This section will be available this Autumn.
Bernardini Milano
Rolex, Bienne. Rare yellow gold “oyster chronograph” in pristine condition, 1956 One of the 36 made of this version of chronographs in 18kt. gold in the late 50’s. The untouched case and extensible bracelet host a perfect creamy silvered dial. The watch is complete of its original box, papers, invoice and various communications between owner and the Swiss Maison.previously unknown to the market, it’s a benchmark in terms of rarity and conservation.
Edouard Simoens Gallery
Pierre Alechinsky Le trou du souffleur , 1997 Signed and dated on the back Acryl and ink on paper laid on canvas 146 x 113 cm 57 1/2 x 44 1/2 in Provenance "Pierre Alechinsky: Olie, acryl, aquarel, ets, litho..." Atelier 22, Schilde 2004 Literature/Press Wordt opgenomen in de oeuvrecatalogus in voorbereiding door de heer Frédéric Charron onder nr. 3216
Snackers Antiques & Fine Art
Walter Pompe (Lith 1703-1777 Antwerp) Cross with ivory corpus, Antwerp 1770 Carved wood and ivory H 57,5 x W 27 x D 11 cm Signed Comes with CITES document Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings. The richly decorated Calvary features ivory bones, skull, and the snake with apple. With CITES document.
Galerie bei der Albertina ▪ Zetter
Adolf Loos Ladie´s Writing Desk, around 1903/04 Manufactured by Friedrich Otto Schmidt, Vienna Softwood, oil varnish, brass fittings, writing inlay with new leather H 106 cm (with top), H 80 cm (without top) W 113 cm, D 67.5 cm Company stamp on the underside: Friedrich Otto Schmidt / Wien / 1 Singerstrasse 16 / Schmidt Miksa / Budapest / 5. Lipotkorut 4 Provenienz: Private collection, Vienna Literature: Burkhardt Rukschcio/Roland Schachel, Adolf Loos. Leben und Werk, 1982, Salzburg/Vienna, ill. p. 115, no. 117 cf. Exhibition catalogue ‘Adolf Loos. Private Spaces’, Barcelona Design Museum, 2017, ill. p. 134 Exhibitions: Paris, ‘Adolf Loos – Exposition Du Cinquantenaire’, 1983 Karlsruhe, ‘Gründerzeit, Adolf Loos: Jahrhundertwende: Rückblick und Ausblick im Spiegel der Wiener Architektur’, 1987
Galerie Nicolas Bourriaud
Emile Monier (Paris, 1883-1970) Bust of a young Koumbo girl, 1930 Black veined marble, signed ‘EMILE MONIER’, dated ‘1930’ and titled ‘KOUMBO’ H. 65.5 x W. 43 x D. 30.5 cm. Unique piece Possibly a Lobi girl from Burkina Provenance: public auction, Paris, 6 June 1984 Literature: E. Bénézit, Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, vol. 9, Paris, 1999, p. 756
Galerie Uzal
Jean Delville (Louvain, 1867 - Forest, 1953) La Libération 1936 Oil on canvas Signed and dated 188,5 x 240,5 cm (Framed) Exhibition : Bruxelles, Salon de la Société des Beaux-Arts - Salon de Printemps 1936. In a letter addressed to the former owner and dated 1 July 1947, Jean Delville described the work as follows: “Man, in flight, frees himself and escapes towards broader horizons and spaces of freedom, while the forces of evil hold him back in the lower spheres of the world, where the inert mass of beings remains imprisoned by their prejudices, desires, passions and selfishness.”
Galerie Uzal
Josuë Dupon (Belgian 1864 - 1935) Pair of groups 'Panther and Serpent' Circa 1900 Bronze, rich brown patina and ivory on one Griotte marble and one faux-marble base Signature : ‘Josuë Dupon' Foundry mark : 'F. van Aerschodt Fondeur' Height bronze 114,5 - Width 104 cm (Both) CITES document available for both sculpture
Galerie bei der Albertina ▪ Zetter
Egon Schiele Portrait of a Woman, 1918 Black crayon on paper 47 x 30 cm Signed and dated lower right: EGON / SCHIELE / 1918 Estate stamp on the reverse Kallir WV Nr. D 2223 Provenance: The artist’s estate (per stamp) Galerie St. Etienne, New York Georges Simon, New York (acquired from the above, 1947) Lore Müller Christie's, New York, Nov. 16, 1983, sale 5442/Egon, lot 141 (consigned by the estate of the above) Galerie Würthle, Vienna Private collection, New York (acquired from the above, 1986) Exhibitions: Tokyo, Tokyu Art Gallery, "Gustav Klimt und Egon Schiele mit Werken von Alfred Kubin: Künstler der Jahrhundertwende" Tochigi Prefectural Museum of Fine Arts, Utsunomiya Chiba Parco, Chiba Matsumoto Parco, Matsumoto Shimoneseki City Art Museum, Shimoneseki, 1985 New York, Galerie St. Etienne, "Egon Schiele's Women," 2012 Vienna, Leopold Museum, “Changing Times: Egon Schiele’s Last Years, 1914-1918”, 2025 Literatur: Jane Kallir, Egon Schiele: The Complete Works, Expanded Edition, New York 1998, ill. p. 609, D 2223 Exhibtion catalogue "Changing Times: Egon Schiele´s Last Years 1914-1918" ed. by Kerstin Jesse, Jane Kallir, Hans-Peter Wipplinger, Leopold Museum, Vienna 2025, ill. p. 253
F. Baulme Fine Arts
Claude-Marie DUBUFE (Paris, 1790 – La-Celle-Saint-Cloud, 1864) Expression Head: Modesty Circa 1827-1828 Oil on canvas 55.5 x 46.5 cm Provenance: England, private collection. Literature: Emmanuel Bréon, Claude-Marie, Édouard et Guillaume Dubufe, Portraits d’un siècle d’élégance parisienne, exh. cat., Paris, Délégation à l’Action Artistique de la Ville de Paris, 1988 (engraving after the present painting, p. 70, repr.). Related work: Claude-Marie Dubufe, Modesty, 1828, engraving.
Bernier/Eliades
Tindara SPARTÀ Born 1994, St Rémy, France Lives and works in Dijon, France Title work: La course des Lèvriers (01), 2026 Watercolour on plaster and wood Painting 80 x 122 x 7,5 cm Photo credits: Boris Kirpotin Education 2018 DNSEP – Diplôme National Supérieur d’Expression Plastique, Option Art, École Nationale Supérieure d’art de Dijon, France 2015 DNAP – Diplôme National d’Arts Plastiques, Option Art with honours, École Nationale Supérieure d’Art de Dijon, France Solo Exhibitions 2026 MAD HOUSE, Bernier/Eliades Gallery, Athens, Greece 2024 Coup de chien, Bernier/Eliades Gallery, Brussels, Belgium 2023 Butch’s car, Atelier White Cubi, Dijon, France 2022 Le bain – Installation and performance, Les bains du Nord, Frac Bourgogne, Dijon, France Selected Group Exhibitions 2026 Canin.e, Ateliers Vauban, hosted by Maeva Totolehibe, Besançon, France Ceux qui vacillent, Atelier White Cubi, Dijon, France 2024 Les dodos n’ont jamais froid, double show with Eva Pelzer, Saint-Nazaire Museum, Bourbon- Lancy, France 2023 Après-midi de chien, Collectif Portail, Chagny, France 2022 Y’a de l’orage, Collectif Portail, Chagny, France Y’en a un peu plus, je vous le mets quand même?, Atelier White Cubi, Dijon, France 2021 Confluents, Residence in Labastide, Artistes & Associés, Labastide Villefranche, France Des trous dans les murs, Collectif Portail Création du Collectif Portail, Chagny, France 2020 Capitale des Alentours, Chagny, France 2019 Pas besoin de constat, Chagny, France 2018 Les oiseaux ont cessés de chanter, Interface Gallery, Dijon, France 2014 Disons Dijon, Entrepôt 9, Dijon, France
DIE GALERIE
Christian Dotremont (1922 Tervuren 1979 Buizingen, Halle) Zyzzling aardvark 1972 Indian ink on Japanese paper 98 x 61 cm Signed and dated lower right 'Dotremont 1972, entitled lower left 'Zyzzling aardvark' Provenance: Private collection Exhibitions: Pierre Alechinsky and his artist friends, DIE GALERIE, Frankfurt am Main 2025
DIE GALERIE
André Masson Les vieux souliers 1944 Oil on canvas 60 x 73 cm Signed lower middle The authenticity is confirmed by the Comité André Masson on October 7, 2002. Provenance: Galerie Simon, Paris et. al. Literature: André Masson (1896-1987), Exhibition catalogue Museo National Centro de Arte Reina Sofia, Madrid 2004, p. 240; André Masson. Petite rétrospective entre amis, Exhibition catalogue DIE GALERIE, Frankfurt am Main 2016, p. 67; André Masson. Zwischen Welten - Entremondes, Exhibition catalogue Kunstsammlungen Chemnitz, Köln 2019, p. 95; et. al. Exhibitions: Rétrospective Masson, Musée National d'Art Moderne, Paris 1965; André Masson (1896-1987), Museo National Centro de Arte Reina Sofia, Madrid 2004; André Masson. Zwischen Welten - Entremondes, Kunstsammlungen Chemnitz 2019/2020; Surreale Tierwesen, Max Ernst Museum Brühl, Brühl 2021/2022; André Masson. La mémoire du monde, DIE GALERIE, Frankfurt am Main 2024/2025 et. al.
Bernier/Eliades
Tony CRAGG (b. 1949, UK) lives and works in Wuppertal, Germany. Title work: Stand, 2025 Corten steel 115 x 36 x 108 cm Photo credits: GRAYSC He was a professor and the Universität der Künste Berlin (2001-2006), taught at the Kunstakademie Düsseldorf (1978-2001) before serving as its Director (2009-2013), and held the Chaire de Création Artistique at the Collège de France in Paris (2013-2014). Cragg was elected a Royal Academician in 1994, represented the United Kingdom at the Venice Biennale in 1988, and received the Turner Prize the same year. He was appointed Commander of the Order of the British Empire in 2002, received the Praemium Imperiale for Sculpture in Tokyo in 2007, was awarded the First Class Order of Merit of the Federal Republic of Germany in 2012, and was knighted in 2016. This year, Cragg is set to receive the European Culture Prize 2026 at the Royal Concertgebouw in Amsterdam. He is also the founder of Waldfrieden Sculpture Park in Wuppertal, where he exhibits works from different artists and different generations, such as Rebecca Horn, Berta Fischer, Anthony Caro, Heinz Mack, and Joseph Beuys, among others.
Galerie Nicolas Bourriaud
BIZETTE-LINDET André Bizette-Lindet (Savenay 1906-1998 Sèvres) Diane the Huntress, circa 1937-1938 Bronze with a nuanced brown-green patina, on a blackened wooden base H 64 x W 70 x D 20 cm Signed ‘Bizette-Lindet’ Cast by Susse, bears the foundry’s mark ‘SUSSE Fres / PARIS / CIRE PERDUE’ and the inscription ‘BRONZE’ Literature: Amandine Delcourt, Bruno Gaudichon and Fanny Legru, 'Faire le Beau. Le bestiaire de La Piscine', Ghent, Snoeck, 2017, p. 57 A similar example is held at the Musée de la Piscine in Roubaix (Inv.: FNAC 6463)
Galerie des Modernes
Geer Van Velde (Lisse 1898-1977 Cachan) Composition, circa 1950 Oil on canvas 80 x 85 cm Signed lower right with the artist’s initials Provenance: artist’s studio, Cachan; private collection, The Netherlands; private collection, France Certificate of authenticity by Pierre-François Moget To be included in the forthcoming Catalogue Raisonné of the works of Geer van Velde currently in preparation by Pierre-François Moget.
Bernier/Eliades
RATHER NOT BE USED FOR CATALOGUE JUST FOR PRESS / WEBSITE Martin MARGIELA Untitled, 2024 Carpet on canvas on wooden frame 102 x 72 x 6,5 cm Photo credits: Sebastiano Pellion di Persano Martin Margiela was born in 1957 in Leuven, Belgium. After attending the Sint-Lukas Kunsthumaniora art school in Hasselt, he entered the fashion department of the Royal Academy of Fine Arts in Antwerp in 1977. In 1988, he founded Maison Martin Margiela. Right after the twentieth anniversary of his eponymous brand in 2009, Martin Margiela decided to leave the fashion world. Ever since, he has devoted himself exclusively to the visual arts. Solo Exhibitions 2024 Martin Margiela, Gallery Bernier/Eliades Brussels, Martin Margiela, Gallery Bernier/Eliades Athens 2022 Martin Margiela, Lotte Museum, Lotte Museum of Art, Seoul, The Republic of Korea Martin Margiela, M WOODS Hutong, Beijing, China Martin Margiela: Self-Portraits Eenwerk, Amsterdam, The Netherlands 2021 Martin Margiela, Lafayette Anticipations, Paris, France Group Exhibitions 2025 Fashion & Interiors. A Gendered Affair., MOMu, Antwerp, Belgium 2024 The City Collection Antwerp: In/Sight, M HKA, Antwerp, Belgium 2023 Echo. Wrapped in Memory, MoMu, Antwerp, Belgium No Angels, Wilhelm Hallen, Berlin, Germany Man Ray en mode, MoMu, Antwerp, Belgium 2022 40 Years Zeno X Gallery – the two-thousands , Zeno X Gallery Antwerp South, Antwerp, Belgium 2019 L’homme qui marche / Verkorperung des sperrigen, Kunsthalle Bielefeld, Bielefeld, Germany Projects 2024 “Blinds” Permanent Public Artwork, Antwerp Public Art Collection, Antwerp, Belgium
Dr. Nöth kunsthandel
Armand Guillaumin (1841 Paris - 1027 Orly) Les hauteurs de la Sedelle, Crozant, 1910 Pastel on paper 48 x 63 cm Signed lower left Certificate of authenticity from the Comité Guillaumin. tThis pastel work will be included in the second volume of the forthcoming catalogue raisonné currently in preparation. Provenance: Galerie Marcel Bernheim, Paris (label on the reverse); Collection F., Paris
Galerie Flak
Okvik 'Madonna' Okvik culture, Old Bering Sea, 250 BC – 100 AD Archaic Eskimo, St. Laurent Island (Sivuqaq), Alaska Marine ivory 15,9 cm Provenance: collection Perry J. Lewis, USA; collection Galerie Flak, 2021; private collection, acquired from the above Exhibition & Literature: 'Espíritus del Agua', Fundación La Caixa, Madrid & Barcelone, 1999-2000, pl. 2, p. 76; Arctic Dreams, Parcours des Mondes, 2021 (Galerie Flak)
