Victor Werner

camille marc sturbelle

Camille Marc Sturbelle (Brussels 1873-1944 Sint-Lambrechts-Woluwe) Pair of outdoor sculptures of shepherd dogs, 1925 Bronze with green patina The dog in a standing position is signed and dated Sturbelle, 1925 - H 88 x W 115 x D 37 cm The dog in a seated position is signed and dated Sturbelle, 1902 - H 113 x W 59 x D 37 cm Both sculptures bear the name of the foundry Fonderie Nationale Des Bronzes, St. Gilles Bruxelles Provenance: private collection Literature: Pas, W. & G., ARTO 2000 Biografisch Lexicon Plastische Kunst in België, p. 370; Museum: A bronze sculpture made by the same artist (depicting an English bulldog) can be found in the collection of the Royal Museum of Fine Arts Antwerp (KMSKA)

Dei Bardi Art

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, horn, pewter and wood) H 28.2 x W 18 x D 14 cm

Galerie Theunissen & de Ghellinck

Pierre Hache (Grenoble, 1705-1776) Three-drawer chest of drawers Olive, walnut veneer and marquetry decorated with gilt bronzes France, Louis XIV period, circa 1735-1740 H 85 x W 119 x D 63 cm Stamped Hache in Grenoble

Claes Gallery

Dan Mask Ivory Coast, late 19th century Wood H 23 cm Provenance: Dr. Alexander Rafaeli collection (1910-1996), Israel Literature: Masks of Primitive Peoples from The Collection of Dr. Alex Rafaeli, written mention p. 6; n° 15; Back cover; Art of Primitive People. Masks from the collection of Dr. Alex Rafaeli. Sculptures from other Collections, written mention p. 4, n° 16 Exhibition: The National Museum Bezalel, Jerusalem, 7 February-7 March 1953; Museum of Modern Art, Haifa, November 1955

Univers du Bronze

. umberto

Umberto (Paris, 1971) Knossos, 2023 Bronze, richly shaded black patina H 82 x W 38.2 x D 30 cm Artist's example signed Umberto, numbered from the original limited edition of 12 examples, Atelier France Bronze founder seal, cast in 2023

Galerie Hioco

yukiya izumita

Yukiya Izumita (Japan, 1966) Sekisoh (layers) Series, 2022 Iwate clay H 32 x W 51 x D 18 cm

Galerie de la Béraudière

pablo picasso

Pablo Picasso (Malaga 1881-1973 Mougins) Le Bandillero, 1959 Colour linocut on Arches wove paper 53.4 x 66.3 cm Printed by Arnéra, Vallauris, published by Galerie Louise Leiris, Paris 1960 Signed in pencil lower right: Picasso Numbered lower left: 40/50, edition 40/50 Provenance: Galerie Michael Hertz, Bremen; private collection, North Rhine-Westphalia, Germany (until 2013); private collection, Germany (since 2013, inherited from the above); Ketterer Kunst, June 12, 2022, lot 469; private collection, Belgium Literature: Enrique Mallen, ed., Online Picasso Project, Sam Houston State University, 1997-2023, OPP.59:076; Bernhard Geiser, Brigitte Baer, Picasso peintre graveur, Catalogue raisonné de l'oeuvre gravé et des monotypes, Berne, Kornfeld, 1986-1994, n° 1225 IV B a; Georges Bloch, Pablo Picasso, catalogue de l'oeuvre gravé et lithographié, 4 vol., Berne, Kornfeld and Klipstein, 1968-1979, n° 940 (titré Les Banderilles)

Galerie Bertrand de Lavergne

Quadrangular Chinese ‘famille rose’ porcelain vase decorated with famous scenes from the ‘Romance of the Western Chamber’ that tells the story of a secret love affair between Zhang Sheng (张生), a young scholar, and Cui Yingying, the daughter of a chief minister of the Tang court China, Yongzheng period (1723-1735) H 29.5 cm

Galerie Kevorkian

luristan

Two zoomorphic finials Finial with rampant ibexes and finial with confronted ibexes and pin with a double-headed feline framed by antelope protomes Bronze Luristan, Iron Age II, early 1st millennium BC H 14 and H 21 cm Provenance: former collection of M. & R. Stora, Paris, before 1938; collection of Dr. C. assembled between 1960 and 1993, Paris Literature: A.U. Pope, A survey of Persian Art, vol. VII, 1938, pl. 44 C

Serge Schoffel - Art Premier

Dan mask Côte d'Ivoire, 19th century Wood H 24.5 cm Provenance: Giovanni Franco Scanzi, Italy

Guy Pieters Gallery

paul delvaux

Paul Delvaux (Antheit 1897-1994 Veurne) Femme et Squelette, 1949 Aquarel and ink on paper 56 cm x 74cm

d'Arschot & Cie

Coffee pot Chiselled and engraved silver Namur, 1737 Maker’s mark Nicolas Wodon H 37.5 cm. Weight 1.414 gr. Provenance: Walter van Dievoet’s collection Literature: Walter van Dievoet, Orfèvres de l’ancien régime au poinçon de Namur, 2020, pp. 62-64 with repr.

Gallery Desmet

Circle of Scipione Pulzone (Italy, 1544-1598), or Nordic painter (Prague) active in Florence Ferdinando I de' Medici, Florence, circa 1600 Oil on canvas H 78 x W 58 cm

DIE GALERIE

pierre alechinsky

Pierre Alechinsky (Brussels, 1927) Niveau d'eau VI, 2013-2014 Acrylic and etching on handmade paper on canvas 143 x 74 cm Signed, titled and dated Provenance: the artist's studio

Galerie Oscar De Vos

emile claus

Emile Claus (Sint-Eloois-Vijve 1849-1924 Astene) Return from school/Girls in the field, 1892 Oil on canvas 132 x 99 cm Signed lower left: Emile Claus Provenance: collection Mrs. G.C., Brussels; Galerie Georges Giroux, Brussels, 1929, n° 28; collection Mrs. F. Soethoudt, Brussels; auction Guillaume Campo, Antwerp, 1982, n° 25; Galerie Oscar De Vos, Sint-Martens-Latem; private collection, Belgium Literature: G. Giroux, Catalogue de la collection de Madame G.C. (Brussels: Galerie Georges Giroux, 1929), n° 28, ill. n° 12 (ill.); P. Eeckhout, Retrospectieve tentoonstelling Emile Claus 1849-1924, cat. (Gent: MSK, 1974), p. 49, n° 49; R. Bombeke, e.a., Schilders van het Leieland, cat. (Deinze: MuDeL, 1991), n° 144; P. Boyens, Sint-Martens-Latem. Kunstenaarsdorp in Vlaanderen (Tielt: Lannoo, 1992), 535 (ill.); M. Ruyters, Campo 1897-1997 (Antwerpen: Stefan Campo, 1997), p. 85, n° 11 (ill.); J. De Smet, e.a., Emile Claus en het landleven, cat. (Gent: MSL, 2009), p. 145, p. 93 (ill.); R. Hoozee, e.a., Lights of Flanders. Images of a beautiful Belgian village, cat. (Tokyo: The Mainichi Newspapers, 2010), p. 71, n° 36 (ill.); J. De Smet, e.a., Emile Claus and Belgian Impressionism, cat. (Kobe: The Kobe Shimbun, 2013), p. 46, n° 6 (ill.) Exhibitions: 1929, Brussels, Galerie George Giroux, n° 28; 1974, Ghent, Museum voor Schone Kunsten, Retrospective Exhibition Emile Claus 1849-1924, n° 49; 1982, Antwerp, Guillaume Campo, 1982, n° 25; 1991, Deinze, Museum van Deinze en de Leiestreek, Schilders van het Leieland, n° 144; 2009, Ghent, Museum voor Schone Kunsten, Emile Claus and Rural Life, n° 93; 2010-2011, Himeji, City Museum of Art; Tokyo, The Bunkamura Museum of Art; Miyoshi, Okuda Genso Museum, Light of Flanders. Images of a beautiful Belgian village, n° 36; 2013, Himeji, City Museum of Art; Tokyo, Station Gallery; Ishikawa, Prefectural Museum of Art; Hekinan, City Tatsukichi Fuji Museum of Contemporary Art, Emile Claus and Belgian Impressionism, n° 6; 2021, Mechelen, Heilige Geestkapel, Het Kunstuur

Gioielleria Nardi

Homage to Canaletto ring Gold and silver with diamonds, rubies and sapphires A painting by Canaletto is the basic idea that provided the inspiration for making this ring. The idea is to create an ideal bridge between ancient art and contemporary jewellery. The beautiful engraving is completely handmade

Art et Patrimoine - Laurence Lenne

Large horned flask Nevers earthenware, 1660-1670 Decoration with a rider on his mount and soldiers in a landscape H 42 cm Literature: Jean Rosen, La faïence de Nevers 1585-1900, Tome 2. L'Age d'or du XVIIème siècle, Ed. Faton, 2009

Galerie Hioco

Buddha head Thailand, Lopburi period, 13th-14th century Sandstone H 35 cm Provenance: Vérité collection, France

Galerie Marc Maison

Augustine Ricard (Neuilly-sur-Seine, 1860-1922) After the Hunt Oil on canvas, wooden frame H 351 cm x W 495 cm Signed Salon of 1885

Collectors Gallery

Claude Wesel (Belgium, 1942-2014) Modernist pendant in 18ct gold, 1973 Abstract bio-mechanical design, model 5212 Unique piece

Galerie Alexis Pentcheff

Henri Martin (Toulouse 1860-1943 Labastide-du-Vert) L’Eglise de Labastide-du-Vert un matin de printemps Oil on canvas 101 x 79 cm Signed lower right Notice of inclusion in the archives for the Catalogue Raisonné of Henri Martin drawn up by Madame Marie-Anne Destrebecq-Martin dated 18 September 2020 © Foundation Paul Delvaux, Belgium/SABAM, 2023

Lemaire

Delft tin-glazed earthenware duck-shaped tureen Attributed to the De Porceleyne Schotel factory Circa 1750 H 11 x W 21.2 cm

Galerie Cento Anni

Philippe Wolfers (Brussels, 1858-1929) Eternelle idylle, circa 1911 Sketch in patinated bronze on a burgundy marble base H 30 cm Signed Philippe Wolfers with monogram Lost wax, Foundry Ateliers Wolfers Provenance: private collection, Belgium Literature: La Dynastie Wolfers, Ed. Pandora, p. 394 Exhibitions: Brussels 1911, n° 3; Milan 1926, n° 42; Brussels 1928, n° 31, Antwerp 1929, n° 30; Brussels 1972, n° 69

Van Herck-Eykelberg

alexander calder

Alexander Calder (Lawnton 1898-1976 New York) La Grande Cravate, 1969 Gouache on paper 109 x 23 cm Signed and dated Registered at the Calder Foundation under the archive n° A24180 Literature: Alexander Calder, Château de Tours, 2008, exhibition catalogue, ill. p. 181 Exhibition: Alexander Calder, Château de Tours, 6 June-19 October 2008

Galerie Cento Anni

André (Andrei Mikhaïlovitch) Lanskoy (Moscow 1902-1976 Paris) 'VOUS DITES BIENTÔT', 1965 Oil on canvas 73 x 60 cm Provenance: private collection, France

Harold t’Kint de Roodenbeke

Keith Haring & LA 2 (friend of Haring called Angel Ortiz) They frequently collaborate and this work is mainly from Keith Haring Painting on wood 200 x 88 cm Signed by both artists With certificate from Keith Haring foundation

Jan Muller Antiques

Jacob Marrel (Frankenthal 1614-1681 Frankfurt am Main) Still life with a basket of fruit, sea shells and a lizard Oil on panel 74 x 49 cm Signed with monogram 'JM* f' Provenance: with Julius Böhler, Munich, 1981

De Zutter Art Gallery

asger jorn

Asger Jorn (Denmark, 1914-1973) The Awakening II, 1953 Oil on panel 152 x 121 cm This work is included in the Catalogue Raisonné under n° 799 Provenance: R. Dahlmann Olson, Copenhagen Exhibitions: 1953, Copenhagen, ‘spiralen’; 1964, Kunsthalle Basel, 'Asger Jorn-Dodeigne'; 1965, 'Jorn', Stedelijk Museum Amsterdam; Louisiana Museum of Modern Art, Humblebaek, 'Jorn'; 2001-2023 long-term loan to the CoBrA-museum Amstelveen

Ars Antiqua

Jan van Bijlert (1597 or 1598-1671 Utrecht) Vanitas Oil on canvas 82.5 x 118.5 cm

Segoura Fine Art

charles revel

Charles Revel (France, 1829-1880) Allégories de la Force et du Droit, circa 1872 Oil on canvas 66 x 54.5 cm Signed lower right Provenance: private collection, France With this painting, Charles Revel illustrates the words given to the German Chancellor Otto von Bismarck: 'Strength prevails over Law'