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Studio 2000 Art Gallery
theo van rysselberghe
Theo van Rysselberghe (Ghent 1862-1926 Saint-Clair, Var) Portrait of Mrs. H. Aubry, 1907 Oil on canvas 81 x 65 cm Signed and dated middle left with monogram 'April 07' Provenance: private collection, The Netherlands; Sotheby's, Amsterdam, 13 December 1999; Campo & Campo, Antwerpen, 18 October 1998; Me Cousin, Les Andelys, France, 9 December 1990 Literature: Ronald Feltkamp, Théo van Rysselberghe Catalogue raisonné, Editions Racine, Brussels, 2003, p. 367, n° 032 (ill.); G. Van Zype, Notice Théo van Rysselberghe, in: Annuaire de l'Académie Royale de Belgique, Bruxelles, 1932 Exhibitions: Théo van Rysselberghe, Bernheim-Jeune, Paris, 27 April-9 May 1908
Franck Anelli Fine Art
charles topino
Charles Topino (France, 1742-1803) Oval writing table with white marble top Table in quatrefoil marquetry with rosewood surrounds, opens with a drawer and a sliding shelf, resting on curved uprights joined by a notched brace; white marble top with gallery Louis XVI period Stamped by Charles Topino, a cabinetmaker who became a master in 1773 H 72 x W 60 x D 41 cm Provenance: Neuilly sale, étude Ionesco, 7 July 1993, lot 63 Literature: this model is reproduced in Sylvain Barbier Sainte Marie, p. 57, fig 26
Galerie Kaléidoscope
fernand teyssier
Fernand Teyssier (Paris, 1937-1988) X-ray and breathing-sheep, circa 1966-67 Acrylic, graphite pencil, stampo and ink on canvas 98.4 x 81.5 cm Provenance: estate Fernand Teyssier Exhibition: Konstanz/FRG, 1968, Bilder, Graphik, Objekte, Der Asta-Konstanz Universität
Opera Gallery
Paul Delvaux (Belgium, Antheit 1897-1994 Veurne) La Fin du Voyage, 1968 Oil on canvas 165.1 x 145 cm Signed: P. DELVAUX and dated 10-68 on the lower right; signed again, titled and dated: 1968 on the stretcher Provenance: Mr. and Mrs. Morton D. May, St. Louis, USA, by 1969; Marlborough Gallery, London; Don Bartolomé March, Madrid (until at least 1991); Christie's London, 3 February 2003, lot 168; Collection of Paul Yeou Chichong Literature: Jerrold Lanes, New York, The Burlington Magazine, vol. CXI, n° 794, May 1969, p. 325, ill.; Michel Butor, Jean Clair, Suzanne Houbart-Wilkin, Delvaux, Catalogue de l'oeuvre peint, Brussels, 1975, n° 309, p. 271, ill.; Jacques Sojcher, Paul Delvaux ou la passion puérile, Paris, 1991, p. 78, ill. Exhibitions: New York, Staempfli Gallery, Paul Delvaux, 1969, n° 15; Madrid, Fundacion Juan March; Barcelona, Funacio Caixa Catalunya and Florence, Pallazzo Corsini, Delvaux, 1998, n° 72, p. 113, ill. in colour © Foundation Paul Delvaux, Belgium/SABAM, 2023-2024
Harold t’Kint de Roodenbeke
Leopold Survage (Moscow 1879-1968 Paris) Surrealist composition, 1916 Gouache and pencil on paper 43 x 31 cm Signed lower right Survage, marked with his initials LS, stamped with the artist's studio stamp and dated 16 Anne-Marie Divieto has confirmed the authenticity of this work Provenance: Felix Landau, Paris; private collection, Germany (acquired from the above circa 1970)
Dr. Nöth kunsthandel + galerie
lotte laserstein
Lotte Laserstein (Preußisch Holland/Königsberg 1898-1993 Kalmar/Sweden) Young couple turned to the left (The Neumans), 1970 Oil on canvas 49 x 59 cm Signed and dated upper left: Lotte Laserstein 1970 Provenance: purchased directly from the artist by the present owner
Florian Kolhammer
johann loetz witwe
Johann Loetz Witwe Vase Phänomen Genre 356, circa 1900 Designed and executed by Johann Loetz Witwe, Klostermühle, Bohemia Mould-blown, freeform, reduced and iridescent glass H 23.5 x Ø 14 cm Signed underneath 'Loetz Austria' Literature: A. Adlerova, E. Ploil, H. Ricke, T. Vlcek (ed.), Loetz-Böhmisches Glas 1880-1940, vol. II, paper pattern catalogue, Prestel, Munich 1989, paper pattern 420, p. 95
Stéphane Renard Fine Art
alessandro oliverio
Alessandro Oliverio (Bergamo or Venice, ante 1500-post 1544) Christ Carrying the Cross, 1505-1510 Oil on poplar panel H 49.5 x W 41.5 cm Provenance: collection Count Hubert Ludwig de la Fontaine and d'Harnoncourt-Unverzagt (1789-1846), from 1826 at Hrotovice Castle, Trebic, Czech Republic; purchased in 1836 with the entire collection and the castle by Georg Simon von Sina (1783-1856); transferred around 1847 by his son Simon Sina to Mysliborice Castle, Trebic, Czech Republic; by inheritance, in 1876, to Simon's daughter Iphigenie Sina (1847-1914), Duchess of Castries, sold in 1882 to Baron Anton Dreher of Schwechat; Mysliborice Castle; Antiqua auction sale, Prague, 1921, n° 12 (Italian Master of the 16th century)
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Stéphane Renard Fine Art
henri-pierre danloux
Henri-Pierre Danloux (Paris, 1753-1809) Pair of portraits: Portrait of the Duc d'Angoulême & Portrait of the Duc de Berry Oil on canvas pasted on wood panels Duc d'Angoulême: oval canvas 25 x 21 cm - framed: 35.5 x 30 cm Duc de Berry: oval canvas 26.5 x 21 cm - framed: 35.5 x 30.3 cm Rectangular frames in the neoclassical style with pearl and rais-de-coeurs motif surrounding an oval medallion. The frames are surmounted by cartouches reading 'Donné par S.A.R. le Mgr Le Duc d'Angoulême à Lord Adam Gordon' and 'Donné par S.A.R. le Mgr Le Duc d'Berri à Lord Adam Gordon' Signed 'HP Danloux 1797' on the portrait of the Duc d'Angoulême Provenance: gifted by the models to Lord Adam Gordon and then by family descent
Kunsthaus Kende
hans bolek
Hans Bolek (Vienna, 1890-1978) An 800 grade silver coffee and tea service, Vienna, 1909-1912 Designed by Hans Bolek, executed by Franz Schediwy for Alfred Pollack silversmithy A five piece coffee and tea service Provenance: private collection, San Francisco Literature: In 1912, the Vienna Museum of Applied Arts (MAK) acquired the tea service, consisting of a teapot, a small milk jug and a sugar bowl on a tray. It is still in the museum’s collection under inventory number WI 1102. An identical composition can be found in the Bröhan Museum, Berlin and is ill. in: Kerssenbrock-Krosigk, D. von, Bröhan Museum, von Kerssenbrock-Krosigk, D. & Kanowski, C. (2001). Metallkunst der Moderne: Bröhan-Museum, Landesmuseum für Jugenstil, Art Deco und Funktionalismus (1889-1939), Berlin. P. 521, cat. n° 464 Exhibition: This tea service was designed prior to 1909 and exhibited for the first time by the silversmith Alfred Pollack in 1910/11 at the winter exhibition in the Vienna Museum of Applied Arts (currently the Museum der angewandten Kunst, Vienna, known as MAK)
Thomas Deprez Fine Arts
gisbert combaz
Gisbert Combaz (Antwerp 1869-1941 Brussels) Poster project for the 75th anniversary of Belgian independence, 1905 Oil, gouache, pencil and ink on canvas 102 x 62 cm Signed and dated middle right: Gisbert Combaz 1905 Provenance: the artist's studio by his death in 1941 (?); former collection Wittamer-Descamps, Brussels; former collection Wéry, Brussels; private collection, Brussels Literature: Jane Block, Gisbert Combaz (1869-1941)-Fin de siècle Artist, Antwerp, Pandora, 1999, cf. p. 99, n° 141 & 142 Unpublished as a poster, the design was taken up by Octave Maus as a chromolithography for the frontispiece of the section 'L'Art Appliqué en Belgique' in the milestone publication: 'L'Art et La Vie en Belgique 1830-1905', Bruxelles & Paris: Librairie Nationale d'Art et d'Histoire, G. Van Oest & Cie, 1921, p. 117. The design was later also used as the cover for Th. Quoidbach, 'Le Chansonnier de la Jeunesse belge', Brussels, Schott, 1934
Franck Anelli Fine Art
jacob van hulsdonck
Jacob Van Hulsdonck (Antwerp, 1582-1647) Still life with peaches and grapes Oil on panel 64 x 50 cm Provenance: collection Grasset Exhibitions: Brueghel to Canaletto, European Masterpieces from the Grasset Collection at the San Diego Museum of Art, San Diego. 2 April-2 August 2016; A Feast for the Eyes: European Masterpieces from the Grasset Collection at the Museum of Fine Arts, St Petersburg, Florida, 23 March-2 September 2019
Galerie Mathivet
Claude Lalanne (Paris 1925-2019 Fontainebleau) Pomme d'Or, 1970 18k yellow gold H 10.5 cm Monogrammed CL, numbered 3/5, guarantee hallmark Provenance: André Mourgues; Alexandre Iolas collection (Alexandre Iolas, a dealer who was a great supporter of the Surrealists and the New Realists) Claude Lalanne's world is poetic. She moulds bodies, leaves, apples and cabbages, then combines them. Her creations include L'Homme à tête de chou, La Pommebouche and L'Escargot doigt. These pieces are dreamlike, reminiscent of the Baroque world. Yves Saint Laurent, one of her most loyal customers, said: "What moves me about her is that she has managed to combine craftsmanship and poetry in the same exacting way. Her beautiful sculptor's hands seem to push aside the mists of mystery to reach the shores of art". This 'pomme bouche' could also be reminiscent of the world of Magritte...
