25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie AB - Agnès Aittouarès Franck Anelli Fine Art Ars Antiqua d'Arschot & Cie Art et Patrimoine - Laurence Lenne Arte-Fact Fine Art Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Barbara Bassi Beck & Eggeling International Fine Art Galerie de la Béraudière Galerie Berès Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Giammarco Cappuzzo Fine Art Carlucci Gallery Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Citadelles & Mazenod CKS Gallery Claes Gallery Collectors Gallery COLNAGHI Costermans Dalton Somaré De Brock De Jonckheere Galerie Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie La Forest Divonne Galerie Christophe Gaillard Galerie des Modernes Gilden's Art Gallery Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Philippe Heim Heutink Ikonen Galerie Hioco Hoffmans Antiques Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Hartford Fine Art - Lampronti Gallery Alexis Lartigue Lemaire Galerie Lowet de Wotrenge Francis Maere Fine Arts Maison D'Art Maisonjaune Studio Martins&Montero Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Galerie Nathalie Obadia, Paris/Brussels Objects With Narratives Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Pron Van Pruissen Asian Art QG Gallery Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Romigioli Antichità Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Edouard Simoens Gallery Herwig Simons Fine Arts Stern Pissarro Gallery Stone Gallery Galerie Taménaga TASCHEN TEMPLON The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Hoffmans Antiques

A Gustavian console table Stockholm, circa 1790 Gilt wood, Carrara marble H 83.5 x W 110 x D 54 cm This console table belongs to a small yet exclusive group of furniture of the highest class, preserved mainly within the royal collections. The model relates to drawings by Louis Masreliez (Paris 1748-1810 Sweden). The table was likely made by his brother, Jean-Baptiste (Stockholm, 1753-1801), or possibly by Pehr Ljung (Stockholm, 1743-1819). The decoration is masterfully carved in wood with exceptional precision. A vine motif runs along the apron, while the frieze above the front legs is adorned with palmette leaves and volutes. The table rests on six tapering, fluted legs and is crowned with a Carrara marble top.

 

Galeria Bessa Pereira

Sergio Rodrigues (Rio de Janeiro, 1927–2014) 'Kilin' chair, 1970s Solid wood, leather H 68 x W 68 x D 68 cm Origin: Brasil Provenance: private collection, Rio de Janeiro; Galeria Bessa Pereira collection Literature: Vicente, A., & Vasconcellos, M. (Comps.), Móvel moderno brasileiro (1st edition), São Paulo: Olhares, 2017, p. 302; Cals, S, Sergio Rodrigues, Rio de Janeiro: Icatu, 2000, p. 142

 

Galerie La Forest Divonne

jeff kowatch

Jeff Kowatch (Los Angeles, 1965) Holy wholly, 2024 Oil on linen 180 x 126 cm Provenance: the artist's studio

 

Galerie de la Béraudière

joan miró

Joan Miró (Barcelona 1893-1983 Palma de Majorque) Femme, oiseaux, 1976 Oil, gouache and oil stick on scratched board 65.1 x 50.2 cm Signed lower right 'Miró' Signed, dated and titled on the reverse:  MIRÓ., 20/IV/76., Femme, oiseaux Provenance: estate of Joan Miró; Sotheby's, Madrid, 42 works by Joan Miró, 9 December 1986, lot 4 (in aid of the Fundaciò Pilar i Joan Miró, Palma de Mallorca); Quitana Fine Arts, New York; Ramis Barquet Gallery, Mexico City; private collection; Christie's, New York, 9 November 2000, lot 460; Waddington Galleries, London; private collection, Portugal (acquired from the above in 2004); Phillips, New York, 8 November 2015, lot 14; private collection, Europe Literature: Jacques Dupin, Ariane Lelong, Joan Miró, Catalogue raisonné. Paintings, vol. VI: 1976-1981, Paris, Gallery Lelong and the Miró Succession, 2004, ill. n° 1737, p. 49 Exhibitions: 2018, Brussels, Galerie de la Béraudière, Calder, Miró et leurs rencontres parisiennes; 2017, Brussels, Galerie de la Béraudière, La figure animalière; 2016, Brussels, Galerie de la Béraudière, Chefs-d'oeuvre de la galerie et Surréalisme In Woman, Birds, Joan Miró unfolds a free and vibrant universe, where colour and line become forces in motion. Against a deep black background, reds, yellows and whites burst forth with an almost musical intensity. The artist condenses the essence of his language into this work: the spontaneity of gesture, the simplicity of form and the poetry of symbolism. The woman and the bird, emblematic motifs in his work, merge into a space that is both controlled and spontaneous. Created at the end of his life, this composition expresses the supreme freedom of an artist at the height of his powers.

 

Galerie Boulakia

jean dubuffet

Jean Dubuffet (Le Havre 1901-1985 Paris) Lampe et Balance 1, 1964 Oil on canvas 97 x 130 cm Signed and dated bottom centre; signed, titled and dated 'juillet 64' on reverse Provenance: Dr. Jacqueline Porret-Forel, Paris (gift from the artist in 1966); collection in the United Arab Emirates; European collection Literature: Max Loreau, Catalogue des travaux de Jean Dubuffet, Fascicule XX: L'Hourloupe I, Paris, 1966, cat. no. 367 (ill. p. 168). Exhibition: Jean Dubuffet, Galerie Georges Moss, Geneva, Nov. 1969-Jan. 1970, cat. n° 8

 

Boon Gallery

tony cragg

Tony Cragg (Liverpool, 1949) Untitled, 2019 Bronze with blue patina H 115 x W 46 x D 34 cm Signed Unique piece Provenance: private collection, Belgium; Buchmann Gallery, Berlin; acquired directly from the artist

 

Ars Antiqua

pieter van lint

Pieter van Lint (Antwerp, 1609-1690) Allegory of Labor rewarded by Peace and Abundance, in the presence of Minerva and Time Oil on copper 104 x 130 cm Authenticated by Professor Carlotta Venegoni Published on RKD

 

Galerie Perrin

oskar bergman

Oskar Bergman (Stockholm 1879-1963 Saltsjöbaden) The Lagan from Laholm, 1925 Watercolour and gouache on paper 19 x 30.5 cm Signed and dated lower right: Oskar Bergman, Lagan Fran Lahollni, April 1925 Provenance: private collection There are artists who throw themselves wholeheartedly into the various currents during the course of their lives, following the frenetic rhythm of fashions, becoming the icons of an historical moment or a particular group. Others, conversely, take a vow of fidelity to their nature, far removed from the ephemeral unfolding of art, working and meditating as if in a kind of reclusion on a subject to which they devote their entire work. Oskar Bergman belongs to the latter category. His long and prolific career was nothing more than a variation on the theme of landscape, interpreted in a highly personal style that is instantly recognisable, the result of his self-taught training and few outside influences.

 

Galerie la Ménagerie

roch vandromme

Roch Vandromme (Rosendaël, 1953) Sleeping goose, 1985 Bronze 62 x 72 x 32 cm Signed 'R. Vandromme' Edition of 8 + 4 AP

 

Repetto Gallery

valerio adami

Valerio Adami (Bologna, 1935) La firma del muro antico, Odisseo (per E. Pound), 1977 Acrylic on canvas 204 x 152 cm Signed, dated and titled on the reverse: Adami 8.8.77 17.11.77 La firma del muro antico. Odisseo (per E. Pound) Label on the reverse by Galerie Rive Gauche Marcel Strouk, Paris Certificate of authenticity by Archivio Valerio Adami n° 878 Provenance: Galerie Maeght, Paris; private collection, France (acquired from the above) Exhibition: Valerio Adami, 7 October-12 November 1978, Palais des Beaux-Arts, Charleroi; Valerio Adami. Ripensando la realtà, Dep Art Gallery, Milan, 6 March-17 May 2025

 

Maison D'Art

François Perrier (Pontarlier, circa 1594-1649) The flight into Egypt, the Holy Family prepares to embark, circa 1640 Oil on canvas 100 x 90 cm Literature: M. A. Novelli, in T. Zennaro, ed., La Pittura Eloquente (exh. cat., Monte-Carlo, Maison d’Art), 2010, pp. 33-35, n° 5; A. Brogi, François Perrier e i ‘bolognesi’, Studi di Storia dell’Arte, 29, 2018, pp. 147-166: pp. 151-153 and colour plate XVI Exhibition: Maison d’Art, Monte-Carlo, June 16th-July 16th, 2010, n° 5

 

DIE GALERIE

pierre alechinsky

Pierre Alechinsky (Brussels, 1927) Le Point du Jour, 1966 Oil on canvas 130 x 81 cm Signed lower right 'Alechinsky'; signed, dated and entitled verso Certificate by the artist from 19 March 2012 Provenance: Galerie Birch, Kopenhagen; DIE GALERIE, Frankfurt am Main Literature: Pierre Alechinsky, Galerie Birch, Kopenhagen 1966; CoBrA. Una grande avanguardia europea 1948-1951, exh. cat. Fondazione Roma Museo, Palazzo Cipolla, Rome 2015, p. 211 Exhibitions: Pierre Alechinsky, Galerie Birch, Kopenhagen 1966; CoBrA international – Momente einer Utopie, Museum für aktuelle Kunst, Sammlung Hurrle, Durbach, 2012-2013; CoBrA – Una grande avanguardia europea 1948-1951, Fondazione Roma Museo, Palazzo Cipolla, Rom, 2015-2016; 70 Years of CoBrA, DIE GALERIE, Frankfurt am Main, 2018; Pierre Alechinsky and his artist friends, DIE GALERIE, Frankfurt am Main, 2025

 

TEMPLON

François Rouan (Montpellier, 1943) Odalisque Flandres XII, 2010 Oil on braided canvases 171 x 149 cm Unique

 

Galerie AB - Agnès Aittouarès

Sam Francis (California, 1923-1994) SF63-046, 1963 Acrylic on paper 90 x 63 cm Signed, dated and located Los Angeles on reverse Listed in the online catalogue raisonné of the artist under n° SF63-046 Provenance: Jean Fournier collection; private collection, Paris Exhibition: Paris, Galerie Jean Fournier, Sam Francis de 1947 à 1988 sur papier, October-November 1988

 

TASCHEN

ralph gibson

Ralph Gibson (Los Angeles, 1939) Ralph Gibson. Photographs 1960-2024 The most comprehensive collection of this highly acclaimed and prolific American photographer's work offers the fruit of more than six decades of image-making. Available in two limited art editions of 100 copies, each accompanied by a gelatin silver print numbered and signed by Gibson.

 

N. Vrouyr

Boro textile Patchwork of cotton rags Japan, mid-20th century 163 x 73 cm Provenance: Japan

 

Virginie Devillez Fine Art

rené magritte

René Magritte (Lessines 1898-1967 Brussels) Le Prince charmant, 1948 Gouache on paper 37 x 46 cm Signed lower left 'Magritte' Provenance: Willy van Hove-Cuche, Brussels; private collection; Galerie Motte, Genève (auction 7 December 1973, lot 30); Margaret Krebs, Brussels; Christie’s, London (auction 27 June 1978, lot 145); Sotheby’s, London (auction 6 February 2001, lot 157); Beaux-Arts Auction, Brussels (auction 26 April 2005, lot 51); private collection, Belgium Literature: Ronny Van de Velde, René Magritte. Peintures et gouaches, Antwerp, 1994, ill. n. p.; David Sylvester (Ed.), René Magritte – Catalogue Raisonné. IV: Gouaches, Temperas, Watercolours and Papiers Collés 1918-1967, Menil-Foundation/Fonds Mercator, 1994, CR 261 (ill. p. 102); Esther Schlicht & Max Hollein (Éd.), René Magritte 1948. La période vache, Frankfurt, Schirn Kunsthalle, 2008-2009, ill. p. 45; Paris, Galerie du Faubourg, Magritte: peintures et gouaches, 1948, cat. n° 24 ( ? or CR 1260); Rotterdam, Museum Boymans-van Beuningen, René Magritte: het mysterie van de werkelijkheid, 1967, cat. n° 97 (ill. p. 223); Stockholm, Moderna Museet, René Magritte, 1967, cat. n° 50; Paris, Fondation Dina Vierny – Musée Maillol, Magritte tout en papier, 2006, without cat. n° (ill. p. 160); Rotterdam, Museum Boymans-van Beuningen, Voici Magritte. Gouaches, collages, tekeningen, studies, schilderijen, 2006, without cat. n° (ill. p. 160); Paris, Centre Pompidou – Musée national d’Art moderne, Magritte. La Trahison des Images, 2016-2017, without cat. n° (ill. p. 152); Skärhamn, Nordiska Akvarellmuseet, Magritte. A Lab of Ideas. Works on paper, 2022, without cat. n° (ill. p. 135)

 

d'Arschot & Cie

Perfume bottle and case Germany, circa 1620 Anonymous silversmith Chased, engraved, and partially gilded silver. Case in boiled leather. H 9 cm – Weight: 58 g This elegant perfume bottle stands out for the exceptional preservation of its original boiled leather case, a testament to the care taken in protecting and transporting such precious objects in the 17th century. The bottle features a finely engraved vegetal motif enlivened with small exotic birds, typical of the work of silversmiths from southern Germany during the first third of the century. At a time when the distillation of essences was still in its infancy, such bottles accompanied the daily life of the elite, allowing the frequent application of fleeting perfumes. This model, fitted with a screw cap ensuring perfect sealing, illustrates both the practical function and the symbolic value of perfume as a marker of social distinction.

 

Costermans

nicolaes van verendael

Nicolaes Van Verendael (Antwerp, 1640-1691) Still life of flowers in a glass vase Oil on canvas 57 x 42 cm

 

Mearini Fine Art

Pair of sidewalls from a wooden choir with the figures of Saints Andrew and Anthony the Abbot Woodcarver close to Jehan de Vitry's Geneva workshop Upper Savoy, circa 1450-1460 Walnut 275 x 50 cm (each) Provenance: private collection, Italy

 

Edouard Simoens Gallery

walter leblanc

Walter Leblanc (Antwerp 1932-1986 Silly) Torsions, 1977-1978 Black and white enamelled steel sculpture 200 x 130 cm Provenance: Walter & Nicole Leblanc Foundation; private collection; André Simoens Collection Literature: Linea Catalogue raisonné, 1997, Ludion, Brussels, CR 1271, p. 282 Exhibitions: Brussels, Tecno, Walter Leblanc Integratie, 1983; Gent, Floraliapaleis, Linea ’83, 1983

 

Pauline's Jewellery Box

Art Deco emerald & diamond ring, circa 1920-1930 Platinum, emerald and diamond Provenance: New York collection An Art Deco emerald & diamond ring, set with a step cut Colombian emerald weighing 10.87 carats flanked by baguette shaped & old mine cut diamonds. The emerald has a deep colour and is minor oil. Estimated total diamond weight is approximately 1.55 carats. Estimated colour E-G on average. Estimated clarity VVS-VS on average. The diamonds are bright & lively. Mounted in platinum. Accompanied by a SSEF certificate for the emerald.

 

Galerie Greta Meert

john baldessari

John Baldessari (USA, 1931-2020) The Purple Series: Periwinkle, 2016 Varnished inkjet print on canvas with acrylic paint 240.7 x 111.4 cm

 

Galerie Flak

Yipwon hook figure Korewori river, Papua New Guinea, 19th century or earlier (C-14 test) Carved wood H 200 cm Provenance: Merrin Gallery, New York; Californian artist Tony Berlant collection; acquired from the above in the 1980s; Michael Hamson collection, USA; Dr. Jean-Philippe Beaulieu collection, France; acquired from the previous in 2022

 

Barbara Bassi

mouboussin multicolor stone set

Maison Mauboussin Multicolour set of necklace and earrings, 1980s Diamonds, pearls and coloured precious stones mounted in 18 kt yellow gold Provenance: private collection, Italy

 

Pauline's Jewellery Box

Belle Epoque diamond tiara necklace, circa 1905 Platinum and diamonds Provenance: private collection, London An important Belle Epoque diamond tiara necklace, set with old European & rose cut diamonds. The estimated total diamond weight is approximately 12.00 carats. Estimated colour H-I on average. Estimated clarity VS-SI on average. The diamonds are bright & lively, mounted in platinum.

 

Hoffmans Antiques

Pair of side cabinets Paris, circa 1800 Walnut, mahogany, and mahogany veneer with gilt-bronze mounts, grey Bardiglio marble tops H 88 x W 45 x D 44 cm In the manner of Luigi and Antonio Manfredini, Paris Provenance: private European collection This pair of neoclassical cabinets reflects the refined elegance of early 19th-century Parisian design. Each cabinet combines function with ornament, comprising drawers, a cupboard, and a concealed drawer. The gilt-bronze mounts feature central lion masks and Egyptian-inspired motifs, a reference to the vogue sparked by Napoleon’s Egyptian campaign. Topped with slabs of grey Bardiglio marble, the cabinets blend practicality and decorative sophistication.

 

Galerie Jean-François Cazeau

zao wou-ki

Zao Wou-Ki (China, Beijing 1920-2013 Nyon, Switzerland) Untitled (Composition), 1978 Ink on paper 70 x 70 cm Dedicated, dated and signed on the lower bord Certificate from the Zao Wou-Ki Foundation Provenance: the artist's studio, Paris; Robert Rousseau collection, Belgium, gift from the artist (curator of the Zao Wou-Ki monographic exhibition at the Musée des Beaux-Arts in Charleroi in 1980); private collection, by succession, Belgium

 

Hartford Fine Art - Lampronti Gallery

Pietro Paolini (Italy, Luccia 1603-1681) Portrait of an artist at the easel Oil on canvas 59.4 x 68.5 cm Expertise by M. Pulini, 2023 Exhibition: Roma Pittrice. Artiste al lavoro tra XVI e XIX secolo, Museo di Roma, Palazzo Braschi, 2024-2025

 

Collectors Gallery

ettore sottsass

Ettore Sottsass (Austria, Innsbruck 1917-2007 Milan, Italy) 18ct gold ring, 1984-1986 Ring with a long rectangular table featuring a black onyx disc and diamonds Designed by Sottsass for Cleto Munari, Milan Produced in an edition of 9 Provenance: private collection, London Literature: Radice 1987, p. 78; Vezzosi 1990, p. 105

 
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