24 - UARY 31 JANUAR RUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

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Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Sceners Gallery Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Pauline Janssen

ART DECO DIAMOND BRACELET Set with old european cut diamonds. Estimated total diamond weight approximately 18.00 - 20.00 carats. Estimated centre diamond weight approximately 1.80 carats. Estimated weight of the two side diamonds approximately 1.50 carats each. Estimated total weight of the small diamonds approximately 0.75 carats. Estimated colour of the diamonds is K-L-M and estimated clarity is VS-SI. Diamonds are bright & lively. Circa 1920.

 

Guy Pieters Gallery

Pierre Alechinsky (Brussels, 1927) Paysage impressionné, 1959 Oil on canvas 205 x 289 cm

 

Spazio Nobile

Didi Ng Wing Yin (Hong Kong, 1989) Pleats Vase Cinnabar Red #19, 2026 Spruce wood, Indian ink, brushed, split, carved, ink-dyed, and finished with shellac H 56.5 x W 36.5 x D 25 cm Unique piece, signed by the artist Certificate of authenticity Literature: Didi Ng Wing Yin, The Nature of Wood, Artist Book, Spazio Nobile Editions, 2026 Exhibitions: LOEWE FOUNDATION Craft Prize finalist, Madrid, 2025; Spazio Nobile Gallery, The Nature of Wood, Solo Exhibition, Brussels, 2025; Fine Arts Asia, Hong Kong, 2026; Homo Faber, Isola di San Giorgio Maggiore, Venice, 2026

 

Véronique Bamps

Cuff bracelet by Cartier, circa 1930 Black-lacquered white gold cuff bracelet featuring two detachable platinum clips set with brilliant-cut and baguette diamonds.

 

Laurent Schaubroeck

José Zanine Caldas (Belmonte 1919-2001 Vitória) Moveis Artisticos Z 2-21 Zeca Armchair, circa 1949 Leather, plywood, hardware H 87 x W 67 x D 77 cm An early 2-21 'Zeca' armchair by José Zanine Caldas for Móveis Artísticos Z. Introduced circa 1949, the 2-21 represents the first edition of the model, before Zanine later adapted the design with Airfoam cushioning and renumbered it 2-24. Its sculptural plywood structure and leather upholstery fully represent Zanine’s pioneering approach to Brazilian modern furniture.

 

Galerie Alexis Bordes

Constant Montald (Ghent 1862-1944 Woluwe-Saint-Lambert) View of Houses in Spring, 1917 Gouache on paper laid down on cardboard 70 x 88.5 cm Signed and dated lower right 'C. Montald 17' Provenance: private collection, Belgium (acquired at public auction in 1993); private collection, France

 

The old Treasury

Faraone brooch Italy (import marks for France), 1980s 18k yellow gold, diamonds, sapphires and emeralds Circa 6 x 4 cm

 

Univers du Bronze

François-Xavier Lalanne (Agen 1927-2008 Ury) Lampe pigeon, circa 1991 Copper with patinated bronze, polished glass H 21.1 x W 26.5 x D 13.5 cm Monogramed 'FXL' on the right side of the tail, stamped 'Artcurial' and numbered '539/900' on the left side of the tail Edition produced circa 2000

 

LUDORFF

Günther Uecker (1930-2025) Kopf 1955/1956 Nails on wood Signed and dated “56” 60 × 34 × 38 cm | 23 5/8 × 13 3/8 × 14 15/16 in Registered in the Uecker Archive under number GU.56.001 and earmarked for inclusion in the forthcoming catalogue raisonné of Günther Uecker / Honisch Catalogue Raisonné 1983, No. 1 Provenance: The artist’s studio; Privat Collection Nordrhein-Westfalen (purchased directly from the artist’s family 1987-2026) Exhibitions: Galerie Ludorff, "Recent Acquisitions Fall 2026", 4. Okt. - 16. Jan., Düsseldorf 2026Kestner-Gesellschaft, "Günther Uecker", 5. Mai-18. Jun., Hannover 1972 Literature: Galerie Ludorff, "Recent Acquisitions Fall 2026", Düsseldorf 2026, S. 158; Dieter Honisch, "Günther Uecker. Werkverzeichnis", Stuttgart 1983, Nr. 1, S. 169Kestner-Gesellschaft, "Günther Uecker", Hannover 1972, Nr. 53Kunst- und Museumsverein, "Exotisches und Moderne Kunst," Wuppertal 1968, Nr. 41

 

d'Arschot & Cie

A silver chocolate pot Engraved silver and fruitwood Brussels, 1742-1745 Lambertus Millé (master in 1738) H 31.5 cm 1,258 gr

 

Repetto Gallery

Lucio Fontana (Santa Fe 1999 - 1968 Varese) Madonna col Bambino, 1953-1954 Glazed and painted terracotta: white, light blue and blue H 24.5 x W 13.5 x D 9 cm Signed on the reverse: 'L. F.' Certificate of authenticity on photograph by Fondazione Lucio Fontana, n° 2543/1 Provenance: Galleria Blu, Milan; private collection, Gorle (2543/1) Literature: L. M. Barbero, 'Catalogo ragionato delle sculture ceramiche', Tomo I, p. 212, n° 53-54 FMA 1

 

COLNAGHI

Nicolaas Struyck (Amsterdam, 1686-1769) Dragonflies and grasshoppers, circa 1719 Bodycolour and watercolour on paper 38 x 26.2 cm

 

Heutink Ikonen

‘Weep not for Me, Mother’ Russia, middle of the 17th century Egg tempera on gesso on linen-covered wood 31 x 26 cm Provenance: private collection, Belgium; Morsink Ikonen, Amsterdam Among the most moving images of Orthodox art is the icon known as ‘Weep Not for Me, Mother’. Its title is drawn from the liturgy of Holy Saturday, where Christ addresses his grieving mother from the tomb: “Weep not for Me, O Mother... for I shall arise and be glorified…” The icon depicts a moment between the crucifixion and the Resurrection: the profound silence of Holy Saturday. Christ stands or rises from the tomb, whilst the Mother of God tenderly embraces him and mourns for him. The intensity of their encounter lends the image an extraordinary emotional power. Although the scene may remind Western viewers of the Pietà, its spiritual focus is different. Whilst the Pietà centres on the grief of the Blessed Virgin, ‘Weep Not for Me, Mother’ looks forward to Easter and the promise that death does not have the final say.

 

The old Treasury

Frog brooch by Eva Segura France, circa 1980-2000 18k yellow gold, diamonds, tsavorite garnets, peridot, aquamarine, green sapphires Circa 7 x 5,5 cm

 

Brame & Lorenceau

Victor Vasarely (1908-1997) Sian, 1953-1957 Huile et crayon sur papier marouflé sur carton monté sur panneau Signé en bas au centre : Vasarely Signé, titré, daté et numéroté au dos : 031/Sian/1953-57/Vasarely 39,5 x 26 cm

 

Marjan Sterk Fine Art Jewellery

Van Cleef & Arpels Lion gold brooch, 1972 18k gold, green agates and onyx H 62 x W 43.3 mm Total weight: 37.7 gr Signed Van Cleef & Arpels Manufactured in Paris, dated and numbered Comes with the original case An eighteen carat yellow gold brooch depicting a lion with wide-spreading mane, eyes of navette cabochon-cut green agates, and a nose carved from onyx.

 

Epoque Fine Jewels

René Lalique (Ay 1860-1945 Paris) Art Nouveau dragonfly brooch, Paris circa 1903 18 k yellow gold, 'plique-à-jour' enamel and polychrome enamel, old mine cut diamonds, citrine and pearls 11.6 x 4.4 cm Signed Lalique Accompanied by its original fitted case marked R. Lalique, 40, Cours-la-Reine, Paris, monogrammed 'E.A.' An important Art Nouveau dragonfly brooch by René Lalique, in 18-karat gold, designed as two opposing dragonflies with delicate wings of translucent plique-à-jour enamel, accented with old mine-cut diamonds. At the centre, the dragonflies clasp a cushion-shaped orange citrine, their bodies and legs enhanced with polychrome enamel. Graduated pearls trace the extremities of the wings, lending the composition a graceful sense of movement and lightness, characteristic of Lalique’s jewellery at the height of the Art Nouveau period.

 

Harold t’Kint de Roodenbeke

Jane Graverol 60 x 73 cm Oil on canvas Signed and dated 1949 Provenance Collection of his friend and artist Tom Gutt Exhibited Le surréalisme en Belgique, Musée de Mons, march-august 2007 Histoire de ne pas rire, Bozar, Bruxelles, fev-june 2024, illustrated p. 221 An important work by Jane Graverol, created in the very year she met the painter René Magritte. In it, she depicts herself as if trapped in a cage, like a bird. Yet the door is open, like a breath of freedom and hope offered to the artist.

 

N. Vrouyr

Paul Haesaerts (Boom 1901-1974 Brussels) & Elisabeth de Saedeleer (Sint-Martens-Latem 1902-1972 Etikhove) Handknotted rug, circa 1920-1930 Warp and weft, cellulose, pile, wool 200 x 95 cm Signed PH and dS

 

Galerie Boulakia

Georges Mathieu Louis VII épouse Eléonore d'Aquitaine, 1958 oil on canvas 97 x 162 cm 38 3/16 x 63 3/4 in signed bottom left This artwork is referenced among the authentic artworks of the « Archives by Jean-Marie Cusinberche on Georges Mathieu ». An attestation of the « Archives by Jean-Marie Cusinberche on Georges Mathieu » will be provided to the buyer. Provenance Galerie Europe, Paris

 

Van Herck-Eykelberg

JEAN DUBUFFET (1901-1985) Personnage, 1964 India ink on paper 22 x 17.5 cm. Signed with the artist's monogram and dated Mars 64 Expositions Venise, Palazzo Grassi, Centro Internazionale delle Arti e del Costume, L'Hourloupe di Jean Dubuffet, 15 juin - 13 septembre 1964, n°48 Amsterdam, Stedelijk Museum, Jean Dubuffet: Tekeningen, gouaches, 26 novembre 1964 - 11 janvier 1965, n°192 Bâle, Kunstmuseum, Jean Dubuffet, Zeichnungen, Aquarelle, Gouachen, Collagen, 6 juin - 10 août 1970, p. 133, n°132 Bibliographie Max Loreau, Catalogue des travaux de Jean Dubuffet, Fascicule XX : L'Hourloupe I, Paris 1966, p. 139, n°283, illustré en noir et blanc Provenance Galerie Beyeler, Bâle Artel Galerie, Genève Collection particulière, France

 

Grusenmeyer-Woliner

Figure of a winged atlas Gandhara, ancient Greco-Buddhist region Pakistan or Afghanistan, 3rd-4th century Grey schist H 34.3 cm Provenance: Shirley Day, New York, 30 January 1992; collection of Martha Sharp Joukowsky, Rhode Island, USA; Christie’s, Paris, property from the Joukowsky Collection (sale), 27 September 2023

 

Francis Maere Fine Arts

Louis Van Lint (Brussels 1909–1986 Brussels) Soleil Révélateur, 1968 Oil on canvas H 148 × W 200 cm Signed and dated 'Van Lint 68'

 

Caretto & Occhinegro

Barthel Bruyn I (Cologne, 1493-1555) Portrait of Marguerite de Fourmestraux holding a carnation, circa 1530 Oil on panel Ø 25 cm Expertise by Jan de Maere The gallery is grateful to Stephan Kemperdick for confirming the authorship of the work

 

Dei Bardi Art

Daniel Mauch (Circle of) Saint Peter Upper Rhine, circa 1490
 Walnut bust 39.2 x 49.5 x 26 cm (with base) Provenance: private Rhenish collection Literature: Antlitz des Mittelalters Mittelalterliche Bildwerke aus rheinischem Privatbesitz, ed. Reinhard Karrenbrock and Claudia Lichte, with technical studies by Michael Rief and Ulrike Villwock, Rottweil/Aachen, 1999, n° 33, pp. 108–110 Exhibitions: Dominikanerforum, Rottweil, 31 October 1999-6 January 2000; Suermondt-Ludwig-Museum, Aachen, 4 March-21 May 2000

 

MassModernDesign

Jorge Zalszupin (Warschau 1922-2020 São Paulo) L'Atelier, Brazil 1960 Componivel sideboard Hardwood, metal H 69 x W 301 x D 40 cm

 

Galerie Boulakia

PIERRE ALECHINSKY Fenestron V, 2012 Acrylique sur papier marouflée sur toile 60 x 50 cm 23 5/8 x 19 3/4 in Signé (en bas à gauche) Provenance Galerie Lelong, Paris Collection Privée

 

Galerie Raf Van Severen

Elena Laverón (Spain, Ceuta, 1938) Pareja Sentada (Seating Couple), 1975 Cast bronze with dark patina H 170 x W 193 x D 116 cm Edition of 3 + 2 AP Literature: Antonio Abad, 'Elena Laverón, The flight of forms', 1987, p. 168; Juan Ibáñez Plaza (com.), 'de Elena Laverón', Roquetas de Mar (Almería), Ayuntamiento de Roquetas de Mar, 2008, p. 115; Real Academia de Bellas Artes de San Telmo de Málaga, Anuario 2016 (n° 16), Real Academia de Bellas Artes de San Telmo, 2016, p. 389; Tania Fernández de Toledo, Raya Fayad, Sotheby's France, 'UNESCO : La collection d'art', 2017, p. 431 Reference: In 1993, Pareja Sentada was installed at UNESCO's Bonvin building

 

Galerie Christophe Gaillard

Folkert de Jong Ex Voto, 2020 Candle wax, pigments, metal wire, cotton, aluminum 120 x 30 x 100 cm

 

Stems Gallery

Jane Dickson HH B-Boy Head Spin 1, 2, 3, 2016 Oil and gel on canvas 40.6 x 91.4 cm.

 
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