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Galeria Jordi Pascual
manolo valdés
Manolo Valdés (Valencia, 1942) Matisse como pretexto, 1987 Mixed media on burlap 170 x 240 cm Provenance: collection Guillermo Caballero de Luján, Valencia Literature: Fundación Museo Guggenheim Bilbao, Art of this Century, 2022. Manolo Valdés. Painting and sculpture, 18 October 2002-19 January 2003, p. 105; de Barañano, Kosme, 1999, Manolo Valdés. Ediciones Polígrafa and Caja de Ahorros del Mediterráneo, p. 51
Pauline's Jewellery Box
Edwardian fancy yellow cushion cut diamond ring Ring set with a fancy yellow cushion cut diamond weighing 7.80 carats. Clarity is VS2. Surrounded by bright and lively white diamonds and mounted in platinum. Accompanied by a GIA certificate Provenance: private collection, London
Segoura Fine Art
charles revel
Charles Revel (France, 1829-1880) Allégories de la Force et du Droit, circa 1872 Oil on canvas 66 x 54.5 cm Signed lower right Provenance: private collection, France With this painting, Charles Revel illustrates the words given to the German Chancellor Otto von Bismarck: 'Strength prevails over Law'
Galerie Raf Van Severen
fernand léger
Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Le Cordage Jaune, 1935 Oil on board 39 x 53 cm Signed and dated bottom right: F. Léger, 1935 Provenance: collection Robert Guiette; private collection, Belgium Literature: Zervos, C., Fernand Léger. Cahiers d'Art, Paris, 1935, n°1-4, repr. pp. 65 and 67; Bauquier, G., Fernand Léger. Catalogue raisonné de l'œuvre peint 1932-1937, 1996, repr. pp. 870-871
Nicolás Cortés Gallery
francisco de goya y lucientes
Francisco de Goya y Lucientes (Spain, Fuendetodos 1746-1828 Bordeaux, France) Adoration of the Cross Oil on canvas 134 x 89 cm Provenance: Chapel of the Santa Cruz (now the chapel of San Roque) in the parish church of Nuestra Señora de la Asunción (Our Lady of the Assumption, formerly dedicated to St Anthony of Padua), Torrecilla de Valmadrid, near Zaragoza, until 1968-70; Don Jaime de Paraíso de Andéríz, Zaragoza, to 1971; private collection, Barcelona (now London) Literature: Gudiol, Goya, Barcelona, 1970, vol. I, p. 33 and 240, cat. 37 (image, vol II, pp. 50-51, figs. 52 and 53); A. Martínez Beltrán, Goya en Zaragoza, 1971, Ayuntamiento de Zaragoza; p. 155; J. Camón Aznar, Francisco de Goya, Zaragoza, 1981, vol 1, pp. 62-63, ill., p. 243; R. De Angelis., La obra pictórica completa de Goya, Noguer, 1975, p. 90, n° 40 (as Devotis al pie de una Cruz); José-Luis Morales y Marín, Goya, Pintor Religioso, Aragon, 1990, n° 11, p. 50; J. Gudiol, Goya, Barcelona, 1985, 2nd edition, vol. 1, p. 96, n° 34, fig. p. 168; P. E. Mangiante, Goya e l’Italia, Rome, 1992, pp. 20-21; A. Ansón Navarro, Goya y Aragón: Familia, amistades y encargos artísticos, Aragon, 1995, p. 93.; P.E. Mangiante, Goya e Italia, Zaragoza, 2007, p. 34 y 38; Fundación Goya, J.C. Lozano Llopis, J. Wilson-Bareau, and others, Museo de Zaragoza, La memoria de Goya, (1828-1978): [Museo de Zaragoza., 7 de febrero-6 de abril de 2008, Aragón, 2008, p. 126, fig. 89 [as attributed]; Dr Arturo Ansón Navarro, Goya. Un joven pintor en formación, Zaragoza, 2021; La Estella de Corrado Giaquinto en España-Da Antonio González Velázquez a Francisco Bayeu a Goya, Exhibition Catalogue, Museo de Zaragoza, 24 June-26 Sep 2021, pp. 110-111 (ill.) Exhibition: Zaragoza, Museo de Zaragoza, 2008 La memoria de Goya, (1828-1978), n° 117
Romigioli Antichità
Francesco di Girolamo dal Prato (Florence, 1516-1562)-Pupil of Francesco Salviati The Virgin and child Oil on panel 106 x 76 cm Studied by Professor Carlo Falciani. Giorgio Vasari's sources Provenance: Castelbarco Litta Albani collection in 1835, Milan; Costantino Nigro collection, Genoa; Seghezza collection, Genoa
Willow Gallery
Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) Jour de Pluie sur la Terrasse Fleurie de Marquayrol, circa 1920 Oil on canvas 79 x 108 cm - framed: 99 x 128 cm Signed This painting is accompanied by a certificate of authenticity from Cyrille Martin Provenance: Tajan Paris, 24 March 1999, lot 17; Richard Green Gallery, London; private collection, Canada
Galerie Boulakia
karel appel
Karel Appel (Amsterdam 1921-2006 Zurich) Untitled, 1960 Oil on canvas 81 x 116 cm Signed and dated lower right Written confirmation of the work's authenticity Provenance: private collection Karel Appel was a Dutch painter, avid sculptor, and one of the founders of the avant-garde CoBrA movement in 1948. Born in the Netherlands, he began painting at the age of fourteen. Recognised for his ironic imagery, bold brushstrokes and energetic use of colour, Appel’s work received both broad critical acclaim and unfavourable criticisms. Known for his figurative abstractions and expressive colours, Appel found inspiration in the artwork of children and the rejection of sophisticated aesthetic tastes. He was drawn to the animated, primitive style of Jean Dubuffet in the years following the isolated, repressive environment of WWII in Amsterdam. In a childlike manner, painted in thick, black lines against a background of primary colours, Appel's unique style is immediately discernible in Untitled, 1960.
Galerie de la Béraudière
pablo picasso
Pablo Picasso (Malaga 1881-1973 Mougins) Le Bandillero, 1959 Colour linocut on Arches wove paper 53.4 x 66.3 cm Printed by Arnéra, Vallauris, published by Galerie Louise Leiris, Paris 1960 Signed in pencil lower right: Picasso Numbered lower left: 40/50, edition 40/50 Provenance: Galerie Michael Hertz, Bremen; private collection, North Rhine-Westphalia, Germany (until 2013); private collection, Germany (since 2013, inherited from the above); Ketterer Kunst, June 12, 2022, lot 469; private collection, Belgium Literature: Enrique Mallen, ed., Online Picasso Project, Sam Houston State University, 1997-2023, OPP.59:076; Bernhard Geiser, Brigitte Baer, Picasso peintre graveur, Catalogue raisonné de l'oeuvre gravé et des monotypes, Berne, Kornfeld, 1986-1994, n° 1225 IV B a; Georges Bloch, Pablo Picasso, catalogue de l'oeuvre gravé et lithographié, 4 vol., Berne, Kornfeld and Klipstein, 1968-1979, n° 940 (titré Les Banderilles)
Barbara Bassi
Arman (Nice 1928-2005 New York) Bracelet, 2001 Gold and sapphires Pol Bury (La Louvière 1922-2005 Paris) Brooch/pendant, 2005 White gold and ring silver Yoko Ono (Japan, 1933) Imagine Ring, 2004 Gold Karel Appel (Amsterdam 1921-2006 Zurich) Brooch/pendant, 1980 Yellow 18 kt gold and enamels Afro Basaldella (Udine 1912-1976 Zurich) Moon earrings, 1960s Yellow 18 kt gold and diamonds
Stern Pissarro Gallery
auguste herbin
Auguste Herbin (Quiévy 1882-1960 Paris) VENUS I, 1945 Oil on canvas 100 x 81 cm Titled, signed and dated lower left, vénus-herbin 1945 Provenance: private collection, Stockholm; Galerie des Etats-Unis, S. Stoliar, Cannes; Sotheby's London, 2002; Dorval Gallery, Lille; private collection, France Literature: Geneviève Claisse, Herbin, Catalogue raisonné de l'Œuvre Peint, Paris, 1993, n° 846, (ill. in black and white p. 429) Exhibition: Cannes, Galerie des Etats-Unis, 1965, n° 29
Serge Schoffel - Art Premier
Bamileke Ku n'gan society mask Cameroon, 19th-early 20th century Wood, hair, cowrie shells, St. Christopher's medal H 33 cm (with the hair: circa 110 cm) Provenance: collected in situ circa 1960 by Klaus Paysan, photographer and author from Stuttgart, Germany (1930-2011); the mask was a gift from King Fon Happi III of Bana; Boris Kegel-Konietzko, Hamburg, Germany Literature: published in Kosmos magazine, 1961
Galerie Van den Bruinhorst
Gerrit Thomas Rietveld (Utrecht, 1888-1964) Original ‘Red Blue chair’ Designed in 1919/1923 Executed by G.A. van de Groenekan, circa 1970, De Bilt, The Netherlands Frame; solid beech wood slats with beech wood dowels, stained dark brown/black, the ends finished with chromate yellow paint. Seat; plywood, finished monochrome with ultramarine blue paint. Back: plywood finished monochrome with vermilion red paint H 86 x W 65.9 x D 82.5 cm The chair is marked with the paper label of Rietveld’s regular cabinet maker, Gerard van de Groenekan Provenance: from the first owner Architect Ruud Wilmink from Amsterdam. At the end of his architecture studies, he personally ordered the chair from Gerard van de Groenekan in De Bilt around 1970 for the furnishing of his first home In 1919, architect Gerrit Rietveld joined the legendary ‘De Stijl’ group, an esthetic movement founded by Dutch artists and architects two years earlier. Inspired by the work of his fellow ‘De Stijl’ member Bart van der Leck, Rietveld started experimenting with the use of primary colors in the designs for furniture around 1921-1922. Probably about 1923 – a hundred years ago! – he made the first copy of his wooden-slat easy-chair using Red Yellow and Blue, the color scheme that would bring the chair its world fame as an icon of De Stijl movement.
Galerie Dina Vierny
judit reigl
Judit Reigl (Kapuvár 1923-2020 Marcoussis) Mass Writing, 1958 Oil on canvas 80 x 114.5 cm Signed: Reigl and dated lower right: 1958 Provenance: Galerie Kléber, Paris; private collection, Paris; Galerie Dina Vierny, Paris Exhibition: Paris, Galerie Dina Vierny, Judit Reigl, Panta rhei, 2023, ill. p. 30
De Zutter Art Gallery
asger jorn
Asger Jorn (Denmark, 1914-1973) The Awakening II, 1953 Oil on panel 152 x 121 cm This work is included in the Catalogue Raisonné under n° 799 Provenance: R. Dahlmann Olson, Copenhagen Exhibitions: 1953, Copenhagen, ‘spiralen’; 1964, Kunsthalle Basel, 'Asger Jorn-Dodeigne'; 1965, 'Jorn', Stedelijk Museum Amsterdam; Louisiana Museum of Modern Art, Humblebaek, 'Jorn'; 2001-2023 long-term loan to the CoBrA-museum Amstelveen
Galerie Hadjer
fernand léger
Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) The builders with the aloe Conceived in 1953 and realised in 1961 Wool Workshop Pinton-Fréres, Tapestry Aubusson/Felletin, France H 165 x W 201 cm Bolduc workshop on the back Numbered 3/6 Certificate from the Comité Leger Provenance: Nadia Leger; Jane Kahan Gallery; private collection Literature: Tapisseries, Céramiques, Bronzes, Lithographie, Palais de la méditerranée, Nice, 1962 Exhibition: Tapisseries, Céramiques, Bronzes, Lithographie, Palais de la méditerranée, Nice, 1962