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Pauline Janssen
EDWARDIAN DIAMOND & CEYLON NO HEAT SAPPHIRE TIARA BY KREUTER Set with old cut and rose cut diamonds and faceted sapphires. Estimated centre diamond weight approximately 3.70 carats. Estimated total diamond weight approximately 20.00 carats. Estimated centre sapphire weight approximately 6.50 carats. Estimated total sapphire weight approximately 12.00 carats. The sapphires are of Ceylon origin with no indications of heat treatment. Diamonds are bright & lively. Mounted in platinum. German work by Friedrich Kreuter for Koch. Circa 1911. Weight 61.5 gr. Accompanied by a CGL laboratory certificate. Accompanied by the original fitted box.
Harold t’Kint de Roodenbeke
Jane Graverol 60 x 73 cm Oil on canvas Signed and dated 1949 Provenance Collection of his friend and artist Tom Gutt Exhibited Le surréalisme en Belgique, Musée de Mons, march-august 2007 Histoire de ne pas rire, Bozar, Bruxelles, fev-june 2024, illustrated p. 221 An important work by Jane Graverol, created in the very year she met the painter René Magritte. In it, she depicts herself as if trapped in a cage, like a bird. Yet the door is open, like a breath of freedom and hope offered to the artist.
Galerie Hadjer
FERNAND LÉGER (Argentan 1881-1955 Gif-sur-Yvette) Les Oiseaux dans les fleurs (mural composition), 1958 Aubusson tapestry, woven in wool 189 x 265 cm Signed 'F. LÉGER' Woven by the Pinton workshop, Aubusson, France Edition of 6 + 2 AP Accompanied by a certificate from the Comité Fernand Léger Provenance: atelier Pinton, Aubusson, France; private collection, London Exhibitions: F. Léger, tapisseries, céramiques, bronzes, lithographies, Palais de la Méditerranée, Nice, 20 July - 30 September 1962; F. Léger et les arts décoratifs, Biot & Aubusson, 2002-2003; Literature: F. Léger et les arts décoratifs, exhibition catalogue, Biot & Aubusson, 2002-2003, another example from the edition ill. p. 34; Georges Bauquier, Fernand Léger, Catalogue raisonné de l’œuvre peint, 1952-1953, Paris, 2013, n° 1492, the related painted version ill. p. 57.
Waddington Custot
Barry Flanagan (1941–2009) Large Troubador, 2004 bronze 72 7/8 x 55 1/8 x 44 7/8 in / 185 x 140 x 114 cm (cast 2019) AC2 from an edition of 8 plus 3 ACs stamped with the artist’s monogram, casting date and edition number ‘f-/19 AC 2/3’ and foundry mark PROVENANCE Plubronze Limited (The Estate of Barry Flanagan) EXHIBITED ‘Barry Flanagan: Sculpture 1965–2005’, Irish Museum of Modern Art, Dublin, in collaboration with Dublin City Gallery The Hugh Lane, 28 June–24 September 2006, catalogue p.160 (repro. in colour) (3/8 exhibited) ‘Barry Flanagan: Sculpture’, Paul Kasmin Gallery, New York, 23 February–31 March 2007 (3/8 exhibited) ‘Barry Flanagan: Sculptures 2001–2008’, Waddington Galleries, London, 30 April–23 May 2008, catalogue no.7 (repro. in colour p.[23]; detail pp.[18–19]) (4/8 exhibited) ‘Beyond Limits’, Chatsworth House, Bakewell, Derbyshire, 7 September–28 October 2012 (AC1/3 exhibited) ‘Barry Flanagan’, IKON, Birmingham, 18 September–24 November 2019 (repro. in colour in catalogue on p.2–3, 5, 88) (another edition exhibited outside) ‘Mayfair Sculpture Trail’, London, 1–31 October 2020, catalogue no.8 (repro. in colour p.41) (AC2/3 exhibited) LITERATURE Paintings, Sculpture and Works on Paper, Waddington Galleries, London, 2004, no.29 (repro. in colour p.63) (1/8 catalogued) Barry Flanagan, Clare Preston (ed.), Jo Melvin, Teresa Gleadowe, Mel Gooding and Bruce McLean, Waddington Custot in association with The Estate of Barry Flanagan, London, 2017 (repro. in colour pl.137)
LUDORFF
Heinz Mack (*1931) Karo-Stele 1987 Aluminium, geprägt and silberfarben eloxiert 188 × 25 × 25 cm | 74 × 9 13/16 × 9 13/16 in Catalogue Raisonné by Rüth 2003 no. 1191 B Provenance: The artist’s studio; Galerie Heinz Holtmann, Cologne (1987); Private Collection Cologne (1987–2026) Exhibitions: Galerie Ludorff, "Neuerwerbungen Herbst 2026", 4. Okt. - 16. Jan., Düsseldorf 2026 Literature: Galerie Ludorff, "Neuerwerbungen Herbst 2026", Düsseldorf 2026, S. 92Uwe Rüth, "Mack. Skulpturen 1986-2003", Mönchengladbach, 2003, Nr. 1191 B
Gallery de Potter d’Indoye
Empire chandelier, circa 1810 Crystal, chiseled and gilded bronze H 117 cm - ⌀ 81 cm Chandelier with 18 lights in crystal and finely chiseled and gilded bronze. It is composed of two circles of fillets bordering a frieze of laurels and flowerets separated by eight arrows, joined at the centre by a blue enameled globe and scattered with gilt stars. The basket ends with a rose and a seed-shaped knob. A panache and small palm leaves crown the chandelier from which hang garlands of crystals. Crystal: by Ladoupède du Fougerais, entrepreneur and owner of the Manufacture de cristal du Mont-Cenis de leurs Majestés Impériales et Royales. Ladoupède du Fougerais delivered a very similar chandelier with 16 lights on 24 April 1810, for the small salon of the apartments of the Empress at the Petit Trianon in Versailles. This chandelier is illustrated in 'Versailles, le Petit Trianon', by Denise Ledoux-Lebard, published by Editions de l'Amateur, 1989, р. 95, n° 6l.
Willow Gallery
André Lhote (Bordeaux 1885-1962 PAris) Pique-nique à Mirmande, 1939 Oil on paper, laid down on canvas 106 x 127 cm Signed lower right Provenance: Simone Lhote, Paris (wife of the artist); Suzanne Bermann, Paris (by descent from the above); Soufer Gallery, New York (acquired from the above, 1988); Acquired from the above by the late owner, March 1991; private collection, Chicago This work is accompanied by a certificate of authenticity from Dominique Bermann Martin and will be included in the forthcoming Lhote catalogue raisonné currently in preparation. Exhibition: New York, Soufer Gallery, André Lhote: Cubism and Later Periods, April-May 1988 (ill. in colour; dated 1927)
W. Apolloni - Laocoon Gallery
Leoncillo Leonardi (Spoleto 1915-1968 Rome) Plate with abstract design, circa 1950 Glazed ceramic Ø 28 cm Signed below on the edge 'Leoncillo' Literature: M. F. Apolloni, M. Cardarelli (edited by), Leoncillo - Le Ceramiche, Rome 2018 Exhibition: Leoncillo: Earth, Fire and Colours. A retrospective exhibition 1939-1955
Galerie Uzal
Josuë Dupon (Ichtegem 1864-1935 Antwerp) Pair of groups 'Panther and Serpent', circa 1900 Bronze, rich brown patina and ivory on one Griotte marble and one faux-marble base H 114.5 x W 104 cm Signed ‘Josuë Dupon' and bears foundry mark 'F. van Aerschodt Fondeur' Provided with the CITES document for both sculptures
Heutink Ikonen
Two angels of the Lord Central Russia, ca. 1800 diam. 44 cm Provenance: private collection, Germany This remarkable icon depicts two angels, each holding a ripidion – a ceremonial liturgical fan symbolising the constant presence of the seraphim around the altar, which is used during processions and other solemn occasions in the Eastern liturgy. Given its distinctive shape and subject, it is likely that the icon formed part of a church iconostasis, where it would probably have been positioned to the right of the royal doors, which provided access to the altar area.
Argento Gallery
Portrait of a family in a wood, circa 1660 Master of the portrait of the Van Collen family Oil on canvas 95 x 108 cm Provenance: sale of the collection of Dr F. Koser, Keller & Reiner, Berlin, 6-7 March 1906, lot 87; private collection, Stockholm, 1938; sale, Bukowski, Stockholm, 19 April 1961, lot 136, ill. as Ferdinand Bol, signed and dated 1666; private collection. Literature: Bukowskis, 100 Years, 1870–1970, Stockholm, 1970, pp. 36–37, ill. as Ferdinand Bol; Albert Blankert, Ferdinand Bol (1616-1680): Rembrandt’s Pupil, 1982, pp. 191–192, n° R276 (attribution to Bol rejected). Attributed to the unidentified artist known as the Master of the portrait of the Van Collen family, who also painted the portrait of Jeremias van Collen, Susanna van Uffelen and their children in the Rijksmuseum, Amsterdam. Probably painted around 1660, the present work shows the influence of Jan Mijtens in its arrangement of the family within a wooded landscape.
Edouard Simoens Gallery
Pierre Alechinsky Le trou du souffleur , 1997 Signed and dated on the back Acryl and ink on paper laid on canvas 146 x 113 cm 57 1/2 x 44 1/2 in Provenance "Pierre Alechinsky: Olie, acryl, aquarel, ets, litho..." Atelier 22, Schilde 2004 Literature/Press Wordt opgenomen in de oeuvrecatalogus in voorbereiding door de heer Frédéric Charron onder nr. 3216
LUDORFF
Günther Uecker (1930-2025) Kopf 1955/1956 Nails on wood Signed and dated “56” 60 × 34 × 38 cm | 23 5/8 × 13 3/8 × 14 15/16 in Registered in the Uecker Archive under number GU.56.001 and earmarked for inclusion in the forthcoming catalogue raisonné of Günther Uecker / Honisch Catalogue Raisonné 1983, No. 1 Provenance: The artist’s studio; Privat Collection Nordrhein-Westfalen (purchased directly from the artist’s family 1987-2026) Exhibitions: Galerie Ludorff, "Recent Acquisitions Fall 2026", 4. Okt. - 16. Jan., Düsseldorf 2026Kestner-Gesellschaft, "Günther Uecker", 5. Mai-18. Jun., Hannover 1972 Literature: Galerie Ludorff, "Recent Acquisitions Fall 2026", Düsseldorf 2026, S. 158; Dieter Honisch, "Günther Uecker. Werkverzeichnis", Stuttgart 1983, Nr. 1, S. 169Kestner-Gesellschaft, "Günther Uecker", Hannover 1972, Nr. 53Kunst- und Museumsverein, "Exotisches und Moderne Kunst," Wuppertal 1968, Nr. 41
Galerie Perrin
Eduard Gaertner (Berlin 1801-1877 Flecken Zechlin) Rue Neuve, Notre Dame in Paris, 1826 Oil on canvas 44 x 34.5 cm (unframed) 65 x 54 cm (framed) Signed, located and dated lower right 'E. Gaertner fec / Paris 1826' Provenance: Jérôme Carcopino collection; thence by descent (in the same family)