Almine Rech at BRAFA 2026
04/11/2025
For its first participation at BRAFA, Almine Rech will present a curated selection of modern and contemporary works that reflect the gallery’s cross-generational approach, bringing together historical figures and leading contemporary voices.
At the center of the presentation stands Crow (2025), a new kinetic sculpture by Belgian artist Hans Op de Beeck. Suspended in space, the life-size crow flaps its wings in a slow, rhythmic motion, evoking the illusion of flight. Combining mechanical precision with a quiet sense of melancholy, Crow embodies Op de Beeck’s poetic exploration of stillness, solitude, and the passage of time.
The booth will also feature a group of historical works by key modern masters: Pablo Picasso, with unique engravings (bons à tirer) from 1968 and rare ceramic pieces; Tom Wesselmann, represented by Smoker Study (for Smoker #11) (1972); and Vivian Springford, with a vibrant painting from 1973.
The presentation will also include significant works by Heinz Mack - including a 1959 relief and a series of ceramics - Johan Creten, with the ceramic Odore di Femmina, and works by Christopher Le Brun, Minjung Kim, and Ha Chong-Hyun, among others.
Through this selection, Almine Rech highlights its ongoing dialogue between modern and contemporary creation, and between established masters and artists shaping the language of our time.
BRAFA 2026 - Almine Rech - Press file At the center of the presentation stands Crow (2025), a new kinetic sculpture by Belgian artist Hans Op de Beeck. Suspended in space, the life-size crow flaps its wings in a slow, rhythmic motion, evoking the illusion of flight. Combining mechanical precision with a quiet sense of melancholy, Crow embodies Op de Beeck’s poetic exploration of stillness, solitude, and the passage of time.
The booth will also feature a group of historical works by key modern masters: Pablo Picasso, with unique engravings (bons à tirer) from 1968 and rare ceramic pieces; Tom Wesselmann, represented by Smoker Study (for Smoker #11) (1972); and Vivian Springford, with a vibrant painting from 1973.
The presentation will also include significant works by Heinz Mack - including a 1959 relief and a series of ceramics - Johan Creten, with the ceramic Odore di Femmina, and works by Christopher Le Brun, Minjung Kim, and Ha Chong-Hyun, among others.
Through this selection, Almine Rech highlights its ongoing dialogue between modern and contemporary creation, and between established masters and artists shaping the language of our time.
