24 - UARY 31 JANUAR RUARY 2027

BRUSSELS EXPO | HEYSEL

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Artworks

This section will be available this Autumn.

Galleries
Galleries Galerie bei der Albertina ▪ Zetter Franck Anelli Fine Art W. Apolloni - Laocoon Gallery Argento Gallery Ars Antiqua d'Arschot & Cie Artimo Fine Arts Galerie Ary Jan Galerie BA - Berthet Aittouarès HELENE BAILLY MARCILHAC Véronique Bamps Galleria Barovier&Toso F. Baulme Fine Arts Beck & Eggeling International Fine Art Galerie Berès Bernardini Milano Bernier/Eliades Galeria Bessa Pereira Galerie BG Arts Boon Gallery Galerie Alexis Bordes Bernard Bouisset Galerie Boulakia Galerie Nicolas Bourriaud Brame & Lorenceau Brun Fine Art Burzio Cabinet of Curiosities - Honourable Silver Objects Galerie Capazza Caretto & Occhinegro Guillaume Castellano Galerie Jean-François Cazeau Galerie Cento Anni Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM) CKS Gallery Collectors Gallery COLNAGHI Costermans Couck Art Gallery Dalton Somaré De Brock De Jonckheere Galerie Oscar De Vos De Wit Fine Tapestries De Zutter Art Gallery Dei Bardi Art Thomas Deprez Fine Arts Patrick Derom Gallery Desmet Fine Arts Virginie Devillez Fine Art DIE GALERIE Douwes Fine Art b.v. Epoque Fine Jewels Finch & Co Galerie Flak A&R Fleury Galerie Christophe Gaillard Galerie des Modernes Grusenmeyer-Woliner Galerie Hadjer Galerie Haesaerts-le Grelle Heutink Ikonen Galerie Hioco Huberty & Breyne Galerie Hurtebize rodolphe janssen Francis Janssens van der Maelen Kunsthaus Kende Harold t’Kint de Roodenbeke Florian Kolhammer Labellov Alexis Lartigue Lemaire Galerie Lowet de Wotrenge LUDORFF Francis Maere Fine Arts Maison D'Art Martos Gallery MARUANI MERCIER MassModernDesign Galerie Mathivet Mearini Fine Art Galerie Greta Meert Meessen Galerie la Ménagerie Mulier Mulier Gallery Jan Muller Antiques Klaas Muller NARDI VENEZIA Nosbaum Reding Dr. Nöth kunsthandel Objects With Narratives Opera Gallery Galeria Jordi Pascual Galerie La Patinoire Royale Bach Pauline's Jewellery Box Pelgrims de Bigard Galerie Alexis Pentcheff Christophe Perlès Galerie Perrin Guy Pieters Gallery Gallery de Potter d’Indoye Galerie de la Présidence Van Pruissen Asian Art Maison Rapin Almine Rech Stéphane Renard Fine Art Repetto Gallery robertaebasta Rueb Modern and Contemporary Art Laurent Schaubroeck Serge Schoffel - Art Premier Segoura Fine Art Anthony Short Antiques Edouard Simoens Gallery Herwig Simons Fine Arts Snackers Antiques & Fine Art Spazio Nobile Gallery Stems Gallery Marjan Sterk Fine Art Jewellery Stern Pissarro Gallery Stone Gallery Stoppenbach & Delestre Galerie Taménaga TASCHEN TEMPLON Galerie Tiago The old Treasury Galerie Patrice Trigano unforget Decorative Arts Univers du Bronze Galerie Uzal Vagabond Antiques Gallery Sofie Van de Velde Van Herck-Eykelberg Galerie Raf Van Severen Samuel Vanhoegaerden Gallery Maurice Verbaet Collection (MVC) Verdini Antiques Galerie von Vertes Axel Vervoordt VKD Jewels Galerie Florence de Voldère N. Vrouyr Waddington Custot Floris van Wanroij Fine Art Galerie Watteeu by Edouard & Andrea de Caters Victor Werner WHITFORD Willow Gallery
 

Edouard Simoens Gallery

Pierre Alechinsky Le trou du souffleur , 1997 Signed and dated on the back Acryl and ink on paper laid on canvas 146 x 113 cm 57 1/2 x 44 1/2 in Provenance "Pierre Alechinsky: Olie, acryl, aquarel, ets, litho..." Atelier 22, Schilde 2004 Literature/Press Wordt opgenomen in de oeuvrecatalogus in voorbereiding door de heer Frédéric Charron onder nr. 3216

 

Véronique Bamps

Bamboo earrings by Cartier Yellow gold set with diamonds Signed Cartier Paris and numbered

 

Repetto Gallery

Artist: Carla Accardi (1924 - 2014) Title: Carminio su tela grezza Dates: 1997 Medium: Vinyl on raw canvas Dimensions: 50 × 70 cm Signature: Signed lower right; signed, titled, dated and archive number on the reverse Certificate of authenticity on b/w photograph signed by the artist, no. 18/98. Registered at Studio Accardi, Rome, archive no. 629A Provenance: Soffiantino Arte Contemporanea, Turin Private collection Literature: Germano Celant (edited by), "Carla Accardi. Catalogo ragionato", (Charta, Milano) 1999, p. 419, n. 1997 62 (B&N), ill.

 

Galerie Hioco

Bodhisattva debout Schiste Ancienne région du Gandhāra IIe-IIIe siècle H. 92 cm Provenance : Collection privée, Autriche, acquis en 1994.

 

d'Arschot & Cie

A Belgian silver chocolate pot Brussels, 1742–1745 Lambertus Millé (master in 1738) Engraved silver and fruitwood H : 31.5 cm 1,258 gr

 

Dr. Nöth kunsthandel

Armand Guillaumin (Paris 1841-1927 Orly) Bords de l'Orge à Epinay, 1890 Oil on canvas 81 x 65 cm Signed lower right Certificate of authenticity from the Comité Guillaumin. This work will be included in the second volume of the forthcoming catalogue raisonné currently in preparation. Provenance: Galerie Durand-Ruel, Paris; Clara de Plessis Whelan, New York; Sale Parke-Bernet Galleries, New York, 7th Nov 1946, lot 65; Mr. Jussaume, Buenos Aires; Mr. Foret, Buenos Aires; private collection , France (acquired from the above in 1956); Christie's London 7 Febuary 2001, lot 127; private collection, Texas

 

Gallery Sofie Van de Velde

Victor Servranckx (1897 Diegem BE – 1965 Vilvoorde BE) Opus 20, (Calm Blocks Fallen from an Obscure Disaster), 1927 Signed and dated lower left: SERVRANCKX 1927 Oil on canvas 146 × 81 cm Thanks to a photograph showing the artist during his solo exhibition at the Palais des Beaux-Arts (Brussels) in January 1929, we know that the painting was exhibited there. Félix Carlier acquired the work at the group exhibition (featuring works by De Boeck, Flouquet, Gailliard, and Servranckx) at Galerie Le Centaure in Brussels in 1929. Provenance: Félix Carlier, Waermael-Boisfort (purchased from Galerie Le Centaure, Brussels, 1929) Galerie J.-P. Alaerts, Brussels London, Christie’s, 16 October 1990, lot no. 61 (illus.) Lokeren, De Vuyst, 6 October 2001, lot no. 489 Private collection, Brussels Galerie Ronny Van de Velde, Antwerp Exhibitions: Brussels, Palais des Beaux-Arts, 1929 (no catalogue) Brussels, Galerie Le Centaure, Exhibition De Boeck, Flouquet, Gailliard, Servranckx, 1929, no. 33 Brussels, Palais des Beaux-Arts, 1947, no. 45 “146 × 92 cm” Brussels, Musée d’Ixelles/Museum van Elsene, Retrospective Le Centaure. Homage to Walter Schwarzenberg, 1963, no. 117 Brussels, Musée d’Ixelles/Museum van Elsene, 1965, no. 107 Hasselt, Provinciaal Begijnhof, 1970, no. 57 (illus.) Literature: La Nation belge (Brussels), 12th year, no. 48, 17 February 1929, p. 3 (illus.) Le Peuple (Brussels), 5th year, no. 48, 17 February 1929, p. 1 (illus.)

 

Galerie bei der Albertina ▪ Zetter

Vally Wieselthier Female Head with Green Flower, 1928 Manufactured by the Wiener Werkstätte, model n° 494 Red pottery, polychrome glaze H 28.5 cm, W 13.5 cm, D 14.5 cm Marks: monogram VW, WW, MADE IN AUSTRIA, 494, I Hörmann WV-K 587 Minor chips professionnally restored Exhibitions: Kaiserslautern, Museum Pfalzgalerie, "Vally Wieselthier - Golden Girls No. 2", 2022/23 New York, Austrian Cultural Forum, Vally Wieselthier, Sculpting Modernism, 15. 10. 25 - 09. 02. 26 Literature: cf WW-Archives, MAK Vienna, Photo-Archives WWF 110-42-3 cf Marianne Hörmann, Vally Wieselthier, Wien 1999, ill. p. 165, no 77f and p. 286, WV-K 587

 

N. Vrouyr

Paul Haesaerts (Boom 1901-1974 Brussels) & Elisabeth de Saedeleer (Sint-Martens-Latem 1902-1972 Etikhove) Handknotted rug, circa 1920-1930 Warp and weft, cellulose, pile, wool 200 x 95 cm Signed PH and dS

 

Galerie Lowet de Wotrenge

CIRCLE OF CHRISTOPH DANIEL SCHENCK (SOUTH GERMAN, LATE 17TH CENTURY) A RARE MINIATURE CRUCIFIXION STAND ON A MEMENTO MORI SKULL AND BONES boxwood and fruitwood height 14 cm PROVENANCE Private collection, UK.

 

Meessen

Claudio Parmiggiani Senza titolo, 2018 Smoke and soot on wood 150 x 115 cm

 

Galleria Barovier&Toso

Fabrizio Plessi Bottle Sculpture, 2025 Signed by the artist 'Plessi' Murano glass by Galleria Barovier&Toso 33 x 12 cm 13 x 4 3/4 in

 

Guillaume Castellano

Zōchōten, Guardian King of the South Japan, Kamakura period, 14th century Wood with inlaid crystal eyes H 37 cm Provenance: Japanese private collection

 

Willow Gallery

Georges Mathieu (Boulogne-sur-Mer 1921-2012 Boulogne-Billancourt) Forêts attentives, 1989 Alkyd on canvas 147 x 115cm Signed and inscribed on the reverse Provenance: Galerie Guy Pieters, Brussels; private collection, Brussels; private collection, Savoie; sale, Maison R&C, France, 17 July 2021, Lot 93; private collection, Europe This painting is accompanied by a certificate of authenticity from Mr. Jean-Marie Cusinberche

 

Galerie de la Présidence

Geer van Velde (Lisse 1898-1977 Cachan) Composition, circa 1953 Oil on canvas 81 x 100 cm Signed with the initials 'GvV' lower right Signed on the reverse 'G. van Velde' Provenance: collection Michel Guy, Paris; private colletion, Paris; private collection, France Certificate of authenticity from Pierre François Moget. This work will be included in the forthcoming Catalogue Raisonné of Geer van Velde Painted Work currently in preparation by Pierre François Moget son of Piet Moget, under the n°118 059.

 

Galerie Uzal

Josuë Dupon (Belgian 1864 - 1935) Pair of groups 'Panther and Serpent' Circa 1900 Bronze, rich brown patina and ivory on one Griotte marble and one faux-marble base Signature : ‘Josuë Dupon' Foundry mark : 'F. van Aerschodt Fondeur' Height bronze 114,5 - Width 104 cm (Both) CITES document available for both sculpture No restoration

 

Galleria Barovier&Toso

Peter Kogler Untitled ('Filigrana', large), 2025-2026 Signed by the artist 'Peter Kogler 2026' Murano glass by Galleria Barovier&Toso 37 x 14 cm 14 5/8 x 5 1/2 in (PK008)

 

Galerie Hurtebize

Maurice Utrillo (Paris 1883-1955 Dax) Commune de Maixe (Meurthe-et-Moselle), 1924 Oil on canvas 98,4 x 131,3 cm Signed and dated lower left Certificate by Hélène Bruneau, President of the Utrillo-Valadon Committee Provenance : private collection, France Literature : P. Pétridès, L’Œuvre complet de Maurice Utrillo, Paris, 1974, vol V, p. 238, n° 2720 (ill. p.239)

 

Dei Bardi Art

Saint Peter Circle of Daniel Mauch
 Upper Rhine, circa 1490
 Walnut bust 39,2 x 49,5 x 26 cm (with base) Provenance: private Rhenish collection Literature: Antlitz des Mittelalters Mittelalterliche Bildwerke aus rheinischem Privatbesitz, ed. Reinhard Karrenbrock and Claudia Lichte, with technical studies by Michael Rief and Ulrike Villwock, Rottweil/Aachen, 1999, n° 33, pp. 108–110 Exhibitions: Dominikanerforum, Rottweil, 31 October 1999 – 6 January 2000; Suermondt-Ludwig-Museum, Aachen, 4 March – 21 May 2000

 

De Zutter Art Gallery

Corneille "le montagnard" 1950 oil on canvas 36/46 cm Collection Janssen CoBrA expositie Museum voor schone kunsten Brussel 2008/2009 "CoBrA, La clouleur spontanée" Le mans, Musée de Tessé 2017/2018 and Musée de Pont Aven 2018

 

Chambre professionnelle belge de la Librairie Ancienne et Moderne (CLAM)

James Ensor (Ostend, 1860-1949) The baths at Ostend, 1899 Etching on paper 21,3 x 26,8 cm Signed in pencil by James Ensor References: D115, Cr 115, T115 second state of two Lex Antiqua, Antiquarian bookseller

 

Almine Rech

Farah Atassi (Brussels, 1981) The Shadow, 2026 Oil on canvas 195,3 x 114,3 cm Signed and dated on the back Provenance: artist's studio Exhibitions: Farah Atassi, 'Metamorphosis', 26 June - 31 July 2026, Almine Rech New York 'The Shadow' comes from a recent body of work in which Farah Atassi explored themes of metamorphosis and freedom. The central figure is a chimeric half woman-half flower that appears to flourish before our very eyes. Daphne– the nymph turned into a laurel tree to escape the god Apollo– comes to mind, a representation of transformation and transcendence. In 'The Shadow' the flower woman is organic, yet sculptural, retaining a distinct humanity that the artist has simplified, symbolised. While the composition is dreamlike and ethereal, a bold shadow brings a touch of realism, anchoring the twisting form to the pictorial plane. This work is a painting within a painting, a formal choice that allows Atassi to contrast two distinct realms while also interrogating the metamorphic potential of art. Notes of Magritte’s uncanny, atmospheric beauty emerge as the flower woman in 'The Shadow' is captured in the act of liberating herself from a canvas, striking out into the rosy dawn.

 

Galerie Jean-François Cazeau

Niki de Saint Phalle (1930-2002) La Force (Strenght), 1987 Painted polyester resin 35 x 53,3 x 29,2 cm Edition of 10, numbered 3/10 Artist's signature and number '3/10 Niki de Saint Phalle' (on a plaque fixed at the bottom) Provenance: artist's studio; Gallery Gimpel Fils, Londres; private collection, acquired in 1989; private collection, France

 

Galerie Lowet de Wotrenge

ROELANDT SAVERY (KORTRIJK 1576 - 1639 UTRECHT) A BULL oil on panel 21 x 28,5 cm signed 'ROELANDT SAVERY FE.', lower right PROVENANCE Private collection, France.

 

DIE GALERIE

Christian Dotremont (1922 Tervuren 1979 Buizingen, Halle) Zyzzling aardvark 1972 Indian ink on Japanese paper 98 x 61 cm Signed and dated lower right 'Dotremont 1972, entitled lower left 'Zyzzling aardvark' Provenance: Private collection Exhibitions: Pierre Alechinsky and his artist friends, DIE GALERIE, Frankfurt am Main 2025

 

Meessen

mountaincutters Node-Venus, 2026 Copper, glass 37 x 40 x 12 cm Unique artwork

 

MassModernDesign

Jorge Zalszupin & Julio Katinsky L'Atelier, Brazil 1959 Coffee table Hardwood, glass 25h 140w 80d

 

Marjan Sterk Fine Art Jewellery

A pair of eighteen carat yellow gold and oxidized copper earrings, each comprising a coral button on the ear, suspending a tassel of numerous strands of coral, mounted in a cap pavé-set with pink sapphires. Signed Hemmerle, made in Munich.

 

Univers du Bronze

François-Xavier LALANNE (1927-2008) LAMPE PIGEON (Circa 1991) Copper with patinated bronze, polished glass H : 21.1 cm, L : 26.5 cm, D : 13.5 cm Monogramed "FXL" on the right side of the tail, stamped "Artcurial" and numbered "539/900" on the left side of the tail. Circa 2000

 

Galerie Hioco

Akiko Hirai Moon Jar Medium “In waxing light 3” Grès émaillé avec engobe de porcelaine D. 40 x 41 x 41 cm 2026

 
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