This section will be available this Autumn.
Laurent Schaubroeck
Jorge Zalszupin (Warsaw 1922-2020 São Paulo) Minimalist Daybed, Brazil, 1963 Provenance: Ina Zalszupin (sister of the artist) One of only two ever produced, this exceptionally rare daybed was crafted in 1963 as a personal gift for the designer’s sister, Ina Zalszupin. Its minimalist wooden frame displays a warm patina and supports a refined off-white mattress - an extraordinary example of mid-century Brazilian modernism.
Boulakia & Co. Ltd
karel appel
Karel Appel (The Netherlands, Amsterdam 1921-2006 Zurich, Switzerland) Personnage avec chien, 1952 Oil on burlap 110.2 x 100 cm. Signed and dated 'k. appel '52' (lower center) Provenance: J. Karel P. van Stuijvenberg, Pays-Bas; private collection, Europe; Galerie Moderne B.V., Utrecht; Acquired in 2002 by current owner Literature: W. Stokvis, P. Hovdenakk, F. de Vree et E. Wingen, 'De taal van cobra: Museumcollectie Van Stuijvenberg', Amstelveen, 1996, p. 273, no. 22 (illustré en couleurs, p. 140) Exhibitions: Caracas, Museo de Arte Contemporáneo de Caracas, El Movimiento CoBrA en la Colección Karel van Stuijvenberg, septembre 1984, no. 26 (illustré, p. 38); Malmö, Malmö Konsthall et Stockholm, Liljevalchs Konsthall, CoBrA: Speglad i Karel van Stuijvenbergs Samling as reflected by the Karel Stuijvenberg collection, octobre 1986-septembre 1987, no. 25 (illustré en couleurs); Tapei, Tapei Fine Arts Museum, CoBrA. Speglad i Karel van Stuijvenbergs Samling, janvier-mars 1987, no. 21 (illustré, p. 38); Amsterdam, Nieuwe Kerk, CoBrA. 40 jaar later / 40 years after, novembre-décembre 1988, no. 15; Liège, Musée d’Art moderne et d’Art contemporain, CoBrA Revisité, avril-mai 1993, no. 16 (illustré en couleurs, p. 69); São Paulo, Pinacoteca do Estado de São Paulo, Grupo CoBrA, juillet-septembre 2000 (illustré en couleurs, p. 53).
Univers du Bronze
roger godchaux
Roger Godchaux (Vendôme 1878-1958 Paris) Le Toomai des éléphants or 'Le Retour de Chasse au tigre' (1928 or earlier) Circa 1932 Bronze, richly shaded black patina H : 57,5 cm, L : 70,5 cm, D : 22,7 cm Lifetime cast signed 'Roger Godchaux' and numbered '2/15' Old edition by 'Susse Frères Éditeurs Paris' (mark and seal), inscribed 'cire perdue' and stamped '2' near the seal. Exhibition: Salon des Artistes Francais, 1932 (n°3760)
Stéphane Renard Fine Art
sigismondo pandolfo malatesta
This vigorous graphite and stump drawing testifies to Ingres' interest in medals. Inspired by Pisanello's medal of Sigismund Malatesta, the great condottiere of Rimini, it bears witness to both Ingres' meticulous observation and his capacity for stylization, instilling in this drawing certain characteristic traits that we find in other works by the artist.
Thomas Deprez Fine Arts
franz binjé
Franz Binjé (Liège 1835 -1900 Bruxelles) Le feu, circa 1894 Watercolour and gouache on paper 42 x 27.5 cm Signed l.l.: 'F. Binjé'. Provenance: private collection, Belgium Exhibitions: Exposition Universelle des Beaux-Arts, section Société Royale belge des Aquarellistes, Antwerp, World Fair, 1894, cat. nr. 699, as: 'Le feu'; Internationale Kunst-Ausstellung, Berlin, World Fair, 1896, Gemälde cat. nr. 228, as: 'Das Feuer. Aquarell.'
Virginie Devillez Fine Art
gustave de smet
Gustave De Smet (Ghent 1877-1943 Sint-Martens-Latem) Nu couché, 1928 Pencil, pastel and oil on paper 35 x 43 cm Signed lower right 'Gust. De Smet' Provenance: Walter Schwarzenberg, Brussels (Georges Giroux sale, Brussels, 1-2 February 1932, lot 43); Tony Herbert, Kortrijk; private collection, Belgium (by descent to the present owner) Literature: Piet Boyens, Gust. De Smet. Chronicle et Analysis of the Work, Antwerp, Fonds Mercator, 1989, CR 744 (p. 386); The Tony Herbert Collection, Deurle, Museum Dhondt-Dhaenens, 2011, p. 39 (ill.) Exhibitions: Brussels, Galerie Le Centaure, Gust. De Smet, 1928, cat. n° 69; Brussels, Galerie George Giroux, Gust. De Smet, 1929, cat. n° 160; Luxembourg, Musée d’Art et d’Histoire; Tony Herbert Collection, 1963-1964, cat. n° 38
Maison D'Art
François Perrier (France, Pontarlier c. 1594-1649) The Flight into Egypt: the Holy Family prepares to Embark, circa 1640s Oil on canvas 100 x 90 cm Literature: M. A. Novelli, in T. Zennaro, ed., La Pittura Eloquente (exh. cat., Monte-Carlo, Maison d’Art), 2010, pp. 33-35, no. 5; A. Brogi, “François Perrier e i ‘bolognesi’, Studi di Storia dell’Arte, 29, 2018, pp. 147-166: pp. 151-153 and colour plate XVI. Exhibited: Maison d’Art, Monte-Carlo, 16 June - 16 July 2010, no. 5.
Galerie des Modernes
mark tobey
Mark Tobey (USA, Centerville, Wisconsin, 1890-1976 Basel, Switzerland) Untitled (Abstract composition) or 'Tout le Monde', 1956 Tempera on paper 20.2 x 24.9 cm Signed and dated lower right 'Tobey 56' Provenance: Private collection, Belgium Exhibitions: Exhibited at Kunsthalle Basel under n° 0131 (label on back of montage annotated: ‘Tout le monde’) The Mark Tobey Project LLC, under the identification n° MT (456-05-15-25). Authentication letter signed by Achim Moeller for Moeller Fine Art Projects dated 15 May 2025
Floris van Wanroij Fine Art
jan josefsz. van goyen
Jan Josefsz. van Goyen (Leiden 1596-1656 The Hague) A Winter Landscape with Skaters, elegant Figures and Kolf Players on the Ice in a Village Oil on panel 13.6 x 26.8 cm Signed and indistinctly dated lower left ‘I.V. GOYEN. 162.‘ Provenance: Anonymous sale, Drouot, Paris, 21 March 1874, Lot 23 (Frs. 510), erroneously as a pendant to the consecutive lot; Collection Comte de Camondo, Galerie Georges Petit, Paris, 1 February 1893, Lot 6 (Frs. 1.700), were acquired by W. Gretor; anonymous sale, Drouot, Paris, 18 February 1895, Lot 13 (Frs. 750), were acquired by Lange; Collection G. Forbes, London (according to Dayot and Hofstede de Groot); Sale Jules Cronier, Galerie Georges Petit, Paris, 11 March 1908, Lot 88 (Frs. 1,200); With Kleinberger, Paris; Collection Eugène Max, Paris, from 1911 to 1927; Grange, Paris; Private collection Paris, from 1965; Anonymous sale, Sotheby’s, London, 1 March 1992, lot 36 (£ 101,200); John Mitchell, London, from 1993; Anonymous sale, Christie’s, Amsterdam, 20 November 2012, lot nr. 68 (211.000 Euro); Johnny van Haetfen Ltd., London, from 2014 (ref. VP4577), were acquired from the previous owner; Private collection, The Netherlands Literature: Dayot, A. (1911). Grands & petits maîtres hollandais, exhibition publication. Paris, nr. 42; Martin, W. (1918). Alt-Holländische Bilder. Berlin, p. 51, fig. 25; Hofstede de Groot, C. (1927). A catalogue raisonné of the works of the most eminent Dutch painters of the seventeenth century. London, Vol. VIII, p. 294, nr. 1170; Beck, H.-U. (1972). Jan van Goyen 1597-1656. Amsterdam, Vol. II, p. 46, nr. 88 (illustrated, erroneously as a pendant to nr. 244) Exhibitions: Paris, Salle du Jeu de Paume, Grands & petits maîtres hollandais, 28 April-10 July 1911, Nr. 40 bis TEFAF Maastricht, 2014
Franck Anelli Fine Art
Marcellus Coffermans (active in Antwerp, 1549-1578) Deposition of Christ, circa 1570 Oil on panel 32.7 x 21 cm Provenance: anonymous sale, Amsterdam, Christie's, 15 May 2002, lot 97 (as Marcellus Coffermans); private collection, Europe; from 2020, private collection, California Literature: M. Leeflang, Gemaakt in Antwerpen, bestemd voor Spanje? in Catharijne, Magazine van Museum Catharijneconvent Utrecht 2 (2010), p. 11, repr. Exhibition: Utrecht, Museum het Catherijneconvent, long-term loan, 2010-2020 It is clearly Marcellus Coffermans who deserves credit for bringing together a unique composition, the great deposition and the descent from the cross.
Boulakia & Co. Ltd
jean dubuffet
Jean Dubuffet (France, Le Havre 1901-1985 Paris, France) Lampe et Balance 1., 1964 oil on canvas 97 x 130 cm signed and dated bottom centre. signed, titled and dated 'juillet 64' on reverse. Provenance: Dr. Jacqueline Porret-Forel, Paris (gift from the artist in 1966); collection in the United Arab Emirates; European collection. Literature: Max Loreau, Catalogue des travaux de Jean Dubuffet, Fascicule XX: L'Hourloupe I, Paris, 1966, cat. no. 367 (illustrated on p. 168). Exhibition: Jean Dubuffet, Galerie Georges Moss, Geneva, Nov. 1969 - Jan. 1970, cat. no. 8.
Pauline's Jewellery Box
belle epoque diamond tiara necklace
Belle Epoque diamond tiara necklace, circa 1905 Platinum and diamond Provenance: private collection, London An Important Belle Epoque Diamond Tiara Necklace, set with old european & rose cut diamonds. The estimated total diamond weight is approximately 12.00 carats. Estimated colour H-I on average. Estimated clarity VS-SI on average. The diamonds are bright & lively. Mounted in platinum.
Gilden's Art Gallery
Gino Severini (Italy, Cortona 1883-1966 Paris, France) The dancer, 1959 Tempera painting on wove paper 39.5 x 28.5 cm Signed lower right 'G. Severini' and dedicated in pencil ‘al caro vecchio amico Raffaele Carrieri, affectuoso riccordi di Gino Severini’ [to a dear old friend Raffaelle Carrieri, with affectionate memories, Gino Severini] in the lower right corner Provenance: The celebrated poet Raffaele Carrieri (1905-1984); private collection, Milan The work comes with a photo-certificate of authenticity by Romana Severini Brunori dated on 13 May 2025
Galerie de la Présidence
geer van velde
Geer van Velde (The Netherlands, Lisse 1898-1977 Cachan, France) Composition - atelier, circa 1951 Oil on canvas 134 x 148 cm Signed lower right with initials Provenance: Galerie Hautefeuille, Paris; private collection, Brussels This work will be included in the forthcoming Catalogue Raisonné of Geer van Velde - Painted Work, currently in preparation by Pierre François Moget, son of Piet Moget