29 JANUARY – 5 FEBRUARY 2023

BRUSSELS EXPO | HEYSEL

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Artworks

This section will be available this Autumn.

Galleries
Galleries Galeries AB & BA Franck Anelli Fine Art W. Apolloni srl / Laocoon Gallery ltd Ars Antiqua srl d'Arschot & Cie Art et Patrimoine - Laurence Lenne Artimo Fine Arts Galerie Ary Jan Bailly Gallery Helene Bailly Baronian Barbara Bassi Samuelis Baumgarte Galerie Galerie de la Béraudière Galerie Berès Galerie Berger Bernier/Eliades Gallery Dr. Lennart Booij Fine Art & Rare Items Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Galerie Van den Bruinhorst Cabinet of Curiosities-Honourable Silver Objects Giammarco Cappuzzo Fine Art Cavagnis Lacerenza Fine Art Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) Chiale Fine Art Galerie Claes Collectors Gallery Cortesi Gallery Costermans & Pelgrims de Bigard Galerie Pascal Cuisinier Dalton Somaré De Brock Gallery De Jonckheere Galerie Bernard De Leye Galerie Oscar De Vos De Wit Fine Tapestries Dei Bardi Art Gallery Delaive Thomas Deprez Fine Arts Gallery Desmet DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co A&R Fleury Galerie La Forest Divonne Galerie des Modernes Dario Ghio Gilden's Art Gallery Gokelaere & Robinson Galerie Grand-Rue Marie-Laure Rondeau Philippe Heim Marc Heiremans Galerie Hioco Huberty & Breyne Galerie Hurtebize Galerie Jamar rodolphe janssen Francis Janssens van der Maelen Harold t’Kint de Roodenbeke Florian Kolhammer Galerie Kraemer + Ars Belga Alexis Lartigue Fine Art Galerie Bertrand de Lavergne Lemaire Galerie Nicolas Lenté Francis Maere Fine Arts MARUANI MERCIER Galerie Mathivet MDZ Art Gallery Meessen De Clercq Montagut Gallery Galerie Montanari MORENTZ Jan Muller Antiques Klaas Muller Gioielleria Nardi New Hope Gallery Nosbaum Reding Dr. Nöth Kunsthandel + Galerie Opera Gallery Osborne Samuel Gallery Galeria Jordi Pascual La Patinoire Royale ǀ Galerie Valérie Bach La Pendulerie Galerie Alexis Pentcheff Guy Pieters Gallery Galerie de la Présidence QG Gallery Maison Rapin Repetto Gallery Röbbig München Robertaebasta Rosenberg & Co. Rueb Modern and Contemporary Art Galerie Schifferli Serge Schoffel - Art Premier Galerie Seghers Herwig Simons Fine Arts Librairie Amélie Sourget Stern Pissarro Gallery Simon Studer Art SA Studio 2000 Art Gallery Galerie Taménaga Galerie Theunissen & de Ghellinck Galerie Patrice Trigano Univers du Bronze Van der Meij Fine Arts Samuel Vanhoegaerden Gallery Maurice Verbaet Gallery Galerie von Vertes Axel Vervoordt Galerie Dina Vierny VKD Jewels Galerie Florence de Voldère N. Vrouyr Floris van Wanroij Fine Art Victor Werner Whitford Fine Art Willow Gallery Zidoun-Bossuyt Gallery
 

Montagut Gallery

Bombou-Toro statue Dogon people, Mali, 18th century Wood H 91 cm Provenance: Merton D. Simpson, New York; private collection, France Literature: Dogon, Montagut Gallery, Barcelona, 2019, p. 101

 

Galerie von Vertes

Marino Marini (Pistoia 1901-1980 Viareggio) Composizione Bronze with brown and green patina H 20 x W 14 x D 8.5 cm Model made in 1956 (cast before 1970), stamped on the base plate 'MM' (6/6) 6 casts + 1 A.P Provenance: Dominion Gallery, Montréal (after 1970); private collection, Canada; Finartis Kunsthandels AG, Zug; collection Gerard Valkier (acquired June 2004 from the above); Christie's, Paris, 20 October 2021, lot 15; private collection, Switzerland (acquired from the above) Literature: Franco Russoli, Marino Marini, pitture e disegni, Milan, 1963, n° 5 (ill., titled 'Der Sturz (kleine Bronze)'; Abraham M. Hammacher, Marino Marini: Sculpture, Paintings, Drawings, London, 1970, n° 245; Patrick Waldberg, Herbert Read and Gualtieri di San Lazzaro, Marino Marini, Complete Works, New York, 1970, n° 337; C. Pirovano, Marino Marini, Scultore, Milan, 1972, n° 343; 'Hommage à Marino Marini', in XXe siècle, Paris 1974, p. 56-57 (another cast is illustrated); Mercedes Precerutti-Garberi, Marino Marini Alla Galleria D'Arte Moderna Di Milano, Milan 1973, p. 31; Cat. Omaggio a Marino Marini, XX. Siecolo, Milan 1974, pp. 56-57; Mercedes Precerutti-Garberi, Marino Marini, Guida al Museo - Galleria d'Arte Moderna, Milan 1984, p. 32 (ill. p. 164); Mario Meneguzzo, Marino Marini, Cavalli e cavalieri, Milan 1997, p. 227. n° 89 (ill.); M. Meneguzzo, Marino Marini, Il Museo alla Villa Reale di Milano, Milan 1997, n° 30; Giovanni Carandente, Marino Marini, Catalogo ragionato della scultura, Milan 1998, p. 424. n° 422 (ill. p. 292)

 

Thomas Deprez Fine Arts

victor horta

Victor Horta (Ghent 1861-1947 Brussels) for Philippe Wolfers (Brussels, 1858-1929) Original and complete set from the 'Magasin Wolfers', circa 1910 Including two armchairs and a stool Cuban mahogany with original upholstery in 'crin rouge' fabric and braid H 96 x W 48 x D 52.5 cm (armchairs), H 57 x W 46.5 x D 46.5 cm (stool) One of an estimated four sets produced by Frederick Sage & Company, London, and displayed in the shop of Wolfers Frères, 11-13 Rue d’Arenberg in Brussels Provenance: the shop of Wolfers Frères in Brussels, until circa 1974; former collection Michel Wittamer, Brussels; private collection, Belgium Other known versions: An identical armchair and stool are held in the collection of the Musée d’Orsay, Paris, inv. 160915 & 160916. Two armchairs, with refurbished seats, are held in the collection of the Horta Museum in Brussels Related documents: the sets can be seen in multiple vintage photographs of the 'Magasins Wolfers', which have been widely published Literature (amongst others): Hommage de la Maison Wolfers Frères à l’occasion du 75ème anniversaire de sa fondation, Brussels, Editions C.-L. Sips-Catoir, 1925, ill.; Franco Borsi & Paolo Portoghesi, Victor Horta, Brussels, Vokaer, 1970, ill. pl. 304 & 305; Borsi & Portoghesi, Victor Horta, Brussels, Vokaer, 1977, ill. s.p. 'Magasins Wolfers'; Françoise Aubry, The Horta Museum, Saint-Gilles, Brussels, Ludion, 2004, ill. p. 59; Françoise Aubry, Horta ou la passion de l’architecture, Gand, Ludion, 2005, ill. p. 194; Werner Adriaenssens & Raf Steel, De Wolfers dynastie: van art nouveau tot art deco, Antwerpen, Pandora, 2006, ill. p. 162; Michèle Groslar, Victor Horta (1861-1947): L’homme, l’architecte, l’art nouveau, Brussels, Fonds Mercator, 2012, ill. p. 444

 

Baronian

niele toroni

Niele Toroni (Muralto, 1937) Brushstrokes n° 50 repeated at regular intervals of 30 cm, 2015 Oil on canvas 200 x 140 cm Provenance: private collection, Belgium

 

Floris van Wanroij Fine Art

anselmus weeling

Anselmus Weeling (Den Bosch, 1675-1774) The Holy Family with Saint John the Baptist and Elisabeth Oil on panel H 30.2 x W 24.2 cm Signed upper left: A.Weeling Registered at the RKD, The Hague, under inv. n° 1863 Provenance: possibly the collection of Johan Steengracht van Oostcapelle (Middelburg 1782-1846 Paris); thence by decent to Cecilia Maria baroness van Pallandt, born van Steengracht van Oostcapelle (The Hague, 1813-1899), Castle Keukenhof, Lisse; collection of the Cornelia Johanna countess van Lynden, born van Pallandt (The Hague 1840-1923 Lisse), Castle Keukenhof, Lisse; thence by descent to her niece Carola Elisabeth Aurelia Anna countess van Rechteren Limpurg – born baroness van Lynden (Wassenaar 1900- 1986 Dalfsen), Castle Rechteren, Dalfsen; collection of Nijstad Antiquairs N.V., Lochem/The Hague, after 1946 (photographed by A. Dingjan; see RKD database); private collection, The Netherlands Literature: Hofstede de Groot, C. (1901). 'Kritische opmerkingen omtrent Oud-Hollandsche schilderijen in onze musea'. In: Oud Holland, n° 19, pp. 143-144 Exhibitions: The Royal Cabinet of Paintings the Mauritshuis, The Hague, 1899-1901, as attributed to Nicolaes Willingh (or Wieling) on loan from Countess van Lynden-van Pallandt

 

Barbara Bassi

arman arman

Arman (Nice 1928-2005 New York) 'Instruments de musique' bracelet, 2005 White gold 18 kt and diamonds (ca. 5 ct) H 4.8 x W 5.8 x D 7 cm Weight: 130 gr. 8 copies + IV AC Provenance: Marina Ruggieri editions

 

Samuelis Baumgarte Galerie

Joan Miró (Barcelona 1893-1983 Palma de Mallorca) Untitled Ⅶ, 1967 Gouache, watercolour and ink on paper 43 x 33 cm Signed 'Miró' and dated on the back Provenance: private collection, Japan; private collection, Europe

 

Galerie Berger

Table 'd'accouchée' forming a reading, writing and dressing table in violet wood veneer Italy, Genoa, mid-18th century H 77 x W 67 x D 38 cm

 

Gilden's Art Gallery

sam francis

Sam Francis (San Mateo 1923-1994 Santa Monica) Untitled, SF91-27PRS, 1991 Acrylic on wove paper 78 x 49 cm Stamped and signed on verso, ink stamp of the artist’s estate and hand signed in pencil by the artist’s wife, 'Margaret Francis', verso The archive registration number SF91-27PRS in inscribed below the ink stamps, verso. This work is identified with the interim identification numbers of SF91-27PRS in consideration for the forthcoming Sam Francis catalogue raisonné of unique works on paper Provenance: the Estate of the Artist; Gallery Delaive, Amsterdam, 1986; Poulain Le Fur, Paris, 18 November 2001, lot 342

 

Simon Studer Art SA

félix vallotton

Félix Vallotton (Lausanne 1865-1925 Neuilly-sur-Seine) Sweet Peas, 1924 Tempera on panel 31.5 x 26 cm Signed and dated lower left: F. Vallotton 24 Provenance: the artist's studio; collection J. Rodrigues-Henriques, Paris (acquired from the artist in 1924); Sotheby's, Zurich, 31 May 2005, lot 98; private collection, Switzerland (purchased at the above sale by the current owner's parents); private collection, Switzerland (by descent from previous owners) Marina Ducrey en collaboration avec Katia Poletti, Félix Vallotton (1865-1925). L'oeuvre peint, Catalogue raisonné, vol III, Milan/Lausanne/Zurich, 2005, p. 827, n° 1587

 

A&R Fleury

charles-edouard jeanneret dit le corbusier

Charles-Edouard Jeanneret dit Le Corbusier (Switzerland, La Chaux-de-Fonds 1887-1965 Roquebrune-Cap-Martin, France) Garder mon aile dans ta main et Trois taureaux, 1960 Collage of gouache paper, Salubra paper, black paper and ink on paper 56.7 x 72.6 cm Monogrammed and dated lower center 'L.C./1953/1960' Provenance: private collection, France Certificate of authenticity established by Eric Mouchet

 

De Wit Fine Tapestries

The Queen of Sheba Brussels, late 16th century Wool and silk 234 x 180 cm

 

Ars Antiqua srl

stefano maria clemente

Stefano Maria Clemente (Turin, 1719-1794) St. John the Evangelist, St. John the Baptist, Angel with thurible, King David with the harp, circa 1770-1780 Carved and gilded wood H 52 cm, H 52.5 cm, H 54.5 cm, H 53 cm Base: 19 x 19 cm Expertise Prof. Giuseppe Sava, 2021 Provenance: private collection Literature: Expertise Prof. Giuseppe Sava, 2021

 

Univers du Bronze

Auguste Rodin (Paris 1840-1917 Meudon) Age d'Airain (1875-1877) Bronze, richly shaded dark brown patina H 64.8 x W 20 x D 20 cm Small model, second reduction Signed A. Rodin, 'Alexis Rudier fondeur Paris' mark, 'A.Rodin' and 'M' inside relief seals Provenance: Rodin Museum (cast 1922); Baron Morimura, Tokyo (1923); Jan Krugier Geneva

 

Florian Kolhammer

gustave serrurier-bovy

Gustave Serrurier-Bovy (Liege, 1858-1910) Art Nouveau clock, circa 1907 Massive African padauk, polished brass fittings, glass dial H 70.5 x W 37 x D 26 cm Provenance: private collection, Rotterdam Literature: Jacques Grégoire Watelet, Gustave Serrurier-Bovy de l’art nouveau à l’art déco, Brussels 1987, Modellvariante S. 99; François & Etienne Bigot, Dumesnil Dubuisson, Serrurier Bovy un créateur précurseur, Faton, Saint Etienne 2008, Modellvariante p. 83 Gustave Serrurier-Bovy, a Belgian designer and architect, was one of the pioneers of Art Novueau. His work was strongly influenced by the British Arts and Crafts Movement, with which he came into contact during a visit to London in 1884. Serrurier-Bovy, who was already forty years old at the time, was fascinated with the strict, clear elements of this period of art, which inspired his subsequent designs enormously. Several revolutionary concepts followed, which were received extremely well in Europe among his contemporaries. Today, designs by Serrurier-Bovy can be found in major museums around the world – including the Museé d'Orsay in Paris, the Art & History Museum in Brussels, and the Metropolitan Museum of Art in New York City. This clock shows great parallels to objects of the British Arts and Crafts movement. In particular, the columnar struts of brass and the wedges on the side look like architectural elements. The dark African padauk wood is skillfully interrupted by the golden brass plate with inset glass tiles by Loetz. The centerpiece is crowned by four cut-out squares in a brass plaque. An iconic design from around 1905, this clock is an impressive piece of art from the period. The clock has a quarter hour strike with a full 'Westminster' strike every hour. The movement has been overhauled and is fully functional. A key is enclosed.

 

Galerie Bernard De Leye

Silver wine cooler Vienna, 1782 Master Silversmith Ignaz Joseph Würth Wine cooler with a high relief depicting two lion skins surrounded by ivy and musical attributes. The two lateral handles representing the tails of the lion are cushioned on the body by the lower legs of the animal H 28.8 cm (the bucket), Ø 24.6 cm (the cup) - Weight: 6.200 gr. the whole Provenance: part of the service made between 1779 and 1782 for Albert de Saxe-Teschen, governor general of the Netherlands, for the use of the Schonenberg castle, now the castle of Laeken in Brussels Literature: E.W. Braun, Das Tafelsilber des Herzogs Albert Von Sachsen-Teschen, Vienna, 1910 Born in 1738, Albert-Casimir was the son of the King of Poland and the Elector of Saxony, Frederick-Augustus II. In 1766, he married Archduchess Maria Christina, the daughter of Empress Maria Theresa of Austria. Appointed Duke of Saxe-Teschen, he successively received the governments of Hungary and the Austrian Netherlands. In 1910, His Imperial Highness Archduke Frederick organised an exhibition in Vienna where the cooler was inventoried as a series of 'eight champagne buckets.' In 1947, the service was dispersed at the Fischer Gallery sale. This service remains the only example of Viennese silverware from the second half of the 18th century that was spared from the ravages of the Napoleonic wars.

 

Maurice Verbaet Gallery

jo delahaut

Jo Delahaut (Vottem 1911-1992 Brussels) Signe vert, 1967 Oil on canvas 195.50 x 114 cm Literature: M. Draguet, Art belge. Un siècle moderne. Collection Caroline et Maurice Verbaet, Brussels, Editeur Racine, 2012, p. 188; A. Clissen & C. Brasseur, Connexions one, Antwerp, Pandora Publishers, 2015, p. 252; C. Brasseur, Collection Caroline & Maurice Verbaet, Paris, Selena éditions, 2016, p. 95

 

Cabinet of Curiosities-Honourable Silver Objects

Ivory engine-turned masterpieces South Germany, 17th century - Cup, Augsburg, 1640-1650 H 17 cm, Ø 6.5 cm - Cup and cover, Atelier Lorenz Zick (1594-1660), Nuremberg, circa 1640 H 28 cm - Dodecagonal box with rose engine turning on both sides of the cover and on the bottom, circa 1630. H 4.5 cm, Ø 10 cm Provenance: private collection Frankfurt am Main Literature: M. Trusted, Baroque and later ivories (2013), 45-46 (vgl.); E. Von Philippovich, Elfenbein (1961); P.W. Hartmann, Elfenbeinkunst (1998); J. Hildebrand (red.), Die Brandenburgisch-Preussische Kunstkammer (1981); Ch. Scherer, Die Braunschweiger Elfenbeinsammlung : Katalog der Elfenbeinbildwerke des Herzog Anton Ulrich-Museums in Braunschweig (1931); S. Haag, Meisterwerke der Elfenbeinkunst. Kunsthistorisches Museum Wien (2007); G. Laue, Gedrehte Kostbarkeiten (2004)

 

Bernier/Eliades Gallery

berta fischer

Berta Fischer (Germany, 1973) Titum, 2020 Acrylic glass H 110 x W 140 x D 50 cm

 

Galerie Alexis Pentcheff

joan miro

Joan Miró (Barcelona 1893-1983 Palma de Mallorca) Tête de petite fille, janvier 1931 Oil on canvas 16 x 22 cm Signed lower center Provenance: Galerie Pierre, Paris; Pierre Matisse Gallery, New York; Florence Maisel, Redbank, New Jersey Literature: J. Dupin et A. Lelong-Mainaud, Catalogue Raisonné de l’œuvre peint vol. II, repr. under n° 324, p. 17

 

d'Arschot & Cie

Silver chased court sword Triangular steel blade Paris, 1740 Engraved with the inscription: Guyon l'aîné, au Roy de la Chine. Sur le pont St Michel à Paris. Guyon l'aîné was one of the main Parisian forger of the middle of the 18th century L 95 cm

 

Brame & Lorenceau

sol lewitt

Sol LeWitt (Hartford 1928-2007 New York) Truncated pyramid, 1986 Gouache on paper 56.5 x 75.5 cm Signed and dated lower right Provenance: John Weber Gallery, New York; Obelisk Gallery, Boston; private collection

 

Rueb Modern and Contemporary Art

caroline walker

Caroline Walker (Scotland, 1982) Joy, Hackney II Oil on paper 44 x 31 cm Signed, titled and dated: Joy, Hackney II Caroline Walker 2017 on the reverse

 

Galerie Claes

Lega figure Democratic Republic of Congo, early 20th century Wood, pigments H 29 cm Provenance: Jean Willy and Marthe Mestach collection, Belgium

 

Galerie Mathivet

diégo giacometti

Diego Giacometti (Switzerland, Borgonovo 1902-1985 Neuilly-sur-Seine, France) Trestle table, circa 1979 Bronze with patina and glass H 70 x W 180 x D 80 cm Certificate by Mr. Vincenot accredited by the artist's heirs Provenance: acquired directly from Diego Giacometti; remained in the family of the first buyer by descent, Swiss collection Literature: Daniel Marchesseau, Diego Giacometti, Ed. Adrien Maeght 1986, p. 83; Michel Butor, Diego Giacometti, Ed. Hermann 1985, pp. 128-129

 

Franck Anelli Fine Art

Peter Binoit (Cologne 1590-1632 Hanau) Still life with carnations and a butterfly, a stage beetle and a caterpillar, 17th century Oil on panel 37.5 x 24.5 cm Provenance: Kunsthandel Gebr. Douwes, Amsterdam, by 1961; private collection, the Netherlands; Gallery Edward Speelman, London, 1962; Nijstad Antiquairs, Lochem/ The Hague, by whom sold 16/11/1962; collection of professor Dr. Drs Anton C.R Dreesmann, Laren, INV n°A31 Exhibitions: Amsterdam, Kunsthandel Gebr. Douwes, Tentoonstelling van Oude Meesters, May-June 1961; Amsterdam, Kunsthandel Gebr. Douwes, Gebroeders Douwes Fine Art celebrates its 190th year!, 27/11/1995 to 19/01/1996 Literature: Tentoonstelling Van Oude Meesters, May-June 1961, Kunsthandel Gebr. Douwes; E. Roether, G. Bott (ed.), 'Kunst in Hessen und am Mittelrhein: Schriften der Hessischen Musseen', in Stillebenmaler des 17. Jahrhunderts vol. 1 & 2, 1962, p. 80, n° 15 (repr.); Old master paintings until 1805, Douwes Fine Art, Amsterdam, 1995; G.Bott, ein stück von allerlei blumenwerk, ein stück von früchten, zwei stück auf tuch mit hecht: die stillebenmaler Soreau, Binoit, Codino und Marrell in Hanau und Frankfurt 1600-1650, Hanau 2001, p. 204 n° WV.B.25 (repr).

 

La Pendulerie

jean-antoine lépine

Jean-Antoine Lépine (Challex 1720-1814 Paris) 'Love crowned by the graces' mantel clock Gilt bronze 'Lepine Hger du Roy', Paris, Louis XVI period, circa 1785 H 60 x W 51 x D 24 cm Literature: P. Kjellberg, Encyclopédie de la pendule française du Moyen Age à nos jours, Paris, 1997, p. 256; E. Dumonthier, Les bronzes du Mobilier national, Pendules et cartels, Editions Massin, Paris, circa 1911, plate 23

 

Galerie Bertrand de Lavergne

Figure of a golden pheasant on a rock Polychrome porcelain China, Qianlong period (1736-1795), circa 1750-1770 H 35.5 cm Provenance: former Nicolier collection Literature: Similar item: Grandidier collection, Musée National des Arts Asiatiques-Guimet, exhibited and published in the exhibition guide 'Des animaux et des hommes', an exhibition that took place at the Musée de la Compagnie des Indes (Port Louis, Brittany) in 2018

 

Gioielleria Nardi

Maschere Rings in gold, enamel, coloured stones and diamonds

 

Galerie Patrice Trigano

berto lardera

Berto Lardera (Italy, La Spezia 1911-1989 Paris, France) Miracle V, 1970-71 Corten steel H 127 x W 94 x D 68 cm Signed and dated, numbered 1/8, stamp of the Bocquel foundry

 
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