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Laurent Schaubroeck
Jorge Zalszupin (Warsaw 1922-2020 São Paulo) Minimalist Daybed, Brazil, 1963 Provenance: Ina Zalszupin (sister of the artist) One of only two ever produced, this exceptionally rare daybed was crafted in 1963 as a personal gift for the designer’s sister, Ina Zalszupin. Its minimalist wooden frame displays a warm patina and supports a refined off-white mattress - an extraordinary example of mid-century Brazilian modernism.
Gallery Sofie Van de Velde
kleine welten, 1922
Elke prent gesigneerd, genummerd op de colofonpagina 30/30 . (12 prenten) De Kleine Welten bestaat uit twaalf prenten, waaronder zes in kleur gedrukte lithografieën, vier etsen (droge naald) en twee houtsneden op Japans papier, vergezeld van een titelblad en colofonpagina. Formaat van elk blad: 364 x 278 mm Uitgevoerd in 1922, is dit een van de 30 luxe-exemplaren op Japans papier, uitgegeven door Propyläen Verlag, Berlijn, gedrukt aan het Staatliches Bauhaus in Weimar.
Virginie Devillez Fine Art
rené magritte
René Magritte (Lessines 1898-1967 Brussels) Le Prince charmant, 1948 Gouache on paper 37 x 46 cm Signed lower left 'Magritte' Provenance: Willy van Hove-Cuche, Brussels; private collection; Galerie Motte, Genève (auction 7 December 1973, lot 30); Margaret Krebs, Brussels; Christie’s, London (auction 27 June 1978, lot 145); Sotheby’s, London (auction 6 February 2001, lot 157); Beaux-Arts Auction, Brussels (auction 26 April 2005, lot 51); private collection, Belgium Literature: Ronny Van de Velde, René Magritte. Peintures et gouaches, Antwerp, 1994, ill. n. p.; David Sylvester (Ed.), René Magritte – Catalogue Raisonné. IV: Gouaches, Temperas, Watercolours and Papiers Collés 1918-1967, Menil-Foundation/Fonds Mercator, 1994, CR 261 (ill. p. 102); Esther Schlicht & Max Hollein (Éd.), René Magritte 1948. La période vache, Frankfurt, Schirn Kunsthalle, 2008-2009, ill. p. 45 Exhibitions: Paris, Galerie du Faubourg, Magritte: peintures et gouaches, 1948, n° 24 (? or CR 1260); Rotterdam, Museum Boymans-van Beuningen; Stockholm, Moderna Museet, René Magritte : het mysterie van de werkelijkheid; René Magritte, 1967, n° 97 (ill. p. 223); n° 50; Paris, Fondation Dina Vierny – Musée Maillol, Magritte tout en papier, 2006, n° (ill. p. 160); Rotterdam, Museum Boymans-van Beuningen, Voici Magritte. Gouaches, collages, tekeningen, studies, schilderijen, 2006, n° (ill. p. 160) Paris, Centre Pompidou – Musée national d’Art moderne, Magritte. La Trahison des Images, 2016-2017, n° (ill. p. 152); Skärhamn, Nordiska Akvarellmuseet, Magritte. A Lab of Ideas. Works on paper, 2022, n° (ill. p. 135)
Floris van Wanroij Fine Art
rombout ‘pauli’ pauwels
a terracotta group of the virgin and child
Rombout ‘Pauli’ Pauwels (Malines ca. 1625-1692 Ghent) A terracotta Group of the Virgin and Child Terracotta, sculpted on full round (contains restorations) H 52.5 x W 24 x D 23.5 cm Provenance: The Hulshoff Pol collection, Wassenaar, The Netherlands Literature: Neeffs, E. (1879). Histoire de la peinture et de la sculpture à Malines. Ghent, Vol. II, pp. 193-200; Nieuwdorp, H. (1977). De beeldhouwkunst in de eeuw van Rubens in de Zuidelijke Nederlanden en het prinsbisdom Luik. Brussels: KMKG, pp. 325-327 nrs. 294-298, p. 140, nr. 103; Jacobs, A. & Vézilier, S. (2011). Fascination baroque: la sculpture baroque flamande dans les collections publiques francaises. Paris, pp. 116-121
Boulakia & Co. Ltd
karel appel
Karel Appel (The Netherlands, Amsterdam 1921-2006 Zurich, Switzerland) Personnage avec chien, 1952 Oil on burlap 110.2 x 100 cm. Signed and dated 'k. appel '52' (lower center) Provenance: J. Karel P. van Stuijvenberg, Pays-Bas; private collection, Europe; Galerie Moderne B.V., Utrecht; Acquired in 2002 by current owner Literature: W. Stokvis, P. Hovdenakk, F. de Vree et E. Wingen, 'De taal van cobra: Museumcollectie Van Stuijvenberg', Amstelveen, 1996, p. 273, no. 22 (illustré en couleurs, p. 140) Exhibitions: Caracas, Museo de Arte Contemporáneo de Caracas, El Movimiento CoBrA en la Colección Karel van Stuijvenberg, septembre 1984, no. 26 (illustré, p. 38); Malmö, Malmö Konsthall et Stockholm, Liljevalchs Konsthall, CoBrA: Speglad i Karel van Stuijvenbergs Samling as reflected by the Karel Stuijvenberg collection, octobre 1986-septembre 1987, no. 25 (illustré en couleurs); Tapei, Tapei Fine Arts Museum, CoBrA. Speglad i Karel van Stuijvenbergs Samling, janvier-mars 1987, no. 21 (illustré, p. 38); Amsterdam, Nieuwe Kerk, CoBrA. 40 jaar later / 40 years after, novembre-décembre 1988, no. 15; Liège, Musée d’Art moderne et d’Art contemporain, CoBrA Revisité, avril-mai 1993, no. 16 (illustré en couleurs, p. 69); São Paulo, Pinacoteca do Estado de São Paulo, Grupo CoBrA, juillet-septembre 2000 (illustré en couleurs, p. 53).
Galerie Alexis Bordes
léon spillaert
Léon Spilliaert (Ostend 1881-1946 Brussels) Mères et enfants sur le quai du port d’Ostende, 1910 Wax crayon and Conté crayon on paper 50.2 x 32.2 cm Signed lower right 'L. Spilliaert' Provenance: Louis Sneyers collection, Brussels; Mr. and Mrs. Marcel Thomas, Brussels (by descent); Henriette Thomas-Bodart, Brussels (by descent); Onzea-Govaerts collection, Belgium (acquired through Galerie Ronny Van de Velde in 1997) Exhibitions: Brussels, Palais des Beaux-Arts, 41st Antiques Fair of Belgium, January-February 1996; Brussels, Palais des Beaux-Arts, 42nd Antiques Fair of Belgium, January-February 1997. This work will be included in the catalogue raisonné of Léon Spilliaert being prepared by Dr. Anne Adriaens-Pannier
Galerie des Modernes
jean dubuffet
Jean Dubuffet (Le Havre 1901-1985 Paris) Terrain au Cheval 1, 1952 Indian ink (calame) on paper 30 x 22.5 cm Signed and dated lower right 'J. Dubuffet 52' Provenance: Pierre Matisse Gallery, New York, USA; Acquavella Modern Art, Reno, USA; Andrew and Christine Hall collection, Connecticut, USA; private collection, France; private collection, Belgium Literature: Max Loreau, Catalogue des Travaux de Jean Dubuffet, fascicule VII, Tables paysagées, paysages du mental, pierres philosophiques, Les Éditions de Minuit, Lausanne 1979, descr. and repr. on p. 109, n° 169 Exhibitions: Miro: early drawings collages 1919-1949 - Dubuffet: early drawings collages 1943-1959, Pierre Matisse Gallery, New York, November-December 1981; Dubuffet-Miro: selections from the Acquavella collection, Nevada Museum of Art, Reno, July-September 1997
Stéphane Renard Fine Art
sigismondo pandolfo malatesta
This vigorous graphite and stump drawing testifies to Ingres' interest in medals. Inspired by Pisanello's medal of Sigismund Malatesta, the great condottiere of Rimini, it bears witness to both Ingres' meticulous observation and his capacity for stylization, instilling in this drawing certain characteristic traits that we find in other works by the artist.
Thomas Deprez Fine Arts
franz binjé
Franz Binjé (Liège 1835 -1900 Bruxelles) Le feu, circa 1894 Watercolour and gouache on paper 42 x 27.5 cm Signed l.l.: 'F. Binjé'. Provenance: private collection, Belgium Exhibitions: Exposition Universelle des Beaux-Arts, section Société Royale belge des Aquarellistes, Antwerp, World Fair, 1894, cat. nr. 699, as: 'Le feu'; Internationale Kunst-Ausstellung, Berlin, World Fair, 1896, Gemälde cat. nr. 228, as: 'Das Feuer. Aquarell.'
Willow Gallery
Bernard Buffet (Paris 1928-1999 Tourtour) Elisabeth d'Espagne, 1998 Oil on canvas Signed and dated 102 x 74 cm, framed 130 x 102 cm Provenance: Galerie Maurice Garnier, Paris; private collection, Germany (acquired from the above 2000); sale, Christies London, 21 June 2012; private collection, Hong Kong Literature: Y. Le Pichon & M. Garnier, Bernard Buffet, 1982-1999, vol. III, 2007, Switzerland, n° 1259 (ill. p. 550) This painting is sold with a photo-certificate of authenticity from the Galerie Maurice Garnier, Paris
DIE GALERIE
pierre alechinsky
Pierre Alechinsky (Brussels, 1927) Le Point du Jour, 1966 Oil on canvas 130 x 81 cm Signed lower right 'Alechinsky'; signed, dated and entitled verso Certificate by the artist from March 19, 2012 Provenance: Galerie Birch, Kopenhagen; DIE GALERIE, Frankfurt am Main Literature: Pierre Alechinsky, Galerie Birch, Kopenhagen 1966; CoBrA. Una grande avanguardia europea 1948 1951 , exh. cat. Fondazione Roma Museo, Palazzo Cipolla, Rome 2015 , p. 211 Exhibitions: Pierre Alechinsky, Galerie Birch, Kopenhagen 1966; CoBrA international – Momente einer Utopie, Museum für aktuelle Kunst, Sammlung Hurrle, Durbach, 2012-2013; CoBrA – Una grande avanguardia europea 1948-1951, Fondazione Roma Museo, Palazzo Cipolla, Rom, 2015-2016; 70 Years of CoBrA, DIE GALERIE, Frankfurt am Main, 2018; Pierre Alechinsky and his artist friends, DIE GALERIE, Frankfurt am Main, 2025
Galerie Lowet de Wotrenge
frans pourbus the elder (bruges 1545/46 - 1581 antwerp)
Frans Pourbus the Elder (Bruges 1545-1581 Antwerp) Portrait of Peeter van Panhuys, alderman and treasurer of Antwerp, 1562 Oil on oak panel 105 x 75 cm Dated upper left 'A°. 1562' and inscribed below the date ‘Aetat: 34’ Provenance: private collection, Belgium Literature: R. Willmott, Antwerp and the Golden Age: Culture, Conflict and Commerce, Unicorn, 2025 (ill.)
Galerie Haesaerts-le Grelle
Silex linen cupboard, circa 1905 Poplar, blue stencils, and painted blue iron. H 192 x W 70 x D 45 cm Provenance: Villa de L’Aube, collection of Gustave Serrurier-Bovy, Soyeur-Delvoye Literature: Jacques-Grégoire Watelet, "Gustave Serrurier-Bovy", Éditions Beaunord, Paris, 1989. p. 87 Built between 1902 and 1905 on the Cointe hill in Liège, the Villa de L’Aube was the personal home of Gustave Serrurier. A true manifesto of his conception of architecture, he lived there until his death in 1910. Intended for the children’s and staff’s bedrooms, the Silex furniture was made of poplar, assembled with simple iron screws, and decorated—some of it—with painted stencils. First appearing at the Château de La Cheyrelle in 1904, Gustave Serrurier would go on to incorporate the Silex furniture into the layout of his own house. This linen cupboard was part of the original furnishings of the villa.