25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Gallery Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Caretto & Occhinegro

The Master of Antwerp Adoration (Active in Antwerp first decades of XVI century) The Annunciation to St Anne, circa 1525 Oil on panel 59 x 62 cm Expertise Peter van den Brink Literature: Van den Brink 1997, pp. 32, 35 note 22, fig. 5; Van den Brink 2007, pp. 168, 175, 179 note 38, fig. 16b; Cécile Scailliérez, in Paris 2017, pp. 84, 86, fig. 32

 

Francis Janssens van der Maelen

Luigi Genazzi (Milan, 1876-1946) Large Art Deco vase, 1930 Silver 800, 2.900 gr 35 x 32 cm Hallmarked and signed by the artist Large hammered silver vase or wine cooler, embellished with two geometric handles and enhanced by a finely detailed decorative design. A testament to Milanesità - the elegance and timeless character of Milanese silversmithing. Bearing the hallmarks of the silversmith Luigi Genazzi and his signature.

 

Bernardini Milano

Rolex, Bienne. Rare yellow gold “oyster chronograph” in pristine condition, 1956 One of the 36 made of this version of chronographs in 18kt. gold in the late 50’s. The untouched case and extensible bracelet host a perfect creamy silvered dial. The watch is complete of its original box, papers, invoice and various communications between owner and the Swiss Maison.previously unknown to the market, it’s a benchmark in terms of rarity and conservation.

 

Couck Art Gallery

Fernand Khnopff (Grembergen 1858 - Brussels 1921) Titre : “Etude de femme” Date : N.D. Circa 1914 Drawing on paper Dim : 22 x 16,4 cm Signature en bas à gauche : Fernand / Khnopff (Répertorié dans : “Fernand Khnopff ; Catalogue de l’oeuvre ; Bruxelles, Lebeer-Hossmann- La Bibliotheque des Arts, 1979 : N°541)

 

Marjan Sterk Fine Art Jewellery

An eighteen carat yellow gold hinged bangle ‘Entrelacs’ designed as organically curling branches between which seven hydrangea flowers, with hinge and catch lock hidden in one of the flowers. Signed Claude Lalanne, numbered 19/50. Made in Paris, ca 1980-90. With signature of Artcurial, Paris.

 

Meessen

Claudio Parmiggiani (Luzzara 1943) Senza titolo, 2018 Smoke and soot on wood 150 x 115 cm

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

Pablo Picasso (Malaga 1881-1973 Mougins) and Hélène Parmelin (Nancy 1915-1998 Paris) Woman portrait in 'Les Dames de Mougins', 1965 Feltpen drawing on paper 29.8 x 27 cm Copy of the doctor René Gutmann Signed and dated 'pour mon cher ami Gutmann. Diego Picasso, le 8.11.65' Provenance: Dr. René-Albert Gutmann (1885-1981); thence by descent Librairie Lardanchet, Antiquarian bookseller

 

Galerie de la Présidence

Geer van Velde (Lisse 1898-1977 Cachan) Composition, circa 1953 Oil on canvas 81 x 100 cm Signed with the initials 'GvV' lower right Signed on the reverse 'G. van Velde' Provenance: collection Michel Guy, Paris; private colletion, Paris; private collection, France Certificate of authenticity from Pierre François Moget. This work will be included in the forthcoming Catalogue Raisonné of Geer van Velde Painted Work currently in preparation by Pierre François Moget son of Piet Moget, under the n°118 059.

 

Epoque Fine Jewels

 

Almine Rech

Tom Wesselmann (Cincinnati 1931-2004 New York) Long Beach Seascape, 1991/95 Alkyd oil on cut-out aluminum 99,1 x 190,5 cm Signed and dated on the back Provenance: estate of the artist Tom Wesselmann’s creative approach was in constant evolution throughout his long and productive career. Never one to follow artistic convention, he continually sought new materials and formats. His fascination with innovative surfaces and technologically advanced techniques drove him to push aesthetic and formal frontiers, as seen in 'Long Beach Seascape'. In the 1980s, Wesselmann developed a laser cutting technique that opened up a new world of creative possibilities. Using this novel method, the artist delighted in transposing his bold visual vocabulary into works that challenged the boundaries between painting, drawing, and sculpture. Speaking to the New York Times in 1985, Wesselmann couldn’t contain his enthusiasm for the new medium: 'I've just had the best year of my life [...] I always work in a kind of near ecstasy, anyway, but there's really been something about the new work that grabbed me.'' Centering dynamic line and vibrant colour, 'Long Beach Seascape' demonstrates the artist’s endless pursuit of radical forms of creative expression.

 

Desmet Fine Art

A silver and coral crown of thorns 'Corona di spine' Sicily (probably Trapani) 18th century In the tradition of Sicily's Trapani silversmiths and coral-workers Silver and coral (Corallium Rubrum) H 6 x W 22 cm

 

Maison Rapin

KAM TIN Dolmen, 2026 Dining table in Traonyx H 73 x W 230 x D 90 cm

 

Galerie Jean-François Cazeau

Victor Vasarely (Pecs 1908-1997 Paris) EG-2, 1965 Acrylic on canvas 160 x 160 cm Signed in the centre Counter-signed, titled and dated on the reverse Provenance: artist’s studio; Galerie Denise René, Paris; private collection, France Certificate of Authenticity by Pierre Vasarely dated 26 July 2020

 

Van Pruissen Asian Art

Tomioka Soichiro (1922-1994) Oilpainting 'Fireworks' , Showa period (1926-1989) Oil on canvas H 32 x W 42 cm Signed: Soichiro Tomioka Provenance: private collection, Japan

 

De Zutter Art Gallery

Corneille (Liège 1922-2010 Auvers-sur-Oise) Le montagnard, 1950 Oil on canvas 36 x 46 cm Provenance: collection Janssen, Belgium Literature: CoBrA, 'La clouleur spontanée', Le mans, Musée de Tessé 2017/2018 and Musée de Pont Aven 2018 Exhibition: CoBrA expositie Museum voor schone kunsten Brussel 2008/2009

 

Dalton Somaré

Slit Drum, nedundu Uele Region, Northeastern D. R. of Congo Early 20th Century Wood with dark brown patina 122 cm x 52 cm Provenance Collection Monsieur H., (Agricultural Engineer), France, collected in situ before 1950 Thence by descendant French Private Collection Sotheby’s, Paris, Arts D’Afrique Et D’Océanie, 21 June 2017, Lot 29 Private Collection, New York

 

robertaebasta

Banksy (UK) 2003 Turf War 35 x 49 cm (59 x 72 cm with frame) Silkscreen on paper, signed edition no. 10/750 With Pest Control certificate of authenticity Provenance: Private Collection, Italy.

 

Edouard Simoens Gallery

Pierre Alechinsky Le trou du souffleur , 1997 Signed and dated on the back Acryl and ink on paper laid on canvas 146 x 113 cm 57 1/2 x 44 1/2 in Provenance "Pierre Alechinsky: Olie, acryl, aquarel, ets, litho..." Atelier 22, Schilde 2004 Literature/Press Wordt opgenomen in de oeuvrecatalogus in voorbereiding door de heer Frédéric Charron onder nr. 3216

 

d'Arschot & Cie

An early German bowl Aachen, circa 1620 Johann Christoph Walch (active between 1620 and 1647) Silver ø 10.7 cm 103 gr

 

Boon Gallery

Kim Tschang Yeul (North Korea, Maengsan County 1929-2021 Seoul) Water Drop, 1983 Oil and sand on canvas 24 x 19 cm Signed on reverse Certificate of authenticity by the Kim Tschang Yeul Estate, Paris, 2026

 

Francis Maere Fine Arts

Eugène Dodeigne (1923, Rouvreux, Belgium – 2015, Linselles, France) Forcé, 1987 Soignies stone (Belgian bluestone) 150 × 85 × 85 cm Signed E.D.

 

Guillaume Castellano

Calligraphy Box (Suzuribako) Japan, Edo period, 18th-19th century Lacquered wood with gold and silver maki-e, mother-of-pearl H 12.3 x 12.7 cm Provenance: private collection, Japan

 

Galerie Taménaga

Jean Fautrier (Paris 1898–1964 Châtenay-Malabry) Tête, 1927 Oil on canvas 35 x 27 cm Signed upper right: 'Fautrier' Provenance: Jean-Paul Ledeur, Paris Literature: Marcel-André Stalter, Recherches sur la vie et l'œuvre de Jean Fautrier (1898-1964) de leurs commencements à 1940. Essai de catalogue méthodique et d'interprétation, doctoral thesis, Université de la Sorbonne, Paris IV, 1982, n° 319; Marie-José Lefort, Fautrier. Catalogue raisonné de l'œuvre peint, Éditions Norma, Paris, 2023, n° 256, illustrated p. 199 Exhibitions: Hamburg, Kunstverein, Jean Fautrier, 19 May–17 June 1973, n° 16; Amsterdam, Stedelijk Museum / Zurich, Kunsthaus, Jean Fautrier, 11 January - 4 May 1986, n° 35, ill. p. 25; Paris, Galerie Jeanne Castel, 1986

 

Galerie La Patinoire Royale Bach

Thomas Devaux Shopper 5.01, 2023 Verre dichroïque, impression pigmentaire, cadre en aluminium avec feuille d'or 22K 150 x 120 cm Ed. 3/3

 

Brame & Lorenceau

Olivier Debré (1920-1999) Bleu signe personnage, 1960-1961 Huile sur toile Signé, daté et titré au dos 200 x 97 cm Exposition Musée Galliera, Paris, Olivier Debré, 1968, No. 29

 

NARDI VENEZIA

THE THINKERBELL BROOCH - 2026 Made in gold and set with diamonds and movable turquoise wings. A jewel of pure fantasy and enchantment, brought to life through the magic of Nardi's master artisans

 

LUDORFF

Heinz Mack (*1931) Karo-Stele 1987 Aluminium, geprägt and silberfarben eloxiert 188 × 25 × 25 cm | 74 × 9 13/16 × 9 13/16 in Catalogue Raisonné by Rüth 2003 no. 1191 B Provenance: The artist’s studio; Galerie Heinz Holtmann, Cologne (1987); Private Collection Cologne (1987–2026) Exhibitions: Galerie Ludorff, "Neuerwerbungen Herbst 2026", 4. Okt. - 16. Jan., Düsseldorf 2026 Literature: Galerie Ludorff, "Neuerwerbungen Herbst 2026", Düsseldorf 2026, S. 92Uwe Rüth, "Mack. Skulpturen 1986-2003", Mönchengladbach, 2003, Nr. 1191 B

 

Snackers Antiques & Fine Art

Walter Pompe (Lith 1703-1777 Antwerp) Cross with ivory corpus, Antwerp 1770 Carved wood and ivory H 57,5 x W 27 x D 11 cm Signed Comes with CITES document Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings. The richly decorated Calvary features ivory bones, skull, and the snake with apple. With CITES document.

 

Harold t’Kint de Roodenbeke

Jane Graverol 60 x 73 cm Oil on canvas Signed and dated 1949 Provenance Collection of his friend and artist Tom Gutt Exhibited Le surréalisme en Belgique, Musée de Mons, march-august 2007 Histoire de ne pas rire, Bozar, Bruxelles, fev-june 2024, illustrated p. 221 An important work by Jane Graverol, created in the very year she met the painter René Magritte. In it, she depicts herself as if trapped in a cage, like a bird. Yet the door is open, like a breath of freedom and hope offered to the artist.

 

Galerie Oscar De Vos

Frits Van den Berghe (Gent 1883 - 1939) The companions 1932 Oil on canvas 150 x 130 cm Signed lower right: FVBerghe 32 Provenance: Alla en Bénédict Goldschmidt, Brussels Literature: Langui, Frits Van den Berghe en de jongere generatie, in: Kunst-Kultuur, yr.1, 1940, p.4 Van Hecke, Frits Van den Berghe, in: Les Peintres Contemporains, 1948, pp.99-110, cat. 55 Van Hecke, A propos des deux expositions de Frits Van den Berghe, in: Les Arts plastiques, no. 5-6, 1948, pp.240-242, pl.55 Haesaerts, Sint-Martens-Latem. Gezegend oord van de Vlaamse kunst, 1965, no. 689 Langui, Frits Van den Berghe. Catalogue raisonné de son oeuvre peint (Bruxelles: Laconte, 1966), no. 396 Langui, Het Expressionisme in België,  1970, pl. 81, p.128 Hoozee, Tahon-Vanroose & Bown-Taevenier, Frits Van den Berghe, 1983, p. 164 Boyens, Frits Van den Berghe, 1999, pp.161, 233, no. 132 Boyens, Frits Van den Berghe, 1999, p.290, no. 753 Pauwels, Als een fonkelenden spiegel, 2019, pp.296-297 Exhibitions: 1933, Ghent, Frits Van den Berghe en Joseph Cantré, no. 6 1934, Stockholm, Belgisk Konst, no. 204 1934, Oslo, Belgisk kunst - Belgisk utstillung av moderne kunst i Norge ordnet ved L'art contemporain i Antwerpen, no. 204 1937, Moscow & Leningrad, Hedendaagse Belgische Kunst, no. 9 1938, Brussels, Les Compagnons de l'Art, no. 187 1997, Deurle, Deurle: 6 juli 1997 (The Deurle Conversation) 1999, Ostend, Retrospectieve Frits Van den Berghe, no. 132

 
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