24 - UARY 31 JANUAR RUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Art Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize Pauline Janssen rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Sceners Gallery Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Ltd. Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Galerie Taménaga

Pierre Roy-Camille (Paris 1979) Ancinel, 2026 Acrylic on canvas 182 x 99 cm Provenance: artist's studio

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

Pablo Picasso (Malaga 1881-1973 Mougins) and Hélène Parmelin (Nancy 1915-1998 Paris) Woman portrait in 'Les Dames de Mougins', 1965 Feltpen drawing on paper 29.8 x 27 cm Copy of the doctor René Gutmann Signed and dated 'pour mon cher ami Gutmann. Diego Picasso, le 8.11.65' Provenance: Dr. René-Albert Gutmann (1885-1981); thence by descent Librairie Lardanchet, Antiquarian bookseller

 

Galerie Hioco

Akiko Hirai (Japan, Shizuoka, 1970) Moon Jar Medium 'In waxing light 3', 2026 Grès émaillé avec engobe de porcelaine H 40 x W 41 x D 41 cm

 

Véronique Bamps

Bulgari necklace, circa 1990 Necklace featuring five spheres in yellow, white, and rose gold

 

Boon Gallery

Lynn Chadwick (London 1914-2003 Lypiatt Park) High Wind, 1980 Bronze Conceived and cast in 1980, numbered n° 1/9 38 x 17 x 20.5 cm Monogramed Literature: Farr, D., 'Lynn Chadwick Sculptor : Complete Illustrated Catalogue 1947-2003', Surrey, 2014, ill. p. 344, n° 799

 

Galerie Ary Jan

Jean-Pierre Cassigneul (Paris, 1935) Profil Oil on canvas 65 x 54 cm Signed 'Cassigneul' lower left Countersigned and titled 'Profil' on the reverse Provenance: Taménaga Gallery, Japan; private collection, acquired from the gallery

 

W. Apolloni - Laocoon Gallery

Philippe Jacques Van Bree (Antwerp 1786-1871 Saint-Josse-ten-Noode) Nerva's bakery (Hommage to Raphael's Fornarina) Oil on panel 99 x 74.5 cm Signed 'P. Van Bree Rome'

 

Galerie Christophe Gaillard

Wild dreams, 1981 Black and white photo - boa feathers - neon + transfo - wooden frame - perspex - capnuts 155 x 105 x 10 cm © Liliane V.

 

LUDORFF

Otto Piene (1928-2014) Ohne Titel (Feuergouache) 1965 Gouache, fire, soot on cardboard 68 × 95.4 cm | 26 3/4 × 37 9/16 in Signed and dated "65" Provenance: Galerie Heseler, Munich (1977); Private Collection Southern Germany (1977–2026) Exhibitions: Galerie Ludorff, "Neuerwerbungen Herbst 2024", 4. Okt. - 16. Jan., Düsseldorf 2026 Literature: Galerie Ludorff, "Neuerwerbungen Herbst 2026", Düsseldorf 2026, S. 134

 

Epoque Fine Jewels

René Lalique (Ay 1860-1945 Paris) Art Nouveau dragonfly brooch, Paris circa 1903 18 k yellow gold, 'plique-à-jour' enamel and polychrome enamel, old mine cut diamonds, citrine and pearls 11.6 x 4.4 cm Signed Lalique Accompanied by its original fitted case marked R. Lalique, 40, Cours-la-Reine, Paris, monogrammed 'E.A.' An important Art Nouveau dragonfly brooch by René Lalique, in 18-karat gold, designed as two opposing dragonflies with delicate wings of translucent plique-à-jour enamel, accented with old mine-cut diamonds. At the centre, the dragonflies clasp a cushion-shaped orange citrine, their bodies and legs enhanced with polychrome enamel. Graduated pearls trace the extremities of the wings, lending the composition a graceful sense of movement and lightness, characteristic of Lalique’s jewellery at the height of the Art Nouveau period.

 

Meessen

Thu Van Tran (Ho Chi Minh City 1979) In the Fall, in the Rise, 2017-2025 Lambda printed photogram on Fujiflex paper 187 x 125 cm

 

Galerie la Ménagerie

Phyllis Mary Bone (Hornby 1894-1972 Dumfries) Dachshund, 1929 Bronze with dark brown patina H 21.5 x W 33.5 x D 10 cm Signed and dated 'Phyllis M. Bone 1929' on the base Cast with the lost wax method, no foundry mark.

 

Klaas Muller

Jan Boeckhorst (Münster 1604-1668 Antwerp) Henri IV at the Battle of Ivry, 17th century Pen and Brown ink, watercolour and gouache, heightened with whith and red wash on paper 20 x 29.1 cm In 1622, Maria de' Medici signed a contract with Rubens for two series of twenty-four paintings. The first series depicted her own life story, the other the heroic deeds of her husband: Henri IV. As was his custom, Rubens worked on this commission together with some of his pupils and assistants.  The successful king had been assassinated 12 years earlier whilst riding through Paris in an open carriage. He had brought an end to the fierce civil war between Protestants and Catholics and did not shy away from doing the heavy lifting on the battlefield himself.  What was intended to be a tribute to one of France’s bravest leaders turned out to be a damp squib. Due to turmoil at court, the series about the famous battle near Paris remained unfinished.   This dynamic and finely worked drawing captures the dramatic moment of the Battle of Ivry (1590), where King Henri IV led his forces to a decisive victory during the French Wars of Religion. Executed in pen and brown ink and enriched with watercolour and gouache, the composition is animated by vigorous movement and strong contrasts of light and shadow. The artist heightens the scene with touches of white and red wash, emphasizing the glint of armour, the energy of the horses, and the intensity of the clash. The central figure of Henri IV, mounted and illuminated, commands the composition, surrounded by swirling troops and fallen adversaries. Ethereal figures above the battlefield introduce a sense of divine favour, a motif often associated with royal propaganda of the period. Despite its relatively intimate scale, the sheet conveys remarkable grandeur and narrative force, making it a compelling example of late 16th‑ to early 17th‑century battle imagery. We are grateful to Stijn Alsteens of the Fondation Custodia for his attribution of the drawing to Jan Boeckhorst.

 

Anthony Short Antiques Ltd.

Exceptional and Very Rare 18th-Century George III Thomas Chippendale Period Mahogany Bookcase *English, circa 1770 – all original and highly authentic* An outstanding and extremely rare 18th-century George III period mahogany bookcase, in the manner of Thomas Chippendale, a true statement piece that combines refined architectural design, exceptional craftsmanship and superb, entirely original condition. The upper section is crowned by an impressive broken arch pediment above a finely carved blind fret frieze, giving the bookcase great presence and elegance. Below, a pair of beautifully panelled cupboard doors, retaining their original brass escutcheons, key and fully working lock, open to reveal generous shelving, ideal for books or treasured objects. The lower section is equally distinguished, fitted with two short and three long graduated oak lined drawers, all retaining their original swan neck brass handles. The whole is raised on classic original blocked ogee bracket feet, which, together with the original panelled oak backboards, confirm the authenticity and integrity of this important piece. Made in England circa 1770, this bookcase displays a superb, rich mahogany colour and a warm, mellow patina developed over more than two centuries. The surfaces, proportions and details are all in remarkable original condition, clearly reflecting the skill of the Georgian cabinetmaker and the careful stewardship it has enjoyed throughout its life. Bookcases of this calibre, period and originality are exceptionally scarce on the market. A very fine example of Georgian library furniture in the Chippendale tradition, this piece offers a rare opportunity to acquire a genuinely period, all authentic masterpiece that unites grandeur, elegance and practicality. A superb focal point for a drawing room, library or study, and an ideal choice for any serious collector or refined interior seeking a museum quality statement piece of outstanding 18th-century craftsmanship. Height 197cm (77.6in) Width 108cm (42.5in) Depth 54cm (21.3in)

 

Snackers Antiques & Fine Art

Walter Pompe (Lith 1703-1777 Antwerp) Cross with ivory corpus, Antwerp 1770 Carved wood and ivory H 57,5 x W 27 x D 11 cm Signed Comes with CITES document Walter Pompe was a very well-known sculptor, especially of Buxus/Palm and Ivory carvings. The richly decorated Calvary features ivory bones, skull, and the snake with apple. With CITES document.

 

N. Vrouyr

Miao Textile (Southwest China) First half 20th century Silk embroidered, mounted on a frame 153 x 103 cm

 

Dalton Somaré

Slit Drum, nedundu Uele Region, Northeastern D. R. of Congo Early 20th Century Wood with dark brown patina 122 cm x 52 cm Provenance Collection Monsieur H., (Agricultural Engineer), France, collected in situ before 1950 Thence by descendant French Private Collection Sotheby’s, Paris, Arts D’Afrique Et D’Océanie, 21 June 2017, Lot 29 Private Collection, New York

 

Desmet Fine Art

Odoardo Fantacchiotti (Rome 1809 – 1877 Florence) Musidora, Firenze 1859 Inspired by the James Thomson’s poem ‘Summer’, originally published in 1727 Marble H 167,6 x W 49 x D 49 cm Plinth: H 95,3 x D 63 cm (at base) Total height: H 262,9 cm Signed 'Per commis del meritis / ... / Odoardo Fantachiotti / Scolpiva in Firenze / l'anno 1859 Provenance: commissioned by August Belmont (1813-1890) USA; Randall family, Clarendon Court (Newport – USA) Art Loss Register: S00258863 Literature: Ricordi fotografici degli artisti contemporanei in Toscana : ‘La Musidora’(Firenze-1858); V. Lia Bernini, G. Moradei, Odoardo Fantacchiotti scultore (1811-1877): atti delle giornate di studio nel bicentenario della nascita 1811-2011, (Toscana 2021), Volume 227, pp. 37-41 Other verions: 1862, for Baron Belper, Edward Strutt (Israele collection); 1865, for the king of Portugal (Lisbon Palacio Nacional da Ajuda)

 

Maison Rapin

KAM TIN Dolmen, 2026 Dining table in Traonyx H 73 x W 230 x D 90 cm

 

d'Arschot & Cie

An early German bowl Aachen, circa 1620 Johann Christoph Walch (active between 1620 and 1647) Silver Ø 10.7 cm 103 gr

 

rodolphe janssen

Gert & Uwe Tobias (Brasov 1973) Untitled (GUT/H 3381/01), 2026 Coloured woodcut on canvas 140 x 120 cm Ed. 1/2 Provenance: artist's Studio

 

Galerie Alexis Bordes

Constant Montald (Ghent 1862-1944 Woluwe-Saint-Lambert, 1944) View of Houses in Spring, 1917 Gouache on paper laid down on cardboard 70 x 88.5 cm Signed and dated lower right 'C. Montald 17' Provenance: private collection, Belgium (acquired at public auction in 1993); private collection, France

 

Epoque Fine Jewels

A SUPERB ART DECO BRACELET BY VAN CLEEF & ARPELS A superb Art Deco platinum and diamond ‘wave’ bracelet by Van Cleef & Arpels, designed as a wide openwork band composed of sixteen stylised rolling waves, each set throughout with diamonds. Total diamond weight: approximately 30 carats. Signed Van Cleef & Arpels and numbered. Period: Art Deco, circa 1925. The rhythmic, continuous wave motif creates a strong sense of movement and symmetry, characteristic of the refined geometric elegance of the Art Deco period. The dynamic repetition of the wave forms evokes the era’s fascination with speed, progress and technological innovation, reflecting the visual language of the Machine Age, in which streamlined motion and modern engineering inspired both architecture and the decorative arts. This impression of forward movement is reinforced by the uninterrupted horizontal flow of the design, giving the bracelet a distinctly modern and energetic presence. Executed in platinum, the bracelet displays exceptional craftsmanship and meticulous stone setting, allowing maximum brilliance while preserving the lightness of the openwork structure. The scroll-like abstraction of natural forms into repeating patterns exemplifies the Art Deco ideal of transforming organic movement into elegant modern geometry.

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

James Ensor (Ostend, 1860-1949) The baths at Ostend, 1899 Etching on paper 21.3 x 26.8 cm Signed in pencil by James Ensor References: D115, Cr 115, T115 second state of two Lex Antiqua, Antiquarian bookseller

 

Galerie des Modernes

Pierre Alechinsky (Schaerbeek 1927) Signes, 1951 Oil on canvas 19,5 x 30 cm Signed lower right, countrersigned, dated and titled on stretcher A CoBrA-period work executed in May 1951 Certificate of authenticity by Myriam Prévot-Douatte, director of Galerie de France. This document bears the following handwritten note by Pierre Alechinsky: 'P. Alechinsky, who would like to be able to borrow this small painting for a forthcoming retrospective.' Provenance: Galerie de France, Paris; private Collection, France Literature: Included in the Pierre Alechinsky catalogue raisonné, currently in preparation by the artist and Frédéric Charron, under n° 110

 

COLNAGHI

Paul de Vos (Hulst 1591/92 or 1595–1678 Antwerp), Deer Hunt, oil on canvas, 201 × 331 cm.

 

Galeria Jordi Pascual

Victor Vasarely (Pecs 1908-1997 Paris) Agew, 1991 Acrylic on canvas 120 x 120 cm Certificate of authenticity from Michèle-Catherine Vasarely Provenance: private collection, Bergamo

 

Cabinet of Curiosities

Aldo Cipullo necklace by Cartier New York, 1971 18 k gold, carnelian and onyx

 

Rueb Modern and Contemporary Art

Jan Sluijters (Hertogenbosch 1881-1957 Amsterdam) Greet van Kooten with headband, 1910 Oil on canvas 35,5 x 42 cm Signed and dated Provenance: Collection Salomon Beffie, Amsterdam; collection Willem Beffie, New York; Galerie van Voorst van Beest, The Hague; collection Reens, Amsterdam; collection A.J. van Hillegondsberg, Blaricum; private collection, Amsterdam Literature: On-line Catalogue Raisonné Jan Sluiters-www.rks.nl/images/100130 Exhibition: The Hague, Pulchri Studio, Paintings, drawings and pointes-sèches of Jan Sluijters and Lodewijk, Schelfhout, 3 July - 25 July 1915 n° 40

 

Van Pruissen Asian Art

Tomioka Soichiro (Jōetsu 1922-1994 Tokyo) Oilpainting 'Fireworks', Showa period (1926-1989) Oil on canvas 32 x 42 cm Signed Soichiro Tomioka Provenance: private collection, Japan

 
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