25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Sceners Gallery Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Willow Gallery

André Lhote (Bordeaux 1885-1962 PAris) Pique-nique à Mirmande, 1939 Oil on paper, laid down on canvas 106 x 127 cm Signed lower right Provenance: Simone Lhote, Paris (wife of the artist); Suzanne Bermann, Paris (by descent from the above); Soufer Gallery, New York (acquired from the above, 1988); Acquired from the above by the late owner, March 1991; private collection, Chicago This work is accompanied by a certificate of authenticity from Dominique Bermann Martin and will be included in the forthcoming Lhote catalogue raisonné currently in preparation. Exhibition: New York, Soufer Gallery, André Lhote: Cubism and Later Periods, April-May 1988 (ill. in colour; dated 1927)

 

Willow Gallery

Georges Mathieu (Boulogne-sur-Mer 1921-2012 Boulogne-Billancourt) Forêts attentives, 1989 Alkyd on canvas 147 x 115cm Signed and inscribed on the reverse Provenance: Galerie Guy Pieters, Brussels; private collection, Brussels; private collection, Savoie; sale, Maison R&C, France, 17 July 2021, Lot 93; private collection, Europe This painting is accompanied by a certificate of authenticity from Mr. Jean-Marie Cusinberche

 

Bernardini Milano

Vacheron & Constantin, Genève. Rare and elegant pocket watch in platinum, 1938 Exquisite evening pocket watch in platinum from the late 1930’s. The very simple and rational design of the case contrast with the spectacular avant-garde dial in various tones of grey with ivory indexes.

 

HELENE BAILLY MARCILHAC

Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) La terrasse de Marquayrol au soleil du matin Oil on canvas 65.4 x 92.4 cm Signed lower left 'Henri Martin' This work will be included in the forthcoming catalogue raisonné of Henri Martin’s work, currently in preparation by Marie-Anne Destrebecq-Martin

 

Anthony Short Antiques Ltd.

Very Fine Late 18th-Century George III Satinwood Rosewood Cross Banded Marquetry Secrétaire Bureau Bookcase An exceptional late 18th-century George III Sheraton period satinwood secrétaire bureau bookcase, beautifully crossbanded in rosewood and richly inlaid throughout. The upper section features a finely shaped, moulded and inlaid cornice, surmounted by turned finials to the domed top. Below sit two elegant glazed doors with rosewood crossbanding and intricate inlaid astragal mouldings, complete with brass escutcheons, key and working lock. The doors open to reveal three adjustable shelves, perfect for displaying books, porcelain or other treasured pieces. The lower bureau section has an impressive cylinder front, the finely figured satinwood fall with detailed inlays, rosewood crossbanding and profuse floral marquetry. The fall opens to reveal a beautifully arranged fitted interior with a pull-out sliding tray, drawers, pigeonholes and an adjustable writing slope, a superb combination of practicality and elegance. Beneath this are a pair of well figured satinwood cupboard doors, again crossbanded and richly inlaid with floral marquetry, opening to an adjustable shelf for additional storage. The whole piece stands on its original, elegant rosewood crossbanded splayed feet, and retains its original panelled oak backboards. From the cornice to the sides, glazed section, bureau front, cupboards and feet, the entire bookcase is inlaid and crossbanded, a clear mark of its quality. Made in England circa 1790, this bureau bookcase displays a wonderful rich satinwood colour and a superb original condition. The figured satinwood, combined with the delicate inlays and marquetry, has developed a warm, mellow patina that speaks of age and refinement. A distinguished example of Georgian cabinetmaking, this very fine bureau bookcase combines exceptional craftsmanship, architectural presence and practical function. It would make a superb focal point in a drawing room, library or study, and is an ideal choice for any refined interior seeking a statement piece of genuine period quality. Height 243cm (95.7in) Width 116cm (45.7in) Depth 54cm (21.3in)

 

Willow Gallery

Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) La Maison de Marie-Louise Oil on canvas, signed. 90 x 117cm Provenance: private collection, Argentina This painting is accompanied by a certificate of authenticity from Marie-Anne Destrebecq-Martin

 

Maison Rapin

Giuseppe Civitelli (Aiello Calabro 1907-1990 Rome) Large polychrome bottle on a pedestal with geometric motifs Circa 1960 H 72 x D 30 cm

 

d'Arschot & Cie

A silver-gilt double cup or ‘Doppelpokal’ Augsburg, 1630 Jeremias Michael (circa 1575–1640) Partially silver-gilt H 31.5 cm 429 gr

 

De Zutter Art Gallery

Christo (Gabrovo 1935-2020 New York) and Jeanne-Claude (Casablanca 1935-2009 New York) Over The River, project for Arkansas river, State of Colorado, 1995 Pencil, pastel, charcoal, wax crayon, photograph by Wolfgang Volz, map and tape 244 x 144 cm

 

Guillaume Castellano

Amida Nyorai Japan, Kamakura-Nanbokucho period, 14th century Wood with inlaid crystal eyes H 18 cm (33 cm including base) Provenance: private collection, France

 

Dr. Nöth kunsthandel

Armand Guillaumin (Paris 1841-1927 Orly) Bords de l'Orge à Epinay, 1890 Oil on canvas 81 x 65 cm Signed lower right Certificate of authenticity from the Comité Guillaumin This work will be included in the second volume of the forthcoming catalogue raisonné currently in preparation. Provenance: Galerie Durand-Ruel, Paris; Clara de Plessis Whelan, New York; Sale Parke-Bernet Galleries, New York, 7 November 1946, lot 65; Mr. Jussaume, Buenos Aires; Mr. Foret, Buenos Aires; private collection, France (acquired from the above in 1956); Christie's London 7 February 2001, lot 127; private collection, Texas

 

Collectors Gallery

René Julien (Hollogne-aux-Pierres 1937-2016 Cavaillon) Phaeton necklace, circa 1970 18k yellow and white gold and ceramic Unique piece Provenance: family of the artist

 

COLNAGHI

Robert Mapplethorpe (New York 1946-1989 Boston) Female torso, 1978 Silver gelatin photograph 50.8 x 40.6 cm

 

Repetto Gallery

Lucio Fontana (Santa Fe 1999 - 1968 Varese) Madonna col Bambino, 1953-1954 Glazed and painted terracotta: white, light blue and blue H 24.5 x W 13.5 x D 9 cm Signed on the reverse: 'L. F.' Certificate of authenticity on photograph by Fondazione Lucio Fontana, n° 2543/1 Provenance: Galleria Blu, Milan; private collection, Gorle (2543/1) Literature: L. M. Barbero, 'Catalogo ragionato delle sculture ceramiche', Tomo I, p. 212, n° 53-54 FMA 1

 

Almine Rech

Hans Op de Beeck (Turnhout, 1969) Lily (White), 2026 Mixed Media 180 x 39 x 39 cm Edition 1/5 + 2 APs Provenance: artist's studio Exhibitions: Hans Op de Beeck, 'Vanishing Point', 10 September - 7 November 2026, Almine Rech Brussels

 

Dei Bardi Art

Daniel Mauch (Circle of) Saint Peter Upper Rhine, circa 1490
 Walnut bust 39.2 x 49.5 x 26 cm (with base) Provenance: private Rhenish collection Literature: Antlitz des Mittelalters Mittelalterliche Bildwerke aus rheinischem Privatbesitz, ed. Reinhard Karrenbrock and Claudia Lichte, with technical studies by Michael Rief and Ulrike Villwock, Rottweil/Aachen, 1999, n° 33, pp. 108–110 Exhibitions: Dominikanerforum, Rottweil, 31 October 1999-6 January 2000; Suermondt-Ludwig-Museum, Aachen, 4 March-21 May 2000

 

Maison Rapin

Pair of silver-plated bronze vases 'Polar Exploration' Scandinavia, mid-19th century H 36 x W 24 x D 27 cm

 

Galerie Nicolas Bourriaud

Emile Monier (Paris, 1883-1970) Bust of a young Koumbo girl, 1930 Black veined marble H 65.5 x W 43 x D 30.5 cm Signed ‘EMILE MONIER’, dated ‘1930’ and titled ‘KOUMBO’ Unique piece Possibly a Lobi girl from Burkina Provenance: public auction, Paris, 6 June 1984 Literature: E. Bénézit, Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, vol. 9, Paris, 1999, p. 756

 

Laurent Schaubroeck

José Zanine Caldas (Belmonte 1919-2001 Vitória) Moveis Artisticos Z 2-21 Zeca Armchair, circa 1949 Leather, plywood, hardware H 87 x W 67 x D 77 cm An early 2-21 'Zeca' armchair by José Zanine Caldas for Móveis Artísticos Z. Introduced circa 1949, the 2-21 represents the first edition of the model, before Zanine later adapted the design with Airfoam cushioning and renumbered it 2-24. Its sculptural plywood structure and leather upholstery fully represent Zanine’s pioneering approach to Brazilian modern furniture.

 

Heutink Ikonen

Two angels of the Lord Central Russia, ca. 1800 diam. 44 cm Provenance: private collection, Germany This remarkable icon depicts two angels, each holding a ripidion – a ceremonial liturgical fan symbolising the constant presence of the seraphim around the altar, which is used during processions and other solemn occasions in the Eastern liturgy. Given its distinctive shape and subject, it is likely that the icon formed part of a church iconostasis, where it would probably have been positioned to the right of the royal doors, which provided access to the altar area.

 

Galerie bei der Albertina ▪ Zetter

Adolf Loos (Brünn 1870-1933 Kalksburg) Lady's Writing Desk, around 1903/04 Softwood, oil varnish, brass fittings, writing inlay with new leather H 106 (with top) x H 80 (without top) x W 113 x D 67.5 cm Manufactured by Friedrich Otto Schmidt, Vienna Company stamp on the underside: Friedrich Otto Schmidt / Wien / 1 Singerstrasse 16 / Schmidt Miksa / Budapest / 5. Lipotkorut 4 Provenance: Private collection, Vienna Literature: Burkhardt Rukschcio/Roland Schachel, Adolf Loos. Leben und Werk, 1982, Salzburg/Vienna, ill. p. 115, n° 117 cf. Exhibition catalogue ‘Adolf Loos. Private Spaces’, Barcelona Design Museum, 2017, ill. p. 134 Exhibitions: Paris, ‘Adolf Loos – Exposition Du Cinquantenaire’, 1983; Karlsruhe, ‘Gründerzeit, Adolf Loos: Jahrhundertwende: Rückblick und Ausblick im Spiegel der Wiener Architektur’, 1987

 

Maison Rapin

KAM TIN Dolmen, 2026 Dining table in Traonyx H 73 x W 230 x D 90 cm

 

Segoura Fine Art

Lucien Victor Guirand de Scévola (Sète 1871-1950 Paris) Woman Portrait, 1902 Pastel on canvas 67 x 54 cm (unframed) 96 x 79 cm (framed) Signed and dated lower right: 'Guirand Scevola 1902'

 

Caretto & Occhinegro

The Master of Antwerp Adoration (Active in Antwerp first decades of the 16th century) The Annunciation to Saint Anne, circa 1525 Oil on panel 59 x 62 cm Expertise by Peter van den Brink Literature: Van den Brink 1997, pp. 32, 35 note 22, fig. 5; Van den Brink 2007, pp. 168, 175, 179 note 38, fig. 16b; Cécile Scailliérez, in Paris 2017, pp. 84, 86, fig. 32

 

Argento Gallery

Portrait of a family in a wood, circa 1660 Master of the portrait of the Van Collen family Oil on canvas 95 x 108 cm Provenance: sale of the collection of Dr F. Koser, Keller & Reiner, Berlin, 6-7 March 1906, lot 87; private collection, Stockholm, 1938; sale, Bukowski, Stockholm, 19 April 1961, lot 136, ill. as Ferdinand Bol, signed and dated 1666; private collection. Literature: Bukowskis, 100 Years, 1870–1970, Stockholm, 1970, pp. 36–37, ill. as Ferdinand Bol; Albert Blankert, Ferdinand Bol (1616-1680): Rembrandt’s Pupil, 1982, pp. 191–192, n° R276 (attribution to Bol rejected). Attributed to the unidentified artist known as the Master of the portrait of the Van Collen family, who also painted the portrait of Jeremias van Collen, Susanna van Uffelen and their children in the Rijksmuseum, Amsterdam. Probably painted around 1660, the present work shows the influence of Jan Mijtens in its arrangement of the family within a wooded landscape.

 

Mearini Fine Art

Corinthian capital (variation on a Roman type from the 3rd/4th century) Central-southern Italy, late 12th - early 13th century Greek Marble H 52 x W 50 x D 50 cm In this unusual variation on the Corinthian there are three orders of acanthus leaves, finelly indented with drill holes in evidence, which reach up to the top of the kalathos. Already in ancient times this type of capital was exported to Aquileia (Udine) a city destroyed by Attila in 452 and temporarily abandoned upon the arrival of the longboards in 568, as shown by a fragmentary example in the national Archeological Museum datable between the 3rd and 4th century.

 

Rueb Modern and Contemporary Art

Wilhelm Sasnal (Poland, Tarnów, 1972) 80M2-1000ZT Misie Czenie+Oplay, 1999 Acrylics on canvas 70 x 70 cm Signed and dated on the reverse Provenance: gift from artist to Gijs van Tuyl, Amsterdam (old-director Stedelijk Museum Amsterdam)

 

Van Pruissen Asian Art

Okazaki Sessei (Yamashiro 1858-1921 Tokyo) Bronze sculpture 'Bathing Girl Seated On Rock' Japan, 1854-1921, Meiji Period H 42 x W 12 x D 25 cm Signed Sessei Provenance: private collection, the Netherlands; private collection, Switzerland; private collection, Chile

 

MassModernDesign

Jorge Zalszupin (Warschau 1922-2020 São Paulo) L'Atelier, Brazil 1960 Componivel sideboard Hardwood, metal H 69 x W 301 x D 40 cm

 

Snackers Antiques & Fine Art

Walter Pompe (Lith 1703-1777 Antwerp) Cross with ivory corpus, Antwerp 1770 Carved wood and ivory H 57,5 x W 27 x D 11 cm Signed Comes with CITES document Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings. The richly decorated Calvary features ivory bones, skull, and the snake with apple. With CITES document.

 
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