Giammarco Cappuzzo Fine Art

Willem Eversdijck (Dutch, circa 1620-1671) Unknown Zeeland family, circa 1665 Oil on canvas 138 x 194 cm Provenance: Horace Buttery, London; Christie's London, 20 November 1925, lot 97, bought by Frank Partridge London; (probably) Lady Bertha Schaul Baron (1899-1981); property of a Lady, Christie's London, 10 May 1935, lot 46, bought by W. Sabin, London; Christie's London, 24 February 1939, lot. 57, bought by Berendt; Christie's London, 17 March 1939, lot 23, bought by Suttle; Viorel Virgil Tilea C.B.E. (1896-1972) at Sotheby's London, 28 November 1951, lot 147; Antonio Roque' Rivero (1918-2015), Barcelona Literature: F. van der Ploeg, C.E. Zonnevylle-Heyning, Brave koppen en gladde aangesigten, Middelburg, 1999, pp. 112-114 & p. 136, n° WE5, ill. n° 107

Costermans & Pelgrims de Bigard

ernest louis jean cremer

Ernest Louis Jean Cremer (France, 1731-1793) Mahogany quartet table, circa 1780 Louis XVI period H 74.5 x W 53.5 x D 38 cm Stamped by Cremer, received Master on July 13, 1777 Literature: P. Kjellberg, Le Mobilier français du XVIIIe siècle, Les Editions de l'Amateur 2008, p. 218

Galerie Van den Bruinhorst

Gerrit Thomas Rietveld (Utrecht, 1888-1964) Metz & Co sideboard ‘r54', 1936 Executed in The Netherlands, circa 1941 White laquered beech wood and plywood, metal and wire glass H 93 x W 200 x D 51.5 cm Provenance: Mr and Mrs Montagne-Van Lommel, Rotterdam 1941; Mrs. H.H. Van Domisse-Van Lommel, 1947 the Hague; Mrs. Foss-Montagne 1991; Sotheby’s Amsterdam 1995; private collection, Amsterdam Exhibition: Bas van Pelt, The Netherlands, The Hague, 1960 Commissioned by the avant-garde department store Metz & Co in Amsterdam, the Dutch architect Gerrit Rietveld designed a small sideboard in 1932 consisting of wire glass sliding doors on a chromed steel base that could be combined with a separate drawer unit. With this design as a starting point he created sideboard r54 in 1936 which is a combination of the small sideboard and the drawer unit in one piece. The first owners bought this sideboard in 1941.

Herwig Simons Fine Arts

Sculpture representing Emperor Augustus of Prima Porta Italy, 19th century Bronze, roso levanto and nero Belgio marble base, smooth medal patina H 110 cm Signed by the foundry A. Röhrich Roma The original statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta. The Augustus of Prima Porta is now displayed in the Braccio Nuovo (New Arm) of the Vatican Museums.

Ralph Gierhards Antiques / Fine Art

A pietre dure cabinet Pietre dure: Florence, late 17th century Cabinet and stand: England, late 18th century Pietre dure, pietre tenere, ebonised oak, mahogany, brass, gilt metal Cabinet: H 65.1 x W 76.5 x D 41.9 cm Table: H 82.6 x W 81.3 x D 41.9 cm Provenance: Partridge Fine Arts, London 1985; This cabinet belonged to The Gilbert Collection, Victoria and Albert Museum, London 1991; private collection, Italy Literature: This cabinet is illustrated in Anna Maria Massinelli, The Gilbert Collection-Hardstones, Philip Wilson Publishers in association with The Gilbert Collection, fig. 5; Baldini, Giusti and Pampaloni Martelli 1979, fig. 164; Kreisel 1970, fig. 186; Kunsthistorisches Museum 1987, p. 33 Exhibition: Los Angeles (USA), 1991 A cabinet with eleven pietre dure and pietre tenere mosaic panels on the front, with Tuscan landscape views on a background of Albarese limestone. This cabinet was made in England in the late eighteenth century and is typical of the furniture inspired by the taste of travellers who, during their Grand Tour of Italy, bought Florentine mosaic work in the Grand Ducal workshops and had it set in made-to-measure cabinets on their return. The landscape panels are linked to those on a cabinet documented as being in the Villa del Poggio Imperiale after 1691. They demonstrate the interest in landscape subjects in the Grand Ducal workshops during the late seventeenth century. Similar types of panels can be found on early eighteenth-century German furniture. Examples include cabinets from Ambras castle, Braunschweig and a desk in the castle at Wiesentheid. This cabinet was exhibited in Los Angeles in 1991 and the cabinet is illustrated in the book The Gilbert Collection – Hardstones

Richard Saltoun Gallery

Barbara Levittoux-Świderska (Poland, 1933-2019) Drops [Krople], 1974 Sisal and wool 160 x 120 cm

Galerie Bernard De Leye

Pendant Trapani (Italy), 17th century Gold, coral and enamel H 10.5 x W 6 cm

Dei Bardi Art

Relief of the flight into Egypt Lombardy, first half of 17th century Painted terracotta H 91 x W 85 x D 11.5 cm Provenance: private collection, Italy

Galerie Christophe Gaillard

philippe vandenberg

Philippe Vandenberg (Ghent 1952-2009 Brussels) Untitled, circa 2007 Oil and pastel on canvas 56 x 91 cm Provenance: estate Philippe Vandenberg; Galerie Christophe Gaillard

Axel Vervoordt

joaquim tenreiro

Joaquim Tenreiro (Portugal, Melo 1906-1992 Itapira, Brazil) Center table, Brazil, 1960s Vinhático wood (Plathymenia foliolosa) H 28 x W 130 x D 130 cm Provenance: Ulisses Burlamaqui Collection, Rio de Janeiro, since 2007

Maurice Verbaet Gallery

walter leblanc

Walter Leblanc (Antwerp 1932-1986 Silly) Twisted Strings, 1962 Cotton threads and latex on cotton canvas 130 x 130 cm Literature: Anouck Clissen & Camille Brasseur, Connexions one, Antwerp, Pandora Publishers, 2015, p. 46; Camille Brasseur, Collection Caroline & Maurice Verbaet, Paris, Selena éditions, 2016, p. 158; Christophe Duvivier & Camille Brasseur, Abstractions. Arts non figuratifs belges après 1945, Paris, Selena éditions, 2016, p. 68 Exhibitions: Maurice Verbaet Center, Antwerp, Private Choices n° 2, 8 September 2018; Maurice Verbaet Gallery, Knokke, Under construction, April 2019; Maurice Verbaet Gallery, Knokke, BRAFA in the galleries, 30 January-21 February 2021; Lieu d'Art et Action Contemporaine (LAAC), Dunkerque, Collection Maurice Verbaet 'Belgitudes', 2 April-9 September 2022

Ars Antiqua

Bartolomeo Mendozzi (Leonessa, circa 1600-after 1644) Christ crowned with thorns and mocked Oil on canvas 98 x 128 cm Expertise by Prof Massimo Pulini

Baronian

anselm kiefer

Anselm Kiefer (Donaueschingen, 1945) Zim Zum, 2006 Mixed media with oil, emulsion, shellac varnish and earth on photograph on cardboard 100 x 75 cm

Victor Werner

camille marc sturbelle

Camille Marc Sturbelle (Brussels 1873-1944 Sint-Lambrechts-Woluwe) Pair of outdoor sculptures of shepherd dogs, 1925 Bronze with green patina The dog in a standing position is signed and dated Sturbelle, 1925 - H 88 x W 115 x D 37 cm The dog in a seated position is signed and dated Sturbelle, 1902 - H 113 x W 59 x D 37 cm Both sculptures bear the name of the foundry Fonderie Nationale Des Bronzes, St. Gilles Bruxelles Provenance: private collection Literature: Pas, W. & G., ARTO 2000 Biografisch Lexicon Plastische Kunst in België, p. 370; Museum: A bronze sculpture made by the same artist (depicting an English bulldog) can be found in the collection of the Royal Museum of Fine Arts Antwerp (KMSKA)

Galerie von Vertes

yayoi kusama

Yayoi Kusama (Matsumoto, 1929) Hat (ATE), 2001 Acrylic on canvas 22 x 27.3 cm Signed, dated and titled on verso Provenance: private collection, Japan; Mallet Japan, January 25, 2008, lot 92; Opera Gallery, Geneva; private collection, Geneva Literature: Certificate of authenticity from the Yayoi Kusama Studio on 7 December 2007

Gallery Desmet

Richard James Wyatt (London, 1795-1850) A nymph entering the bath, circa 1830 White marble H 155 cm Provenance: private collection

Galerie Sophie Scheidecker

Man Ray (Philadelphia 1890-1976 Paris) The Origin of Species, 1935 Original gelatin silver print mounted on paper Print: 17.5 x 21.2 cm Original sheet: 21.5 x 22.8 cm Inscribed Stamp on the reverse of the gelatin silver print

Galerie de la Béraudière

germaine richier

Germaine Richier (Grans 1902-1959 Montpellier) L'Ogre, 1949 Bronze with black patina H 81.2 x W 45 x D 40.3 cm Signed and stamped on the base: G Richier, C. Valsuani cire perdue Foundry: Claude Valsuani, Paris, conceived in 1949, cast in 1951 Edition of 12 (1/8 – 8/8 + 4 AP ) Original certificate of authenticity by Francoise Guiter, dated 5 March 2014 Provenance: Galerie Creuzevault, Paris (1962); Galerie Odermatt, Paris; Sale Prescheteau-Badin, Paris, 20 March 2006; private collection Literature: P. Levy, London's Frenetic Gallery Scene: O'Keeffe sinks; Freud is missing, in The Wall Street Journal Europe, 11 June 1993; Brassaï, Germaine Richier, in Les artistes de ma vie, Paris, 1982, pp. 194-197; R. Barotte, A la rencontre de Germaine Richier (1904-1959), le sculpteur qui va... au-delà de, in Vision sur les arts, Béziers, November 1978; G. Marchiori, Modern French Sculpture, London 1964, pp. 52-53; M. Seuphor, XXIII. Biographies: Richier, Germaine, in La sculpture de ce siècle, dictionnaire de la sculpture moderne, Neuchâtel, 1959, p. 322; M. H. Vieira da Silva, Tribune de Paris - Adieu à Germaine Richier: Son atelier était plein d'une étrange musique, in Tribune de Lausanne, Lausanne, 9 August 1959, n° 7; A. Giacometti, Tribune de Paris - Adieu à Germaine Richier: Assise parmi ses sculptures, in Tribune de Lausanne, Lausanne, 9 August 1959, n° 7; C. Roger-Marx, Cette héritière, inspirée des grands maîtres: Germaine Richier, in Le Figaro littéraire, Paris, 8 August 1959; R. Couturier, Tribune de Paris - Adieu à Germaine Richier: La force de son œuvre, in Tribune de Lausanne, Lausanne, 9 August 1959, n° 7; M. Conil-Lacoste, Chroniques: Germaine Richier ou la confusion des règnes in Cahiers du sud, Marseille, February 1957, pp. 307-311; D. Chevalier, Sculpture encore: dans son atelier, vaste forêt de plâtres et de bronzes, Germaine Richier, chef d'école sculpte les grands mythes sylvestres, in Femme, Paris, October-November 1956, pp. 71-83 (another cast ill.); A. Chastel, Germaine Richier: la puissance et le malaise, in Le Monde, Paris, 13 October 1956; B. Milleret, Envoûtement de Germaine Richier, in Les Nouvelles littéraires, Paris, 11 October 1956; D. Chevalier, Un grand sculpteur: Germaine Richier, in Prestige français et Mondanités, Paris, September 1956, pp. 60-65, n° 19 (another cast ill.); G. Waldemar, Germaine Richier, in Prisme des arts, Paris, April 1956, n° 2; J. Grenier, Germaine Richier, Sculpteur du terrible, in L'Oeil, Paris, September 1955, pp. 26-31, n° 9 (another cast ill.); R. M. Claude, Venise XXVI Biennale: Présence française, in Arts, Paris, 26 June 1952, n° 365 (another cast ill.) Exhibitions: 2014-2015 Genève, Galerie Jacques de la Béraudière, Germaine Richier, Retrospective, p.32; 2013 Berne, Kunstmuseum, Germaine Richier Rétropective, ill. n° 43 p. 146 (another cast exhibited); 2007 Venice, Peggy Guggenheim Collection, Richier pp. 131-135 (another cast exhibited and ill.); 2000-2001 Saint-Paul-de-Vence, Fondation Maeght, Le Nu au XXe siècle, n° 129 (another cast exhibited and ill.); 1996-1997 Lausanne, Musée cantonal des Beaux-arts, De Vallotton à Dubuffet p. 46, n° 28 (another cast exhibited and ill.); 1997 Berlin, Akademie der Künste, Germaine Richier, n° 39 (another cast exhibited and ill.); 1996 Saint-Paul-de-Vence, Fondation Maeght, Germaine Richier, Rétrospective, n° 36 (another cast exhibited and ill.); 1993 London, Tate Gallery, Paris Post War: Art and Existentialism 1945-55, n° 98 (another cast exhibited and ill.); 1993 Paris, Centre Wallonie-Bruxelles, Dominique Rolin, le temps approuvé, (another cast exhibited); 1988 Humlebaeck, Louisiana Museum of Modern Art, Germaine Richier, n° 12 (another cast exhibited); 1966 Paris, Galerie Creuzevault, Germaine Richier 1902- 1959 (another cast exhibited); 1964 Arles, Musée Réattu, Germaine Richier, no. 22 (another cast exhibited and ill.); 1963 Zurich, Kunsthaus, Germaine Richier, n° 46 (another cast exhibited); 1959 New York, Museum of Modern Art, New Images of Man, n° 90 (another cast exhibited and ill.); 1959 Antibes, Musée Picasso, Germaine Richier, n° 67 (another cast exhibited); 1959 Boston, University School of Fine and Applied Arts, Sculptures by Germaine Richier, n° 30 (another cast exhibited); 1959 Paris, Musée Grimaldi, Créations et récréations de Germaine Richier, exhibition cat.; 1958 Minneapolis, Walker Art Center, Sculpture by Germaine Richier, n° 10 (another cast exhibited); 1956 Paris, Musée national d'art moderne, Germaine Richier, n° 16, pl. XIV (another cast exhibited and ill.); 1955 London, The Hanover Gallery, Germaine Richier, n° 7 (another cast exhibited); 1955 Lille, Galerie Marcel Evrard, Germaine Richier, Roger Vieillard, n° 5 (another cast exhibited and ill.); 1955 Amsterdam, Stedelijk Museum, Vieira da Silva, Germaine Richier, n° 35 (another cast exhibited and ill.); 1954 Bienne, Collège des Près Ritter, Exposition Suisse de sculpture en plein air, n° 170 (another cast exhibited); 1954 Basel, Kunsthalle, Germaine Richier, Bissière, H. R. Schiess, Vieira da Silva, Raoul Ubac, n° 9 (another cast exhibited); 1954 Chicago, The Allan Frumkin Gallery, The Sculpture of Germaine Richier, n° 11 (ill.); 1952 São Paulo, Museu de Arte Moderna, II Biennale, n° 3 (another cast exhibited); 1952 Venice, French Pavilion, XXVI Biennale Internazionale dell'Arte, n° 151 (another cast exhibited)

Epoque Fine Jewels

cartier

Cartier Garland style diamond feather brooch In the shape of an ostrich feather with a bow, set with approx. 23 carats of diamonds, mounted in platinum with 'mille grains' finish. Several joints along the frame give flexibility to the feather. With detachable brooch fitting. Paris, 1914 11.7 x 6.8 cm Signed CARTIER PARIS LONDRES NEW YORK with maker's mark of Henri Lavabre According to the Cartier archives, this brooch was a special order, designed in the 'Style Guirlande' at the request of the buyer, even though Art Deco had already made its appearance at Cartier by that time

Galerie Dina Vierny

fernand léger

Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette) Les nageurs or Les acrobates, 1950 Bronze H 49.5 x w 44 x D 7 cm Signed lower right: F.Léger, numbered 8/8 and stamped with the foundry mark 'C. Valsuani, fondeur cire perdue' Provenance: Dina Vierny, Paris; acquired directly from Nadia Léger; private collection, Paris Exhibitions: Tokyo, Malborough, Eighteen Bronzes by Fernand Léger, 1989-1990, n° 2, ill. of another cast p. 9; Saint-Tropez, Galerie Lucas Ratton; Saint-Tropez, XAIPE, 2023

Galerie Alexis Pentcheff

paul delvaux

Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La mise au tombeau, 1953 Oil, gouache, watercolour and ink on paper laid on canvas 68 x 120 cm Signed and dated lower right Certificate of authenticity issued by the Paul Delvaux Foundation dated 24 June 2017 Provenance: private collection, France Preparatory work for 'La mise au tombeau', kept at La Boverie, Musée des Beaux-Arts de Liège. A work on the same theme, La mise au tombeau, 1951, can also be found in the Musée d'Ixelles © Foundation Paul Delvaux, Belgium/SABAM, 2023-2024

Serge Schoffel - Art Premier

Bamileke Ku n'gan society mask Cameroon, 19th-early 20th century Wood, hair, cowrie shells, St. Christopher's medal H 33 cm (with the hair: circa 110 cm) Provenance: collected in situ circa 1960 by Klaus Paysan, photographer and author from Stuttgart, Germany (1930-2011); the mask was a gift from King Fon Happi III of Bana; Boris Kegel-Konietzko, Hamburg, Germany Literature: published in Kosmos magazine, 1961

Galerie Marc Maison

Pair of cast-iron bears Cast by Gandillot et Roy before 1864 H 120 x W 88 x D 103 cm Stone base: H 104 x W 107 x D 121 cm

Univers du Bronze

. umberto

Umberto (Paris, 1971) Knossos, 2023 Bronze, richly shaded black patina H 82 x W 38.2 x D 30 cm Artist's example signed Umberto, numbered from the original limited edition of 12 examples, Atelier France Bronze founder seal, cast in 2023

VKD Jewels

gold, diamond, ruby and sapphire earclips

Van Cleef & Arpels Pair of 18k gold earclips, each set with three small flower elements of diamonds, rubies and sapphires France, circa 1960 Signed VCA USA, Made in France, 750, French assay marks for gold and numbered 18695 Provenance: private collection

Pauline's Jewellery Box

Late 19th century emerald & diamond tiara

Gioielleria Nardi

Homage to Canaletto ring Gold and silver with diamonds, rubies and sapphires A painting by Canaletto is the basic idea that provided the inspiration for making this ring. The idea is to create an ideal bridge between ancient art and contemporary jewellery. The beautiful engraving is completely handmade

Harold t’Kint de Roodenbeke

Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La danse macabre, 1934 Watercolour and ink on paper 59.5 x 75 cm Signed and dated lower right: Spy 2-34 Provenance: Walter Delvaux, artist family; sale Sotheby's, 6 February 2014, lot 469; private collection Important and early composition from 1934, a key year for Delvaux's development of his surrealist world © Foundation Paul Delvaux, Belgium/SABAM, 2023-2024

Galerie Flak

Shalako Mana Katsina-Butterfly Maiden Kachina doll Hopi Arizona, USA, prior to 1900 Carved wood (cottonwood) with natural pigments H 39 cm Provenance: collection Robert 'Trader Bob' Bayuk; Bonhams San Francisco, June 3, 2013, lot 5012; private collection, Nice, France

Franck Anelli Fine Art

charles topino

Charles Topino (France, 1742-1803) Oval writing table with white marble top Table in quatrefoil marquetry with rosewood surrounds, opens with a drawer and a sliding shelf, resting on curved uprights joined by a notched brace; white marble top with gallery Louis XVI period Stamped by Charles Topino, a cabinetmaker who became a master in 1773 H 72 x W 60 x D 41 cm Provenance: Neuilly sale, étude Ionesco, 7 July 1993, lot 63 Literature: this model is reproduced in Sylvain Barbier Sainte Marie, p. 57, fig 26