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Studio 2000 Art Gallery
willem paerels
Willem Paerels (Delft 1878-1962 Eigenbrakel) Scheveningen boulevard, 1907 Oil on canvas 70 x 70 cm Signed lower right: Paerels Provenance: private collection, The Netherlands; private collection, Belgium; Galerij Jeanne Buytaert, Antwerp; collection M. Jefferys, Brussels (before 1924) Literature: André A. Moerman, Willem Paerels 1878-1962: retrospectieve tentoonstelling georganiseerd in het raam van het Nederlands-Belgisch Cultureel Akkoord, Brussel [etc.] 1978, p. 21, n° 11: dated ’1907’ by the artist in his notes Exhibitions: Brussels (Palais des Beaux-Arts de Bruxelles), Willem Paerels, 17 September 1968-1 October 1968 and Amersfoort (Zonnehof), 5 October 1968-4 November 1968; Brussels (Koninklijke Musea voor Schone Kunsten van België), 3 March 1978-16 April 1978 and Laren (Singer Museum), 30 April 1978-11 June 1978, Willem Paerels 1878-1962: retrospectieve tentoonstelling georganiseerd in het raam van het Nederlands-Belgisch Cultureel Akkoord
Mearini Fine Art
Bartolomeo di Giovanni D'Astore called Baccio da Montelupo (Montelupo Fiorentino 1469-1536 Florence) Crucifix, circa 1515 Wood, plaster and paper 81.5 x 81.5 cm Provenance: private collection, Italy Literature: David Lucidi, Baccio da Montelupo, Tau, 2022, pp. 154, 342, 343, 413, 414
Heutink Ikonen
Ascension of Christ Russia (Yaroslavl), 17th century Egg tempera with gold leaf on a wooden panel surfaced with gesso and linen 72 x 48.5 cm This monumental icon shows an unusual division of planes. In the upper register, Christ is depicted in a green mandorla that is carried to heaven by two angels. The footprints in the earth beneath the mandorla show how Christ was still standing on the earth shortly before. The disciples left beneath gaze and point upwards in wonder. Noticeably, the disciples are standing before the openings of a cave, a reminder of Christ's resurrection from the grave. Directly below Christ, the Mother of God is depicted, flanked by radiant white angels. She bows her head slightly and raises her hands in prayer and reception - a pose reminiscent of the Annunciation. Just as Mary received her divine child at that time, she now leaves him to return to his heavenly father.
Galeria Jordi Pascual
manolo valdés
Manolo Valdés (Valencia, 1942) Matisse como pretexto, 1987 Mixed media on burlap 170 x 240 cm Provenance: collection Guillermo Caballero de Luján, Valencia Literature: Fundación Museo Guggenheim Bilbao, Art of this Century, 2022. Manolo Valdés. Painting and sculpture, 18 October 2002-19 January 2003, p. 105; de Barañano, Kosme, 1999, Manolo Valdés. Ediciones Polígrafa and Caja de Ahorros del Mediterráneo, p. 51
Florian Kolhammer
franz hagenauer
Franz Hagenauer (Vienna, 1906-1986) Pair of head sculptures, circa 1981 Designed by Franz Hagenauer and executed by Werkstatte Hagenauer Wien Cast, soldered, nickel-plated and polished brass H 46 x W 49.5 x D 11 cm Each sculpture is marked 'FRANZ', 'Handmade', 'HAGENAUER/WIEN', 'MADE IN/AUSTRIA' and 'wHw' in the circle Literature: Photograph of the female head in the Archiv Hagenauer in the Museum of Applied Arts Vienna, inv. n° HAF 1188
Gioielleria Nardi
Homage to Canaletto ring Gold and silver with diamonds, rubies and sapphires A painting by Canaletto is the basic idea that provided the inspiration for making this ring. The idea is to create an ideal bridge between ancient art and contemporary jewellery. The beautiful engraving is completely handmade
Thomas Deprez Fine Arts
willem paerels
Willem Paerels (Delft 1878-1962 Braine-l'Alleud) Dans un cabinet de toilette, circa 1910 Oil on canvas 72 x 53 cm Signed lower right: Paerels Provenance: former collection Anna Boch (1848-1936); by descent in the family, until; private collection, Belgium Literature: The present work figures in the 'inventaire mortuaire' established upon Anna Boch's death in 1936, as part of the prestigious stairwell hanging in her own home designed by Victor Horta (Liste Blondel, private archives, as transcribed in: Thérèse Thomas & Cécile Dulière, Anna Boch 1848-1936, Paris, La Renaissance du Livre, 2000, p. 147, n° 357
Galerie Dina Vierny
fernand léger
Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Les nageurs or Les acrobates, 1950 Bronze H 49.5 x w 44 x D 7 cm Signed lower right: F.Léger, numbered 8/8 and stamped with the foundry mark 'C. Valsuani, fondeur cire perdue' Provenance: Dina Vierny, Paris; acquired directly from Nadia Léger; private collection, Paris Exhibitions: Tokyo, Malborough, Eighteen Bronzes by Fernand Léger, 1989-1990, n° 2, ill. of another cast p. 9; Saint-Tropez, Galerie Lucas Ratton; Saint-Tropez, XAIPE, 2023
Pauline's Jewellery Box
Edwardian fancy yellow cushion cut diamond ring Ring set with a fancy yellow cushion cut diamond weighing 7.80 carats. Clarity is VS2. Surrounded by bright and lively white diamonds and mounted in platinum. Accompanied by a GIA certificate Provenance: private collection, London
Brame & Lorenceau
sol lewitt
Sol LeWitt (Hartford 1928-2007 New York) Asymmetrical pyramids, 1985 Gouache on paper 55.4 x 74.8 cm Signed and dated on the lower right: S. LEWITT 1985 Provenance: private collection, Oslo; Jörg Maass Kunsthandel, Berlin; private collection, USA; private collection, Paris
Dr. Lennart Booij Fine Art & Rare Items
emile gallé
Emile Gallé (Nancy, 1846-1904) Vase, circa 1895 Aquamarin enamelled and hand etched vase with applied handles H 25 cm Provenance: private collection, France Literature: Alistair Duncan, The Paris Salons 1895-1914, vol. IV, p. 228 for a similar model
Galerie Christophe Gaillard
hélène delprat
Hélène Delprat (Amiens, 1957) Turritopsis nutricula, 2010 Pigments, silver pigment, acrylic and glitter on canvas 200 x 160 cm Signed Provenance: the artist's studio; Galerie Christophe Gaillard Literature: Hélène Delprat, Les Travaux et les Jours, Éditions Dilecta/Galerie Christophe Gaillard, 2017, p. 247 Exhibition: Hélène Delprat, I Did it My Way, La Maison Rouge, Paris, France, 2017
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Rueb Modern and Contemporary Art
bram bogart
Bram Bogart (Delft 1921-2012 Sint Truiden) GeelBaanGroen, 1970 Cement and oil on panel H 101 x W 107 x D 12 cm Signed and dated: Juli 1970 twice Provenance: private collection, The Netherlands Exhibition: Sweden, Södertälje Konsthall, 28 March-18 April 1971, cat. ill. p. 2
F. Baulme Fine Arts
arnould de vuez
Arnould De Vuez (Saint-Omer 1644-1720 Lille) Jacob and Ésaü reconciliation, circa 1678 Oil on canvas 105 x 137 cm Provenance: private collection, Périgord since 1920; by inheritance, the artist's descendants; fonds d'atelier d'Arnould Vuez Arnould de Vuez, a key Flemish historical painter of the second half of the 17th century, was trained by Claude François in his Parisian studio, himself trained by Simon Vouet. The master sent his pupil to Italy so he could get the finest education surrounded by Old Master works. He won the first prize of the Roman Saint Luc Academy in 1677. In 1681, Arnould de Vuez was received at the Royal Academy of Paintings and Sculpture for the alliance between France and Bavaria allegory (Louvre Museum). A decade later, in 1692, he was commissioned by the brotherhood of goldsmiths to paint the « Mays » of Notre-Dame picturing the disbelief of Saint Thomas (Lyon, Saint Jean Primatial). In 1694, soon after Charles Le Brun’s death, with whom he collaborated in Versailles, Arnould de Vuez established himself in Lille where he was commissioned with great orders. He was in charge of the religious monuments, in which he blends Poussin’s classicism lessons, Le Brun inspiration and Rubens influence. His work is characterized by a structured composition, retained drapery and a taste for orthogonal lines. Poussin’s influence should be noted in this frieze composition, as well as the Italian Masters, such as the young men’s head copied from the Athen’s school by Raphael.
Victor Werner
camille marc sturbelle
Camille Marc Sturbelle (Brussels 1873-1944 Sint-Lambrechts-Woluwe) Pair of outdoor sculptures of shepherd dogs, 1925 Bronze with green patina The dog in a standing position is signed and dated Sturbelle, 1925 - H 88 x W 115 x D 37 cm The dog in a seated position is signed and dated Sturbelle, 1902 - H 113 x W 59 x D 37 cm Both sculptures bear the name of the foundry Fonderie Nationale Des Bronzes, St. Gilles Bruxelles Provenance: private collection Literature: Pas, W. & G., ARTO 2000 Biografisch Lexicon Plastische Kunst in België, p. 370; Museum: A bronze sculpture made by the same artist (depicting an English bulldog) can be found in the collection of the Royal Museum of Fine Arts Antwerp (KMSKA)
