Galerie Berès

georges lemmen

Georges Lemmen (Brussels, 1865-1916) Heyst, huit heures du soir à marée basse Oil on panel 12 x 21.5 cm Inscribed and dated on the back 'Heyst, mercredi 19 août 1891/8 h. Soir/marée basse'; Workshop stamp and label n°291 on the back Certificate of authenticity n° C 2020/H91/GL by Olivier Bertrand on 29 September 2020 Provenance: Pierre Lemmen, Brussels; private collection, Belgium

Galerie Flak

Hemba ancestor figure Singiti (commemorative portrait of a chief) created by a Hemba artist Carved wood Democratic Republic of Congo - Upper Congo River, 19th century or early 20th century H 86.5 cm Provenance: Mia van Bussel collection, Amsterdam; Kevin Conru collection, Brussels; Adrian Schlag collection, Brussels; Guilhem Montagut collection, Barcelona Literature: Lexikon der Afrikanischen Kunst, Karl-Ferdinand Schaedler, Munich, 1994, p. 242

WHITFORD

joseph lacasse

Joseph Lacasse (Tournai 1894-1975 Paris) Recherche Incarnation, 1938 Oil on canvas 81 x 65 cm Signed, dated and inscribed verso Lacasse estate inventory number Dia n° 823 Certificate of authenticity by Mrs Joostens-Koob Provenance: estate of the Artist

Maison Rapin

robert goossens

Robert Goossens (Paris, 1927-2016) Table centrepiece, circa 1970 Rock crystal and patinated bronze H 24 x W 86 x D 8.5 cm

Véronique Bamps

castelleni .

Castellani Choker fringed with gold vine leaves and clusters of white grapes in glass paste Archaeological-style necklace, circa 1870

Galerie Raf Van Severen

philippe vandenberg

Philippe Vandenberg (Ghent 1952-2009 Brussels) Composition, 1987 Oil on canvas 160 x 210 cm Signed and dated at the back Provenance: private collection, Antwerp Certificate of authenticity signed by the artist

Univers du Bronze

hubert le gall

Hubert Le Gall (Lyon, 1961) 'Virgile' desk, 2020 Bronze, rich dark brown patina H 95 x W 150 x D 95 cm Artist original edition, numbered 'III/IV' Cast in 2025

Floris van Wanroij Fine Art

jan josefsz. van goyen

Jan Josefsz. van Goyen (Leiden 1596-1656 The Hague) Winter landscape with skaters, elegant figures and kolf players on the ice in a village Oil on panel 13.6 x 26.8 cm Signed and indistinctly dated lower left ‘I.V. GOYEN. 162.‘ Provenance: anonymous sale, Drouot, Paris, 21 March 1874, lot 23 (Frs. 510), erroneously as a pendant to the consecutive lot; Collection Comte de Camondo, Galerie Georges Petit, Paris, 1 February 1893, Lot 6 (Frs. 1.700), were acquired by W. Gretor; anonymous sale, Drouot, Paris, 18 February 1895, Lot 13 (Frs. 750), were acquired by Lange; Collection G. Forbes, London (according to Dayot and Hofstede de Groot); Sale Jules Cronier, Galerie Georges Petit, Paris, 11 March 1908, Lot 88 (Frs. 1,200); With Kleinberger, Paris; Collection Eugène Max, Paris, from 1911 to 1927; Grange, Paris; Private collection Paris, from 1965; Anonymous sale, Sotheby’s, London, 1 March 1992, lot 36 (£ 101,200); John Mitchell, London, from 1993; Anonymous sale, Christie’s, Amsterdam, 20 November 2012, lot nr. 68 (211.000 Euro); Johnny van Haetfen Ltd., London, from 2014 (ref. VP4577), were acquired from the previous owner; Private collection, The Netherlands Literature: Dayot, A. (1911), 'Grands & petits maîtres hollandais, exhibition publication', Paris, n° 42; Martin, W. (1918), 'Alt-Holländische Bilder', Berlin, p. 51, fig. 25; Hofstede de Groot, C. (1927), 'A catalogue raisonné of the works of the most eminent Dutch painters of the seventeenth century', London, Vol. VIII, p. 294, n° 1170; Beck, H.-U. (1972), 'Jan van Goyen 1597-1656', Amsterdam, Vol. II, p. 46, n° 88 (illustrated, erroneously as a pendant to n° 244) Exhibitions: Paris, Salle du Jeu de Paume, Grands & petits maîtres hollandais, 28 April-10 July 1911, n° 40 bis TEFAF Maastricht, 2014

Galerie des Modernes

max ernst

Max Ernst (Brühl 1891-1976 Paris) Fleur de coquillage, circa 1932 Gouache on paper 23 x 30.7 cm Signed lower right 'max ernst' Certificate of authenticity by Mr. Werner Spies dated 29 November 2007 Provenance: Edward Weston collection, Carmel Highlands; Galerie Tarica, Paris; Galerie Heyram-Mabel Semmler, Paris; Galerie des Modernes, Paris; private collection , France

Ars Antiqua

pieter van lint

Pieter van Lint (Antwerp, 1609-1690) Allegory of Labor rewarded by Peace and Abundance, in the presence of Minerva and Time Oil on copper 104 x 130 cm Authenticated by Professor Carlotta Venegoni Published on RKD

Galerie de la Présidence

serge poliakoff

Serge Poliakoff (Moscow 1900-1969 Paris) Composition abstraite, 1962 Oil on canvas 48 x 28 cm Monogrammed lower right, signed on the reverse Provenance: A.V.V. Aldo private collection, Venice; Galleria del Naviglio, Milan; private collection, Paris Literature: Alexis Poliakoff, Serge Poliakoff - Catalogue Raisonné, 1959-1962, vol. III, n° 62-55, p. 303

Boulakia & Co. Ltd

joan miró

Joan Miró (Barcelona 1893-1983 Palma) Femme Oiseaux, circa 1975 Gouache and watercolour 75 x 104.5 cm Signed middle right

Mearini Fine Art

Pair of sidewalls from a wooden choir with the figures of Saints Andrew and Anthony the Abbot Woodcarver close to Jehan de Vitry's Geneva workshop Walnut Mid 15th century (circa 1450-1460) 275 x 50 cm (each) Provenance: private collection, Italy

Heutink Ikonen

week icon (sedmitsa)

Palech (Russia) Late 18th Century 44,5 x 36 cm

Galerie Nathalie Obadia, Paris/Brussels

laure prouvost

Laure Prouvost (France, Croix 1978) We Will Keep Cool (Theatre Cornwall), 2025 Tapestry, thread (Provenance : Flanders Tapestries BVBA) 215 x 290 cm Edition of 3 + 1 AP Provenance: the artist's studio, Belgium

Pron

fausto melotti

Fausto Melotti (Rovereto 1901-1986 Milan) Il meridiano delle campane, 1979 Brass H 97.5 x W 74 x D 38 cm Literature: Milan, Galleria Stendhal, Cascella Consagra Melotti, 1980; Padua, Stevenson Arte Contemporanea, Fausto Melotti. Sculture, tecniche miste e incisioni, 1982; Intra, Galleria Corsini, Fausto Melotti. Sculture e Acquarelli. Un'opera d'arte è un'oasi, 1982; Busto Arsizio, Galleria Il Punto Sette, Fausto Melotti, 1984; Parma, Galleria La Sanseverina, Fausto Melotti, 1986, pp. 29, 47, n. 29, ill. Exhibitions: Gianni Cavazzini, Poetiche sosprese di Fausto Melotti, in « Gazzetta di Parma », 23 mai 1986, ill.; Germano Celant, Melotti, Catalogo generale, Tomo secondo, Sculture 1973-1986 e Bassorilievi, Milan 1996, p. 512, n° 1979 21, ill.

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

Hieronymus Bosch ('s-Hertogenbosch, circa 1450-1516) Parable of the two blind men, circa 1540-1570 Engraving by Pieter van der Heyden (circa 1530-1572) Published by Hieronymus Cock (Antwerp, 1518-1570) 22.2 x 22.5 cm References: New Hollstein Dutch 20 1(5), first state Lex Antiqua, Antiquarian bookseller

Harold t’Kint de Roodenbeke

Englebert Van Anderlecht (Brussels, 1918-1961) Rome 1, 1960 Oil on canvas 150 x 122 cm Signed, dated and titled on the reverse Inventory number 664 on the reverse Provenance: private collection, Brussels Literature: Serge Goyens de Heusch, Englebert Van Anderlecht, Mercator, 1998, p.207, Illustrated; Englebert Van Anderlecht, exhibition catalogue, MRBAB, Brussels, 1990, n°79, illustrated Exhibitions: Galerij M.A.S. Astene, march-april 1969; Museum Van Deinze, Englebert Van Anderlecht, march-mei 1990; MRBAB, Englebert Van Anderlecht, Brussels, 1990

Arte-Fact Fine Art

Attributed to Margaretha Wulfraet (Arnhem, 1678–1760) The young flute player Oil on panel 13.7 x 16.5 cm Monogrammed lower left M.W. Provenance: Neumeister Munich, 25 March 2015, lot 289, as Margaretha Wulfraet; private collection, Berlin, Germany, until 2024, as Margaretha Wulfraet; Art market, Germany, as Margaretha Wulfraet (also archived since 2016 on Wikipedia’s page on Margaretha Wulfraet, as one of only two works illustrated there) This finely executed small panel, monogrammed M.W., can be attributed to the rare oeuvre of Margaretha Wulfraet, one of the few professional female artists active in the Northern Netherlands in the late 17th and early 18th century. Jan van Gool praised her in 1750 as a 'kunstheldin' (art heroine), admiring her many talents amongst which her ability to depict fabrics; a quality also beautifully visible in the present painting. A remarkable parallel appears in Hofstede de Groot’s fiches (n° 1647685, bak 305), documenting the Haarlem auction of 23 March 1810 (Vincent de Vinne, lot 25). The catalogue mentions 'two, a young lady playing the lute and a boy with a dog, by Marg. Wulfraet'; one of the very few early sources where her name is explicitly cited and corresponding closely in type and subject matter to the present panel. Margaretha Wulfraet’s oeuvre will be highlighted in the forthcoming exhibition Women Artists from Antwerp to Amsterdam 1600–1750 (Washington, NGA, 2025; MSK Ghent, 2026), accompanied by a scholarly catalogue. The re-emergence of her work on the market therefore offers a rare opportunity to study and reassess this exceptional female painter.

Van Pruissen Asian Art

yoshitsugu

Hattori Taira Yoshitsugu Yagami School Tsuba with 'Thousand Monkeys' Carved iron Japan, late 18th century Ø 7.1 cm Signed 'Yoshitsugu' An iron tsuba intricately carved in openwork (nikubori ji-sukashi) with a lively multitude of monkeys, including the famous Three Wise Monkeys. Their eyes and the rim are accented in gold using nunome-zōgan. The maker, Hattori Taira Yoshitsugu, was a pupil of Yagami school founder Noda Mitsuhiro and teacher of Onitake Toshiyoshi. The Yagami school, active in Nagasaki in the late 18th century, is renowned for its 'Thousand Monkeys' motif, as also seen in a comparable example in the Metropolitan Museum of Art (inv. n° 91.1.751).

Univers du Bronze

jean-baptiste carpeaux

Jean-Baptiste Carpeaux (Valencienne 1827-1875 Courbevoie) Toilette de Vénus, 1855 Circa 1862-1865 Bronze, rich dark red brown patina H 66.8 x W 23.5 x D 14.8 cm Chief model in bronze from the Carpeaux Studio, unsigned Provenance: Carpeaux sale (May 31 mai, June 1st and 2nd 1894, lot n°541); sale December 8-9, 1913 (lot n°1) (...) and assembled as an example; former A. R. collection

Willow Gallery

Bernard Buffet (Paris 1928-1999 Tourtour) Elisabeth d'Espagne, 1998 Oil on canvas Signed and dated 102 x 74 cm, framed 130 x 102 cm Provenance: Galerie Maurice Garnier, Paris; private collection, Germany (acquired from the above 2000); sale, Christies London, 21 June 2012; private collection, Hong Kong Literature: Y. Le Pichon & M. Garnier, Bernard Buffet, 1982-1999, vol. III, 2007, Switzerland, n° 1259 (ill. p. 550) This painting is sold with a photo-certificate of authenticity from the Galerie Maurice Garnier, Paris

Douwes Fine Art b.v.

henri fantin-latour

Henri Fantin-Latour (Grenoble 1836-1904 Buré) Vase de Pivoines, 1902 Oil on canvas 41 x 37 cm Signed lower left 'Fantin' The authenticity of this work has been confirmed by Sylvie Brame Provenance: Tempelaere, Paris; Tavernier, Paris; Colnaghi, London; Galerie Brame, Paris, 1978; Sotheby's London, 1978, lot 205; private collection, Europe; Sotheby’s London, 1989, lot 2; Private collection, Europe; Sotheby’s London, 1996, lot 24; Noortman Master Paintings, Maastricht, bought at TEFAF 2004; private collection, Belgium; Douwes Fine Art, Amsterdam Literature: Mme Fantin-Latour, Catalogue de l'oeuvre complet de Fantin-Latour, Paris, 1911, n° 1937 on page 206.

Cabinet of Curiosities - Honourable Silver Objects

Cartier brooch Platinum, diamond, turquoise and onyx France, circa 1915 Signed and numbered Provenance: private collection, New York

Galerie de la Béraudière

germaine richier

Germaine Richier (France, 1902-1959) Le Couple, 1956 Natural bronze Fonderie Susse, Paris Lost wax cast (except for the base and arms, sand casted) H 139 x W 74.5 x D 74.5 cm Signed and numbered on the terrasse: G. Richier, 3/6 Edition 3/6 out of 11 (1/6 - 6/6 + HC1-HC2-HC3 + EA + 0/6) Posthumous cast: 1963 Provenance: Galerie Creuzevault, Paris; private collection, France; Galerie Cazeau-Béraudière, Paris; private collection, France; private collection, Belgium Literature: Jean-Louis Prat et Françoise Guiter, Germaine Richier, Rétrospective, Saint-Paul-de-Vence, Fondation Maeght, 1996, p. 172, ill. (another cast); Maîtres des XIXe et XXe siècles, Galerie H. Odermatt-Ph. Cazeau, Paris, 1989, repr. n° 46; Eddie Wolfram et William Packer, London, art and artist, Londres, juillet 1973, n° 8, pp. 46-49; Germaine Richier, Galerie Creuzevault, Paris, 1966 Exhibitions: 2022, Brussels, Galerie de la Béraudière, Germaine Richier et la couleur (this cast); 1996, Saint-Paul-de-Vence, Fondation Maeght, Germaine Richier, Rétrospective (another cast); 1957, Paris, Musée d'Art Moderne de la Ville de Paris, XIIIe Salon de Mai, n° 27, ill. (another cast); 1956, Paris, Musée National d'Art Moderne, Germaine Richier, n°13, referred as 'Figures' (another cast); Jean Cassou, Richier, Editions du Temps, Paris, 1961; René de Solier, Germaine Richier, in Les Cahiers d'art, Paris, juin 1953, n° 28, pp. 123-129

N. Vrouyr

mekhitar garabedian

Mekhitar Garabedian (Syria, Aleppo 1977) I copied this in a hurry and wrote in large letters (carpet) Pile: wool and silk, warp and weft: cotton 120 x 120 cm Provenance: handmade in Nepal For the design of this carpet, Mekhitar Garabedian is reinterpreting Armenian medieval miniatures, and the edges of the image in particular. The decorative patterns were the monks’ preferred place to improvise and deviate from the norm. By appropriating himself various visual and textual sources, Garabedian explores the fragility of heritage.

unforget Decorative Arts

line vautrin

Line Vautrin (Paris, 1913-1997) Crète de coq mirror, circa 1965 Talosel inlaid with mirror fragments H 50 x W 41.5 cm Diameter at sight of the central witch: 10 cm This work is accompanied by a certificate of authenticity issued by the Line Vautrin Committee Convex witch mirror with radiant decoration of incised Talosel, inlaid with polychrome mirror tesserae (red, gold, copper, silver). The spiral composition evokes a bristling and dynamic cockscomb.

Segoura Fine Art

ferdinand loyen du puigaudeau

Ferdinand Loyen du Puigaudeau (France, 1864-1930) Brière at Sunset Oil on canvas 65 x 81 cm Signed lower left

d'Arschot & Cie

Pair of Belgian silver saucers Namur, 1737-1749 Nicolas Everard (Belgium 1698-1736) W 24.2 cm - 373 and 374 gr

Maison D'Art

François Perrier (Pontarlier circa 1594-1649) The flight into Egypt, the Holy Family prepares to embark, circa 1640s Oil on canvas 100 x 90 cm Literature: M. A. Novelli, in T. Zennaro, ed., La Pittura Eloquente (exh. cat., Monte-Carlo, Maison d’Art), 2010, pp. 33-35, n° 5; A. Brogi, François Perrier e i ‘bolognesi’, Studi di Storia dell’Arte, 29, 2018, pp. 147-166: pp. 151-153 and colour plate XVI Exhibition: Maison d’Art, Monte-Carlo, 16 June-16 July 2010, n° 5