This section will be available this Autumn.
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Victor Werner
raymond de meester de betzenbroeck
Raymond de Meester de Betzenbroeck (Mechelen 1904-1995 Woluwe-Saint-Lambert) Poodle 'Zazou', first half of the 20th century Bronze with brown patina H 44 x L 50 x D 16 cm Signed 'Raymond de Meester' Mentored by Albéric Collin, Raymond de Meester studied animals at Antwerp Zoo and gained recognition with his first exhibition at the age of 22. In 1930, he achieved further visibility with commissions for the International Exhibition in Antwerp, creating major works like a 14-metre elephant scene. He exhibited globally, and his iconic pieces include a monumental polar bear and the 'Roaring Lion' for the 1958 Brussels World's Fair. Awarded the title of baron in 1952, he remained actively involved in the artistic community and continued to receive international accolades throughout his career.
Galerie La Patinoire Royale Bach
joana vasconcelos
Joana Vasconcelos (Paris, 1971) Blue Rose, 2016 Stainless steel shower heads, handmade woollen crochet, fabric, ornaments, polyester H 246 x W 95 x D 47 cm Provenance: the artist's studio Courtesy Joana Vasconcelos and Galerie La Patinoire Royale Bach
Kunstconsult 20th century art I objects
barbara nanning
Barbara Nanning (The Hague, 1957) Ceramic sculpture 'Hydras' from the Botanica series, 1997 Stoneware with coating of sand and pigment Ø approx. 80 cm Unique piece Provenance: collection Snijder, Aerdenhout Literature: Thimo te Duits, Barbara Nanning_evolution, Publisher nanning, 2004, p. 63 and p. 133
Van Herck-Eykelberg
Georges Vantongerloo (Antwerp 1886-1965 Paris) Study for Variant 'Curves', 1939 Gouache on paper 17.6 x 17.8 cm Titled, located, dated, and signed on verso 'Paris 1939' Literature: Jan Ceuleers, Georges Vantongerloo, Ronny Van de Velde - Pandora, Antwerp, 1996, p. 200; Naum Gabo, Georges Vantongerloo, Friedrich Vordemberge-Gildewart, exh. cat., Annely Juda Fine Art, London, cat. 57 (ill.); Angela Thomas Schmid, Georges Vantongerloo: A Retrospective, exh. cat., Annely Juda Fine Art, London, cat. 59 (ill.)
Galerie des Modernes
jean dubuffet
Jean Dubuffet (Le Havre 1901-1985 Paris) Chien errant, 1957 'Assemblage d'empreintes' series Ink and cut paper collage on paper mounted on cardboard 105 x 67 cm Signed and dated lower left 'J. Dubuffet 57' Provenance: Galerie René Drouin, Paris; collection Madame F. Montel, Paris; the Redfern Gallery, London; Waddington Galleries, London; Andrew Crispo Galleries Inc, New York; Sid Deutsch Gallery, New York; private collection, New York; private collection, Belgium Literature: Max Loreau, Catalogue des Travaux de Jean Dubuffet, Fascicule XII: Tableaux d'assemblages, Weber éditeur, Lausanne, 1969, described p. 99 and p. 130 and reproduced p. 99, n° 119; Andreas Franzke, Dubuffet Zeichnungen, Rogner & Bernhard, Munich, 1980, repr. in black and white on p. 175 Exhibition: Summer Exhibition 1972, The Redfern Gallery, London, Summer 1972
New Hope Gallery
lucio fontana
Lucio Fontana (Argentine, Rosario 1899-1969 Comabbio, Italy) Concetto Spaziale, 1962 Oil on canvas 113 x 100 cm Signed lower right ‘L. Fontana’ Signed and titled on the reverse ‘L. Fontana Concetto Spaziale' Provenance: Belgian private collection Literature: Lucio Fontana, Catalogue Raisonné, p. CCXIII Ref. 62 O 96
Cortesi Gallery
Agostino Bonalumi 1935 Vimercate, Italy - 2013 Monza, Italy Rosso, 1965-71 Shaped canvas and vinyl tempera 100 x 80 x 3.5 cm Signed and dated on the reverse: "Bonalumi / 71"; size on the stretcher “80 x 100”. Provenance: private Collection, Milano, Italy. Exhibitions 2008 Agostino Bonalumi, Loggiato di San Bartolomeo, Palermo, 2008, (ill. 7) 2021 Agostiono Bonalumi. Ricucire la tela, curated by Marco Meneguzzo, Cortesi Gallery, Milano Literature M. Meneguzzo, F. Bonalumi (curators) Agostino Bonalumi, Catalogo ragionato, Milano, Skira, 2015, vol. II, p. 446, n. 492. Certificate of Authenticity Archivio Agostino Bonalumi, Milano, n. 71-014. Technical report by Archivio Agostino Bonalumi.
Galerie des Modernes
guillaume corneille
Corneille alias Guillaume Cornelis van Beverloo (Liege 1922-2010 Auvers-sur-Oise) The rocky soil has become a garden, 1961 Oil on canvas 73 x 92 cm Signed and dated lower left 'Corneille 61' Countersigned, dated and titled on the back 'Corneille 61 / the rocky soil has become a garden' Certificate of authenticity from the Guillaume Corneille Foundation, signed by Mrs Beverloo-Corneille Provenance: private collection, France Literature: Une nouvelle figuration, exh. cat. Galerie Mathias Fels, Paris, 1961, repr. in black and white, unpaginated Exhibition: Une nouvelle figuration, Galerie Mathias Fels, Paris, November-December 1961
Romigioli Antichità
Michele Tosini, known as Michele di Ridolfo del Ghirlandaio (1503-1577) Portrait of Leonora Alvarez de Toledo as Judith, circa 1572-1576 Oil on panel 118 x 87 cm Study by Professor Antonio Geremicca Provenance: noble Florentine collection Wife of Pietro de Medici (1554-1604), son of Grand Duke Cosimo I (1519-1574), the girl in question was Eleonora Alvarez de Toledo (1555-1576), known as Leonora or Dionora, daughter of Garcia (1514-1577), Marquis of Villafranca, and niece of the more famous Eleonora di Toledo (1522-1562) Duchess of Florence
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Univers du Bronze
rembrandt bugatti
Rembrandt Bugatti (Milan 1884-1916 Paris) Deux grands léopards, circa 1913-1914 Bronze, richly shaded black brown patina H 32.5 x W 108.7 x D 16.7 cm Bronze signed 'R.Bugatti', cast by Albino Palazzolo for 'A.A Hébrard cire perdue, Paris' (seal), second example inscribed (2) from an identified edition at 8 examples (circa 1914-1934) Cast in 1918 This model is typical of Bugatti’s way of depicting couples in a peaceful attitude, insisting on the fluidity of the line and the delicacy of the modelling: the first Leopard's barely raised left foreleg – a hesitation to walk ? – and the tail of the second, extending the scene to the rear, are the signatures of his work. The group belongs to the sculptor’s so-called Cubist period, when volumes become as if mathematised; and finally, of the patinas known for this model, the naturalistic red-brown colour is the most suited to the subject and also the one most sought-after by collectors. In Rembrandt Bugatti’s 326-issues in the catalogue raisonné, the 'Deux grands léopards' are one of the most imposing groups of beasts in this collection, after 'Les trois panthères marchant' from Bonhams in 2024 and the 'Deux panthères' from Rouillac in 2020. The edition is identified at 8 examples, all cast between 1915 and 1934. Ours is the second, cast in 1918.
Boon Gallery
kim tschang-yeul
Kim Tschang-Yeul (South Korea, Maengsan 1929-2021 Seoul) Water Drops, 1974 Oil and airbrush on canvas 50 x 50 cm Signed lower right Certificate of authenticity by the Kim Tschang-Yeul Estate, Paris, 2024 Provenance: private collection, France; Toth Gallery, Avignon, 1974; aquired directly from the artist
Giammarco Cappuzzo Fine Art
Jusepe Ribera (Jativa 1591-1652 Napoli) An Apostle, circa 1635-1638 Oil on canvas 76 x 62 cm With gratitude to Dr. Nicola Spinosa, Dr. Riccardo Lattuada and Dr. Viviana Farina, leading experts of Jusepe Ribera to have confirmed the attribution. Provenance: private collection, France; private collection, Italy This Apostle is part of the cycle of portraits of the Apostles by the same artist, housed in the Prado Museum in Madrid. Diagnostic analyses conducted on the canvas have confirmed its full compatibility with works executed around 1630 by the painter, also revealing the presence of preparatory drawing, a method he frequently employed.
Stern Pissarro Gallery
henri martin
Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) Venise, palais et gondoliers sur le Grand Canal, circa 1909-1910 Oil on canvas 68.5 x 96 cm Signed lower right 'Henri Martin' This work is accompanied by a certificate from Madame Marie-Anne Destrebecq-Martin and will be included in the forthcoming catalogue raisonné which is currently being prepared. Provenance: Jacques Martin-Ferrières, Paris (son of the artist); private collection, France, acquired from the above; sale Christie's, New York, 2018; private collection, acquired from the above
