24 - UARY 31 JANUAR RUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

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Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Gallery Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Galerie Jean-François Cazeau

Niki de Saint Phalle (1930-2002) La Force (Strenght), 1987 Painted polyester resin 35 x 53,3 x 29,2 cm Edition of 10, numbered 3/10 Artist's signature and number '3/10 Niki de Saint Phalle' (on a plaque fixed at the bottom) Provenance: artist's studio; Gallery Gimpel Fils, Londres; private collection, acquired in 1989; private collection, France

 

Meessen

mountaincutters Node-Venus, 2026 Copper, glass 37 x 40 x 12 cm Unique artwork

 

Galerie Ary Jan

Moïse Kisling (1891–1953) Landscape of Sanary-sur-Mer Oil on canvas Signed lower left and dated 1932 Dimensions: 64 x 73.5 cm Provenance: Acquired directly from the artist in the 1930s. Private collection, France Christie's Paris, sale of December 1, 2009 Private Collection, France Bibliography: J. Kisling, Kisling, 1891–1953, Turin, 1982, illustrated vol. II, p. 273, under no. 70

 

Almine Rech

Farah Atassi (Brussels, 1981) The Shadow, 2026 Oil on canvas 195,3 x 114,3 cm Signed and dated on the back Provenance: artist's studio Exhibitions: Farah Atassi, 'Metamorphosis', 26 June - 31 July 2026, Almine Rech New York 'The Shadow' comes from a recent body of work in which Farah Atassi explored themes of metamorphosis and freedom. The central figure is a chimeric half woman-half flower that appears to flourish before our very eyes. Daphne– the nymph turned into a laurel tree to escape the god Apollo– comes to mind, a representation of transformation and transcendence. In 'The Shadow' the flower woman is organic, yet sculptural, retaining a distinct humanity that the artist has simplified, symbolised. While the composition is dreamlike and ethereal, a bold shadow brings a touch of realism, anchoring the twisting form to the pictorial plane. This work is a painting within a painting, a formal choice that allows Atassi to contrast two distinct realms while also interrogating the metamorphic potential of art. Notes of Magritte’s uncanny, atmospheric beauty emerge as the flower woman in 'The Shadow' is captured in the act of liberating herself from a canvas, striking out into the rosy dawn.

 

d'Arschot & Cie

A Belgian silver chocolate pot Engraved silver and fruitwood Brussels, 1742-1745 Lambertus Millé (master in 1738) H 31.5 cm 1,258 gr

 

robertaebasta

Mario Quarti ( 1901-1974) Large sideboard in italian walnut. Main body raised from the floor by three elements show on the fron six doors decorated with an inlaid diamond pattern in walnut of different shades, brass handles. Italy, around 1940. Dimensions:cm 322 x 50 x 97,5 H. Provenance: private collection, Italy.

 

Univers du Bronze

Jean-Baptiste CARPEAUX (1827-1875) LES TROIS GRÂCES (Trial example, variant). (1873-1874) Bacchant crowned with ivy, Bacchant with roses et Bacchant with laurels. Terracotta with pinkish patina, "Atelier-Dépôt à Auteuil, 71 rue Boileau, Paris". H. 79,2 cm L. 44,5 cm D. 36 cm Trial example, earlier version prior to the final composition, signed ‘J B-te Carpeaux’ and dated “1873” with "Propriété Carpeaux" seal : variations in the respective positioning of the Bacchantes with laurel and ivy, and a variation in the right leg of the latter; vibrations in the particularly subtle modelling of the figures; sketch-like modelling, rough indications in the central plant stem, the quiver, and the laurel, ivy and rose leaves crowning the Bacchants, with an improvised rose in a different position than the edited examples. Artist’s intervention. Kilned in 1873

 

Galeria Jordi Pascual

Victor Vasarely (Pecs 1908-1997 Paris) Agew, 1991 Acrylic on canvas 120 x 120 cm Certificate of authenticity from Michèle-Catherine Vasarely Provenance: private collection, Bergamo

 

Segoura Fine Art

Lucien Victor Guirand de Scévola (1871–1950) Woman Portrait, 1902 Pastel on canvas H. 67 cm × W. 54 cm Framed: 96 × 79 cm Signed and dated lower right: “Guirand Scevola 1902”

 

Galerie la Ménagerie

Phyllis Mary BONE (1894-1972) Dachshund Bronze with dark brown patina Signed and dated « Phyllis M. Bone 1929 » on the base. Cast with the lost wax method, no foundry mark. 21.5 x 33.5 x 10 cm

 

Francis Maere Fine Arts

Isidoor Goddeeris (° 1953, Belgium) Momentum, 2021–2023 Calacatta marble, Carrara 320 × 100 × 90 cm (including base)

 

rodolphe janssen

Thomas Lerooy (B., 1981, Roeslaere) Sneak peak, 2026 Oil on wood panel 22.8 x 16.8 cm (unframed) 9 x 6 5/8 in 23.8 x 17.8 cm (framed) 9 3/8 x 7 in Provenance: Artist Studio

 

Marjan Sterk Fine Art Jewellery

A pair of eighteen carat yellow gold and oxidized copper earrings, each comprising a coral button on the ear, suspending a tassel of numerous strands of coral, mounted in a cap pavé-set with pink sapphires. Signed Hemmerle, made in Munich.

 

Galerie Nicolas Bourriaud

BUGATTI Rembrandt (1884–1916) Small Elephant at Rest (1912) Bronze with a nuanced brown patina, signed ‘R. Bugatti’ Cast by Hébrard, numbered ‘11’, bears the mark ‘CIRE PERDUE A.A. HEBRARD’. H. 20.3 x W. 20.5 x D. 12.5 cm Circa 1923 Only twenty examples have been recorded to date. A certificate by Véronique Fromanger will be provided to the buyer Provenance: Cahier Hébrard inv. no. 3717, formerly in the collection of the Countess de V, Toulouse, acquired in 1923 or 1924; private collection, Marseille Bibliography: Véronique Fromanger, "Rembrandt Bugatti, Sculptor: A Monographic Catalogue: A Meteoric Career", Paris, Les éditions de l’Amateur, 2016, model listed under no. 300, p. 364.

 

Bernier/Eliades

Tindara SPARTÀ Born 1994, St Rémy, France Lives and works in Dijon, France Title work: La course des Lèvriers (01), 2026 Watercolour on plaster and wood Painting 80 x 122 x 7,5 cm Photo credits: Boris Kirpotin Education 2018 DNSEP – Diplôme National Supérieur d’Expression Plastique, Option Art, École Nationale Supérieure d’art de Dijon, France 2015 DNAP – Diplôme National d’Arts Plastiques, Option Art with honours, École Nationale Supérieure d’Art de Dijon, France Solo Exhibitions 2026 MAD HOUSE, Bernier/Eliades Gallery, Athens, Greece 2024 Coup de chien, Bernier/Eliades Gallery, Brussels, Belgium 2023 Butch’s car, Atelier White Cubi, Dijon, France 2022 Le bain – Installation and performance, Les bains du Nord, Frac Bourgogne, Dijon, France Selected Group Exhibitions 2026 Canin.e, Ateliers Vauban, hosted by Maeva Totolehibe, Besançon, France Ceux qui vacillent, Atelier White Cubi, Dijon, France 2024 Les dodos n’ont jamais froid, double show with Eva Pelzer, Saint-Nazaire Museum, Bourbon- Lancy, France 2023 Après-midi de chien, Collectif Portail, Chagny, France 2022 Y’a de l’orage, Collectif Portail, Chagny, France Y’en a un peu plus, je vous le mets quand même?, Atelier White Cubi, Dijon, France 2021 Confluents, Residence in Labastide, Artistes & Associés, Labastide Villefranche, France Des trous dans les murs, Collectif Portail Création du Collectif Portail, Chagny, France 2020 Capitale des Alentours, Chagny, France 2019 Pas besoin de constat, Chagny, France 2018 Les oiseaux ont cessés de chanter, Interface Gallery, Dijon, France 2014 Disons Dijon, Entrepôt 9, Dijon, France

 

Victor Werner

Svend Rathsack (Fredericia 1885-1941 Frederiksberg) Eve with the Serpent, 1941 Large bronze garden sculpture with natural green patina Signed with the artist's monogram, dated '1941', and inscribed 'n°1' on the base Bears the foundry mark 'Lauritz Rasmussen, broncestøber, København' H. 128 x W. 47 x D. 37 cm Provenance: Acquired by the previous owner's aunt in 1941, where it remained in a garden in Charlottenlund until 2016; subsequently inherited within the family.

 

Mearini Fine Art

Master of Torcello Venetian Master active in the second half of the XV century. Crucifix. popolar wood with polychromy. Higth cm 40 x 38 x 3,5 An exceptional masterpiece of the Venetian Renaissance, this small, carved, polychrome wooden Crucifix is ​​certainly attributable to the Master of Torcello, active in Venice in the second half of the 15th century. Work created for private use and devotion, certainly to be included in an "Altarolo", but absolutely similar to the larger known Crucifixes of the same manufacture, such as the one on the island of Torcello (Venice) in the Basilica of Santa Maria Assunta.

 

Galerie Hioco

Buste monumental de Yakshī Grès beige Inde centrale Circa IXᵉ siècle H. 50 cm

 

Francis Janssens van der Maelen

Philippr Wolfers (Brussels, 1858-1929) Evocation, 1923 Granite H 39 cm Signed by engraving on the neck 'Ph. Wolfers.' Provenance: Wolfers family, created for the renowned Gioconda ensemble Art Deco bust of a woman with hair adorned with a diadem, sculpted in stone. Philippe Wolfers’ Evocation bust, created around 1923 in granite, was part of the emblematic Gioconda ensemble, designed for the 1925 International Exhibition of Decorative Arts in Paris. With this ensemble, Wolfers sought to create a true Gesamtkunstwerk - an integrated work of art in which sculpture, furniture, architecture, and silverware engage in dialogue around a unified aesthetic vision. Gioconda was awarded the prestigious Grand Prix at the exhibition.

 

Laurent Schaubroeck

JOSÉ ZANINE CALDAS, Moveis Artisticos Z 2-21 Zeca Armchair ORIGIN: Brazil DATE: c. 1949 MATERIALS: Leather, plywood , hardware DIMENSIONS: W67 × D77 × H87 cm An early 2-21 “Zeca” armchair by José Zanine Caldas for Móveis Artísticos Z. Introduced circa 1949, the 2-21 represents the first edition of the model, before Zanine later adapted the design with Airfoam cushioning and renumbered it 2-24. Its sculptural plywood structure and leather upholstery fully represent Zanine’s pioneering approach to Brazilian modern furniture.

 

Desmet Fine Arts

Egidius Van den Vliete, called Egidio della Riviera (Mechelen, circa 1535-1602, Rome) (Workshop of) Allegory of Sleep (Morpheus, Phobetor and Phantasos, the Oneiroi of Greek myth) Rome, late 16th - early 17th century Marble H 25,4 x W 64,8 x D 59,7 cm Provenance: the Estate of Stanley Moss, New York; Related versions: Galleria Borghese, Rome, inv. n° CLXXXIV (acquired by Cardinal Scipione Borghese by 1609); Formerly Giustiniani collection, Rome; Formerly Palazzo Colonna, Rome A further group of this subject, photographed under the same title in the Palazzo Pitti, Florence

 

d'Arschot & Cie

An early German bowl Aachen, circa 1620 Johann Christoph Walch (active between 1620 and 1647) Silver ø 10.7 cm 103 gr

 

Galerie Taménaga

Pierre ROY-CAMILLE (b.1979) Ancinel 2026 Acrylique sur toile - Acrylic on canvas 182 x 99 cm Artist's studio

 

Guy Pieters Gallery

Jan Fabre (Antwerp, 1958) The Man Who Cuts the Grass, 2025 Silicon bronze 60 x 140 x 70 cm Exhibitions: Jan Fabre, The Quiet Source, Venezia, Scuola Grande di San Rocco, 9 May - 22 November 2026

 

Galerie Ary Jan

Goudji ( né en 1941 ) L'envol du cerf volant Silver 1st title, lapis lazuli, labradorite, sodalite, amphibolite Dimensions : 38 x 58 x 27 cm Provenance: Goudji

 

Galerie von Vertes

Yayoi Kusama (Matsumoto 1929-2026 Tokyo) Repetition GL.A, 1996 Collage and acrylic on canvas 41 x 31,8 cm Signed, dated and titled on the reverse Provenance: Shinwa Auction, 23 November 2014, lot 145; private collection, Japan (acquired from the above); Bonhams, Hong Kong, 11 June 2016, lot 26; Private collection, Asia (acquired from the above); Christie's, Hong Kong, 3 December 2020, lot 517; private collection, London (acquired from the above) Certificate of authenticity from the Yayoi Kusama Studio on 21 August 2012 Repetition or seriality would become her signature technique in everything that she created: 'Repetition of the same patterns, an action which stems from my disease, is applied in my writing just as it is in my artwork. Dreams and hallucinations are actually occurring. This obsessional image is what I have transformed my disease into, and is therefore, to me, irreplaceable.'

 

Finch & Co

An Exceptionally Large and Very Rare Ivory Teetotum Gambling Ball with Engraved Crown and Numbers 1 - 32 on the Faceted Sides Superb mellow colour and golden patina Early 18th Century / Circa 1710 - 20 Size: 7cm dia. Belgium CITES: 2025/BE00991/CE

 

Harold t’Kint de Roodenbeke

Jane Graverol 60 x 73 cm Oil on canvas Signed and dated 1949 Provenance Collection of his friend and artist Tom Gutt Exhibited Le surréalisme en Belgique, Musée de Mons, march-august 2007 Histoire de ne pas rire, Bozar, Bruxelles, fev-june 2024, illustrated p. 221 An important work by Jane Graverol, created in the very year she met the painter René Magritte. In it, she depicts herself as if trapped in a cage, like a bird. Yet the door is open, like a breath of freedom and hope offered to the artist.

 

Galerie Boulakia

PIERRE ALECHINSKY Fenestron V, 2012 Acrylique sur papier marouflée sur toile 60 x 50 cm 23 5/8 x 19 3/4 in Signé (en bas à gauche) Provenance Galerie Lelong, Paris Collection Privée

 

Snackers Antiques & Fine Art

Walter Pompe (Lith 1703-1777 Antwerp) Cross with ivory corpus, Antwerp 1770 Carved wood and ivory H 57,5 x W 27 x D 11 cm Signed Comes with CITES document Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings. The richly decorated Calvary features ivory bones, skull, and the snake with apple. With CITES document.

 
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