This section will be available this Autumn.
Maurice Verbaet Gallery
Jef Verheyen (Belgium, Itegem 1932-1984 Apt, France) Hommage à Fontana, 1959 Oil, collage on canvas 50 x 60.5 cm Provenance: Hans Liechti, Grenchen; Private collection, Switzerland Literature: Willy Van den Bussche and Léonore Verheyen., Retrospective Jef Verheyen 1932–1984 (Ostend/Bruges: PMMK – Provincial Museum of Modern Art / Stichting Kunstboek, 1994), p. 76. Exhibitions: Retrospektive Jef Verheyen 1932-1984, Josef Albers Museum Quadrat, Bottrop, 10 July-4 September 1994; Retrospectieve Jef Verheyen 1932-1984, PMMK Museum voor Moderne Kunst Ostende, 26 March-13 June 1994
Galerie Haesaerts-le Grelle
lingère silex
Lingère Silex Peuplier, pochoirs bleus et fer peint bleu. H.192 cm L.70 cm P.45 cm c.1905 Provenance: Villa de L'Aube Collection Gustave Serrurier-Bovy, Soyeur-Delvoye Construite entre 1902 et 1905 sur la colline de Cointe à Liège, la villa de L'Aube est la maison personnelle de Gustave Serrurier. Véritable manifeste de sa conception de l'architecture il y habitera jusqu'à sa mort en 1910. Destinés aux chambres des enfants et du personnel, les meubles Silex étaient fabriqués en peuplier, assemblés avec de simples vis en fer et décorés - pour certains - de pochoirs peints. Apparu pour la première fois au château de La Cheyrelle en 1904 Gustave Serrurier intégrera le mobilier Silex à l'aménagement de sa propre maison. Cette lingère faisait partie du mobilier originel de la villa.
Galerie Alexis Bordes
léon spillaert
mères et enfants sur le quai du port d’ostende
signed 'L. Spilliaert' (lower right) wax crayon and Conté crayon on paper 19 ¾ x 12 ¾ in. Executed in 1910 This work will be included in the catalogue raisonné of Léon Spilliaert being prepared by Dr. Anne Adriaens-Pannier.
Van Pruissen Asian Art
yoshitsugu
yagami school tsuba with “thousand monkeys”
Yagami School Tsuba with “Thousand Monkeys” Japan, late 18th century Signed: Yoshitsugu — Diameter: 7.1 cm An iron tsuba intricately carved in openwork (nikubori ji-sukashi) with a lively multitude of monkeys, including the famous Three Wise Monkeys. Their eyes and the rim are accented in gold using nunome-zōgan. The maker, Hattori Taira Yoshitsugu, was a pupil of Yagami school founder Noda Mitsuhiro and teacher of Onitake Toshiyoshi. The Yagami school, active in Nagasaki in the late 18th century, is renowned for its “Thousand Monkeys” motif, as also seen in a comparable example in the Metropolitan Museum of Art (inv. no. 91.1.751).
Galerie Capazza
Goudji (Georgia, Bordjomi 1941) Oryx à la robe diaprée, 2025 Silver 1st title, serpentine, pyrite, crystal, Armour stone H 49 x W 38 x D 10 cm Provenance: the Artist's studio Exhibition: Goudji, L'or du temps, 5 July-28 September 2025, Galerie Capazza (France) This oryx, with its serpentine goatee and crystal-adorned tail, is an African antelope. It sports horns and a coat draped in Armour stone, and wears a silver bell around its pyrite neck, ready to ring. 'When viewing Goudji's works, one is overcome by a disturbing feeling, that of being faced with original, powerful, dazzling masterpieces that delicately resonate with so many symbols that shape our visual culture and our common heritage, from Persia to Athens, from Babylon to Rome, from the Tigris to the Danube, winged griffins of malachite and lapis lazuli, birds with bold and daring beaks, reassuring ex-votos, kantharoi and cups worthy of banquets of the gods. Modest, always secretive, born into goldsmithing because he ardently wanted to be, constantly devoted to his craft, constantly exploring forms, constantly telling stories, Goudji has definitely entered into history.' Olivier Gabet, 2025 General Curator of Heritage and Art Historian Director of the Department of Decorative Arts at the Louvre Museum
Galerie Haesaerts-le Grelle
banc chambre d'artisan
Gustave Serrurier Banc bibliothèque Chêne, modèle de la Chambre d'artisan H: 178 cm L: 203 cm P: 59,5 cm c.1895 En 1894 Gustave Serrurier-Bovy est invité par Octave Maus à participer au premier salon de la Libre Esthétique à Bruxelles. L'ouverture de ce salon va marquer une date importante dans la carrière de l'artiste. Cela introduit son œuvre dans un des foyers culturels internationaux les plus vivants de la fin du XIXème siècle. A cette occasion il crée pour la première fois un ensemble complet de mobilier qu'il nomme Cabinet de travail. L'année suivante, il présentera au salon la Chambre d'Artisan, qui aura un réel retentissement. Cet ensemble artisan est d'ailleurs exposé de façon permanente au musée d'Orsay. Le terme artisan fait ici référence à la volonté de Gustave Serrurier-Bovy de créer un mobilier pour le plus grand nombre et à portée sociale. Les meubles y sont conçus en chêne et selon les principes de fonctionnalité, de solidité et de lisibilité de construction chers à l'artiste.
Willow Gallery
Bernard Buffet (Paris 1928-1999 Tourtour) Elisabeth d'Espagne, 1998 Oil on canvas Signed and dated 102 x 74 cm, framed 130 x 102 cm Provenance: Galerie Maurice Garnier, Paris; private collection, Germany (acquired from the above 2000); sale, Christies London, 21 June 2012; private collection, Hong Kong Literature: Y. Le Pichon & M. Garnier, Bernard Buffet, 1982-1999, vol. III, 2007, Switzerland, n° 1259 (ill. p. 550) This painting is sold with a photo-certificate of authenticity from the Galerie Maurice Garnier, Paris
Maisonjaune Studio
ingo maurer
hana chandelier
The Hana chandelier belongs to Ingo Maurer’s Uchiwa collection, created in the 1970s. Handmade in Japan from bamboo and Japanese paper fans, it radiates lightness and poetry. Its sculptural presence blends tradition with refined modernity. Exceptionally rare today, it stands as one of Maurer’s most iconic creations. We are proud to be specialists in this unique and sought-after collection.
Epoque Fine Jewels
rené lalique
an impressive art nouveau gold, diamond, enamel and glass choker necklace by rené lalique
An impressive Art Nouveau gold, diamond, enamel and glass choker necklace by René Lalique, consisting of six pentagonal plaques made from molded amber-colored glass, each adorned with two intertwined thistle flowers facing outward, topped by three yellow enamel rods. Flanking the plaques are long curved thorns, set with diamonds and accented with yellow and brown enamel. Between the thorns are small thistle flower motifs in molded orange glass, enhanced with diamonds. The piece is housed in its original case, marked ‘Lalique, Place Vendôme 24, Paris’. Signed: Lalique. Period: Paris, circa 1905.
Galerie des Modernes
max ernst
Max Ernst (Brühl 1891-1976 Paris) Fleur de coquillage, circa 1932 Gouache on paper 23 x 30.7 cm Signed lower right 'max ernst' Provenance: Edward Weston collection, Carmel Highlands; Galerie Tarica, Paris; Galerie Heyram-Mabel Semmler, Paris; Galerie des Modernes, Paris; private collection , France Literature: Certificate of authenticity by Mr. Werner Spies dated 29 November 2007
Thomas Deprez Fine Arts
franz binjé
le feu
Franz BINJÉ 1835 | 1900 " Le feu " ca. 1894 Watercolour and gouache on paper 420 x 275 mm (sheet) Signed l.l.: 'F. Binjé'. PROVENANCE Private collection, Belgium. EXHIBITED Exposition Universelle des Beaux-Arts, section Société Royale belge des Aquarellistes, Antwerp, World Fair, 1894, cat. nr. 699, as: 'Le feu'. Internationale Kunst-Ausstellung, Berlin, World Fair, 1896, Gemälde cat. nr. 228, as: 'Das Feuer. Aquarell.'.
