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Heutink Ikonen
Week Icon (Sedmitsa) Russia, Palekh Late 18th century 44.5 x 36 cm This icon depicts a rare iconography showing the seven days of the week. Each feast represents a day of the week, starting with Sunday. In order: the Anastasis, Synaxis of the Archangel Michael, the Beheading of John, the Annunciation, the Last Supper and the Crucifixion of Christ. The large image at the bottom is All Saints' Day. The icon's refined details, bright colour palette and complex composition make it a very fine example of Palekh icon painting.
Brame & Lorenceau
marie laurencin
Marie Laurencin (Paris, 1883-1956) Jeune fille au bouquet de fleurs, circa 1935-1940 Oil on canvas 61 x 50 cm Signed upper left Provenance: private collection Literature: Daniel Marchesseau, 'Marie Laurencin, Catalogue raisonné de l’Œuvre Peint', 1986, Éditions du Musée Marie Laurencin, Japan, 1986, n° 1150, repr. B&W
Galerie Cento Anni
andré lanskoy
André Lanskoy (Moscow 1903-1976 Paris) Un cas suspect, 1964 Oil on canvas 97 x 146 cm Signed and dated 'Lanskoy 64' Provenance: Galerie de Seine; private collection, Paris Certificate of authenticity from the Comité Lanskoy dated 4 April 2025 This work will be included in the forthcoming catalogue raisonné currently in preparation
Galerie Oscar De Vos
emile claus
Emile Claus (Waregem 1849-1924 Astene) Villa Zonneschijn (Sunshine) and the Lys, 1893 Oil on canvas 83 x 73 cm Signed lower left: Emile Claus Dated and monogrammed on reverse: Juli 1893 / E.C. Provenance: private collection, Belgium Literature: Buysse, C., Emile Claus. Mijn broeder in Vlaanderen (1925); De Smet, J., Retrospectief Emile Claus (1997); De Smet, J., Emile Claus en het landleven (2009); De Smet, J., Emile Claus. Prins van het luminisme (2024); Lemonnier, C., Emile Claus (1908)
Collectors Gallery
Arman (Nice 1928-2005 New York) Capricorn brooch in gold Zodiac collection, 1994 Certificate of authenticity and copy of the artist’s original drawing on the letterhead of the Hôtel Lutetia, where the artist resided and designed the models for this collection Provenance: Galerie Pierre-Alain Challier, successor to Editions Artcurial
CKS Gallery
nicolas de stael
Nicolas de Staël (Saint Petersburg 1914-1955 Antibes) Composition, 1949 Oil on canvas 200 x 100 cm Provenance: private collection of the artist Literature: Françoise de Staël, Nicolas de Staël, Catalogue Raisonné de l'oeuvre peint, Paris, 1997, n° 203 Exhibitions: Hôtel de Caumont, Aix-en-Provence, 27 April-23 September 2018, Nicolas de Staël en Provence; Château Grimaldi d’Antibes, 17 May-7 September 2014, exhibition La figure à nu, hommage à Nicolas de Staël; MuMa – Musée d’Art Moderne André Malraux, Lumières du Nord, Lumières du Sud, 7 June-9 November 2014; Académie Royale des Beaux-Arts de Bruxelles, Belgium, 2012, for the 300th anniversary of the Académie Royale where de Staël studied from 1931 to 1934, 9 May-2 June 2012; Fondation Gianadda de Martigny, Switzerland, retrospective of the work of Nicolas de Staël, 18 June-21 November 2010; Centre Pompidou, Nicolas de Staël 1945-1955, Paris, 12 March-30 June 2003; Musée d'Art Moderne, Paris, Retrospective Nicolas de Staël, 15 September 2023-21 January 2024; Fondation de l’Hermitage, Lausanne, Nicolas de Staël Exhibition, 9 February-9 June 2024
Floris van Wanroij Fine Art
jan josefsz. van goyen
Jan Josefsz. van Goyen (Leiden 1596-1656 The Hague) Winter landscape with skaters, elegant figures and kolf players on the ice in a village Oil on panel 13.6 x 26.8 cm Signed and indistinctly dated lower left ‘I.V. GOYEN. 162.‘ Provenance: anonymous sale, Drouot, Paris, 21 March 1874, lot 23 (Frs. 510), erroneously as a pendant to the consecutive lot; collection Comte de Camondo, Galerie Georges Petit, Paris, 1 February 1893, Lot 6 (Frs. 1.700), were acquired by W. Gretor; anonymous sale, Drouot, Paris, 18 February 1895, Lot 13 (Frs. 750), were acquired by Lange; collection G. Forbes, London (according to Dayot and Hofstede de Groot); sale Jules Cronier, Galerie Georges Petit, Paris, 11 March 1908, Lot 88 (Frs. 1,200); with Kleinberger, Paris; collection Eugène Max, Paris, from 1911 to 1927; Grange, Paris; private collection, Paris, from 1965; anonymous sale, Sotheby’s, London, 1 March 1992, lot 36 (£ 101,200); John Mitchell, London, from 1993; anonymous sale, Christie’s, Amsterdam, 20 November 2012, lot nr. 68 (211.000 Euro); Johnny van Haeften Ltd., London, from 2014 (ref. VP4577), acquired from the previous owner; private collection, The Netherlands Literature: Dayot, A. (1911), Grands & petits maîtres hollandais, exhibition publication, Paris, n° 42; Martin, W. (1918), Alt-Holländische Bilder, Berlin, p. 51, fig. 25; Hofstede de Groot, C. (1927), A catalogue raisonné of the works of the most eminent Dutch painters of the seventeenth century, London, Vol. VIII, p. 294, n° 1170; Beck, H.-U. (1972), Jan van Goyen 1597-1656, Amsterdam, Vol. II, p. 46, n° 88 (illustrated, erroneously as a pendant to n° 244) Exhibitions: Paris, Salle du Jeu de Paume, Grands & petits maîtres hollandais, 28 April-10 July 1911, n° 40 bis; TEFAF Maastricht, 2014
Galerie Nicolas Bourriaud
emile gilioli
Emile Gilioli (Paris, 1911-1977) Obélisque, circa 1960 Marble sculpture H 88 x W 25.5 x D 24 cm Signed 'Gilioli' Unique piece Provenance: the artist's studio Literature: Pierre Descarges, La logique de Gilioli, XXe siècle, Juin 1970, n° 34, p. 70; Ionel Jianou, Hélène Lasalle, Gilioli, Paris, 1971
Galerie des Modernes
mark tobey
Mark Tobey (USA, Centerville, Wisconsin, 1890-1976 Basel, Switzerland) Untitled (Abstract composition) or 'Tout le Monde', 1956 Tempera on paper 20.2 x 24.9 cm Signed and dated lower right 'Tobey 56' The Mark Tobey Project LLC, under the identification n° MT (456-05-15-25). Authentication letter signed by Achim Moeller for Moeller Fine Art Projects dated May 15th, 2025 Provenance: private collection, Belgium Exhibitions: Exhibited at Kunsthalle Basel under n° 0131 (label on back of montage annotated: ‘Tout le monde’)
Galerie Lowet de Wotrenge
david vinckboons (mechelen 1576 - 1629 amsterdam)
David Vinckboons (Mechelen 1576-1629 Amsterdam) The Triumph of Bacchus Pen and brown ink and grey wash over black chalk, within brown ink framing lines on laid paper 68 x 114 mm Provenance: Dr. Einar Perman (1893-1976), Stockholm; by descent to the previous owners; sale, New York, Sotheby's, 31 January 2024, lot 104 Literature: Laren, Singer Museum, Oude Tekeningen uit de Nederlanden. Verzameling Prof. E. Perman, Stockholm, 1962, cat. n° 121 (as Adriaen van de Venne)
Galerie Flak
Hemba ancestor figure Singiti (commemorative portrait of a chief) Democratic Republic of Congo-Upper Congo River 19th century or early 20th century Carved wood H 86.5 cm Provenance: Mia van Bussel collection, Amsterdam; Kevin Conru collection, Brussels; Adrian Schlag collection, Brussels; Guilhem Montagut collection, Barcelona Literature: Lexikon der Afrikanischen Kunst, Karl-Ferdinand Schaedler, Munich, 1994, p. 242
HELENE BAILLY MARCILHAC
Henri Manguin (Paris 1874-1949 Saint Tropez) La Chemise Enlevée, 1908 Oil on canvas 100 x 81 cm Signed lower right Provenance: acquired from the artist by Eugène Druet in 1911 (Galerie Druet); collection Kritchvesky; private collection, France; private collection, Brasil Exhibitions: Paris, Galerie E. Druet, Manguin, Paris 1913, n° 42; Paris, Galerie de Paris, Manguin, 1964, n° 3; Nice, Palais de la Méditerranée, Henri Manguin, plus de cent cinquante oeuvres, 1969, n° 32; Okayama, Hiroshima, Tokyo, Gustave Moreau et ses éleves, 1974; Paris, Galerie de Paris, Centenaire, Henri Manguin, 1976, n° 49 Literature: Pierre Cabanne, Henri Manguin, Neuchätel, 1964, ill. n° 117, p.64; Marie-Caroline Sainsaulieu, Lucille & Claude Manguin, Jean-Pierre Manguin, Pierre Cabanne, Jacques Lassaigne (preface); Henri Manguin: Catalogue Raisonné de l'oeuvre peint, Neuchâtel, Switzerland, Ides et Calendes, 1980, ill. n° 298
Galerie Greta Meert
carla accardi
Carla Accardi (Trapani 1924-2014 Rome) Frammenti, 1984 Acrylic on canvas 50 x 60 cm Frammenti, a work from 1984, ‘Fragments’; the work affirms Carla Accardi’s place as a voice of innovation in an Italian art scene dominated by male voices. In this 50 x 60 cm painting using only black paint on the untreated material of the canvas, the artist constructs a rhythmic interplay of signs animating recognition and illegibility, an evocation of a writing that dissolves into abstraction. The work embodies the tension that characterises her oeuvre: a subtle intertwining of classical painterly discipline and the radical openness of the avant-garde, resulting in a visual language that is as rigorous and experimental as it is personal.
DIE GALERIE
pierre alechinsky
Pierre Alechinsky (Brussels, 1927) Le Point du Jour, 1966 Oil on canvas 130 x 81 cm Signed lower right 'Alechinsky'; signed, dated and entitled verso Certificate by the artist from 19 March 2012 Provenance: Galerie Birch, Kopenhagen; DIE GALERIE, Frankfurt am Main Literature: Pierre Alechinsky, Galerie Birch, Kopenhagen 1966; CoBrA. Una grande avanguardia europea 1948-1951, exh. cat. Fondazione Roma Museo, Palazzo Cipolla, Rome 2015, p. 211 Exhibitions: Pierre Alechinsky, Galerie Birch, Kopenhagen 1966; CoBrA international – Momente einer Utopie, Museum für aktuelle Kunst, Sammlung Hurrle, Durbach, 2012-2013; CoBrA – Una grande avanguardia europea 1948-1951, Fondazione Roma Museo, Palazzo Cipolla, Rom, 2015-2016; 70 Years of CoBrA, DIE GALERIE, Frankfurt am Main, 2018; Pierre Alechinsky and his artist friends, DIE GALERIE, Frankfurt am Main, 2025