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Gallery Desmet
Two fragments of a wooden sarcophagus corner post of the Priest Horudja re-united after 50 years Wood Egypt, late Dynastic period, 26th Dynasty, circa 664-525 B.C. H 92 x W 15 x D 5.5 cm Provenance: Fragment A: Chakib Slatine, Paris (acquired 1975); private collection, Paris (acquired 1977). Fragment B: Chakib Slatine, Paris (acquired 1975); private collection, Paris (acquired 1977); Ede Gallery, London (of which acquired in 2020) Art Loss Register Ref: S00238635 & S00238636
Epoque Fine Jewels
rené lalique
an impressive art nouveau gold, diamond, enamel and glass choker necklace by rené lalique
An impressive Art Nouveau gold, diamond, enamel and glass choker necklace by René Lalique, consisting of six pentagonal plaques made from molded amber-colored glass, each adorned with two intertwined thistle flowers facing outward, topped by three yellow enamel rods. Flanking the plaques are long curved thorns, set with diamonds and accented with yellow and brown enamel. Between the thorns are small thistle flower motifs in molded orange glass, enhanced with diamonds. The piece is housed in its original case, marked ‘Lalique, Place Vendôme 24, Paris’. Signed: Lalique. Period: Paris, circa 1905.
Almine Rech
vivian springford
untitled
Vivian Springford (USA, Wisconsin 1913-2003 New York) Detail of 'Untitled', c. 1973 Acrylic on canvas 182.9 x 183.5 cm Provenance: Estate of the Artist Exhibition: Almine Rech, 'Gesture & Form: Women in Abstraction', May 3 — Jun 15, 2024, New York, Upper East Side Vivian Springford’s 'Untitled', c. 1973 encapsulates the American painter’s expressive, vibrant style. During the late 1960s, Springford had come into her own as an artist. She had developed a signature visual vocabulary and a technique of stain painting to go with it, working with thinned paint to create kaleidoscopic, gestural works.
Floris van Wanroij Fine Art
jan josefsz. van goyen
Jan Josefsz. van Goyen (Leiden 1596-1656 The Hague) Winter landscape with skaters, elegant figures and kolf players on the ice in a village Oil on panel 13.6 x 26.8 cm Signed and indistinctly dated lower left ‘I.V. GOYEN. 162.‘ Provenance: anonymous sale, Drouot, Paris, 21 March 1874, lot 23 (Frs. 510), erroneously as a pendant to the consecutive lot; Collection Comte de Camondo, Galerie Georges Petit, Paris, 1 February 1893, Lot 6 (Frs. 1.700), were acquired by W. Gretor; anonymous sale, Drouot, Paris, 18 February 1895, Lot 13 (Frs. 750), were acquired by Lange; Collection G. Forbes, London (according to Dayot and Hofstede de Groot); Sale Jules Cronier, Galerie Georges Petit, Paris, 11 March 1908, Lot 88 (Frs. 1,200); With Kleinberger, Paris; Collection Eugène Max, Paris, from 1911 to 1927; Grange, Paris; Private collection Paris, from 1965; Anonymous sale, Sotheby’s, London, 1 March 1992, lot 36 (£ 101,200); John Mitchell, London, from 1993; Anonymous sale, Christie’s, Amsterdam, 20 November 2012, lot nr. 68 (211.000 Euro); Johnny van Haetfen Ltd., London, from 2014 (ref. VP4577), were acquired from the previous owner; Private collection, The Netherlands Literature: Dayot, A. (1911). Grands & petits maîtres hollandais, exhibition publication. Paris, nr. 42; Martin, W. (1918). Alt-Holländische Bilder. Berlin, p. 51, fig. 25; Hofstede de Groot, C. (1927). A catalogue raisonné of the works of the most eminent Dutch painters of the seventeenth century. London, Vol. VIII, p. 294, nr. 1170; Beck, H.-U. (1972). Jan van Goyen 1597-1656. Amsterdam, Vol. II, p. 46, nr. 88 (illustrated, erroneously as a pendant to nr. 244) Exhibitions: Paris, Salle du Jeu de Paume, Grands & petits maîtres hollandais, 28 April-10 July 1911, n° 40 bis TEFAF Maastricht, 2014
Guy Pieters Gallery
yves klein
Yves Klein (Nice 1928-1962 Paris) La Terre Bleue, 1957 IKB Pigment H 41 cm x Ø 29 cm Provenance: Galerie Bonnier, Geneva; private collection, Sweden Literature: P. Wember, Yves Klein, Cologne, 1969, p. 109, n° RP7 (another example ill.); P. Restany, Yves Klein, New York, 1982, p. 226 (another example ill.); J.P. Ledeur, Yves Klein: Catalogue of Editions and Sculptures Edited, Belgium, 1999, p. 242 (another example ill.); N. Charlet, Yves Klein, Paris, 2000, p. 230 (another example ill.); H. Weitemeier, Yves Klein: International Klein Blue, Cologne, 2001, p. 83 (another example ill.) Exhibitions: Paris, Centre Georges Pompidou Musée National d'Art Moderne, Yves Klein, March-May 1983, p. 109, n° 56 (another example exh.); Nice, Musée d'Art Moderne et d'Art Contemporain and Museo Pecci Prato, Yves Klein: Long Live the Immaterial!, April 2000-January 2001, p. 184 (another example exh. and ill.); Musée des Beaux-Arts d'Angers, Marie Raymond, Yves Klein, November 2004-February 2005, p. 190 (another example exh. and ill.)
unforget Decorative Arts
ado chale
Ado Chale (Brussels, 1928-2025) Dining table, circa 1970 Resin top inlaid with carnelian agate stones H 71.5 cm - Ø 173 cm This work is accompanied by a certificate of authenticity issued by Ado Chale This table features a backlit tabletop that enhances its sculptural presence and creates a refined play of light and shadow.
Brame & Lorenceau
julio gonzález
Julio González (Spain, Barcelona 1876-1942 Arcueil, France) Personnage au cornet, 1937 China ink and colored pencil on paper 29 x 21 cm Signed and dated lower center Provenance: private collection Literature: J. Gibert, 'Catalogue raisonné des dessins de Julio González, Projets pour sculptures personnages', Paris, 1975, vol. 9, p. 47 (ill.) Exhibition: New York, The Museum of Modern Art, Julio González, Drawings and Sculpture, February-April 1956. Minneapolis
Galerie de la Béraudière
germaine richier
Germaine Richier (France, 1902-1959) Le Couple, 1956 Natural bronze H 139 x W 74.5 x D 74.5 cm Fonderie Susse, Paris Lost wax cast (except for the base and arms, sand casted) Signed and numbered on the terrasse: G. Richier, 3/6 Edition 3/6 out of 11 (1/6 - 6/6 + HC1-HC2-HC3 + EA + 0/6) Posthumous cast: 1963 Provenance: Galerie Creuzevault, Paris; private collection, France; Galerie Cazeau-Béraudière, Paris; private collection, France; private collection, Belgium Literature: Jean-Louis Prat et Françoise Guiter, Germaine Richier, Rétrospective, Saint-Paul-de-Vence, Fondation Maeght, 1996, p. 172, ill. (another cast); Maîtres des XIXe et XXe siècles, Galerie H. Odermatt-Ph. Cazeau, Paris, 1989, repr. n° 46; Eddie Wolfram et William Packer, London, art and artist, Londres, juillet 1973, n° 8, pp. 46-49; Germaine Richier, Galerie Creuzevault, Paris, 1966 Exhibitions: 2022, Brussels, Galerie de la Béraudière, Germaine Richier et la couleur (this cast); 1996, Saint-Paul-de-Vence, Fondation Maeght, Germaine Richier, Rétrospective (another cast); 1957, Paris, Musée d'Art Moderne de la Ville de Paris, XIIIe Salon de Mai, n° 27, ill. (another cast); 1956, Paris, Musée National d'Art Moderne, Germaine Richier, n°13, referred as 'Figures' (another cast); Jean Cassou, Richier, Editions du Temps, Paris, 1961; René de Solier, Germaine Richier, in Les Cahiers d'art, Paris, juin 1953, n° 28, pp. 123-129
Univers du Bronze
roger godchaux
Roger Godchaux (Vendôme 1878-1958 Paris) Toomai des éléphants or Le Retour de chasse au tigre (1928 or earlier) Circa 1932 Bronze, richly shaded black patina H 57.5 x W 70.5 x D 22.7 cm Lifetime cast signed 'Roger Godchaux' and numbered '2/15' Old edition by 'Susse Frères Éditeurs Paris' (mark and seal), inscribed 'cire perdue' and stamped '2' near the seal Exhibition: Salon des Artistes Français, 1932 (n°3760)
Philippe Heim
andré maire
André Maire (Paris, 1898-1984) Vue de Segovie, circa 1940 Oil on canvas 163 x 227 cm Signed lower right Provenance: the artist's family Literature: André Maire (1898-1984), L'itinéraire décoratif d'un peintre voyageur, Éd. Gallimard, 16 octobre 2008, repr. p. 89 Exhibition: André Maire (1898-1984). L'itinéraire d'un peintre voyageur, Roubaix, La Piscine, du 18 octobre 2008 au 1er février 2009 The work has a certificate of authenticity issued by Philippe Heim
Stéphane Renard Fine Art
sigismondo pandolfo malatesta
This vigorous graphite and stump drawing testifies to Ingres' interest in medals. Inspired by Pisanello's medal of Sigismund Malatesta, the great condottiere of Rimini, it bears witness to both Ingres' meticulous observation and his capacity for stylization, instilling in this drawing certain characteristic traits that we find in other works by the artist.
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Harold t’Kint de Roodenbeke
pierre alechinsky
Pierre Alechinsky (Brussels, 1927) Le Nid, 1966 Oil on canvas 130 x 91 cm Signed lower right Signed and titled on reverse Provenance: Lefebre Gallery New-York; private collection, Monaco Certificate of authenticity by Pierre Alechinsky dated March 14, 1995
Laurent Schaubroeck
George Nakashima (USA, Washington 1905-1990 Pennsylvenia) Cushion chair with arms, 1960s Produced by George Nakashima Studio Provenance: Craighead family Includes a digital copy of the order card Produced by the Nakashima Studio in the 1960s, this lounge chair exemplifies George Nakashima’s refined craftsmanship and harmony between form and material. Its spindled back recalls Windsor traditions, while the tapered legs and clean geometry express his modern sensibility. Upholstered in white linen, the chair combines warmth and elegance, standing as a rare and timeless piece from one of the most influential American designers of the 20th century.
Guy Pieters Gallery
fernando botero
Fernando Botero (Medellin 1932-2023 Monaco) Man with walking stick, 1987 Bronze H 140 x W 48 x D 28 cm Provenance: private collection, Belgium Literature: Galerie Beyeler-Basel Fondation Veranneman-Kruishoutem, Botero (exh. cat.), Basel, 1988, ill. in colour of another cast from same edition; Marlborough Gallery, Botero: Recent Sculpture (exh. cat.), New York, 1990, n° 24, p. 49, ill. in colour of work from same edition; Vittorio Sgarbi, Botero, Dipinti, Sculture, Disegni, Milan, 1991, p. 103, ill. in colour of the monumental version; Botero al Forte Belvedere di Firenze (exh. cat.), Florence, 1991, p. 31, ill. of the monumental version
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Van Pruissen Asian Art
tokuda yasokichi iii
Tokuda Yasokichi III alias Kutani Masahiko (Japan, 1933–2009) Porcelain vase Japan, late 20th century H 29.5 cm Signed ‘Kutani Masahiko’ on the base Literature: Yosai - Tokuda Yasokichi Sakuhinshu (The works of Tokuda Yasokichi), Kodansha 1995, Japan This elegant Kutani porcelain vase by Tokuda Yasokichi III - designated a Living National Treasure in 1997 - exemplifies his groundbreaking approach to traditional ceramic art. The slender, tapering body is enveloped in a rich aubergine glaze, punctuated by a single iridescent blue stripe flowing vertically from the mouth to the base. This striking effect was created using Yasokichi’s innovative saiyū (polychrome overglaze) technique, which brought new luminosity and abstraction to Kutani ware. Born Masahiko, Yasokichi III redefined the possibilities of Kutani ceramics, elevating them into a modern art form. Today, his works are held in leading international museum collections, including the Metropolitan Museum of Art and the British Museum.
DIE GALERIE
pierre alechinsky
Pierre Alechinsky (Brussels, 1927) Le Point du Jour, 1966 Oil on canvas 130 x 81 cm Signed lower right 'Alechinsky'; signed, dated and entitled verso Certificate by the artist from March 19, 2012 Provenance: Galerie Birch, Kopenhagen; DIE GALERIE, Frankfurt am Main Literature: Pierre Alechinsky, Galerie Birch, Kopenhagen 1966; CoBrA. Una grande avanguardia europea 1948 1951 , exh. cat. Fondazione Roma Museo, Palazzo Cipolla, Rome 2015 , p. 211 Exhibitions: Pierre Alechinsky, Galerie Birch, Kopenhagen 1966; CoBrA international – Momente einer Utopie, Museum für aktuelle Kunst, Sammlung Hurrle, Durbach, 2012-2013; CoBrA – Una grande avanguardia europea 1948-1951, Fondazione Roma Museo, Palazzo Cipolla, Rom, 2015-2016; 70 Years of CoBrA, DIE GALERIE, Frankfurt am Main, 2018; Pierre Alechinsky and his artist friends, DIE GALERIE, Frankfurt am Main, 2025
Gallery Sofie Van de Velde
kleine welten, 1922
Elke prent gesigneerd, genummerd op de colofonpagina 30/30 . (12 prenten) De Kleine Welten bestaat uit twaalf prenten, waaronder zes in kleur gedrukte lithografieën, vier etsen (droge naald) en twee houtsneden op Japans papier, vergezeld van een titelblad en colofonpagina. Formaat van elk blad: 364 x 278 mm Uitgevoerd in 1922, is dit een van de 30 luxe-exemplaren op Japans papier, uitgegeven door Propyläen Verlag, Berlijn, gedrukt aan het Staatliches Bauhaus in Weimar.