25 JANUARY 1 FEBRUARY 2026

BRUSSELS EXPO | HEYSEL

Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Sceners Gallery Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Maison Rapin

Pair of silver-plated bronze vases 'Polar Exploration' Scandinavia, mid-19th century H 36 x W 24 x D 27 cm

 

Van Pruissen Asian Art

Okazaki Sessei (Yamashiro 1858-1921 Tokyo) Bronze sculpture 'Bathing Girl Seated On Rock' Japan, 1854-1921, Meiji Period H 42 x W 12 x D 25 cm Signed Sessei Provenance: private collection, the Netherlands; private collection, Switzerland; private collection, Chile

 

Dr. Nöth kunsthandel

Raoul Dufy (Le Havre 1877-1953 Forcalquier) Cérès au bord de la mer, 1928 Gouache on paper 49.5 x 63.5 cm Signed lower center Certificate of authenticity by Fanny Guillon-Laffaille This work will be published in the forthcoming catalogue raisonné des Aquarelles, gouaches and pastels currently in preparation. Provenance: Hartford, Wadsworth Atheneum 1959, n° 24; Fr. Gershwin Godowski collection, Sotheby´s New York, 12 May 1999, lot 373

 

Galerie Berès

Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) 'Composition pour les Illuminations d'Arthur Rimbaud', 1949 Gouache and ink on paper 33 x 24 cm Monogrammed and dated lower right 'F.L.49' Certificate of authenticity by the Comité Fernand Léger Certificate of authenticity by Irus Hansma Provenance: private collection, Paris

 

Boon Gallery

Kim Tschang Yeul (North Korea, Maengsan County 1929-2021 Seoul) Water Drop, 1983 Oil and sand on canvas 24 x 19 cm Signed on reverse Certificate of authenticity by the Kim Tschang Yeul estate, Paris, 2026

 

Véronique Bamps

Cuff bracelet by Cartier, circa 1930 Black-lacquered white gold cuff bracelet featuring two detachable platinum clips set with brilliant-cut and baguette diamonds.

 

Stems Gallery

 

Snackers Antiques & Fine Art

Pair of Candelabra depicting Mercury and Fortuna Empire Period, 1820 Gilded and patinated bronze H 100 x W 27 x D 27 cm Literature: Marie-France Dupuy-Baylet, L’Heure, Le Feu, La Lumière, Les Bronzes du Mobilier National 1800-1870, 2010, pp. 254-255 These impressive candlesticks are made of original gilded bronze and patinated bronze. An obelisk-shaped base with Mercury and Fortuna on it, symbolising trade and prosperity. This candlestick design is rare due to its dimensions, the beautiful detached bronze figure and the details in the form of RAM heads and claw feet.

 

Anthony Short Antiques Ltd.

Exceptional and Very Rare 18th-Century George III Thomas Chippendale Period Mahogany Bookcase *English, circa 1770 – all original and highly authentic* An outstanding and extremely rare 18th-century George III period mahogany bookcase, in the manner of Thomas Chippendale, a true statement piece that combines refined architectural design, exceptional craftsmanship and superb, entirely original condition. The upper section is crowned by an impressive broken arch pediment above a finely carved blind fret frieze, giving the bookcase great presence and elegance. Below, a pair of beautifully panelled cupboard doors, retaining their original brass escutcheons, key and fully working lock, open to reveal generous shelving, ideal for books or treasured objects. The lower section is equally distinguished, fitted with two short and three long graduated oak lined drawers, all retaining their original swan neck brass handles. The whole is raised on classic original blocked ogee bracket feet, which, together with the original panelled oak backboards, confirm the authenticity and integrity of this important piece. Made in England circa 1770, this bookcase displays a superb, rich mahogany colour and a warm, mellow patina developed over more than two centuries. The surfaces, proportions and details are all in remarkable original condition, clearly reflecting the skill of the Georgian cabinetmaker and the careful stewardship it has enjoyed throughout its life. Bookcases of this calibre, period and originality are exceptionally scarce on the market. A very fine example of Georgian library furniture in the Chippendale tradition, this piece offers a rare opportunity to acquire a genuinely period, all authentic masterpiece that unites grandeur, elegance and practicality. A superb focal point for a drawing room, library or study, and an ideal choice for any serious collector or refined interior seeking a museum quality statement piece of outstanding 18th-century craftsmanship. Height 197cm (77.6in) Width 108cm (42.5in) Depth 54cm (21.3in)

 

Stern Pissarro Gallery

Pablo Picasso (Malaga 1881-1973 Mougins) Guitare, 1923 Pastel on paper 21 x 14 cm Signed upper right 'Picasso' Provenance: Galerie István Schlégl, Zürich; private collection, acquired from the above in 1988 Literature: C. Zervos, Pablo Picasso Oeuvres de 1923 à 1925, Vol. V, Editions cahier d'art, Paris, 1952, n° 70 (ill. in black and white)

 

Thomas Deprez Fine Arts

Gabrielle Montald (née Canivet) (Brussels 1867-1942) Decorative bird, 1929 Gouache and ink over gold ground on paper 61.5 x 46 cm (sheet) 64 × 48 cm (framed) Signed and dated l.r.: ‘G. Montald 29’ Provenance: private collection, Belgium Related works: Among Gabrielle Montald’s most significant autonomous bodies of work, the so-called 'Oiseau décoratif series' occupies a central position. Although the motif appears as early as 1914, the majority of these works were produced between 1925 and the early 1930s. Following her international recognition at the 1925 'Exposition des Arts Décoratifs in Paris', where her imaginative bird drawings were prominently exhibited, the series expanded in both scope and refinement. In 1927, three of the works shown in Paris were acquired by the Belgian government, marking the beginning of an institutional recognition that endures to this day. Rarely appearing on the market, a large part of Gabrielle Montald’s known oeuvre, including her textiles and bookbindings, is now preserved in Belgian museum collections.

 

Snackers Antiques & Fine Art

Walter Pompe (Lith 1703-1777 Antwerp) Cross with ivory corpus, Antwerp 1770 Carved wood and ivory H 57,5 x W 27 x D 11 cm Signed Comes with CITES document Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings. The richly decorated Calvary features ivory bones, skull, and the snake with apple. With CITES document.

 

Objects With Narratives

Lukas Cober (Aachen, 1989) Vortex Coffee table - Custom, 2026 Resin & Bronze H 36 x W 170 x D 170 cm

 

Desmet Fine Art

A silver and coral crown of thorns 'Corona di spine' Sicily (probably Trapani), 18th century In the tradition of Sicily's Trapani silversmiths and coral-workers Silver and coral (Corallium Rubrum) H 6 x W 22 cm

 

Mearini Fine Art

Corinthian capital (variation on a Roman type from the 3rd/4th century) Central-southern Italy, late 12th - early 13th century Greek Marble H 52 x W 50 x D 50 cm In this unusual variation on the Corinthian there are three orders of acanthus leaves, finelly indented with drill holes in evidence, which reach up to the top of the kalathos. Already in ancient times this type of capital was exported to Aquileia (Udine) a city destroyed by Attila in 452 and temporarily abandoned upon the arrival of the longboards in 568, as shown by a fragmentary example in the national Archeological Museum datable between the 3rd and 4th century.

 

W. Apolloni - Laocoon Gallery

Philippe Jacques Van Bree (Antwerp 1786-1871 Saint-Josse-ten-Noode) Nerva's bakery (Hommage to Raphael's Fornarina) Oil on panel 99 x 74.5 cm Signed 'P. Van Bree Rome'

 

Spazio Nobile

Didi Ng Wing Yin (Hong Kong, 1989) Pleats Vase Cinnabar Red #19, 2026 Spruce wood, Indian ink, brushed, split, carved, ink-dyed, and finished with shellac H 56.5 x W 36.5 x D 25 cm Unique piece, signed by the artist Certificate of authenticity Literature: Didi Ng Wing Yin, The Nature of Wood, Artist Book, Spazio Nobile Editions, 2026 Exhibitions: LOEWE FOUNDATION Craft Prize finalist, Madrid, 2025; Spazio Nobile Gallery, The Nature of Wood, Solo Exhibition, Brussels, 2025; Fine Arts Asia, Hong Kong, 2026; Homo Faber, Isola di San Giorgio Maggiore, Venice, 2026

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

Pieter Bruegel the Elder (Brussels, 1525-1569) (After) The last judgement Engraved in 1558 by Pieter van der Heyden (1530-1584) 22.5 x 29.4 cm Published by Hiëronymus Cock (Antwerp, 1518-1570) References: New Hollstein Dutch first state of two Lex Antiqua, Antiquarian bookseller

 

Galerie Ary Jan

Jean-Pierre Cassigneul (Paris, 1935) Profil Oil on canvas 65 x 54 cm Signed 'Cassigneul' lower left Countersigned and titled 'Profil' on the reverse Provenance: Taménaga Gallery, Japan; private collection, acquired from the gallery

 

Galerie Raf Van Severen

Rik Wouters (Mechelen 1882-1916 Amsterdam) Portrait de Rik Wouters, Chemise Blanche, 1912 Oil on canvas mounted on panel 51,5 x 61,5 cm Annotated at the back: Nr 99 Portrait de Rik Wouters par lui même toile collee sur panneau; Mme V: Rik Wouters; Portret van Rik Dhr Mevr. De Carnière Provenance: previous collection of Nel Wouters; Leten collection, Ghent; private collection, Brussels Literature: Roger Avermaete, Rik Wouters, Editions Arcade, Brussels, 1965

 

Galerie Christophe Gaillard

Wild dreams, 1981 Black and white photo - boa feathers - neon + transfo - wooden frame - perspex - capnuts 155 x 105 x 10 cm © Liliane V.

 

Heutink Ikonen

Two angels of the Lord Central Russia, ca. 1800 diam. 44 cm Provenance: private collection, Germany This remarkable icon depicts two angels, each holding a ripidion – a ceremonial liturgical fan symbolising the constant presence of the seraphim around the altar, which is used during processions and other solemn occasions in the Eastern liturgy. Given its distinctive shape and subject, it is likely that the icon formed part of a church iconostasis, where it would probably have been positioned to the right of the royal doors, which provided access to the altar area.

 

NARDI VENEZIA

Emerald cut neon tourmaline ring A greenish blue natural tourmaline ct. 7.98 (GIA certificate) set in burnished white gold, framed with elegant old-cut diamonds

 

Guillaume Castellano

Amida Nyorai Japan, Kamakura-Nanbokucho period, 14th century Wood with inlaid crystal eyes H 18 cm (33 cm including base) Provenance: private collection, France

 

Pelgrims de Bigard

Anthonie Verstraelen (Gorinchem 1594-1641 Amsterdam) Winter landcape with ice skaters by the city edge Oil on panel 43 x 71 cm Provenance: with kunsthandel P. de Boer, Amsterdam, 1937-1938; collection Ir. J. Th. Berkemeijer, Rotterdam, 1938; collection F.N. Meuter, 1972 (according to the label of P. de Boer attached to the reverse); with kunsthandel Waterman, Amsterdam, by 1982; with Palm Court Galleries, Baarn, 1999; private collection, the Netherlands Literature: Rotterdam, Museum Boymans van Beuningen, ‘Meesterwerken uit vier eeuwen 1400-1800, tentoonstelling van schilderijen en teekeningen uit particuliere verzamelingen in Nederland bijeengebracht gedurende de veertigjarige regeering van H.M. Koningin Wilhelmina’, 25 June - 15 October 1938, cat. n° 160, ill. 57; Amsterdam, Kunsthandel Waterman, ‘Hendrick Avercamp 1585-1634, Barent Avercamp 1612-1679, Frozen silence, paintings from museums and private collections’, 1982, n° 32, ill. p. 149; and ill. in Tableau, 15 February 1982 Exhibition: Rotterdam, Museum Boymans van Beuningen, ‘Meesterwerken uit vier eeuwen 1400-1800, tentoonstelling van schilderijen en teekeningen uit particuliere verzamelingen in Nederland bijeengebracht gedurende de veertigjarige regeering van H.M. Koningin Wilhelmina’, 25 June - 15 October 1938; Amsterdam, Kunsthandel P. de Boer, ‘Nederland water/land, de relatie tussen land en water in de Nederlandse schilderkunst van 1500 tot nu’, 13 January - 19 February 1972, n° 38 (label attached to the reverse); Amsterdam, Kunsthandel Waterman, ‘Hendrick Avercamp 1585-1634, Barent Avercamp 1612-1679, Frozen silence, paintings from museums and private collections’, 1982, n° 32

 

Meessen

Claudio Parmiggiani (Luzzara, 1943) Senza titolo, 2018 Smoke and soot on wood 150 x 115 cm

 

Gallery de Potter d’Indoye

An Empire bronze carousel automaton clock French, circa 1815 Chased and fire gilded bronze H 51 x W 26 x D 17 cm This rare clock, entirely composed of chased and fire gilded bronze, takes the form of a hexagonal pedestal with chamfered corners, housing a movement with a circular white enamel dial on its front. A rich repertoire inspired by antiquity adorns this pedestal: winged griffins, musical putti, cornucopias, scrolled palmettes and rosettes, and, flanking the short sides, two horse heads, chased in the round, each supporting a 'pike' enriched at the base with a corolla of lanceolate water leaves, and punctuated by a ringed tablet for one, and a laurel wreath. An imposing carousel, structured around a richly chased central column ending in a ball, distinguishes the clock. Three putti riding swans—one winged, the second wearing Mercury's helmet, and the third dressed as a court jester—each attempt to grasp the tablet's ring with a curved object. The clock rests on a projecting hexagonal base decorated with a frieze of alternating stylized palmettes and fleurons. A spring mechanism, wound with a key accessible on the rear right-hand chamfered edge of the pedestal, sets the carousel in motion. This mechanism is activated either when the clock strikes or, at other times, by operating a small lever visible beneath the keyhole. A very similar model is held in the clock collection of the François Duesberg Museum in Mons, Belgium. It differs only in its dial and, most notably, in the inscription 'Nicolas Esterhazy, SOUVENIR D’ENFANCE' (Nicolas Esterhazy, Childhood Memory), visible on the front of the base. Also noteworthy is a clock of the same type, signed VAILLANT A PARIS, which was part of the collection of Countess Valtesse de La Bigne Ville d’Avray (1859-1910) and is now in private hands. Another similar example was presented at Drouot on September 15, 2016 (Mac-Arthur Kohn lot 83). It came from the former collection of the Marchioness of Tweeddale.

 

Collectors Gallery

Gió Pomodoro (Orciano di Pesaro 1930-2002 Milan) Necklace, circa 1970 Unique 18k gold and enamel necklace Inspired by the work of Joan Miró Certificate of authenticity issued by the Gio Pomodoro Archive Provenance: private collection, Veneto, Italy

 

Galerie de la Présidence

Hans Hartung (Leipzig 1904-1989 Antibes) T1966-E40, 1966 Vinyl paint on canvas and scraping 27 x 35 cm Signed and dated lower left Titled on the reverse, dedicated and signed Provenance: Waintrob collection, USA; Galerie Applicat-Prazan, Paris; Private collection, Paris This work is registered in the Archives of the 'Fondation Hans Hartung & Anna-Eva Bergman' under number : T 1966-E40

 

The old Treasury

Faraone brooch Italy (import marks for France), 1980s 18k yellow gold, diamonds, sapphires and emeralds Circa 6 x 4 cm

 
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