BELOT rue de l'Arbre-Sec N ° 3 - Paris (behind the canvas) Provenance: private collection, Belgium Literature: on request

 

De Jonckheere

Abel Grimmer (Antwerp, 1570-1620) The Month of May Oil on panel Ø 16.5 cm Provenance: private collection, Germany Literature: completes the series mentioned in Bertier de Sauvigny, Reine, Jacob et Abel Grimmer, Belgium, 1991, cat. XL, p. 214

 
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