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Stern Pissarro Gallery
PABLO PICASSO (1881 – 1973) Guitare Executed in 1923 Pastel on paper 21 x 14 cm Signed upper right, Picasso Provenance: Galerie István Schlégl, Zürich Private collection, acquired from the above in 1988 Literature: C. Zervos, Pablo Picasso Oeuvres de 1923 à 1925, Vol. V, Editions cahier d'art, Paris, 1952, no. 70 (illustrated in black and white)
Galerie Raf Van Severen
Elena Laverón (1938, Ceuta) "Pareja Sentada" (Seating Couple), dated 1975 cast bronze with dark patina edition of 3 + 2 AP H 170 x W 193 x D 116 cm Reference: In 1993, Pareja Sentada was installed at UNESCO's Bonvin building Literature: Real Academia de Bellas Artes de San Telmo de Málaga, Anuario 2016 (Número 16), Real Academia de Bellas Artes de San Telmo, 2016, 389p.; Tania Fernández de Toledo, Raya Fayad, Sotheby's France, UNESCO : La collection d'art, 2017, 431p.;
Galerie Nicolas Bourriaud
BUGATTI Rembrandt (1884–1916) Small Elephant at Rest (1912) Bronze with a nuanced brown patina, signed ‘R. Bugatti’ Cast by Hébrard, numbered ‘11’, bears the mark ‘CIRE PERDUE A.A. HEBRARD’. H. 20.3 x W. 20.5 x D. 12.5 cm Circa 1923 Only twenty examples have been recorded to date. A certificate by Véronique Fromanger will be provided to the buyer Provenance: Cahier Hébrard inv. no. 3717, formerly in the collection of the Countess de V, Toulouse, acquired in 1923 or 1924; private collection, Marseille Bibliography: Véronique Fromanger, "Rembrandt Bugatti, Sculptor: A Monographic Catalogue: A Meteoric Career", Paris, Les éditions de l’Amateur, 2016, model listed under no. 300, p. 364.
Rueb Modern and Contemporary Art
Alighiero Boetti (Turin 1940-1994 Rome) Cinque x Cnque Veticinque, 1988 Embroidery 21 x 22 cm Signed and inscribed n° 82769 on the reverse Provenance: kunsthandel E.J, van Wisselingh & Co, Haarlem, the Netherlands This work is accompanied by the certificate of Archive Boetti n° 10891 dd May 2026
Rueb Modern and Contemporary Art
Jan Sluijters (Hertogenbosch 1881-1957 Amsterdam) Greet van Kooten with headband, 1910 Oil on canvas 35,5 x 42 cm Signed and dated Provenance: Collection Salomon Beffie, Amsterdam; collection Willem Beffie, New York; Galerie van Voorst van Beest, The Hague; collection Reens, Amsterdam; collection A.J. van Hillegondsberg, Blaricum; private collection, Amsterdam Literature: On-line Catalogue Raisonné Jan Sluiters-www.rks.nl/images/100130 Exhibition: The Hague, Pulchri Studio, Paintings, drawings and pointes-sèches of Jan Sluijters and Lodewijk, Schelfhout, 3 July - 25 July 1915 n° 40
Galerie Taménaga
Jean Fautrier (1898–1964) Tête 1927 Oil on canvas 35 x 27 cm Signed upper right: “Fautrier” Provenance Jean-Paul Ledeur, Paris Exhibitions Hamburg, Kunstverein, Jean Fautrier, 19 May–17 June 1973, no. 16. Amsterdam, Stedelijk Museum / Zurich, Kunsthaus, Jean Fautrier, 11 January–4 May 1986, no. 35, illustrated p. 25. Paris, Galerie Jeanne Castel, 1986. Bibliography Marcel-André Stalter, Recherches sur la vie et l'œuvre de Jean Fautrier (1898–1964) de leurs commencements à 1940. Essai de catalogue méthodique et d'interprétation, doctoral thesis, Université de la Sorbonne, Paris IV, 1982, no. 319. Marie-José Lefort, Fautrier. Catalogue raisonné de l'œuvre peint, Éditions Norma, Paris, 2023, no. 256, illustrated p. 199.
Laurent Schaubroeck
PAUL EVANS & PHILLIP LLOYD POWELL Monumental Wall Unit Unique piece ORIGIN: USA DATE: c. 1960 MATERIALS: Steel, wood, gold leaf DIMENSIONS: W236 × D51 × H282 cm PROVENANCE: Martin Brooks, Doylestown Extraordinary wall-mounted cabinet by Paul Evans and Phillip Lloyd Powell, two key figures in American postwar design. This one of a kind piece combines carved wood, torch-cut and enameled metal, and gold leaf. Features four floating shelves and a two-door lower cabinet with concealed storage. Rare in both scale and collaboration.
Galerie des Modernes
Jean Dubuffet (Le Havre 1901-1985 Paris) Personnage (buste) M. 406, 29 March 1967 Marker pen and gouache on paper with cut and pasted elements 45,5 x 26 cm Signed with the artist’s initials and dated lower right Annotated lower right Provenance: Jean Dubuffet collection, Paris; Ludovic Massé collection (1900–1982), Perpignan (gift from the artist, March 1968); private collection, France Literature: Max Loreau, 'Catalogue des Travaux de Jean Dubuffet, Fascicule XXII: Cartes, Ustensiles', Weber Publisher, Lausanne, 1972, pp. 145 and 188, ill. p. 145, n° 371
Desmet Fine Arts
Odoardo Fantacchiotti (Rome 1809 – 1877 Florence) Musidora, Firenze 1859 Inspired by the James Thomson’s poem ‘Summer’, originally published in 1727 Marble H 167,6 x W 49 x D 49 cm Plinth: H 95,3 x D 63 cm (at base) Total height: H 262,9 cm Signed 'Per commis del meritis / ... / Odoardo Fantachiotti / Scolpiva in Firenze / l'anno 1859 Provenance: commissioned by August Belmont (1813-1890) USA; Randall family, Clarendon Court (Newport – USA) Art Loss Register: S00258863 Literature: Ricordi fotografici degli artisti contemporanei in Toscana : ‘La Musidora’(Firenze-1858); V. Lia Bernini, G. Moradei, Odoardo Fantacchiotti scultore (1811-1877): atti delle giornate di studio nel bicentenario della nascita 1811-2011, (Toscana 2021), Volume 227, pp. 37-41 Other verions: 1862, for Baron Belper, Edward Strutt (Israele collection); 1865, for the king of Portugal (Lisbon Palacio Nacional da Ajuda)
Galerie bei der Albertina ▪ Zetter
Egon Schiele Portrait of a Woman, 1918 Black crayon on paper 47 x 30 cm Signed and dated lower right: EGON / SCHIELE / 1918 Estate stamp on the reverse Kallir WV Nr. D 2223 Provenance: The artist’s estate (per stamp) Galerie St. Etienne, New York Georges Simon, New York (acquired from the above, 1947) Lore Müller Christie's, New York, Nov. 16, 1983, sale 5442/Egon, lot 141 (consigned by the estate of the above) Galerie Würthle, Vienna Private collection, New York (acquired from the above, 1986) Exhibitions: Tokyo, Tokyu Art Gallery, "Gustav Klimt und Egon Schiele mit Werken von Alfred Kubin: Künstler der Jahrhundertwende" Tochigi Prefectural Museum of Fine Arts, Utsunomiya Chiba Parco, Chiba Matsumoto Parco, Matsumoto Shimoneseki City Art Museum, Shimoneseki, 1985 New York, Galerie St. Etienne, "Egon Schiele's Women," 2012 Vienna, Leopold Museum, “Changing Times: Egon Schiele’s Last Years, 1914-1918”, 2025 Literatur: Jane Kallir, Egon Schiele: The Complete Works, Expanded Edition, New York 1998, ill. p. 609, D 2223 Exhibtion catalogue "Changing Times: Egon Schiele´s Last Years 1914-1918" ed. by Kerstin Jesse, Jane Kallir, Hans-Peter Wipplinger, Leopold Museum, Vienna 2025, ill. p. 253
Stéphane Renard Fine Art
Pierre Bonnard (Fontenay-aux-Roses 1867 – Le Cannet 1947) Paysage, arbres fruitiers (1909) Oil on paper Dimensions : 18 ¾ x 24 ¾ in. (47.7 x 63 cm) – Framed : 27 3/8 x 33 in. (69.5 x 84 cm) Stamped with signature « Bonnard » (Lugt 3886, lower left) Provenance : The artist's estate Private collection, Paris Anonymous sale, Koller Auktionen, Zurich, 2 December 2016, lot 3226 European private collection Literature : J. & H. Dauberville, Bonnard, Catalogue raisonné de l’œuvre peint, vol. IV, 1940-1947 et Supplément, Paris, 1974, no. 1949, p. 285 (illustrated)
Galerie Jean-François Cazeau
Armand Fernandez, known as ARMAN (1928–2005). ‘La grande nuit’, 1994 Acrylic and brushes on canvas, eight panels, signed on the edge, unique piece. Height: 292 – Width: 413 cm Provenance: Artist's studio Given by Arman to his daughter Anne Fernandez. Exhibitions: - Arman, "La Nuit Etoilée", Château Notre-Dame des Fleurs, Winter 1994/1995, Galerie Beaubourg, featured on the cover of the catalogue, illustrated across a double-page spread (pp. 28–29), illustrated on page 32 behind Arman. - "Arman s’installe aux Baux de Provence", 4 June to 16 October 2011, organised by the A.R.M.A.N Foundation, illustrated on page 22 of the catalogue. Bibliography: Illustrated in the Catalogue general of the official Arman website, Arman-Studio.
Willow Gallery
Henri Martin Toulouse, France 1860 - Labastide-du-Vert, France 1943 La Maison de Marie-Louise Oil on canvas, signed. Canvas size: 35.5 x 46 in / 90 x 117cm Frame size: 43 x 53.5in / 109 x 136cm Provenance: Private Collection, Argentina This painting is accompanied by a certificate of authenticity from Marie-Anne Destrebecq-Martin
Galerie Flak
Okvik “Madonna” An exceptional, large female figure Okvik culture, Old Bering Sea I Archaic Eskimo St. Laurent Island (Sivuqaq), Alaska Marine ivory 250 BC – 100 AD Height: 6 ¼ in. – 15.9 cm Provenance Collection Perry J. Lewis, USA Collection Galerie Flak, 2021 Private collection, acquired from the above Exhibition & Publication: “Espíritus del Agua”, Fundación La Caixa, Madrid & Barcelone, 1999 – 2000, planche 2, page 76 “Arctic Dreams”, Parcours des Mondes, 2021 (Galerie Flak)
Maison D'Art
SANTI DI TITO (Borgo San Sepolcro, 1536 - Florence, 1603) Holy Family with Saint Joseph Reading and the Young Saint John the Baptist Oil on wood panel 93.4 x 68.3 cm Provenance: Property sold by Order of the Trustees of Mrs. Hue-William Property Settlement and The Executors of. Mrs. Hue-Williams Estate Sotheby's Old Master Paintings, 20th April 1994, as Florentine School, 16th Century, The Holy Family, lot 138.
Galerie Ary Jan
Moïse Kisling (1891–1953) Landscape of Sanary-sur-Mer Oil on canvas Signed lower left and dated 1932 Dimensions: 64 x 73.5 cm Provenance: Acquired directly from the artist in the 1930s. Private collection, France Christie's Paris, sale of December 1, 2009 Private Collection, France Bibliography: J. Kisling, Kisling, 1891–1953, Turin, 1982, illustrated vol. II, p. 273, under no. 70
Galerie Hurtebize
Maurice Utrillo (Paris 1883-1955 Dax) Commune de Maixe (Meurthe-et-Moselle), 1924 Oil on canvas 98,4 x 131,3 cm Signed and dated lower left Certificate by Hélène Bruneau, President of the Utrillo-Valadon Committee Provenance : private collection, France Literature : P. Pétridès, L’Œuvre complet de Maurice Utrillo, Paris, 1974, vol V, p. 238, n° 2720 (ill. p.239)
Finch & Co
A Fine and Large Portuguese Goa Devotional Crucifix the Polychromed and Gilded Ivory of Christ Crucified on a Coromandel Wood Cross Ornately Embellished with Baroque Silver Mounts standing on an integral Coromandel plinth The agonising Christ on the cross his head falling to his right with closed eyes mouth open in his call to God long hair carved in undulating locks to his shoulders the well defined torso with flexed muscles and rib cage the arms with veins threaded along their length his hands and feet pierced by silver nails his wounds polychromed red the edges of the perizonum gilded Fine condition 17th Century Size: 32cm high, 26cm wide / 107cm high (cross and base) Provenance: Ex Irish Private collection Belgium CITES: 2025/BE01024/CE
Bernardini Milano
Patek Philippe, Genève. Rare waterproof chronograph in rose gold, 1945 Extremely rare and well preserved waterproof Patek Philippe Ref. 1463 chronograph in rose gold, made in 1945, bearing a uniquely spotless two-tone rose dial. The reference 1463, known in the collector’s community as “Tasti Tondi” (round pushers). This is a very sought after version of Patek’s chronograph produced between the early 40’s and mid 60’s. This watch is complete of its appropriate extensible Gay Frères bracelet. This example is one of the conditions ever appeared in the last years. [05/08/26, 16:39:03] Max bernardini: Patek Philippe, Geneve. Extremely rare and well preserved waterproof chronograph in rose gold, made in 1945, bearing a uniquely spotless two-tone rose dial. The watch is complete of its appropriate extensible Gay Frères. Previously unknown to the market. [05/08/26, 16:45:19] Max bernardini: Ref. 1463, known in the collector’s community as “Tasti Tondi”(round pushers) This is a very sought after version of Patek’s chronograph produced between the early 40’s and mid 60’s. This example is one of the conditions ever appeared in the last years.
Epoque Fine Jewels
René Lalique (1860 – 1945) Materials: 18-karat yellow gold, 'plique-à-jour' enamel and polychrome enamel, old mine cut diamonds, citrine and pearls. Description: An important Art Nouveau dragonfly brooch by René Lalique, in 18-karat gold, designed as two opposing dragonflies with delicate wings of translucent plique-à-jour enamel, accented with old mine-cut diamonds. At the centre, the dragonflies clasp a cushion-shaped orange citrine, their bodies and legs enhanced with polychrome enamel. Graduated pearls trace the extremities of the wings, lending the composition a graceful sense of movement and lightness, characteristic of Lalique’s jewellery at the height of the Art Nouveau period. Signed Lalique. Paris, circa 1903. Dimensions: 11.6 x 4.4 cm Accompanied by its original fitted case marked R. Lalique, 40, Cours-la-Reine, Paris, monogrammed 'E.A.'
Galerie Boulakia
Georges Mathieu Louis VII épouse Eléonore d'Aquitaine, 1958 oil on canvas 97 x 162 cm 38 3/16 x 63 3/4 in signed bottom left This artwork is referenced among the authentic artworks of the « Archives by Jean-Marie Cusinberche on Georges Mathieu ». An attestation of the « Archives by Jean-Marie Cusinberche on Georges Mathieu » will be provided to the buyer. Provenance Galerie Europe, Paris
