This section will be available this Autumn.
Galerie Dina Vierny
robert couturier
Robert Couturier (France, 1905-2008) Hommage à Millet, 1994 Bronze H 75.5 x W 27.5 x D 14.5 cm Signed: Couturier, numbered 5/6 and inscribed with the Coubertin foundry mark on the base Provenance: Galerie Dina Vierny, Paris Literature: V. Da Costa, Catalogue raisonné de l'œuvre sculpté de Robert Couturier, vol. III, 1998, n° 422, ill. p. 383; V. Da Costa, Robert Couturier, Paris, 2000, ill. p. 182; F. Horvat, Horvat photographie Couturier, Paris, 2005, ill. p. 93 Exhibitions: L'Isle-sur-la-Sorgue, Campredon, Robert Couturier, 1996, ill. p. 62; Paris, Musée Maillol, Robert Couturier fête ses 100 ans au Musée Maillol, 2005; Saint-Tropez, Galerie Lucas Ratton; Saint-Tropez, XAIPE, 2023
Galerie La Patinoire Royale Bach
michel mouffe
Michel Mouffe (Brussels, 1957) Tous les matins du monde, 2015 Mixed technique on canvas (9x) H 70 x W 43 cm, in total: H 70 x W 495 cm Provenance: the artist's studio Literature: Alphabet, 2017, Conversation Joel Benzakin and Michel Mouffe; Tous les matins du monde, exhibition catalogue, Galerie La Patinoire Royale Bach Exhibition: Michel Mouffe: Tous les matins du monde, Galerie La Patinoire Royale Bach, 2023
Repetto Gallery
Giorgio de Chirico (Greece, Volos 1898-1978 Rome, Italy) Piazza d’Italia con Arianna, Beginning 1950s Oil on canvas 70 x 100 cm Signed lower left, inscribed on the reverse: questa pittura metafisica è opera autentica da me eseguita e firmata, Giorgio de Chirico. COA by Fondazione Giorgio e Isa de Chirico n. 0050/10/33 OT Provenance: Galleria Renzo Spagnoli, Florence; Private collection, Italy Literature: Fondazione Giorgio e Isa de Chirico, Giorgio de Chirico. Catalogo generale – opere dal 1913 al 1976, vol. 3/2016, Maretti Editore, p. 236, n° 1166
Galerie Nicolas Bourriaud
auguste rodin
Auguste Rodin (Paris 1840-1917 Meudon) L'homme au nez cassé, masque - type II 2e modèle (1903) Bronze with black-green patina H 25.5 x W 20 x D 21.5 cm Total height with onyx pedestal: 37.5 cm Signed: A. Rodin and marked: A. Rodin in relief on the inside Cast by Alexis Rudier, bears the founder's signature, circa 1926
Galerie Oscar De Vos
emile claus
Emile Claus (Sint-Eloois-Vijve 1849-1924 Astene) Return from school/Girls in the field, 1892 Oil on canvas 132 x 99 cm Signed lower left: Emile Claus Provenance: collection Mrs. G.C., Brussels; Galerie Georges Giroux, Brussels, 1929, n° 28; collection Mrs. F. Soethoudt, Brussels; auction Guillaume Campo, Antwerp, 1982, n° 25; Galerie Oscar De Vos, Sint-Martens-Latem; private collection, Belgium Literature: G. Giroux, Catalogue de la collection de Madame G.C. (Brussels: Galerie Georges Giroux, 1929), n° 28, ill. n° 12 (ill.); P. Eeckhout, Retrospectieve tentoonstelling Emile Claus 1849-1924, cat. (Gent: MSK, 1974), p. 49, n° 49; R. Bombeke, e.a., Schilders van het Leieland, cat. (Deinze: MuDeL, 1991), n° 144; P. Boyens, Sint-Martens-Latem. Kunstenaarsdorp in Vlaanderen (Tielt: Lannoo, 1992), 535 (ill.); M. Ruyters, Campo 1897-1997 (Antwerpen: Stefan Campo, 1997), p. 85, n° 11 (ill.); J. De Smet, e.a., Emile Claus en het landleven, cat. (Gent: MSL, 2009), p. 145, p. 93 (ill.); R. Hoozee, e.a., Lights of Flanders. Images of a beautiful Belgian village, cat. (Tokyo: The Mainichi Newspapers, 2010), p. 71, n° 36 (ill.); J. De Smet, e.a., Emile Claus and Belgian Impressionism, cat. (Kobe: The Kobe Shimbun, 2013), p. 46, n° 6 (ill.) Exhibitions: 1929, Brussels, Galerie George Giroux, n° 28; 1974, Ghent, Museum voor Schone Kunsten, Retrospective Exhibition Emile Claus 1849-1924, n° 49; 1982, Antwerp, Guillaume Campo, 1982, n° 25; 1991, Deinze, Museum van Deinze en de Leiestreek, Schilders van het Leieland, n° 144; 2009, Ghent, Museum voor Schone Kunsten, Emile Claus and Rural Life, n° 93; 2010-2011, Himeji, City Museum of Art; Tokyo, The Bunkamura Museum of Art; Miyoshi, Okuda Genso Museum, Light of Flanders. Images of a beautiful Belgian village, n° 36; 2013, Himeji, City Museum of Art; Tokyo, Station Gallery; Ishikawa, Prefectural Museum of Art; Hekinan, City Tatsukichi Fuji Museum of Contemporary Art, Emile Claus and Belgian Impressionism, n° 6; 2021, Mechelen, Heilige Geestkapel, Het Kunstuur
Tobogan Antiques
charles de marnyhac (1840-1897)
Charles de Marnyhac (France, 1840-1897) 'African Venus', circa 1878 Two patina bronze figure H 168 x W 54 cm Life-size, representing a young African woman taming a snake, dressed with a feathered loincloth and a long drape in her hair, and wearing African jewels Literature: Great Exhibitions 1851-1900, Jonathan Meyer, Antique Collector’s Club, 2006, p. 241; L’Art et L’Industrie de tous les peuples à l’Exposition Universelle de 1878, Librairie Illustrée, Paris Similar model mounted as a floor lamp exhibited by Charles de Marnyhac at the World's Fair in Paris in 1878
Gioielleria Nardi
Homage to Canaletto ring Gold and silver with diamonds, rubies and sapphires A painting by Canaletto is the basic idea that provided the inspiration for making this ring. The idea is to create an ideal bridge between ancient art and contemporary jewellery. The beautiful engraving is completely handmade
Osborne Samuel Gallery
bram bogart
Bram Bogart (Delft 1921-2012 Sint Truiden) Agglomeration, 1959 Homemade paint on canvas H 95.3 x W 158 x D 5 cm Signed and dated lower right Also signed, dated and titled verso Provenance: Arthur Tooth Gallery, UK (March 1959); Martin Summers Art Ltd, London-J P Cochrane Collection (2005); Fine Art Society, London (2006); Rosenfeld Porcini, London (2017); Vigo Gallery, London (2022); private collection Exhibitions: 1960, Matter Painting, ICA, London (Bram Bogart, Lucio Fontana, Nicolas De Stael, Antonio Tapies, Jean Dubuffet, Jean Fautrier) (21 Sep-22 Oct, 1960); 2013, The Continuation of Romance painting an Interrupted discourse, Rosenfeld Porcini, London; 2017, Bram Bogart. Zonzucht, Vigo Gallery, London
Galerie Bertrand de Lavergne
Quadrangular Chinese ‘famille rose’ porcelain vase decorated with famous scenes from the ‘Romance of the Western Chamber’ that tells the story of a secret love affair between Zhang Sheng (张生), a young scholar, and Cui Yingying, the daughter of a chief minister of the Tang court China, Yongzheng period (1723-1735) H 29.5 cm
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Univers du Bronze
françois pompon
François Pompon (Saulieu 1855-1933 Paris) Grue couronnée au repos, 1926 Bronze with slate patina, specific to Pompon H 26.5 x W 10 x D 15.4 cm Artist's edition signed by Pompon in the wax, cast by Cire C.Valsuani perdue, confidential edition of few examples only, circa 1926-1933
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Stern Pissarro Gallery
auguste herbin
Auguste Herbin (Quiévy 1882-1960 Paris) VENUS I, 1945 Oil on canvas 100 x 81 cm Titled, signed and dated lower left, vénus-herbin 1945 Provenance: private collection, Stockholm; Galerie des Etats-Unis, S. Stoliar, Cannes; Sotheby's London, 2002; Dorval Gallery, Lille; private collection, France Literature: Geneviève Claisse, Herbin, Catalogue raisonné de l'Œuvre Peint, Paris, 1993, n° 846, (ill. in black and white p. 429) Exhibition: Cannes, Galerie des Etats-Unis, 1965, n° 29
Galerie de la Présidence
geer van velde
Geer van Velde (Netherlands, Lisse 1898-1977 Cachan, France) Composition, 1960 Oil on canvas 162 x 162 cm Signed lower right with the artist's initials This work will be included in the forthcoming Geer van Velde catalogue raisonné currently being prepared by Pierre François Moget, son of Piet Moget Provenance: artist’s studio estate; private collection, France Literature: Viatte, Germain, 1989, Geer van Velde, Paris, Editions Cahiers d’Art, ill. col., p. 151 Exhibitions: 1981, La Haye, Haags Gemeentemuseum, Geer van Velde 1898-1977, schilderijen en tekeningen, n° 56 du cat., fig. 55, ill. col., p. 71; 1982, Høvikodden, Henie-Onstad Kunstsenter, Geer van Velde, n°17 du cat. (insert in the catalog of the exhibition of 1981 at Gemeente Museum, n° 56), fig. 55; 1982, Paris, Musée d’Art Moderne de la Ville de Paris, Geer van Velde 1898-1977. Peintures et œuvres sur papier, n° 54 du cat., fig. 55, ill. col., p. 71; 1982-Varberg, Museet I Varberg, Geer van Velde 1898-1977; 1986, Albi, Musée Toulouse-Lautrec, Geer van Velde 1898-1977, n° 22 du cat., ill. col., p. 26; 1991, Sigean, Lieu d’Art Contemporain, Geer van Velde. 1898-1977, n° 39 du cat., ill. col., p. 28; 2000, Antibes, Musée Picasso, Geer van Velde, n° 34 du cat., ill. col., p. 67; 2000, Colmar, Musée Unterlinden, Geer van Velde, n° 34 du cat., ill. col., p. 67; 2010, Lyon, Musée des Beaux-Arts, Bram et Geer van Velde, deux peintres un nom, n° 130 du cat., ill. col., p. 143
VKD Jewels
Angela Cummings (Austrian-American, 1944) Mother-of-pearl and 18k yellow gold necklace Composed of oval-shaped gold links inlaid with mother-of-pearl USA, circa 1980 Signed Angela Cummings Provenance: private collection Literature: Juliet Weir-de La Rochefoucauld, Women Jewellery Designers, pp. 134-139
QG Gallery
christo
Christo Javacheff (Gabrovo 1935-2020 New York) Wrapped Reichstag (Project for Deutsche Reichstag-West Berlin) Pencil, charcoal, wax crayon, map, photographs by Wolfgang Volz and glue, in artist's Plexiglas frame, in two parts H 39.4 x W 166.5 cm H 108 x W 166.5 cm Provenance: Otto Wolff von Amerongen, Germany (gifted by the artist for being instrumental in facilitating the wrapping of the Reichstag); Sotheby's London, June 2023; private collection, Belgium
Galerie von Vertes
sam francis
Sam Francis (San Mateo 1923-1994 Santa Monica) Untitled (SF52-015), 1952 Gouache and oil on paper 60.9 x 49.2 cm Signed twice, dated and inscribed on verso 'Sam Francis SF PARIS 1952' Sam Francis Online Catalogue Raisonné of the Works on Paper, n° SFF5.134 Provenance: Gimpel Fils, London (1957); Margo Leavin Gallery, Los Angeles; private collection, California (acquired from the above); Minami Gallery, Tokyo (October 1977); Idemitsu Museum, Tokyo (accession n° 3449, June 1978); Sotheby's, New York, 15 November 2018, lot 212; private collection, London Literature: Kodansha, Contemporary Great Masters: Sam Francis. Tokyo: Kodansha 1994, p. 89 (ill. in colour pl. 63) Exhibitions: Pavillon des Arts, Paris, L’oeuvre de Sam Francis dans les collections du Musée Idemitsu, 18 September-16 November 1986, n° 6 (ill. in colour), weitergereist nach: Louisiana Museum of Modern Art, Humlebaek, Denmark, 29 November 1986-18 January 1987; Yayoi Gallery, Ogawa Art Foundation, Tokyo, 5 October–5 December 1987; Museum of Modern Art, Toyama, Japan, Sam Francis: From the Idemitsu Collection, 10 August-16 September 2002, n° 10 (ill. in colour p. 35), travelled to: Kawamura Memorial Museum of Art, Chiba, Japan, 28 September-10 November 2002; Museum of Art Ehime, Ehime, Japan,16 November-23 December 2002; Museum of Contemporary Art, Tokyo, 5 April-25 May, 2003; Iwaki City Art Museum, Fukushima, Japan, 3 June-6 July 2003; Oita City Art Museum, Oita, Japan, 13 September-26 October 2003
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Galerie Kevorkian
persian art, samanid dynasty
'Buff ware bowl' with seated figure, animals and inscriptions Persian art, Samanid dynasty Earthenware pottery, painted in black, yellow and green under a transparent glaze Eastern Iran (Khurasan), Nishapur, 10th century H 6.2 cm; Ø 18.2 cm Provenance: former collection P.M., Paris; Hôtel Drouot, 10 July 1980, lot 9
F. Baulme Fine Arts
ermano stroiffi
Ermanno Stroiffi (Padua 1616-1693 Venice) Saint Peter and Saint John in adoration in front of the infant Jesus Oil on slate 48.5 x 26 cm Provenance: collection Lars Ericsson; Galerie Canesso, Paris This notable slate painting blends two iconographic traditions: the Virgin from a painting by Lelio Orsi, and the image of the profile of the Virgin receiving the blessing of the infant Jesus. The association of these two evangelists is quite unusual, linked to the devotion of the patron. The original figures of the two saints and the child’s traits connected this painting to Ermano Stroiffi’s work, a well-established artist from Padova. He worked under Bernardo Strozzi's guidance in his Venice studio. The researcher Cristante (1997, p. 109) states that he was Giovanni Stroiffi’s son, a renowned Flemish painter established in Padova.