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Stéphane Renard Fine Art
sigismondo pandolfo malatesta
This vigorous graphite and stump drawing testifies to Ingres' interest in medals. Inspired by Pisanello's medal of Sigismund Malatesta, the great condottiere of Rimini, it bears witness to both Ingres' meticulous observation and his capacity for stylization, instilling in this drawing certain characteristic traits that we find in other works by the artist.
Guy Pieters Gallery
karel appel
Karel Appel (Amsterdam 1921-2006 Zurich) Polderkoe, 1952 Oil on canvas 82 cm x 116 cm Provenance: Martha Jackson Gallery, New York; private collection, Belgium; Galerie Krikhaar, Amsterdam; private collection, Brussels This work is registered in the archives of the Karel Appel Estate
Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)
[…]. BIBLIA LATINA [Strassburg, Heinrich Eggestein (Rosheim 1415/1420-1488), not after 24 May 1466] 2 vols. Royal folio. Contemporary Augsburg binding Fifth edition of the Latin Bible and the first published by Heinrich Eggestein Librairie Lardanchet, Antiquarian bookseller
Gallery Desmet
two fragments of a wooden sarcophagus corner post of the priest horudja, re-united after 50 years
Late Period Egyptian TWO FRAGMENTS OF A WOODEN SARCOPHAGUS CORNER POST OF THE PRIEST HORUDJA, Re-united after 50 years Wood Late Dynastic Period, 26th Dynasty, c.664-525 B.C. H 92 x W 15 x D 5,5 cm H 36 1/5 x W 5 8/9 x D 2 1/8 inch
Galerie von Vertes
pierre soulages
Pierre Soulages (Rodez, 1919-2022) Peinture 92 x 130 cm, 4 mai 2004 Acrylic on canvas 92 x 130 cm Verso signed and titled ‘SOULAGES 92 x 130 cm 4 Mai 2004’ On the stretcher, signed and inscribed 'soulages' Provenance: Collection Essl, Klosterneuburg, Austria (acquired directly from the artist); Christie's, Paris, 23 October 2023, lot 358; private collection, Switzerland Literature: Pierre Encrevé, Soulages: l'œuvre complet, Peintures, vol. IV: 1997-2013, Paris, 2015, n° 1272, p. 148 (ill.)
Alexis Lartigue
victor vasarely
Victor Vasarely (Pecs 1908-1997 Paris) Dell-Yell, 1972 Acrylic on panel 48 x 48 cm (in square) 68 x 68 cm (in diamond shape) Signed lower center. Signed, dated and titled at the back Provenance: Succession from the Paris region (in their collection since the early 70s)
robertaebasta
libreria scultura
Alessandro Mendini (1931-2019) “libreria scultura” prototype of modular bookcase/display for Swatch, lacquered wood, colored laminate, chromed and satin steel. Italy, 1994.a. Unique piece. Dimensions: cm 250 x 40 x 214 H. Certificate of autenticity by Mrs Elisa Mendini and Mrs Fulvia Mendini
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Galerie Capazza
georges jeanclos
Georges Jeanclos (Paris, 1933-1997) Kamakura, 1991 Terracotta H 30 x W 45 x D 40 cm Provenance: the Artist's studio Exhibition: Georges Jeanclos, Élévation, Abbaye Royale de Fontevraud, 25 November 2023-4 March 2024 The Kamakura series was inspired by Georges Jeanclos' trip to Japan, which took him to the country's ancient medieval capital, home to the oldest Japanese Zen gardens. Jeanclos was deeply moved by the beauty and serenity that emanated from these meditative and contemplative landscapes. Upon his return to Paris, these characters were born, sculptures of resilience, ‘monks in meditation, spectators of their inner gardens’ (Tzvetan Todorov). Georges Jeanclos (1933–1997) was one of the great French sculptors of the 20th century. His work was inspired by the traumatic events of the Second World War. To escape the roundups threatening Jews in France, his family had to hide in the woods; he himself, aged around ten, learned to live with the danger of death. In the aftermath of the Liberation, he saw the bodies of former collaborators hanging from lampposts; shortly afterwards, he discovered the skeletal beings who had survived the camps. Decades later, Jeanclos would respond to this formative experience: not by withdrawing into his own experiences, but by opening himself up to the universal, listening to all suffering, past and present; not by depicting horror, but by finding within himself the strength to create beauty. Jeanclos transforms the earth he works with into thin sheets, which he uses to form figures with similar faces, both children and adults, men and women. They are sleepers lying under a sheet of earth; beings enclosed in urns stamped with Hebrew letters taken from prayers for the dead; figures loaded onto boats bound for the other world; kamakuras, meditating monks, spectators of their inner gardens. Later, Pietàs, Adam and Eve in love, couples brushing against or embracing each other will be added. Jeanclos' images reveal both the insignificance of our person and the indomitable strength of our love; by their mere existence, they help us to live. Tzvetan Todorov
Gilden's Art Gallery
Andy Warhol (Pittsburgh 1928-1987 New York) Campbell's Chicken Noodle Soup Box, 1986 Acrylic and ink on canvas 50.8 x 50.8 cm Signed in felt tip pen 'Andy Warhol' and dated '86' [1986] on the upper canvas overlap, verso Stamped by the Andy Warhol Authentication Board and numbered in ballpoint pen A104.056, on the lower canvas overlap, verso Provenance: Michael Kohn Gallery, Los Angeles; private collection, Arizona; Van de Weghe Fine Art, New York; Demisch Danant, New York; private collection, Atlanta Sotheby’s New York, 13 May 2010, lot 191; private collection, Hong Kong; Christie’s Shanghai, 21 September 2019, lot 310; private collection, Asia Literature: exh. cat. (1986), Warhol. Campbell’s Soup Boxes 1986, Michael Kohn Gallery, Los Angeles, reference n° 153, pp. 19, 30, ill. in colour
Maisonjaune Studio
ingo maurer
hana chandelier
The Hana chandelier belongs to Ingo Maurer’s Uchiwa collection, created in the 1970s. Handmade in Japan from bamboo and Japanese paper fans, it radiates lightness and poetry. Its sculptural presence blends tradition with refined modernity. Exceptionally rare today, it stands as one of Maurer’s most iconic creations. We are proud to be specialists in this unique and sought-after collection.
Willow Gallery
Sam Francis (San Mateo 1923-1994 Santa Monica) Untitled (SF90-491), 1990 Acrylic on paper 63 x 56 cm, framed 81 x 74 cm Signed and dated 'Sam Francis 1990' (on the reverse) Provenance: Phillip Kirkeby Collection, California (a gift from the artist); private collection, Spain (acquired from the above); private collection, (acquired from the above) Literature: D. Burchett-Lere (ed.), Sam Francis: Unique Works on Paper and Expanded Version of Canvas and Panel Paintings from the online Catalogue Raisonné Project, n° SF90-491 (ill.) Exhibition: California, San Rafael, Smith Anderson North, Sam Francis: The Spirit of the Shadow: Paintings and Etchings, 25 June-29 July 2009
Galerie Capazza
éric antoine
Éric Antoine (France, 1974) Tidy V, 2024 Ambrotype 40 x 40 cm Provenance: the Artist's studio Exhibition: La Fabrique des Éléments, 4 October to 7 December 2025, Galerie Capazza, France In the Cerveaux (Brains) series, from which Tidy V originates, layers of leaves and stacked documents tell stories of real or imaginary lives. The ambrotype, one of the earliest photographic processes using a camera obscura, is created using wet collodion applied to a glass plate, resulting in a unique piece. With a contemporary approach, he uses wet collodion for its precision, deep blacks and silvery density. His work is closely linked to his place of residence and his memories. In the landscapes of the Alsatian Vosges, he developed a fascination for trees, which he studies in anthropomorphic portraits. Through a stationary journey, Eric Antoine often returns to the same places to capture their slow evolution. His work is organised into series in which destinies are recounted using layered still lifes, drowned flowers and accumulations of objects/symbols... These photographs without subjects question the very essence of this medium: light, optics, chemistry. The question of the materiality of the image remains at the heart of the artist's research. Far from any nostalgia, the wet collodion process is here an emancipatory discipline. In an almost sculptural approach, he delivers true photograph-objects, shimmering and silvery.