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Florian Kolhammer
louis c. tiffany
Louis C. Tiffany (New York 1848-1933 New York) Jack-in-the-pulpit vase Tiffany 1906 Yellow glass H 44 cm x 23.5 cm x 12.5cm Marked 'L.C.T." and '2210A' underneath Provenance: Christie's sale The "Jack-in-the-pulpit" vases represent a special design category within the production of the Louis Comfort Tiffany company. These glasses were modeled after the Arisaema Triphyllum plant and are among the most iconic designs of this famous manufacturer. Our example shines in pure gold. It was made in 1906 and received as a wedding gift at the time.
Martins&Montero
maria thereza alves
Jorge Zalszupin (Warsaw 1922-2020 São Paulo) Jockey chair, 1960 reworked by Maria Thereza Alves (São Paulo, 1961) with a brass tube Jockey with Advice from Bem Te Vi, 2023 H 81 x W 49 x D 49 cm Edition of 2 + 1 A.P Exhibition: LABINAC: What we always did, at Galeria Jaqueline Martins and Casa Zalszupin, São Paulo, 2023
DIE GALERIE
andré masson
André Masson (Balagny-sur-Thérain 1896-1987 Paris) La victime, 1942 Gouache and sand on wood 37.8 x 32.8 cm Monogrammed and dated lower left Provenance: the artist’s studio; Galleria Studio Due Ci, Rome Literature: Masson: Massaker, Metamorphosen, Mythologien. exh. cat. Kunstmuseum Bern, Bern 1996, p. 39; André Masson. Un Combat, exh. cat. Musées de la Cour d'Or, Metz 1999, p. 39, 181; André Masson. La mémoire du monde, exh. cat. DIE GALERIE, Frankfurt am Main 2025, p. 43. Exhibitions: Masson: Massaker, Metamorphosen, Mythologien. Kunstmuseum Bern, 1996; André Masson. Un Combat, Musées de la Cour d'Or, Metz, 1999; André Masson. Zwischen Welten – Entremondes, Kunstsammlungen Chemnitz, Chemnitz, 2019-2020; André Masson. La mémoire du monde, DIE GALERIE, Frankfurt am Main, 2024-2025
Laurent Schaubroeck
Sergio Rodrigues (Rio de Janeiro, 1927-2014) Mucki bench, 1960s W 300 x D 60 cm Produced by Oca Provenance: private home, Brazil First conceived in 1958 and produced by Oca, the Mucki bench is among Sergio Rodrigues’ most versatile and emblematic designs. Its low, rectangular structure with latitudinal slats and rhythmically placed wood buttons reflects the refined balance between simplicity and sophistication that defines Rodrigues’ work. This exceptional example, measuring three meters in length and an unusual 80 cm in depth, was made to measure in the 1960s - an extremely rare proportion that highlights the adaptability of Rodrigues’ design to specific commissions. Executed in solid rosewood, the bench showcases the rich tonal variations and expressive veins of the wood, underscoring its sculptural quality. A remarkable and rare original, it remains in excellent vintage condition, testifying to the enduring relevance of Rodrigues’ vision.
Galerie Nicolas Bourriaud
jacq orlande sinapi
Jacq Orlande Sinapi (Marseille, 1911-1989) Bison, circa 1940 Bronze with nuanced brown patina H 50 x W 57 x D 21 cm Signed ‘Jacq Orlande Sinapi’ Only piece known to date Cast by Leblanc-Barbedienne and bears the foundry's stamp Provenance: private collection, France
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Axel Vervoordt
jef verheyen
Jef Verheyen (Belgium, Itegem 1932-1984 Apt, France) Nul part ailleurs (sic), circa 1964-1965 Matt lacquer on round board in painted box by the artist Ø 140 cm Provenance: private collection, Belgium; Axel Vervoordt collection, 1997; Dr. Jos Macken, Antwerp; private collection Exhibitions: Jef Verheyen. Venster op het oneindige, KMSKA, Antwerpen, 2024; Jef Verheyen. Le Peintre Flamant (sic), Langen Foundation, Neuss, 2010; Jef Verheyen. Lux est Lex, Wijnegem, 2004; Rétrospectieve Jef Verheyen, PMMK Museum voor Moderne Kunst, Oostende, 1994; Rétrospective Jef Verheyen, Musée d'Art et Histoire, Genève, 1980; Kontrasten 1947-67, KMSKA, Antwerpen, 1968
Galerie Berthet Aittouarès
mark tobey
Mark Tobey (USA, Centerville 1890-1976 Basel, Switzerland) Landscape, 1967 Tempera on paper 26.5 x 48.6 cm Signed and dated lower back, stamp on the back Provenance: François Gaudard, pianist and friend of Mark Tobey Certificate of authenticity by the Committee Mark Tobey dated February 8th, 2007
HELENE BAILLY Paris-Genève
auguste herbin
Auguste Herbin (Quiévy 1882-1960 Paris) Nature morte à la nappe, 1937 Signed and dated lower right : Herbin ; 37 Provenance: Nicolas Poussin Gallery, Paris, 1957; Sam Josefowitz collection, Pully; Christie's Paris auction, October 2023 Exhibition: Paris, musée de Montmartre, Auguste Herbin, Le maître oublié, March 15-September 15, 2024
De Brock
ethan cook
Ethan Cook (USA, Texas 1893) Untitled, 2014 Hand woven cotton canvas and industrial canvas, framed 193 x 193 cm Provenance: the artist's studio, Brooklyn, NY, USA; T293 Gallery, Rome, Italy; private collection, Europe; Phillips, London, 26 June 2018, lot 276; private collection, UK; Phillips, London, 5 December 2018, lot 71; De Brock, Knokke, Belgium (acquired at the above sale)
Samuel Vanhoegaerden Gallery
Bram Bogart (Delft 1921-2012 Sint Truiden) Hooigang, September 1964 Mixed media on canvas, mounted on wooden panel 106 x 124 cm Signed, dated and titled Provenance: D & R Hughes, London, 1989; private collection, Belgium Literature: Bram Bogart, The early years, 1951-1965, D & R Hughes, 1989, ill. n° 49
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Stern Pissarro Gallery
marc chagall
Marc Chagall (Belarus, Vitebsk 1887-1985 Saint-Paul de Vence, France) L'hiver procession de Nöel (Les quatre saisons), 1974 Gouache, tempera, pastel, ink, coloured crayon and graphite on paper 63 x 90 cm Signed lower right 'Marc Chagall' Provenance: Pierre Matisse Gallery, New York, January 1975, acquired from the artist; private collection, Hawaii, 1984; The Hodge Companies, Thomas H. Wilson (Sausalito, California), 1987; private collection (Napa, California) by descent Exhibition: New York, Pierre Matisse Gallery, Marc Chagall, The Four Seasons, gouaches, paintings, 1974-1975, 1975, n° 16 This work is accompanied by a certificate of authenticity from the Comité Marc Chagall
Van Pruissen Asian Art
yoshitsugu
Hattori Taira Yoshitsugu Yagami School Tsuba with 'Thousand Monkeys' Carved iron Japan, late 18th century Ø 7.1 cm Signed 'Yoshitsugu' An iron tsuba intricately carved in openwork (nikubori ji-sukashi) with a lively multitude of monkeys, including the famous Three Wise Monkeys. Their eyes and the rim are accented in gold using nunome-zōgan. The maker, Hattori Taira Yoshitsugu, was a pupil of Yagami school founder Noda Mitsuhiro and teacher of Onitake Toshiyoshi. The Yagami school, active in Nagasaki in the late 18th century, is renowned for its 'Thousand Monkeys' motif, as also seen in a comparable example in the Metropolitan Museum of Art (inv. n° 91.1.751).
Guy Pieters Gallery
yves klein
Yves Klein (Nice 1928-1962 Paris) La Terre Bleue, 1957 IKB Pigment H 41 cm x Ø 29 cm Provenance: Galerie Bonnier, Geneva; private collection, Sweden Literature: P. Wember, Yves Klein, Cologne, 1969, p. 109, n° RP7 (another example ill.); P. Restany, Yves Klein, New York, 1982, p. 226 (another example ill.); J.P. Ledeur, Yves Klein: Catalogue of Editions and Sculptures Edited, Belgium, 1999, p. 242 (another example ill.); N. Charlet, Yves Klein, Paris, 2000, p. 230 (another example ill.); H. Weitemeier, Yves Klein: International Klein Blue, Cologne, 2001, p. 83 (another example ill.) Exhibitions: Paris, Centre Georges Pompidou Musée National d'Art Moderne, Yves Klein, March-May 1983, p. 109, n° 56 (another example exh.); Nice, Musée d'Art Moderne et d'Art Contemporain and Museo Pecci Prato, Yves Klein: Long Live the Immaterial!, April 2000-January 2001, p. 184 (another example exh. and ill.); Musée des Beaux-Arts d'Angers, Marie Raymond, Yves Klein, November 2004-February 2005, p. 190 (another example exh. and ill.)
Virginie Devillez Fine Art
pierre-louis flouquet
Pierre-Louis Flouquet (Paris 1900-1967 Brussels) Féminités, circa 1923-1925 Oil on canvas 125 x 87 cm Signed lower right 'flouquet' Provenance: Galerie Patrick Derom, Brussels; private collection, Brussels; private collection, Brussels (by descent to the present owner) Literature: Serge Goyens de Heusch, Pierre-Louis Flouquet. 1900-1967, Brussels, Fondation pour l’Art belge, 1993, p. 56 (ill.) Exhibitions: Brussels, Galerie Patrick Derom, The Avant-garde of the 1920s in Belgium, 1992, n° 12 (ill.); Drogenbos, FeliXart Museum, L’Équerre / 7 Arts 1923, scenographic reconstruction of the fair stand of the publishing house L’Équerre, 2008-2011
COLNAGHI
Gillis Neyts (Ghent 1623-1687 Antwerp) A winter cityscape of Antwerp, 1666 Oil on panel 54 x 86 cm Signed and dated lower left: g. nyts. f. / 1666 Provenance: Sale Fievez, Brussels (16 June 1931), lot 113; Sale of the F. Stuyck Collection, Brussels, Palais des Beaux-Arts (7-8 December 1960), lot 91; Galerie P. de Boer, Amsterdam (1961) no. 54; Laboratoria Tupens, Sint-Niklaas (?); With Rafael Valls, London; With De Jonckheere, from whom acquired by the present owner. Literature: P. Gustot, Gilis Neyts. Un paysagiste brabançon en vallée mosane au XVIIe siècle, Namurois 2008, p. 69, n° P13, repr. Exhibition: Brussels, Musées Royaux des Beaux-Arts de Belgique, Le siècle de Rubens, 15 October-12 December 1965, n° 157, repr.
Douwes Fine Art b.v.
emanuel de witte
Emanuel de Witte (The Netherlands, Alkmaar circa 1616-1691/2 Amsterdam) Interior of the Oude Kerk in Amsterdam, the transept seen from the south Oil on canvas 64 x 71.5 cm Signed 'E. De. Witte' (c.r.) Provenance: Abraham Dijkman, Amsterdam; his deceased sale, Amsterdam, de Bosch/ Yver, 17-18 July 1794, lot 47; Sale, London, Foster, 25 March 1931 (as 'unknown'); acquired at the above sale by Asscher & Welker, London; with D. Katz, Dieren; Dr. A. Welker, London, 1935; with J.D. Klaasen Jr., Rotterdam; P.M. Kerdel, Scheveningen, 1963; with Hans Cramer, The Hague by 1990; acquired by a Dutch Foundation, in 1998 Literature: Noach, 'Het Material tot de Geschiedenis der Oude kerk te Amsterdam', Amsterdam 1937, p. 81; E. Trautscholdt, in U. Thieme and F. Becker, 'Algemeines Lexikon der Bildenden Künstler' Vol. 36, Leipzig 1947, p. 125; I. Manke, 'Emanuel de Witte', Amsterdam 1963, p. 92, n° 62 with ill. fig. 31; F. Duparc et al., 'Masterpieces of the Dutch Golden Age', exhibition catalogue, Atlanta 1985, p. 132-3, n° 60 with ill.; H.R. Leppien, 'In Blickfeld: Holländische Kirchenbilder', exhibition catalogue, Hamburg 1995, pp. 56-7, 66-8, n° 20; Exhibitions: Rotterdam, Museum Boymans Van Beuningen, 'Vermeer, oorsprong en invloed Fabritius, de Hooch, de Witte, 9 July - 9 October 1935, n° 116; Rotterdam, Museum Boymans Van Beuningen, Tentoonstelling van schilderijen, beeldhouwwerken en teekeningen uit particuliere verzamelingen in Nederland: onder auspiciën van de 'Stichting Museum Boymans' , December 1939 -January 1940, n° 59; Atlanta, High Museum of Art, Masterpieces of the Dutch Golden Age, 24 September - 10 November 1985, n° 60, p. 132-3; Hamburg, Kunsthalle, In Blickfeld: Holländische Kirchenbilder, 1995/96, n° 20.
Galerie de la Béraudière
jean fautrier
Jean Fautrier (Paris 1898-1964 Châtenay-Malabry) Les feuilles vertes, 1934 Oil on canvas 73 x 60 cm Signed lower left 'Fautrier' Provenance: Jean Paulhan collection, France; Dominique Aury collection, France; private collection, France (by descent); Tajan, Paris, November 23, 2022, lot 44; private collection, Belgium Literature: Marie-José Lefort, Catalogue Raisonné de l'oeuvre peint de Jean Fautrier, Norma éditions, 2023, p. 293, n° 478 (ill.); Palma Bucarelli, Jean Fautrier, Pittura e materia, édition Il Saggiatore, Milan, 1960, ill. n° 107 p. 306 Exhibitions: 1974, Paris, Galeries nationales du Grand Palais, Jean Paulhan à travers ses peintres, cat. n° 563, p. 218
Arte-Fact Fine Art
chen yanning
Chen Yanning (Guangzhou, 1945) Portrait of two cheerful girls, 1994 Oil on canvas 81 x 65 cm Provenance: commissioned via Portraits Inc., Park Avenue, New York; private collection, USA; private collection, Belgium Chen Yanning is internationally celebrated; his works have been shown at the Guggenheim, the Paris Salon and beyond. In 1999, he painted Queen Elizabeth II, a portrait so well-received that it was later chosen for a postage stamp to mark the Queen’s Golden Jubilee in 2002. This tender and joyful portrait of two young sisters, commissioned in New York, is rendered with sparkling realism and warmth. The painting illustrates Yanning’s extraordinary international career and ability to infuse his portraits with life: a Chinese-born artist building a global reputation, bringing his distinctive sensitivity to subjects across cultures.
Epoque Fine Jewels
rené lalique
an impressive art nouveau gold, diamond, enamel and glass choker necklace by rené lalique
An impressive Art Nouveau gold, diamond, enamel and glass choker necklace by René Lalique, consisting of six pentagonal plaques made from molded amber-colored glass, each adorned with two intertwined thistle flowers facing outward, topped by three yellow enamel rods. Flanking the plaques are long curved thorns, set with diamonds and accented with yellow and brown enamel. Between the thorns are small thistle flower motifs in molded orange glass, enhanced with diamonds. The piece is housed in its original case, marked ‘Lalique, Place Vendôme 24, Paris’. Signed: Lalique. Period: Paris, circa 1905.
Gallery Desmet
Two fragments of a wooden sarcophagus corner post of the Priest Horudja re-united after 50 years Wood Egypt, late Dynastic period, 26th Dynasty, circa 664-525 B.C. H 92 x W 15 x D 5.5 cm Provenance: Fragment A: Chakib Slatine, Paris (acquired 1975); private collection, Paris (acquired 1977). Fragment B: Chakib Slatine, Paris (acquired 1975); private collection, Paris (acquired 1977); Ede Gallery, London (of which acquired in 2020) Art Loss Register Ref: S00238635 & S00238636