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Romigioli Antichità
Francesco di Girolamo dal Prato (Florence, 1516-1562)-Pupil of Francesco Salviati The Virgin and child Oil on panel 106 x 76 cm Studied by Professor Carlo Falciani. Giorgio Vasari's sources Provenance: Castelbarco Litta Albani collection in 1835, Milan; Costantino Nigro collection, Genoa; Seghezza collection, Genoa

Francis Maere Fine Arts
paul delvaux
Paul Delvaux (Antheit 1879-1994 Veurne) Femmes devant la mer, 1928 Oil on canvas 80 x 100 cm Signed and dated upper right: P. DELVAUX 28 Provenance: Jean Giron, Brussels; private collection, Belgium Literature: A. Eggermont, Les arts plastiques in Le Thyrse, Brussels, March 1931, p. 104; M. Butor, J. Clair, S. Houbart-Wilkin, Paul Delvaux-catalogue de l'oeuvre peint, Cosmos Monographies, Brussels, 1975, cat. n° 35, p. 156 Exhibitions: 1928 Brussels Galerie Manteau, Paul Delvaux et Robert Giron, 1931 Brussels Palais des Beaux-Arts, Paul Delvaux, 1969 Paris, Musée des Arts décoratifs; 1974, Sint Martens Latem, Georges Buysse Gallery, Delvaux, Spilliaert, Pérot; 1985 Paris, Centre Culturel Wallonie-Bruxelles, Hommage à Paul Delvaux © Foundation Paul Delvaux, Belgium/SABAM, 2023-2024

Galerie Kevorkian
mughal art / art moghol
Portrait of nawab 'Ali Mardan Khan Mughal art Opaque watercolour and gold on paper, gold speckled margins Illuminated panel written in nasta'liq script: 'tasvir-e nawab 'Ali Mardan Khan' Mughal India, 18th century Folio: 32 x 22.8 cm, painting: 21 x 12.4 cm Provenance: probably collection of Sir Elijah Impey, chief justice of Bengal from 1774 to 1789; former collection of Jean Pozzi (1884-1967), French diplomat and collector; French private collection (1975-2000) Exhibition: Indian and Oriental Miniatures, Palais Galliera, Paris, 5 December 1970, n° 24

Giammarco Cappuzzo Fine Art
Giuseppe Vermiglio (Milan, circa 1587-circa 1635/1636) The sacrifice of Isaac, circa 1610-1618 Oil on canvas 132 x 162 cm Provenance: private collection, Italy Literature: Alessandro Morandotti, Gli anni romani di Giuseppe Vermiglio, in Giuseppe Vermiglio. Un pittore caravaggesco tra Roma e la Lombardia, exhibition catalogue Campione d’Italia, Galleria Civica, 10 September-3 December 2000, ed. by D. Pescarmona, Milan 2000, p. 45, fig. 23; Ferdinando Bologna, Tre note caravaggesche, Prospettiva, 33-36, 1983-1984 (Studi in onore di Luigi Grassi), pp. 204-207, fig. 5; Mina Gregori, Il Sacrificio di Isacco: un inedito e considerazioni su una fase savoldesca del Caravaggio, Artibus et Historiae, X, 1989, p. 141, note 16

Galerie Christophe Gaillard
stéphane couturier
Stéphane Couturier (Neuilly-sur-Seine, 1957) Angers - Chant de l'Apocalypse n° 1, 2022 Tapestry: mixed technique - rag, wool, cotton, hemp, linen, acrylic, string, onion and citrus threads, sewing thread, nylon thread, sequins... 205 x 277 cm Edition of 3 Provenance: the artist's studio; Galerie Christophe Gaillard

Willow Gallery
Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) Jour de Pluie sur la Terrasse Fleurie de Marquayrol, circa 1920 Oil on canvas 79 x 108 cm - framed: 99 x 128 cm Signed This painting is accompanied by a certificate of authenticity from Cyrille Martin Provenance: Tajan Paris, 24 March 1999, lot 17; Richard Green Gallery, London; private collection, Canada

Tobogan Antiques
machauld (né en 1835) et eug. cornu (1827-1899)
Machauld (France, born in 1835) and Eugène Cornu (France, 1827-1899) Bust of a Greek goddess, circa 1867 Silvered and gilded bronze, enamel, red marble H 64 cm; base 22 x 21 cm Signed: Machauld et Eug. Cornu, G. Viot et Cie Fondeurs The tiara and collar necklace that adorn the bust are finely decorated with stylised floral motifs of polychrome champlevé enamel. It rests on a molded base and square plinth made of Antique red marble Literature: Rapport du Jury International, Exposition Universelle de 1867 à Paris, 1868, t. III, groupe III, classe XV, chapitre II, § 2, pp. 45-46; 1851-1900, Le arti decorative alle grandi esposizioni universali, Daniel Alcouffe, Marc Bascou, Anne Dion-Tenenbaum et Philippe Thiébaut, Idealibri, 1988, pp. 136-138; Les merveilles de l’Exposition de 1878, Paris, p. 561

Galerie Marc Maison
Gilded plaster statuette by Pierre Braecke (Belgium, 1858-1938) surmounting a sideboard made by Victor Horta (Ghent 1861-1947 Brussels) Four original gilded plaster statuettes by Pierre Braecke surmount the pair of sideboards This is part of a interior decor made of a suite of three paneled rooms designed by Victor Horta for a private owner in Kortrijk and including two fireplaces, a pair of sideboards, a stained-glass ceiling and windows, a screen with period fabric Circa 1903 Mahogany, oak and maple, bronze, marble, american glass, fabric: moiré damask Surface: approximately 80 sq meters, H 3.80 m Provenance: Kortrijk, Belgium
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Samuel Vanhoegaerden Gallery
tom wesselmann
Tom Wesselmann (Cincinnati 1931-2004 New York) Monica nude in robe and stockings (Var #8), 1986 Enamel on laser-cut steel H 83.5 x W 168 cm Signed, dated and titled on verso Provenance: OK Harris Gallery, New York; private collection, USA Literature: Tom Wesselmann: a Pop Art Legend, Samuel Vanhoegaerden Gallery, Knokke, 2023, ill.

F. Baulme Fine Arts
nicolas bertin
Nicolas Bertin (Paris, 1668-1736) Achilles entrusted by Thetis to the centaur Chiron, circa 1725 Oil on canvas 62 x 79.5 cm Provenance: private collection, Paris Literature: Thierry Lefrançois, Nicolas Bertin, 1668-1736, Paris, 1981 Nicolas Bertin has begun his career as a painter under the reign of Louis XIV and has ended it under Louis XV. He was part of this pivotal generation of 'Trianon painters' who switched from large historical painting, to smaller pictures – frequently easel paintings, which seduced a new generation of clients. Painting in the early years of the 18th century was ahead of the evolution of society, and it was only during the Regency that France freed itself from the rigorous artistic rules of the end of the reign of Louis XIV. The country undertook reforms and its morals evolved. It was just after this political and artistic revolution that Bertin painted this picture. The choice of theme itself is significant of lighter times: the nymph Thetis entrusts her son Achilles to the centaur Chiron.

Nicolás Cortés Gallery
francisco de goya y lucientes
Francisco de Goya y Lucientes (Spain, Fuendetodos 1746-1828 Bordeaux, France) Adoration of the Cross Oil on canvas 134 x 89 cm Provenance: Chapel of the Santa Cruz (now the chapel of San Roque) in the parish church of Nuestra Señora de la Asunción (Our Lady of the Assumption, formerly dedicated to St Anthony of Padua), Torrecilla de Valmadrid, near Zaragoza, until 1968-70; Don Jaime de Paraíso de Andéríz, Zaragoza, to 1971; private collection, Barcelona (now London) Literature: Gudiol, Goya, Barcelona, 1970, vol. I, p. 33 and 240, cat. 37 (image, vol II, pp. 50-51, figs. 52 and 53); A. Martínez Beltrán, Goya en Zaragoza, 1971, Ayuntamiento de Zaragoza; p. 155; J. Camón Aznar, Francisco de Goya, Zaragoza, 1981, vol 1, pp. 62-63, ill., p. 243; R. De Angelis., La obra pictórica completa de Goya, Noguer, 1975, p. 90, n° 40 (as Devotis al pie de una Cruz); José-Luis Morales y Marín, Goya, Pintor Religioso, Aragon, 1990, n° 11, p. 50; J. Gudiol, Goya, Barcelona, 1985, 2nd edition, vol. 1, p. 96, n° 34, fig. p. 168; P. E. Mangiante, Goya e l’Italia, Rome, 1992, pp. 20-21; A. Ansón Navarro, Goya y Aragón: Familia, amistades y encargos artísticos, Aragon, 1995, p. 93.; P.E. Mangiante, Goya e Italia, Zaragoza, 2007, p. 34 y 38; Fundación Goya, J.C. Lozano Llopis, J. Wilson-Bareau, and others, Museo de Zaragoza, La memoria de Goya, (1828-1978): [Museo de Zaragoza., 7 de febrero-6 de abril de 2008, Aragón, 2008, p. 126, fig. 89 [as attributed]; Dr Arturo Ansón Navarro, Goya. Un joven pintor en formación, Zaragoza, 2021; La Estella de Corrado Giaquinto en España-Da Antonio González Velázquez a Francisco Bayeu a Goya, Exhibition Catalogue, Museo de Zaragoza, 24 June-26 Sep 2021, pp. 110-111 (ill.) Exhibition: Zaragoza, Museo de Zaragoza, 2008 La memoria de Goya, (1828-1978), n° 117

Studio 2000 Art Gallery
theo van rysselberghe
Theo van Rysselberghe (Belgium, Ghent 1862-1926 Saint-Clair, France) Le ruban écarlate, 1906 Red chalk on paper 110 x 88 cm Signed with monogram and dated: Fev. 06 Provenance: private collection, Belgium; auction Christie’s, Amsterdam, 22 May 1991, lot 526; G. Gieseler (?), 1973; Galerie Druet, Paris Literature: A. Dreyfuss, Die Kunst fur Alle, 29, 1914, pp. 508-538; P. Fierens, TVR, Brussels, 1937; R. Feltkamp, Théo Van Rysselberghe. Catalogue raisonné, n° 1906-011 (ill.); R. Feltkamp, Théo Van Rysselberghe: Schilder van de zon, n° 59 (ill.). Exhibitions: Rotterdam, Rotterdamse Kunstkring, TVR (cat. n° 70) 23 October-21 November 1909; Groningen, Galerie Hofteenge, Picture TVR (cat. n° 56), 16 January–2 February 1910; Laren, Singermuseum, Théo van Rysselberghe. Schilder van de zon, 17 May–4 September 2022

Galerie Dina Vierny
judit reigl
Judit Reigl (Kapuvár 1923-2020 Marcoussis) Mass Writing, 1958 Oil on canvas 80 x 114.5 cm Signed: Reigl and dated lower right: 1958 Provenance: Galerie Kléber, Paris; private collection, Paris; Galerie Dina Vierny, Paris Exhibition: Paris, Galerie Dina Vierny, Judit Reigl, Panta rhei, 2023, ill. p. 30

robertaebasta
André Sornay (France, 1902-2000) Pair of armchairs in black lacquered wood with brass details, upholstered seat and backrest covered in silk velvet France, circa 1935 H 72 x W 62.5 x D 78 cm Provenance: Galerie Alain Marcelpoil, Paris Literature: Alain Marcelpoil, Annik Béras Sornay, Olivier Lassalle, André Sornay designer d'avanguardia, Edizioni, Galerie Alain Marcelpoil, Paris, 2010

Floris van Wanroij Fine Art
adriaen van ostade
Adriaen van Ostade (Haarlem, 1610-1685) Interior of a barn with peasants-An allegory of smell Oil on panel 17 x 24 cm Signed and dated middle centre: Av ostade 1637 Provenance: private collection; Floris van Wanroij Fine Art; private collection, Remscheid, Germany Literature: Krol, A.E., Musée de l’Ermitage. Peinture de l’Europe occidentale. Leningrad (Hermitage), 1981, vol. II, p. 155 In his charming and amusing painting Adriaen van Ostade, like his contemporaries David Teniers the Younger and Adriaen Brouwer, depicted a scene from the everyday life of the peasant classes. At the same time it forms an allegory, that of the sense of smell. A variation on this composition by Van Ostade is kept in the collection of the Hermitage, Saint Petersburg (inv. n° 999)
Segoura Fine Art
charles revel
Charles Revel (France, 1829-1880) Allégories de la Force et du Droit, circa 1872 Oil on canvas 66 x 54.5 cm Signed lower right Provenance: private collection, France With this painting, Charles Revel illustrates the words given to the German Chancellor Otto von Bismarck: 'Strength prevails over Law'

Brame & Lorenceau
sol lewitt
Sol LeWitt (Hartford 1928-2007 New York) Asymmetrical pyramids, 1985 Gouache on paper 55.4 x 74.8 cm Signed and dated on the lower right: S. LEWITT 1985 Provenance: private collection, Oslo; Jörg Maass Kunsthandel, Berlin; private collection, USA; private collection, Paris